UPC · Release
Now That's What I Call Musicals
Various Artists
Last verified:
600753410080 is the Universal Product Code (UPC barcode) for the release “Now That's What I Call Musicals” by Various Artists, released 2012-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include GBCEE0100127, GBUM70809213, USCRB0000546.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | We Will Rock You | Queen | T-010031397-0 | |
| 2 | Dancing Queen | Meryl Streep, Julie Walters, Christine Baranski | T-000000001-0 | |
| 3 | Rocky Horror Picture Show: Time Warp | — | ||
| 4 | Unchained Melody | The Righteous Brothers | T-070193442-0 | |
| 5 | Chicago: All That Jazz | — | ||
| 6 | The Grease Megamix | John Travolta, Olivia Newton-John | T-073220498-6 | |
| 7 | I’m a Believer | Shrek Ensemble | T0702503750 | |
| 8 | Circle of Life | Elton John | T-070.248.860-5 | |
| 9 | Aladdin: A Whole New World | — | ||
| 10 | Wicked: Defying Gravity | — | ||
| 11 | Electricity | Liam Mower | T-011.569.979-0 | |
| 12 | Come What May | Alfie Boe, Kerry Ellis | T-071.181.402-6 | |
| 13 | Consider Yourself | Martin Horsey, Keith Hampshire | T-010.178.101-4 | |
| 14 | You Can’t Stop the Beat | Nikki Blonsky, Zac Efron, Amanda Bynes, Elijah Kelley, John Travolta, Queen Latifah | T-071720163-2 | |
| 15 | Dreamboats and Petticoats | Jason Donovan, Hank Marvin | T0614747168 | |
| 16 | Fame | Irene Cara | T-070233980-7 | |
| 17 | Supercalifragilisticexpialidocious | Julie Andrews, Dick Van Dyke | T-900.214.198-2 | |
| 18 | Tomorrow | Aileen Quinn | T-070.184.469-0 | |
| 19 | Breaking Free | Troy, Gabriella | T-072446862-5 | |
| 20 | Evita: Another Suitcase in Another Hall | — |
Additional database matches (17)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Singin’ in the Rain | Gene Kelly | T-900.301.991-8 |
| Memory | Elaine Paige | T-010.976.460-4 |
| I Know Him So Well | Elaine Paige, Barbara Dickson | T-900104781-0 |
| I Don’t Know How to Love Him | Yvonne Elliman | T-011.626.258-8 |
| Bring Him Home | Alfie Boe | T-900231112-8 |
| Some Enchanted Evening | Alfie Boe | T-900.303.260-8 |
| I Don't Know How to Love Him | Andrew Lloyd Webber | T-011.626.258-8 |
| December, 1963 (Oh, What a Night) | The Four Seasons | T-070.041.833-2 |
| Maria | Jimmy Bryant | T-070.108.440-3 |
| Getting to Know You | Gertrude Lawrence | T-070.064.036-3 |
| Memory | Elaine Paige | T-010.976.460-4 |
| Memory | Elaine Paige | T-010.976.460-4 |
| Memory | Elaine Paige | T-010.976.460-4 |
| I Know Him So Well | Elaine Paige, Barbara Dickson | T9001047810 |
| I Know Him So Well | Elaine Paige, Barbara Dickson | T9001047810 |
| I Don’t Know How to Love Him | Yvonne Elliman | T-011626258-8 |
| I Don’t Know How to Love Him | Yvonne Elliman | T-011626258-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
+63 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+26 more
Identifier Graph
People also ask
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What is UPC 600753410080?
600753410080 is a Universal Product Code (UPC) assigned to Now That's What I Call Musicals by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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