UPC · Release
Come On, Let's Go! The Very Best of Tommy Steele
Tommy Steele
Last verified:
600753266687 is the Universal Product Code (UPC barcode) for the release “Come On, Let's Go! The Very Best of Tommy Steele” by Tommy Steele, released 2010-04-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 68 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (68)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rock With the Caveman | — | ||
| 2 | Singing the Blues | — | ||
| 3 | Knee Deep in the Blues | — | ||
| 4 | Butterfly | — | ||
| 5 | Hey You! | — | ||
| 6 | Plant a Kiss | — | ||
| 7 | Nairobi | — | ||
| 8 | The Only Man on the Island | — | ||
| 9 | Come on, Let's Go | — | ||
| 10 | Put a Ring on Her Finger | — | ||
| 11 | The Trial | — | ||
| 12 | Hiawatha | — | ||
| 13 | Tallahassee Lassie | — | ||
| 14 | Give! Give! Give! | — | ||
| 15 | You Were Mine | — | ||
| 16 | Young Ideas | — | ||
| 17 | What a Mouth (What a North and South) | — | ||
| 18 | Happy-Go-Lucky Blues | — | ||
| 19 | The Girl With the Long Black Hair | — | ||
| 20 | The Writing on the Wall | — | ||
| 21 | What a Little Darlin' | — | ||
| 22 | Hit Record | — | ||
| 2-1 | A Handful of Songs | — | ||
| 2-2 | Water, Water | — | ||
| 2-3 | Butterfingers | — | ||
| 2-4 | Take Me Back, Baby | — | ||
| 2-5 | Time to Kill | — | ||
| 2-6 | Cannibal Pot | — | ||
| 2-7 | Build Up | — | ||
| 2-8 | Doomsday Rock | — | ||
| 2-9 | Elevator Rock | — | ||
| 2-10 | Teenage Party | — | ||
| 2-11 | Shiralee | — | ||
| 2-12 | Grandad's Rock | — | ||
| 2-13 | Happy Guitar | — | ||
| 2-14 | Princess | — | ||
| 2-15 | It's All Happening | — | ||
| 2-16 | What Do You Do | — | ||
| 2-17 | Hair-Down Hoe-Down | — | ||
| 2-18 | Tommy the Toreador | — | ||
| 2-19 | Singing Time | — | ||
| 2-20 | Little White Bull | — | ||
| 2-21 | She's Too Far Above Me | — | ||
| 2-22 | Half a Sixpence | — | ||
| 2-23 | Flash, Bang, Wallop | — | ||
| 3-1 | Young Love | — | ||
| 3-2 | Butter Wouldn't Melt in Your Mouth | — | ||
| 3-3 | A Lovely Night | — | ||
| 3-4 | Marriage Type Love | — | ||
| 3-5 | Neon Sign | — | ||
| 3-6 | Green Eye | — | ||
| 3-7 | Sweet Georgia Brown | — | ||
| 3-8 | Where Have All the Flowers Gone | — | ||
| 3-9 | Drunken Guitar | — | ||
| 3-10 | Kookaburra | — | ||
| 3-11 | The Dit-Dit Theme | — | ||
| 3-12 | Boys and Girls | — | ||
| 3-13 | I Puts the Lightie On | — | ||
| 3-14 | My Big Best Shoes | — | ||
| 3-15 | Must Be Santa | — | ||
| 3-16 | He's Got Love | — | ||
| 3-17 | Rebel Rock | — | ||
| 3-18 | Rock Around the Town | — | ||
| 3-19 | Giddy Up a Ding Dong | — | ||
| 3-20 | Kaw-Liga | — | ||
| 3-21 | Lonesome Traveller | — | ||
| 3-22 | Hollerin' and Screemin' | — | ||
| 3-23 | So Long (It's Been Good to Know You) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 600753266687?
600753266687 is a Universal Product Code (UPC) assigned to Come On, Let's Go! The Very Best of Tommy Steele by Tommy Steele. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 68 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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