UPC · Release
Blade Runner (Original Motion Picture Soundtrack) (EMS Recombination)
Vangelis
Last verified:
600753051481 is the Universal Product Code (UPC barcode) for the release “Blade Runner (Original Motion Picture Soundtrack) (EMS Recombination)” by Vangelis, released 2011-01-01 on Tyrell Music (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC. Tracks include GBUM71601987, GBAHS0104436, GBAHS0104435.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (53)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ladd Company Fanfare | — | ||
| 2 | Prologue & Main Titles | — | ||
| 3 | Leon’s Test | — | ||
| 4 | Los Angeles, 2019 | — | ||
| 5 | The Blue Room | — | ||
| 6 | Flight to Tyrell Corporation | — | ||
| 7 | Rachel | — | ||
| 8 | Voight Kampff Test | — | ||
| 9 | Leon’s Room (On the Trail of Nexus 6) | — | ||
| 10 | Harps of the Ancient Temples | — | ||
| 11 | At Mr. Chew’s | — | ||
| 12 | Memories of Green | Vangelis | T-031.859.736-2 | |
| 13 | Blade Runner Blues (full length version) | — | ||
| 14 | I’m Hungry J.F. | — | ||
| 15 | Deckard’s Dream | — | ||
| 16 | Esper Analysis | — | ||
| 17 | Animoid Row, Part 1 (Tales of the Future) | — | ||
| 18 | Animoid Row, Part 2 | — | ||
| 19 | Qu’Ran | — | ||
| 2-1 | Taffey Lewis’ Club | — | ||
| 2-2 | Miss Salome and the Snake | — | ||
| 2-3 | Waiting for Zhora | — | ||
| 2-4 | Zhora’s Retirement | — | ||
| 2-5 | One More Kiss, Dear | Vangelis | T-900.222.831-1 | |
| 2-6 | I Am the Business | — | ||
| 2-7 | Love Theme | Vangelis | T-925.037.578-1 | |
| 2-8 | The Blimp | — | ||
| 2-9 | Morning at the Bradbury | — | ||
| 2-10 | The Prodigal Son Returns | — | ||
| 2-11 | The Prodigal Son Brings Death | — | ||
| 2-12 | Deckard Enters the Bradbury | — | ||
| 2-13 | Dangerous Days | — | ||
| 2-14 | Wounded Animals | — | ||
| 2-15 | Tears in Rain | Vangelis | T-903.722.153-7 | |
| 2-16 | Rachel Sleeps | — | ||
| 2-17 | End Titles | — | ||
| 3-1 | Ladd Company Logo Fanfare | — | ||
| 3-3 | Leon’s Voight Kampff Test (alternate take) | — | ||
| 3-4 | Off World Blimp Advert | — | ||
| 3-5 | Blush Response | Vangelis | T-031.635.031-8 | |
| 3-6 | Empty Streets | Vangelis | — | |
| 3-7 | Bicycle Riders (Rain in Second Sector) | — | ||
| 3-8 | Rachel’s Song | Mary Hopkin, Vangelis | T-031.635.039-6 | |
| 3-9 | Memories of Green/Blade Runner Blues (Film edit) | — | ||
| 3-10 | Piano in an Empty Room | Vangelis | — | |
| 3-11 | Thinking of Rachel | — | ||
| 3-12 | Longing | Vangelis | — | |
| 3-13 | Damask Rose | Vangelis | T-031.604.334-1 | |
| 3-14 | If I Didn’t Care | The Ink Spots | T-010.133.776-1 | |
| 3-15 | One Alone | Vangelis | T-900.921.977-6 | |
| 3-16 | Desolation Path (extended) | — | ||
| 3-17 | Mechanical Dolls | Vangelis | T-900.921.982-3 | |
| 3-18 | End Titles (alternate edit) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 600753051481?
600753051481 is a Universal Product Code (UPC) assigned to Blade Runner (Original Motion Picture Soundtrack) (EMS Recombination) by Vangelis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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