UPC · Release
Move On Up, Volume Two: The Very Best of Northern Soul
Various Artists
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600753670132 is the Universal Product Code (UPC barcode) for the release “Move On Up, Volume Two: The Very Best of Northern Soul” by Various Artists, released 2016-01-01 on Universal Music TV. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC. Tracks include GBBLG6500038, USMO17084777, USMC10346248.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | What | Judy Street | — | |
| 2 | Time | Edwin Starr | T-910.729.714-3 | |
| 3 | I’m Gonna Love You a Long Time | Patty & the Emblems | — | |
| 4 | A Little Togetherness | The Younghearts | — | |
| 5 | Can I Get a Witness | Marvin Gaye | T-070.233.228-2 | |
| 6 | Sweeter Than the Day Before | The Valentinos | — | |
| 7 | As Long As I Have You | Garnet Mimms & the Enchanters | — | |
| 8 | Whispers (Gettin’ Louder) | Jackie Wilson | T-070.247.954-6 | |
| 9 | Helpless | Kim Weston | T-070.918.754-1 | |
| 10 | Potion of Love | The Ambers | — | |
| 11 | I’ll Do a Little Bit More | The Olympics | — | |
| 12 | Lonely for You Baby | Sam Dees | — | |
| 13 | Cause You’re Mine | The Vibrations | — | |
| 14 | Night Owl | Bobby Paris | — | |
| 15 | Big Bird | Eddie Floyd | T-070.880.808-5 | |
| 16 | Gotta Have Your Love | The Sapphires | — | |
| 17 | Crackin’ Up Over You | Roy Hamilton | T-926.370.176-4 | |
| 18 | Double Cookin’ | The Checkerboard Squares | T-927.306.508-0 | |
| 19 | I’ll Keep Holding On | The Marvelettes | T-071.144.021-9 | |
| 20 | Pow Wow | Manny Corchado | — | |
| 21 | Nothing but a Heartache | The Flirtations | T-010.319.668-4 | |
| 22 | Tune Up | Jr. Walker & the All Stars | T-700.074.813-2 | |
| 23 | When I’m Gone | Brenda Holloway | T-070.201.433-2 | |
| 24 | You’ve Been Gone Too Long | Ann Sexton | — | |
| 25 | Come On Train | Don Thomas | — | |
| 2-1 | Home Is Where the Heart Is | Bobby Womack | — | |
| 2-2 | My Love Is Your Love (Forever) | The Isley Brothers | T-070.113.888-6 | |
| 2-3 | Be Young, Be Foolish, Be Happy | The Tams | T-070.232.936-9 | |
| 2-4 | Give Me Just a Little More Time | Chairmen of the Board | T-070.234.242-4 | |
| 2-5 | The Champion, Pt. 1 | Willie Mitchell | T-700.005.160-7 | |
| 2-6 | Goin’ to a Happening | Tommy Neal | — | |
| 2-7 | I’m Com’un Home in the Morn’un | Lou Pride | — | |
| 2-8 | You Don’t Love Me | Epitome of Sound | — | |
| 2-9 | In Orbit | Joy Lovejoy | T-071.149.735-6 | |
| 2-10 | Something's Burnin’ | The Marvellos | — | |
| 2-11 | Slippin’ Around With You | Jimmy Hughes | T-070.243.360-0 | |
| 2-12 | Countdown Here I Come | The Tempos | — | |
| 2-13 | My Little Girl | Bobby Garrett | — | |
| 2-14 | NOTHING'S TOO GOOD FOR MY BABY | STEVIE WONDER, (UNKNOWN) | T-071.201.998-1 | |
| 2-15 | Girl (Why You Wanna Make Me Blue) | The Temptations | T-700.016.410-5 | |
| 2-16 | You’ve Been Cheatin’ | The Impressions | T-700.083.817-7 | |
| 2-17 | What More Could a Boy Ask For? | The Spinners | — | |
| 2-18 | Show Me | Joe Tex | T-070.940.214-1 | |
| 2-19 | Tears of Joy | Ray Merrell | T-913.782.351-9 | |
| 2-20 | The Duck | Jackie Lee | — | |
| 2-21 | Dr. Love | Bobby Sheen | — | |
| 2-22 | Since I Found My Baby | The Metros | T-071.216.277-0 | |
| 2-23 | I Need You | Shane Martin | T-901.002.771-1 | |
| 2-24 | Happy | Velvet Hammer | — | |
| 2-25 | Ordinary Joe | Terry Callier | — | |
| 3-1 | Exus Trek | Luther Ingram & His Orchestra | — | |
| 3-2 | I Don’t Need No Doctor | Ray Charles | T-071.183.937-0 | |
| 3-3 | Seven Day Fool | Etta James | T-070.924.374-2 | |
| 3-4 | Keep On Dancing | Commodores | T-700.034.027-4 | |
| 3-5 | Sister Lee | Sam Ward | — | |
| 3-6 | Get It Baby | Stanley Mitchell | — | |
| 3-7 | It’s the Beat | Major Lance | T-910.696.915-7 | |
| 3-8 | Thumb a Ride | Earl Wright & His Orchestra | — | |
| 3-9 | You Don’t Know Where Your Interest Lies | Dana Valery | T-700.083.018-4 | |
| 3-10 | If You Ever Walk Out of My Life | Dena Barnes | — | |
| 3-11 | The End of Our Love | Nancy Wilson | — | |
| 3-12 | Hide nor Hair | Earl Grant | — | |
| 3-13 | I Can’t Help Myself (Sugar Pie, Honey Bunch) | Four Tops | T-070.918.900-3 | |
| 3-14 | Breakaway (Pt. 1) | The Steve Karmen Big Band | — | |
| 3-15 | So Is the Sun | World Column | — | |
| 3-16 | I Watched You Slowly Slip Away | Howard Guyton | — | |
| 3-17 | Mr. Creator | The Apollas | — | |
| 3-18 | (Tell Me) Ain’t It the Truth | J.J. Barnes | — | |
| 3-19 | If You Want to Hold On | J.T. Parker | — | |
| 3-20 | Send Him Back | The Pointer Sisters | — | |
| 3-21 | He Who Picks a Rose | Jimmy Ruffin | — | |
| 3-22 | The Day Will Come Between Sunday and Monday | Kiki Dee | — | |
| 3-23 | Moody Woman | Jerry Butler | — | |
| 3-24 | Happy | William Bell | T-070.918.739-2 | |
| 3-25 | Time Will Pass You By | Tobi Legend | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Day Will Come Between Sunday and Monday | Kiki Dee | — |
| Lonely for You Baby | Sam Dees | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+35 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+28 more
Identifier Graph
People also ask
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What is UPC 600753670132?
600753670132 is a Universal Product Code (UPC) assigned to Move On Up, Volume Two: The Very Best of Northern Soul by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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