UPC · Release
Duke Ellington & His Orchestra
Last verified:
600753232491 is the Universal Product Code (UPC barcode) for the release “Carnegie Hall Concerts: 1943/1947” by Duke Ellington & His Orchestra, released 2010-01-01 on Prestige. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 85 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Star Spangled Banner | — | ||
| 2 | Black and Tan Fantasy | — | ||
| 3 | Rockin' in Rhythm | — | ||
| 4 | Moon Mist | — | ||
| 5 | Jumpin' Punkins | — | ||
| 6 | Portrait of Bert Williams | — | ||
| 7 | (Portrait of) Bojangles | — | ||
| 8 | Portrait of Florence Mills (Black Beauty) | — | ||
| 9 | Ko-Ko | — | ||
| 10 | Dirge | — | ||
| 11 | Stomp (Johnny Come Lately) | — | ||
| 12 | Are You Stickin'? | — | ||
| 13 | Black, Brown & Beige: I. Black | — | ||
| 2-1 | Black, Brown & Beige: II. Brown | — | ||
| 2-2 | Black, Brown & Beige: III. Beige | — | ||
| 2-3 | Bakiff | — | ||
| 2-4 | Jack the Bear | — | ||
| 2-5 | Blue Belles of Harlem | — | ||
| 2-6 | Cotton Tail | — | ||
| 2-7 | Day Dream | — | ||
| 2-8 | Boy Meets Horn | — | ||
| 2-9 | Rose of the Rio Grande | — | ||
| 2-10 | Don't Get Around Much Anymore | — | ||
| 2-11 | Goin' Up | — | ||
| 2-12 | Mood Indigo | — | ||
| 3-1 | Blutopia | — | ||
| 3-2 | Midriff | — | ||
| 3-3 | Creole Love Call | — | ||
| 3-4 | Suddenly It Jumped | — | ||
| 3-5 | Pitter Panther Patter | — | ||
| 3-6 | It Don't Mean a Thing (If It Ain't Got That Swing) | — | ||
| 3-7 | Things Ain't What They Used to Be | — | ||
| 3-8 | Perfume Suite: Introduction | — | ||
| 3-9 | Perfume Suite: Sonata | — | ||
| 3-10 | Perfume Suite: Strange Feeling | — | ||
| 3-11 | Perfume Suite: Dancers in Love | — | ||
| 3-12 | Perfume Suite: Coloratura | — | ||
| 4-1 | Selections from Black, Brown and Beige: Work Song | — | ||
| 4-2 | Selections from Black, Brown and Beige: The Blues | — | ||
| 4-3 | Selections from Black, Brown and Beige: Three Dances: West Indian Dance / Creamy Brown / Emancipation Celebration | — | ||
| 4-4 | Selections from Black, Brown and Beige: Come Sunday | — | ||
| 4-5 | The Mood to Be Wooed | — | ||
| 4-6 | Blue Cellophane | — | ||
| 4-7 | Blue Skies | — | ||
| 4-8 | Frankie and Johnny | — | ||
| 5-1 | Caravan | — | ||
| 5-2 | In a Mellow Tone | — | ||
| 5-3 | Solid Old Man | — | ||
| 5-4 | Selections from Black, Brown and Beige: Spiritual (Come Sunday) / Worksong | — | ||
| 5-5 | Selections from Black, Brown and Beige: The Blues | — | ||
| 5-6 | Rugged Romeo | — | ||
| 5-7 | Sono | — | ||
| 5-8 | Air-Conditioned Jungle | — | ||
| 5-9 | Pither Panther Patter | — | ||
| 6-1 | Take the "A" Train | — | ||
| 6-2 | A Tonal Group: Meloditti | — | ||
| 6-3 | A Tonal Group: Fugueaditty | — | ||
| 6-4 | A Tonal Group: Jam-a-ditty | — | ||
| 6-5 | Magenta Haze | — | ||
| 6-6 | Diminuendo in Blue / Transblucency | — | ||
| 6-7 | Crescendo in Blue | — | ||
| 6-8 | Suburbanite | — | ||
| 6-9 | I'm Just a Lucky So and So | — | ||
| 6-10 | Riffin' Drill | — | ||
| 7-1 | The New Look (Snibor) | — | ||
| 7-2 | Blue Serge | — | ||
| 7-3 | Triple Play | — | ||
| 7-4 | Harlem Airshaft | — | ||
| 7-5 | Johnny Hodges Medley: Wanderlust / Junior Hop / Jeep's Blues / Squatty Roo / The Mood to Be Wooed | — | ||
| 7-6 | Mella Brava | — | ||
| 7-7 | Kickapoo Joy Juice | — | ||
| 7-8 | On a Turquoise Cloud | — | ||
| 7-9 | Bakiff | — | ||
| 7-10 | Cotton Tail | — | ||
| 8-1 | Liberian Suite: I Like the Sunrise | — | ||
| 8-2 | Liberian Suite: Dance 1 | — | ||
| 8-3 | Liberian Suite: Dance 2 | — | ||
| 8-4 | Liberian Suite: Dance 3 | — | ||
| 8-5 | Liberian Suite: Dance 4 | — | ||
| 8-6 | Liberian Suite: Dance 5 | — | ||
| 8-7 | Theme Medley: East St. Louis Toodle-oo / Echoes of Harlem / Black and Tan Fantasy / Things Ain't What They Used to Be | — | ||
| 8-8 | Basso Profundo | — | ||
| 8-9 | New York City Blues | — | ||
| 8-10 | Clothed Woman | — | ||
| 8-11 | Trumpets No End (Blue Skies) | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
600753232491 is a Universal Product Code (UPC) assigned to Carnegie Hall Concerts: 1943/1947 by Duke Ellington & His Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 85 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
600753232491 is the Universal Product Code (UPC barcode) for the release “Carnegie Hall Concerts: 1943/1947” by Duke Ellington & His Orchestra, released 2010-01-01 on Prestige. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 85 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Star Spangled Banner | — | ||
| 2 | Black and Tan Fantasy | — | ||
| 3 | Rockin' in Rhythm | — | ||
| 4 | Moon Mist | — | ||
| 5 | Jumpin' Punkins | — | ||
| 6 | Portrait of Bert Williams | — | ||
| 7 | (Portrait of) Bojangles | — | ||
| 8 | Portrait of Florence Mills (Black Beauty) | — | ||
| 9 | Ko-Ko | — | ||
| 10 | Dirge | — | ||
| 11 | Stomp (Johnny Come Lately) | — | ||
| 12 | Are You Stickin'? | — | ||
| 13 | Black, Brown & Beige: I. Black | — | ||
| 2-1 | Black, Brown & Beige: II. Brown | — | ||
| 2-2 | Black, Brown & Beige: III. Beige | — | ||
| 2-3 | Bakiff | — | ||
| 2-4 | Jack the Bear | — | ||
| 2-5 | Blue Belles of Harlem | — | ||
| 2-6 | Cotton Tail | — | ||
| 2-7 | Day Dream | — | ||
| 2-8 | Boy Meets Horn | — | ||
| 2-9 | Rose of the Rio Grande | — | ||
| 2-10 | Don't Get Around Much Anymore | — | ||
| 2-11 | Goin' Up | — | ||
| 2-12 | Mood Indigo | — | ||
| 3-1 | Blutopia | — | ||
| 3-2 | Midriff | — | ||
| 3-3 | Creole Love Call | — | ||
| 3-4 | Suddenly It Jumped | — | ||
| 3-5 | Pitter Panther Patter | — | ||
| 3-6 | It Don't Mean a Thing (If It Ain't Got That Swing) | — | ||
| 3-7 | Things Ain't What They Used to Be | — | ||
| 3-8 | Perfume Suite: Introduction | — | ||
| 3-9 | Perfume Suite: Sonata | — | ||
| 3-10 | Perfume Suite: Strange Feeling | — | ||
| 3-11 | Perfume Suite: Dancers in Love | — | ||
| 3-12 | Perfume Suite: Coloratura | — | ||
| 4-1 | Selections from Black, Brown and Beige: Work Song | — | ||
| 4-2 | Selections from Black, Brown and Beige: The Blues | — | ||
| 4-3 | Selections from Black, Brown and Beige: Three Dances: West Indian Dance / Creamy Brown / Emancipation Celebration | — | ||
| 4-4 | Selections from Black, Brown and Beige: Come Sunday | — | ||
| 4-5 | The Mood to Be Wooed | — | ||
| 4-6 | Blue Cellophane | — | ||
| 4-7 | Blue Skies | — | ||
| 4-8 | Frankie and Johnny | — | ||
| 5-1 | Caravan | — | ||
| 5-2 | In a Mellow Tone | — | ||
| 5-3 | Solid Old Man | — | ||
| 5-4 | Selections from Black, Brown and Beige: Spiritual (Come Sunday) / Worksong | — | ||
| 5-5 | Selections from Black, Brown and Beige: The Blues | — | ||
| 5-6 | Rugged Romeo | — | ||
| 5-7 | Sono | — | ||
| 5-8 | Air-Conditioned Jungle | — | ||
| 5-9 | Pither Panther Patter | — | ||
| 6-1 | Take the "A" Train | — | ||
| 6-2 | A Tonal Group: Meloditti | — | ||
| 6-3 | A Tonal Group: Fugueaditty | — | ||
| 6-4 | A Tonal Group: Jam-a-ditty | — | ||
| 6-5 | Magenta Haze | — | ||
| 6-6 | Diminuendo in Blue / Transblucency | — | ||
| 6-7 | Crescendo in Blue | — | ||
| 6-8 | Suburbanite | — | ||
| 6-9 | I'm Just a Lucky So and So | — | ||
| 6-10 | Riffin' Drill | — | ||
| 7-1 | The New Look (Snibor) | — | ||
| 7-2 | Blue Serge | — | ||
| 7-3 | Triple Play | — | ||
| 7-4 | Harlem Airshaft | — | ||
| 7-5 | Johnny Hodges Medley: Wanderlust / Junior Hop / Jeep's Blues / Squatty Roo / The Mood to Be Wooed | — | ||
| 7-6 | Mella Brava | — | ||
| 7-7 | Kickapoo Joy Juice | — | ||
| 7-8 | On a Turquoise Cloud | — | ||
| 7-9 | Bakiff | — | ||
| 7-10 | Cotton Tail | — | ||
| 8-1 | Liberian Suite: I Like the Sunrise | — | ||
| 8-2 | Liberian Suite: Dance 1 | — | ||
| 8-3 | Liberian Suite: Dance 2 | — | ||
| 8-4 | Liberian Suite: Dance 3 | — | ||
| 8-5 | Liberian Suite: Dance 4 | — | ||
| 8-6 | Liberian Suite: Dance 5 | — | ||
| 8-7 | Theme Medley: East St. Louis Toodle-oo / Echoes of Harlem / Black and Tan Fantasy / Things Ain't What They Used to Be | — | ||
| 8-8 | Basso Profundo | — | ||
| 8-9 | New York City Blues | — | ||
| 8-10 | Clothed Woman | — | ||
| 8-11 | Trumpets No End (Blue Skies) | — |
