UPC · Release
À Boris Vian : On n’est pas là pour se faire engueuler !
Boris Vian, Various Artists
Last verified:
600753194416 is the Universal Product Code (UPC barcode) for the release “À Boris Vian : On n’est pas là pour se faire engueuler !” by Boris Vian, Various Artists, released 2009-01-01 on AZ. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include FRUM70900806, FRUM70900795, FRUM70900791.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | On n’est pas là pour se faire engueuler | Olivia Ruiz, Mathieu Boogaerts, Jane Birkin, Merlot, Carmen Maria Vega, Dick Annegarn, Barbara Carlotti, Carla Bruni, Didier Wampas | T-003.013.327-7 | |
| 2 | Complainte du progrès (Les Arts ménagers) | Juliette | T-003.007.695-9 | |
| 3 | Je bois | Katerine | T-003.010.924-0 | |
| 4 | Les Joyeux Bouchers | Christian Olivier | T-003.011.271-0 | |
| 5 | Natacha chien‐chien | Lio | — | |
| 6 | Blouse du dentiste | Maurane | T-003.006.308-1 | |
| 7 | Cinématographe | -M- | T-003.007.447-5 | |
| 8 | Bourrée de complexes | Carmen Maria Vega, Merlot | T-003.006.462-0 | |
| 9 | Fais‐moi mal, Johnny | François Hadji-Lazaro | T-003.009.384-5 | |
| 10 | La Java des bombes atomiques | Olivia Ruiz | T-003.010.874-7 | |
| 11 | Ses baisers me grisaient (Kisses Sweeter Than Wine) | Emily Loizeau | — | |
| 12 | Quand j’aurai du vent dans mon crâne | Mademoiselle K | T-003.014.806-1 | |
| 13 | Rock and roll‐mops | Didier Wampas | T-900.760.999-6 | |
| 14 | Barcelone | Thomas Fersen | T-003.032.570-2 | |
| 15 | J’suis snob | Michel Delpech | — | |
| 16 | Monsieur le jazz | Lambert Wilson | — | |
| 17 | L’Âme slave | Rona Hartner | T-003.005.360-1 | |
| 18 | Faux frère (Bird Dog) | Dick Annegarn, Mathieu Boogaerts | — | |
| 19 | Le Déserteur | Juliette Gréco | T-004.760.249-2 |
Additional database matches (19)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ballade du lapin | JP Nataf | T-702.408.289-3 |
| Bientôt | Jane Birkin | T-702.369.616-6 |
| Cantate des boîtes | Antoine de Caunes | T-003.006.646-6 |
| Casserole‐sérénade | Arthur H | T-702.390.923-3 |
| C’est ici… | Zebda | T-702.459.657-6 |
| Elle serait là, si lourde | Claire Diterzi | T-702.369.612-2 |
| Il est tard | Holden | T-702.390.924-4 |
| Je mourrai d’un cancer de la colonne vertébrale | Jean-Louis Trintignant | T-702.369.604-2 |
| Je voudrais pas crever | Edouard Baer | T-003.011.169-3 |
| J’suis snob (version femme) | Arielle Dombasle | — |
| La Marche du concombre | Jean-Claude Dreyfus | T-702.231.066-5 |
| La Neige | Barbara Carlotti | T-702.390.921-1 |
| L’Année à l’envers | Agnès Jaoui | T-003.005.533-4 |
| Les Isles | Kent | T-702.390.922-2 |
| Pas pour moi | Daniel Darc | T-702.390.920-0 |
| Que tu es impatiente | Jeanne Moreau | T-003.015.045-8 |
| S’il pleuvait des larmes | Daphné | T-003.432.138-4 |
| Terre‐Lune | Carole Bouquet | T-003.017.170-0 |
| Valse des mannequins | Carla Bruni | T-003.832.133-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 600753194416?
600753194416 is a Universal Product Code (UPC) assigned to À Boris Vian : On n’est pas là pour se faire engueuler ! by Boris Vian, Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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