UPC · Release
Best of 2015: Frühlingshits
Various Artists
Last verified:
600753588086 is the Universal Product Code (UPC barcode) for the release “Best of 2015: Frühlingshits” by Various Artists, released 2015-03-20. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include GBSXS1400238, GBUM71406892, GBARL1401201.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Wish You Were Mine | Philip George | T-915913163-2 | |
| 2 | King | Years & Years | T-914115100-0 | |
| 3 | Outside | Calvin Harris, Ellie Goulding | T-915575106-7 | |
| 4 | DANGEROUS FEAT SAM MARTIN | DAVID GUETTA | T-917932876-8 | |
| 5 | The Nights | Avicii | T-915176816-0 | |
| 6 | Lips Are Movin | Meghan Trainor | T-913803563-9 | |
| 7 | Secrets | Mary Lambert | T-916231801-6 | |
| 8 | Home | Dotan | T-926135720-4 | |
| 9 | Hate Street Dialogue | The Avener, Rodriguez | T-902604397-0 | |
| 10 | Riva (Restart the Game) | Klingande, Broken Back | — | |
| 11 | Are You With Me | Lost Frequencies | T-906.657.787-5 | |
| 12 | Love Me Harder | Ariana Grande | T-915338514-9 | |
| 13 | Masterpiece | Jessie J | T-914879678-5 | |
| 14 | Meine Gang (Bang Bang) | Cro, DaJuan | T-803405667-3 | |
| 15 | Schwung in die Kiste | Die Orsons | T-803514153-9 | |
| 16 | Denken Sie groß | Deichkind | T-803469332-9 | |
| 17 | L.A. Love (LaLa) | Fergie | T-915968260-7 | |
| 18 | Say Something | Karen Harding | T-911538398-7 | |
| 19 | Revive (Say Something) | LuvBug | T9115383987 | |
| 20 | Higher | Sigma, Labrinth | T-916453116-2 | |
| 21 | Till It Hurts | Yellow Claw, Ayden | T-915898774-7 | |
| 22 | Rhymes | Hannah Wants, Chris Lorenzo | T9159834738 |
Additional database matches (22)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Wolke 4 | Philipp Dittberner, Marv | T-803411153-1 |
| Hold Back the River | James Bay | T-915633299-9 |
| Like I Can | Sam Smith | T-071184084-4 |
| Walk | Kwabs | — |
| Reverse | SomeKindaWonderful | — |
| What Kind of Man | Florence + the Machine | T-916143976-5 |
| Take Me to Church | Hozier | T-031426899-9 |
| Habits (Stay High) | Tove Lo | T-910.277.396-6 |
| Sun Goes Down (radio mix) | Robin Schulz, Jasmine Thompson | T-915417932-5 |
| Du liebst mich nicht | Ado Kojo | — |
| Mit keinem ander’n | Helene Fischer | T-803284390-7 |
| Color gitano | Kendji Girac | T-703247681-8 |
| Sugar | Maroon 5 | T-915218016-0 |
| These Days | Take That | T-916274944-2 |
| In the End | Stefanie Heinzmann | T-915098894-6 |
| Never Be Alone | Shawn Mendes | T-916489680-4 |
| Auf anderen Wegen | Andreas Bourani | T-803397179-9 |
| Kartenhaus | Adel Tawil | T-803325698-4 |
| It’s a Good Life | Rea Garvey | T-803355247-6 |
| Satellite | Nickelback | T-915592163-4 |
| Take Me to Church | Hozier | T-031426899-9 |
| Take Me to Church | Hozier | T-031426899-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
+45 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+34 more
Identifier Graph
People also ask
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What is UPC 600753588086?
600753588086 is a Universal Product Code (UPC) assigned to Best of 2015: Frühlingshits by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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