UPC · Album
Motown Number 1’s
Various Artists
Last verified:
600753017258 is the Universal Product Code (UPC barcode) for the release “Motown Number 1’s” by Various Artists, released 2007-01-01 on Motown. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include DESK99291210, FR6V81995851, GBCBR0300012.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (80)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Three Times a Lady | Commodores | DESK99291210 |
| War | Edwin Starr | FR6V81995851 |
| I Heard It Through the Grapevine | Marvin Gaye | GBCBR0300012 |
| Ain’t No Mountain High Enough | Michael McDonald | GBFWU0300001 |
| Please Mr. Postman | The Marvelettes | ITCF41702116 |
| My Girl | The Temptations | NOISR8366569 |
| Please Mr. Postman | The Marvelettes | QM6N21404802 |
| I’ll Make Love to You | Boyz II Men | QMU9Z1100019 |
| War | Edwin Starr | USDW19805111 |
| I Can’t Help Myself (Sugar Pie, Honey Bunch) | Four Tops | USLIC0601850 |
| (Love Is Like a) Heat Wave | Martha Reeves and the Vandellas | USM010119945 |
| Please Mr. Postman | The Marvelettes | USM016100266 |
| Don’t Leave Me This Way | Thelma Houston | USM017600472 |
| Endless Love | Diana Ross, Lionel Richie | USM018190008 |
| I Heard It Through the Grapevine | Marvin Gaye | USM019582697 |
| My Girl | The Temptations | USMO10000341 |
| What’s Going On | Marvin Gaye | USMO10000523 |
| My Girl | The Temptations | USMO10111043 |
| Ain’t Too Proud to Beg | The Temptations | USMO10111054 |
| War | Edwin Starr | USMO10111226 |
| Heatwave | Martha Reeves and the Vandellas | USMO10119945 |
| Reach Out I’ll Be There | Four Tops | USMO10119990 |
| My Girl | The Temptations | USMO10201002 |
| Stop! In the Name of Love | The Supremes | USMO10300714 |
| Intro | [unknown] | USMO10400070 |
| Please Mr. Postman | The Marvelettes | USMO10400231 |
| My Guy | Mary Wells | USMO10400285 |
| My Girl | The Temptations | USMO10400288 |
| I Want You Back | The Jackson 5 | USMO10400510 |
| My Girl | The Temptations | USMO10500061 |
| Please Mr. Postman | The Marvelettes | USMO16100266 |
| (Love Is Like a) Heat Wave | Martha Reeves and the Vandellas | USMO16300273 |
| My Girl | The Temptations | USMO16400263 |
| Where Did Our Love Go | Diana Ross & The Supremes | USMO16400286 |
| My Guy | Mary Wells | USMO16400486 |
| Where Did Our Love Go | Diana Ross & The Supremes | USMO16482614 |
| My Girl | The Temptations | USMO16490001 |
| Shotgun | Jr. Walker & the All Stars | USMO16500007 |
| UPTIGHT (EVERYTHING'S ALRIGHT) [SINGLE VERSION] [VERSION] | VARIOUS ARTISTS | USMO16500487 |
| I Can’t Help Myself (Sugar Pie, Honey Bunch) | Four Tops | USMO16582593 |
| Uptight (Everything’s Alright) | Stevie Wonder | USMO16582609 |
| I Can’t Help Myself (Sugar Pie, Honey Bunch) | Four Tops | USMO16582894 |
| I Can’t Help Myself (Sugar Pie, Honey Bunch) | Four Tops | USMO16582984 |
| Ain’t Too Proud to Beg | The Temptations | USMO16600031 |
| Ain’t Too Proud to Beg | The Temptations | USMO16690001 |
| Reach Out I’ll Be There | Four Tops | USMO16700445 |
| The Tears of a Clown | Smokey Robinson & The Miracles | USMO16700525 |
| I Heard It Through the Grapevine (single version) (mono) | Marvin Gaye | USMO16800265 |
| Ain’t Nothing Like the Real Thing | Marvin Gaye, Tammi Terrell | USMO16800489 |
| I Heard It Through the Grapevine | Marvin Gaye | USMO16884718 |
| I Want You Back | The Jackson 5 | USMO16900464 |
| War | Edwin Starr | USMO17000050 |
| War | Edwin Starr | USMO17000504 |
| The Tears of a Clown | Smokey Robinson & The Miracles | USMO17000525 |
| The Tears of a Clown | Smokey Robinson & The Miracles | USMO17072044 |
| What’s Going On | Marvin Gaye | USMO17100041 |
| Let’s Get It On | Marvin Gaye | USMO17300037 |
| Love Machine, Part 1 | The Miracles | USMO17500534 |
| Don’t Leave Me This Way | Thelma Houston | USMO17600472 |
| Don’t Leave Me This Way | Thelma Houston | USMO17600547 |
| Three Times a Lady | Commodores | USMO17800028 |
| Three Times a Lady | Commodores | USMO17800521 |
| Endless Love | Diana Ross, Lionel Richie | USMO18190008 |
| Rhythm of the Night | DeBarge | USMO18500526 |
| Let’s Get It On (single version) | Marvin Gaye | USMO19290019 |
| What’s Going On | Marvin Gaye | USMO19290028 |
| Where Did Our Love Go | The Supremes | USMO19290049 |
| I Want You Back | The Jackson 5 | USMO19400306 |
| I’ll Make Love to You | Boyz II Men | USMO19400340 |
| Ain’t Nothing Like the Real Thing | Marvin Gaye | USMO19582694 |
| I Heard It Through the Grapevine | Marvin Gaye | USMO19582697 |
| Three Times a Lady | Commodores | USMOI7800521 |
| Endless Love | Diana Ross, Lionel Richie | USMR18186827 |
| Let’s Get It On | Marvin Gaye | USMV29900159 |
| Don’t Leave Me This Way | Thelma Houston | USRHD0532275 |
| Don’t Leave Me This Way | Thelma Houston | USTB11700241 |
| The Tears of a Clown (U.K. version) | Smokey Robinson & The Miracles | USUM70845721 |
| Uptight (Everything’s Alright) | Stevie Wonder | USUM70845724 |
| I’ll Make Love to You | Boyz II Men | USUM71200740 |
| Love Machine, Part 1 | The Miracles | USUMG0000284 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
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What is UPC 600753017258?
600753017258 is a Universal Product Code (UPC) assigned to Motown Number 1’s by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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