UPC · Release
Carnegie Hall Concerts: 1943/1947
Duke Ellington & His Orchestra
600753232491
85 tracksReleased 2010-01-01Prestige
Last verified:
600753232491 is the Universal Product Code (UPC barcode) for the release “Carnegie Hall Concerts: 1943/1947” by Duke Ellington & His Orchestra, released 2010-01-01 on Prestige. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 85 tracks, each with its own ISRC.
Format
6Number system
00753Manufacturer
23249Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCCarnegie Hall Concerts: 1943/1947
ISWC32 works
Track List (85)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Star Spangled Banner | — | ||
| 2 | Black and Tan Fantasy | — | ||
| 3 | Rockin' in Rhythm | — | ||
| 4 | Moon Mist | — | ||
| 5 | Jumpin' Punkins | — | ||
| 6 | Portrait of Bert Williams | — | ||
| 7 | (Portrait of) Bojangles | — | ||
| 8 | Portrait of Florence Mills (Black Beauty) | — | ||
| 9 | Ko-Ko | — | ||
| 10 | Dirge | — | ||
| 11 | Stomp (Johnny Come Lately) | — | ||
| 12 | Are You Stickin'? | — | ||
| 13 | Black, Brown & Beige: I. Black | — | ||
| 2-1 | Black, Brown & Beige: II. Brown | — | ||
| 2-2 | Black, Brown & Beige: III. Beige | — | ||
| 2-3 | Bakiff | — | ||
| 2-4 | Jack the Bear | — | ||
| 2-5 | Blue Belles of Harlem | — | ||
| 2-6 | Cotton Tail | — | ||
| 2-7 | Day Dream | — | ||
| 2-8 | Boy Meets Horn | — | ||
| 2-9 | Rose of the Rio Grande | — | ||
| 2-10 | Don't Get Around Much Anymore | — | ||
| 2-11 | Goin' Up | — | ||
| 2-12 | Mood Indigo | — | ||
| 3-1 | Blutopia | — | ||
| 3-2 | Midriff | — | ||
| 3-3 | Creole Love Call | — | ||
| 3-4 | Suddenly It Jumped | — | ||
| 3-5 | Pitter Panther Patter | — | ||
| 3-6 | It Don't Mean a Thing (If It Ain't Got That Swing) | — | ||
| 3-7 | Things Ain't What They Used to Be | — | ||
| 3-8 | Perfume Suite: Introduction | — | ||
| 3-9 | Perfume Suite: Sonata | — | ||
| 3-10 | Perfume Suite: Strange Feeling | — | ||
| 3-11 | Perfume Suite: Dancers in Love | — | ||
| 3-12 | Perfume Suite: Coloratura | — | ||
| 4-1 | Selections from Black, Brown and Beige: Work Song | — | ||
| 4-2 | Selections from Black, Brown and Beige: The Blues | — | ||
| 4-3 | Selections from Black, Brown and Beige: Three Dances: West Indian Dance / Creamy Brown / Emancipation Celebration | — | ||
| 4-4 | Selections from Black, Brown and Beige: Come Sunday | — | ||
| 4-5 | The Mood to Be Wooed | — | ||
| 4-6 | Blue Cellophane | — | ||
| 4-7 | Blue Skies | — | ||
| 4-8 | Frankie and Johnny | — | ||
| 5-1 | Caravan | — | ||
| 5-2 | In a Mellow Tone | — | ||
| 5-3 | Solid Old Man | — | ||
| 5-4 | Selections from Black, Brown and Beige: Spiritual (Come Sunday) / Worksong | — | ||
| 5-5 | Selections from Black, Brown and Beige: The Blues | — | ||
| 5-6 | Rugged Romeo | — | ||
| 5-7 | Sono | — | ||
| 5-8 | Air-Conditioned Jungle | — | ||
| 5-9 | Pither Panther Patter | — | ||
| 6-1 | Take the "A" Train | — | ||
| 6-2 | A Tonal Group: Meloditti | — | ||
| 6-3 | A Tonal Group: Fugueaditty | — | ||
| 6-4 | A Tonal Group: Jam-a-ditty | — | ||
| 6-5 | Magenta Haze | — | ||
| 6-6 | Diminuendo in Blue / Transblucency | — | ||
| 6-7 | Crescendo in Blue | — | ||
| 6-8 | Suburbanite | — | ||
| 6-9 | I'm Just a Lucky So and So | — | ||
| 6-10 | Riffin' Drill | — | ||
| 7-1 | The New Look (Snibor) | — | ||
| 7-2 | Blue Serge | — | ||
| 7-3 | Triple Play | — | ||
| 7-4 | Harlem Airshaft | — | ||
| 7-5 | Johnny Hodges Medley: Wanderlust / Junior Hop / Jeep's Blues / Squatty Roo / The Mood to Be Wooed | — | ||
| 7-6 | Mella Brava | — | ||
| 7-7 | Kickapoo Joy Juice | — | ||
| 7-8 | On a Turquoise Cloud | — | ||
| 7-9 | Bakiff | — | ||
| 7-10 | Cotton Tail | — | ||
| 8-1 | Liberian Suite: I Like the Sunrise | — | ||
| 8-2 | Liberian Suite: Dance 1 | — | ||
| 8-3 | Liberian Suite: Dance 2 | — | ||
| 8-4 | Liberian Suite: Dance 3 | — | ||
| 8-5 | Liberian Suite: Dance 4 | — | ||
| 8-6 | Liberian Suite: Dance 5 | — | ||
| 8-7 | Theme Medley: East St. Louis Toodle-oo / Echoes of Harlem / Black and Tan Fantasy / Things Ain't What They Used to Be | — | ||
| 8-8 | Basso Profundo | — | ||
| 8-9 | New York City Blues | — | ||
| 8-10 | Clothed Woman | — | ||
| 8-11 | Trumpets No End (Blue Skies) | — |
The Star Spangled Banner
—
Black and Tan Fantasy
—
Rockin' in Rhythm
—
Moon Mist
—
Jumpin' Punkins
—
Portrait of Bert Williams
—
(Portrait of) Bojangles
—
Portrait of Florence Mills (Black Beauty)
—
Ko-Ko
—
Dirge
—
Stomp (Johnny Come Lately)
—
Are You Stickin'?
—
Black, Brown & Beige: I. Black
—
Black, Brown & Beige: II. Brown
—
Black, Brown & Beige: III. Beige
—
Bakiff
—
Jack the Bear
—
Blue Belles of Harlem
—
Cotton Tail
—
Day Dream
—
Boy Meets Horn
—
Rose of the Rio Grande
—
Don't Get Around Much Anymore
—
Goin' Up
—
Mood Indigo
—
Blutopia
—
Midriff
—
Creole Love Call
—
Suddenly It Jumped
—
Pitter Panther Patter
—
It Don't Mean a Thing (If It Ain't Got That Swing)
—
Things Ain't What They Used to Be
—
Perfume Suite: Introduction
—
Perfume Suite: Sonata
—
Perfume Suite: Strange Feeling
—
Perfume Suite: Dancers in Love
—
Perfume Suite: Coloratura
—
Selections from Black, Brown and Beige: Work Song
—
Selections from Black, Brown and Beige: The Blues
—
Selections from Black, Brown and Beige: Three Dances: West Indian Dance / Creamy Brown / Emancipation Celebration
—
Selections from Black, Brown and Beige: Come Sunday
—
The Mood to Be Wooed
—
Blue Cellophane
—
Blue Skies
—
Frankie and Johnny
—
Caravan
—
In a Mellow Tone
—
Solid Old Man
—
Selections from Black, Brown and Beige: Spiritual (Come Sunday) / Worksong
—
Selections from Black, Brown and Beige: The Blues
—
Rugged Romeo
—
Sono
—
Air-Conditioned Jungle
—
Pither Panther Patter
—
Take the "A" Train
—
A Tonal Group: Meloditti
—
A Tonal Group: Fugueaditty
—
A Tonal Group: Jam-a-ditty
—
Magenta Haze
—
Diminuendo in Blue / Transblucency
—
Crescendo in Blue
—
Suburbanite
—
I'm Just a Lucky So and So
—
Riffin' Drill
—
The New Look (Snibor)
—
Blue Serge
—
Triple Play
—
Harlem Airshaft
—
Johnny Hodges Medley: Wanderlust / Junior Hop / Jeep's Blues / Squatty Roo / The Mood to Be Wooed
—
Mella Brava
—
Kickapoo Joy Juice
—
On a Turquoise Cloud
—
Bakiff
—
Cotton Tail
—
Liberian Suite: I Like the Sunrise
—
Liberian Suite: Dance 1
—
Liberian Suite: Dance 2
—
Liberian Suite: Dance 3
—
Liberian Suite: Dance 4
—
Liberian Suite: Dance 5
—
Theme Medley: East St. Louis Toodle-oo / Echoes of Harlem / Black and Tan Fantasy / Things Ain't What They Used to Be
—
Basso Profundo
—
New York City Blues
—
Clothed Woman
—
Trumpets No End (Blue Skies)
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-070.010.186-5T-070.011.813-3T-070.039.705-2T-070.049.142-4T-070.072.467-9T-070.088.135-1T-070.092.709-8T-070.107.716-8T-070.137.960-3T-070.138.159-0
+22 more
T-070.177.920-5T-070.891.304-5T-070.903.301-1T-070.905.815-0T-070.910.244-2T-071.064.010-0T-071.069.416-8T-071.189.084-4T-071.189.668-2T-071.191.606-1T-071.597.768-6T-072.208.071-8T-072.435.159-0T-072.607.137-9T-900.304.504-3T-900.305.483-9T-901.136.093-3T-901.136.164-1T-902.217.357-5T-903.275.900-5T-913.145.476-7T-918.641.597-4
Creative Contributors (ISNI)
Credits Graph
People also ask
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Verified on
What is UPC 600753232491?
600753232491 is a Universal Product Code (UPC) assigned to Carnegie Hall Concerts: 1943/1947 by Duke Ellington & His Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 85 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm