UPC · Album
The Best 80’s Album in the World… Ever! Volume 2
Various Artists
Last verified:
6002140913121 is the Universal Product Code (UPC barcode) for the release “The Best 80’s Album in the World… Ever! Volume 2” by Various Artists, released 1999-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include AUBM00599371, AUBM00600883, AUBM08641001.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (89)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| You’re the Voice | John Farnham | AUBM00599371 |
| You’re the Voice | John Farnham | AUBM00600883 |
| You’re the Voice | John Farnham | AUBM08641001 |
| The Loco‐Motion | Kylie Minogue | AUMU08700142 |
| The Loco‐Motion | Kylie Minogue | AUWA00600610 |
| Flashdance… What a Feeling | Irene Cara | CAU118300354 |
| Flashdance… What a Feeling | Irene Cara | CAU118301354 |
| Everlasting Love | Sandra | DEA340900591 |
| Everlasting Love | Sandra | DEG128700602 |
| Everlasting Love | Sandra | DEG129201108 |
| Love Is a Stranger | Eurythmics | GB1108300680 |
| It Must Be Love | Madness | GB7GZ0900018 |
| Don’t You Want Me | The Human League | GBAAA0200924 |
| Karma Chameleon | Culture Club | GBAAA0201011 |
| Don’t You Want Me | The Human League | GBAAA1200305 |
| Don’t You Want Me | The Human League | GBAAA8100001 |
| It Must Be Love | Madness | GBAAA8100020 |
| Karma Chameleon | Culture Club | GBAAA8300010 |
| A Good Heart | Feargal Sharkey | GBAAA8500024 |
| Everything I Own | Boy George | GBAAA8700025 |
| Dreaming | Orchestral Manoeuvres in the Dark | GBAAA8800018 |
| The Loco‐Motion | Kylie Minogue | GBAHK0200206 |
| Especially for You | Kylie Minogue, Jason Donovan | GBAHK0200216 |
| Touch Me (I Want Your Body) | Samantha Fox | GBAHK9500206 |
| Relax | Frankie Goes to Hollywood | GBAHW0100371 |
| Relax | Frankie Goes to Hollywood | GBAHW0900004 |
| Relax | Frankie Goes to Hollywood | GBAHW9900051 |
| Oh l’amour | Erasure | GBAJH0801268 |
| Oh l’amour | Erasure | GBAJH1100043 |
| Oh l’amour | Erasure | GBAJH9900091 |
| Oh l’amour | Erasure | GBAJH9900200 |
| Hold Me Now | Thompson Twins | GBARK8300013 |
| Hold Me Now | Thompson Twins | GBARK8300046 |
| Hold Me Now | Thompson Twins | GBARK8300053 |
| Hold Me Now | Thompson Twins | GBARK8300070 |
| Love Is a Stranger | Eurythmics | GBARL0300584 |
| Making Your Mind Up | Bucks Fizz | GBARL8100025 |
| Love Is a Stranger | Eurythmics | GBARL8200010 |
| Hold Me Now (12″ version) | Thompson Twins | GBARL8300064 |
| It Doesn’t Have to Be This Way | The Blow Monkeys | GBARL8700037 |
| PERFECT | FAIRGROUND ATTRACTION | GBARL8800011 |
| Hungry Like the Wolf | Duran Duran | GBAYE8200051 |
| Hungry Like the Wolf | Duran Duran | GBAYE8200056 |
| Respectable | Mel & Kim | GBAYE8700095 |
| Respectable | Mel & Kim | GBAYE8700103 |
| Rise to the Occasion | Climie Fisher | GBAYE8700164 |
| You Spin Me Round (Like a Record) | Dead or Alive | GBBBM8400015 |
| You Spin Me Round (Like a Record) | Dead or Alive | GBBBM8502013 |
| You Spin Me Round (Like a Record) | Dead or Alive | GBBBM9999987 |
| Der Kommissar | After the Fire | GBBBN8200002 |
| The Loco‐Motion | Kylie Minogue | GBBTK0900052 |
| The Loco‐Motion | Kylie Minogue | GBBTK0900092 |
| Especially for You | Kylie Minogue, Jason Donovan | GBBTK0900093 |
| Sealed With a Kiss | Jason Donovan | GBBTK0900157 |
| The Loco‐Motion | Kylie Minogue | GBBTK0900185 |
| Relax | Frankie Goes to Hollywood | GBCFZ0900700 |
| I Eat Cannibals | Toto Coelo | GBCKK8278101 |
| It Must Be Love | Madness | GBCZR0000007 |
| It Must Be Love | Madness | GBCZR8100017 |
| The Look of Love | ABC | GBF088200008 |
| It Must Be Love | Madness | GBHVK0900449 |
| The Look of Love | ABC | GBUM70601979 |
| Dreaming | Orchestral Manoeuvres in the Dark | GBUM71902205 |
| Wrap Your Arms Around Me | Agnetha Fältskog | SEAYD8309020 |
| I Think We’re Alone Now | Tiffany | UKDNQ1535905 |
| Der Kommissar | After the Fire | USA371024642 |
| The Look of Love | ABC | USA371425902 |
| Hold Me Now | Thompson Twins | USAR18400001 |
| It Must Be Love | Madness | USBC19901478 |
| We Belong | Pat Benatar | USCH30200007 |
| We Belong | Pat Benatar | USCH38400001 |
| We Belong | Pat Benatar | USCH39900026 |
| I Think We’re Alone Now | Tiffany | USCK30802812 |
| Flashdance… What a Feeling | Irene Cara | USF078300010 |
| It Must Be Love | Madness | USIR10000913 |
| Flashdance… What a Feeling | Irene Cara | USIR20200210 |
| Flashdance… What a Feeling | Irene Cara | USLE11599901 |
| I Think We’re Alone Now | Tiffany | USMC18722580 |
| I Think We’re Alone Now | Tiffany | USMC18723898 |
| We Built This City | Starship | USRC10900778 |
| Jump (For My Love) | The Pointer Sisters | USRC11000951 |
| Jump (For My Love) | The Pointer Sisters | USRC18303288 |
| Jump (For My Love) | The Pointer Sisters | USRC18308013 |
| Broken Wings | Mr. Mister | USRC18404637 |
| Broken Wings | Mr. Mister | USRC18507982 |
| Jump (For My Love) | The Pointer Sisters | USRC19901794 |
| Oh l’amour | Erasure | USRHD0900075 |
| Flashdance… What a Feeling | Irene Cara | USUG10500208 |
| Relax | Frankie Goes to Hollywood | USWWW0132027 |
What other identifiers does this connect to?
Musical Works (ISWC)
+71 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+25 more
People also ask
Verified on
What is UPC 6002140913121?
6002140913121 is a Universal Product Code (UPC) assigned to The Best 80’s Album in the World… Ever! Volume 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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