UPC · Release
Jazz Box (25 Original Albums)
Various Artists
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600753857205 is the Universal Product Code (UPC barcode) for the release “Jazz Box (25 Original Albums)” by Various Artists, released 2018-01-01 on Universal Music France. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 251 tracks, each with its own ISRC. Tracks include USF095600370, USF095600380, DEU241504805.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (251)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Can’t We Be Friends? | Ella Fitzgerald, Louis Armstrong | T-011.243.999-2 | |
| 2 | Isn’t This a Lovely Day | Ella Fitzgerald, Louis Armstrong | T-070.906.989-5 | |
| 3 | Moonlight in Vermont | Ella Fitzgerald, Louis Armstrong | T-070.110.018-6 | |
| 4 | They Can’t Take That Away From Me | Ella Fitzgerald, Louis Armstrong | T-010.433.575-2 | |
| 5 | Under a Blanket of Blue | Ella Fitzgerald, Louis Armstrong | T-070.193.484-0 | |
| 6 | Tenderly | Ella Fitzgerald, Louis Armstrong | T-070.178.445-3 | |
| 7 | A Foggy Day | Ella Fitzgerald, Louis Armstrong | T-010.434.159-4 | |
| 8 | Stars Fell on Alabama | Ella Fitzgerald, Louis Armstrong | T-071.070.452-1 | |
| 9 | Cheek to Cheek | Ella Fitzgerald, Louis Armstrong | T-900.755.439-4 | |
| 10 | The Nearness of You | Ella Fitzgerald, Louis Armstrong | T-010.433.548-9 | |
| 11 | April in Paris | Ella Fitzgerald, Louis Armstrong | T-070.882.094-3 | |
| 2-1 | I Only Have Eyes for You | Billie Holiday | T-070.904.226-1 | |
| 2-2 | You Turned the Tables on Me | Billie Holiday | T-070.211.043-7 | |
| 2-3 | Blue Moon | Billie Holiday | T-070.011.746-9 | |
| 2-4 | Solitude | Billie Holiday | T-071.070.380-2 | |
| 2-5 | These Foolish Things (Remind Me of You) | Billie Holiday and Her Orchestra | T-900.163.042-8 | |
| 2-6 | Easy to Love | — | ||
| 2-7 | You Go to My Head | Billie Holiday | T-070.210.576-7 | |
| 2-8 | East of the Sun (West of the Moon) | Billie Holiday | T-070.049.047-6 | |
| 3-1 | Limbo Jazz | — | ||
| 3-2 | Mood Indigo | Duke Ellington, Coleman Hawkins | T-901.136.164-1 | |
| 3-3 | Ray Charles' Place | — | ||
| 3-4 | Wanderlust | — | ||
| 3-5 | You Dirty Dog | — | ||
| 3-6 | Self-Portrait (Of the Bean) | — | ||
| 3-7 | The Jeep Is Jumpin' | — | ||
| 3-8 | The Ricitic | — | ||
| 3-9 | Solitude | — | ||
| 4-1 | April in Paris | Count Basie and His Orchestra | T-070.882.094-3 | |
| 4-2 | Corner Pocket | Count Basie & His Orchestra | T-070.026.027-0 | |
| 4-3 | Didn’t You | Count Basie & His Orchestra | T-070.038.993-0 | |
| 4-4 | Sweety Cakes | Count Basie & His Orchestra | — | |
| 4-5 | Magic | Count Basie & His Orchestra | T-916.553.953-7 | |
| 4-6 | Shiny Stockings | Count Basie and His Orchestra | T-070.135.181-6 | |
| 4-7 | What Am I Here For | Count Basie & His Orchestra | T-070.198.380-3 | |
| 4-8 | Midgets | Count Basie and His Orchestra | T-070.109.232-1 | |
| 4-9 | Mambo Inn | Count Basie & His Orchestra | — | |
| 4-10 | Dinner With Friends | Count Basie and His Orchestra | T-070.039.056-2 | |
| 4-11 | April in Paris (alternate take) | Count Basie & His Orchestra | T-070.882.094-3 | |
| 4-12 | Corner Pocket (alternate take) | Count Basie & His Orchestra | T-070.026.027-0 | |
| 4-13 | Didn't You? (alternate take) | — | ||
| 4-14 | Magic (alternate take) | — | ||
| 4-15 | Magic (alternate take) | — | ||
| 4-16 | What Am I Here For? (alternate take) | — | ||
| 4-17 | Midgets (alternate take) | Count Basie & His Orchestra | T-070.109.232-1 | |
| 5-1 | Nuages | — | ||
| 5-2 | Night and Day | Django Reinhardt et ses Rythmes | T-070.152.461-9 | |
| 5-3 | Insensiblement | Django Reinhardt et ses Rythmes | T-003.010.656-9 | |
| 5-4 | Blues for Ike | Django Reinhardt et ses Rythmes | T-003.006.328-5 | |
| 5-5 | Brazil | Django Reinhardt et ses Rythmes | T-070.012.378-9 | |
| 5-6 | September Song | Django Reinhardt et ses Rythmes | T-070.134.721-8 | |
| 5-7 | Confessin’ | Django Reinhardt et ses Rythmes | T-926.429.120-5 | |
| 5-8 | Manoir de mes rêves | Django Reinhardt et ses Rythmes | T-003.011.842-3 | |
| 6-1 | Bloomdido | Charlie Parker, Dizzy Gillespie | T-070.231.099-3 | |
| 6-2 | My Melancholy Baby | Charlie Parker, Dizzy Gillespie | T-914.727.001-7 | |
| 6-3 | Relaxing with Lee | Charlie Parker, Dizzy Gillespie | — | |
| 6-4 | Leap Frog | — | ||
| 6-5 | An Oscar for Treadwell | — | ||
| 6-6 | Mohawk | — | ||
| 6-7 | My Melancholy Baby (alternate take) | Charlie Parker, Dizzy Gillespie | T-914.727.001-7 | |
| 6-8 | Relaxin' With Lee (complete take) | Charlie Parker, Dizzy Gillespie | — | |
| 6-9 | Leap Frog | Charlie Parker, Dizzy Gillespie | T-700.036.053-4 | |
| 6-10 | Leap Frog (complete take) | Charlie Parker, Dizzy Gillespie | T-700.036.053-4 | |
| 6-12 | An Oscar for Treadwell (complete take) | Charlie Parker, Dizzy Gillespie | — | |
| 6-13 | Mohawk (take 3 Complete take) | — | ||
| 6-14 | Relaxin' With Lee (breakdown take) | Charlie Parker, Dizzy Gillespie | — | |
| 6-15 | Relaxin' With Lee (breakdown take) | Charlie Parker, Dizzy Gillespie | — | |
| 6-16 | Relaxin' With Lee (false start) | Charlie Parker, Dizzy Gillespie | — | |
| 6-17 | Relaxin' With Lee (breakdown take) | Charlie Parker, Dizzy Gillespie | — | |
| 6-18 | Leap Frog (breakdown take) | Charlie Parker, Dizzy Gillespie | T-700.036.053-4 | |
| 7-1 | Abide With Me | Thelonious Monk Septet | T-205.092.474-5 | |
| 7-2 | Well, You Needn’t | Thelonious Monk Septet | T-700.078.455-6 | |
| 7-3 | Ruby, My Dear | Thelonious Monk Septet, Coleman Hawkins | T-070.243.287-8 | |
| 7-4 | Off Minor (take 5) | Thelonious Monk, John Coltrane | T-010.169.130-8 | |
| 7-5 | Epistrophy | Thelonious Monk Septet | T-070.049.520-0 | |
| 7-6 | Crepuscule With Nellie (take 6) | Thelonious Monk | T-700.007.565-2 | |
| 7-7 | Off Minor (take 4) | Thelonious Monk, John Coltrane | T-010.169.130-8 | |
| 7-8 | Crepuscule With Nellie (takes 4 and 5) | Thelonious Monk | T-700.007.565-2 | |
| 7-9 | Blues for Tomorrow | — | ||
| 8-1 | Générique (Bande Originale Du Film "Ascenseur Pour L'Échafaud") | Miles Davis | — | |
| 8-2 | L’assassinat de Carala | Miles Davis | — | |
| 8-3 | Sur l’autoroute | Miles Davis | T-073.161.575-0 | |
| 8-4 | Assassinat (Julien dans l’ascenseur) | Miles Davis | T-924.603.582-5 | |
| 8-5 | Florence sur les Champs-Élysées | Miles Davis | T-073.161.575-0 | |
| 8-6 | Dîner au motel | Miles Davis | — | |
| 8-7 | Évasion de Julien | Miles Davis | T-073.161.575-0 | |
| 8-8 | Visite du vigile | Miles Davis | T-073.161.575-0 | |
| 8-9 | Au bar du petit bac | Miles Davis | — | |
| 8-10 | Chez le photographe du motel | Miles Davis | — | |
| 9-1 | St. Thomas | Sonny Rollins Quartet | T-070.243.897-8 | |
| 9-2 | You Don’t Know What Love Is | Sonny Rollins | T-010.838.393-2 | |
| 9-3 | Strode Rode | Sonny Rollins | — | |
| 9-4 | Die Moritat von Mackie Messer (The Ballad of Mack the Knife) A Theme From “The Threepenny Opera” | Sonny Rollins | — | |
| 9-5 | Blue 7 | Sonny Rollins | — | |
| 10-1 | Gloria’s Step (take 2) | Bill Evans Trio | T-073.110.490-7 | |
| 10-2 | My Man’s Gone Now | Bill Evans Trio, Scott LaFaro | T-070.111.191-2 | |
| 10-3 | Solar | Bill Evans Trio | T-070.243.738-4 | |
| 10-4 | Alice in Wonderland (take 2) | Bill Evans Trio | T-070.000.587-3 | |
| 10-5 | All of You (take 2) | Bill Evans Trio | T-072.103.950-4 | |
| 10-6 | Jade Visions (take 2) | Bill Evans Trio | — | |
| 10-7 | Gloria’s Step (take 3) | Bill Evans | T-073.110.490-7 | |
| 10-8 | Alice in Wonderland (take 1) | Bill Evans Trio | T-070.000.587-3 | |
| 10-9 | All of You (take 3) | Bill Evans Trio | T-072.103.950-4 | |
| 10-10 | Jade Visions (take 1) | Bill Evans Trio | — | |
| 11-1 | Bondette | — | ||
| 11-2 | Mid-Forte | — | ||
| 11-3 | Sad Walk | — | ||
| 11-4 | Re-Search | — | ||
| 11-5 | Just Duo | — | ||
| 11-6 | Piece Caprice | — | ||
| 11-7 | Pomp | — | ||
| 11-8 | The Girl From Greenland | — | ||
| 11-9 | Brash | — | ||
| 12-1 | The Girl From Ipanema | Stan Getz, João Gilberto, Antônio Carlos Jobim | T-039.003.492-0 | |
| 12-2 | Doralice | Stan Getz, João Gilberto, Antônio Carlos Jobim | T-039.003.077-9 | |
| 12-3 | Para machucar meu coração | Stan Getz, João Gilberto, Antônio Carlos Jobim | T-900.752.171-3 | |
| 12-4 | Desafinado (Off Key) | Stan Getz, João Gilberto, Antônio Carlos Jobim | T-039.026.767-0 | |
| 12-5 | Corcovado (Quiet Nights of Quiet Stars) | Stan Getz, João Gilberto, Antônio Carlos Jobim | T-902.117.934-0 | |
| 12-6 | Só danço samba | Stan Getz, João Gilberto, Antônio Carlos Jobim | T-041.645.314-9 | |
| 12-7 | O grande amor | Stan Getz, João Gilberto, Antônio Carlos Jobim | T-070.242.599-7 | |
| 12-8 | Vivo sonhando | Stan Getz, João Gilberto, Antônio Carlos Jobim | T-070.881.243-4 | |
| 12-9 | The Girl From Ipanema (45 rpm issue) | Stan Getz, João Gilberto, Antônio Carlos Jobim | T-039.003.492-0 | |
| 12-10 | Corcovado (Quiet Nights of Quiet Stars) (45 rpm issue) | Stan Getz, João Gilberto, Antônio Carlos Jobim | T-072.014.433-1 | |
| 13-1 | Soul Bossa Nova | Quincy Jones and His Orchestra | T-071.286.789-4 | |
| 13-2 | Boogie Stop Shuffle (issued as Boogie Bossa Nova) | Quincy Jones | T-042.098.537-0 | |
| 13-3 | Desafinado | Quincy Jones | T-039.026.767-0 | |
| 13-4 | Carnival (Manha De Carnaval) | Quincy Jones | T-003.905.377-4 | |
| 13-5 | Se é tarde me perdoa (Forgive Me If I’m Late) | Quincy Jones | T-071.213.783-1 | |
| 13-6 | On the Street Where You Live | Quincy Jones | T-037.659.054-3 | |
| 13-7 | Samba de una nota só (One Note Samba) | Quincy Jones | T-039.027.236-2 | |
| 13-8 | Lalo Bossa Nova | Quincy Jones | — | |
| 13-9 | Serenata | Quincy Jones | T-071.070.260-5 | |
| 13-10 | Chega de saudade (No More Blues) | Quincy Jones | T-039.000.722-3 | |
| 13-11 | A Taste of Honey | Quincy Jones | T-070.178.113-6 | |
| 14-1 | II B.S. | Charles Mingus | — | |
| 14-2 | I X Love | Charles Mingus | T-700.028.778-7 | |
| 14-3 | Celia | Charles Mingus | T-700.005.083-1 | |
| 14-4 | Mood Indigo | Charles Mingus | T-901.136.164-1 | |
| 14-5 | Better Get Hit in Yo’ Soul | Charles Mingus | T-700.002.156-9 | |
| 14-6 | Theme for Lester Young | Charles Mingus | T-070.234.335-8 | |
| 14-7 | Hora Decubitus | Charles Mingus | T-700.023.030-0 | |
| 14-8 | Freedom | — | ||
| 15-1 | Say It (Over and Over Again) | John Coltrane | T-070.134.308-9 | |
| 15-2 | You Don't Know What Love Is | John Coltrane | T-010.838.393-2 | |
| 15-3 | Too Young to Go Steady | John Coltrane | T-070.928.851-6 | |
| 15-4 | All or Nothing at All | John Coltrane | T-070.000.757-3 | |
| 15-5 | I Wish I Knew | John Coltrane Quartet | T-070.904.826-9 | |
| 15-6 | What's New | John Coltrane | T-070.198.739-4 | |
| 15-7 | It’s Easy to Remember | John Coltrane | T-070.907.619-6 | |
| 15-8 | Nancy (With the Laughing Face) | John Coltrane | T-070.151.964-3 | |
| 16-1 | Witch Hunt | — | ||
| 16-2 | Fee‐Fi‐Fo‐Fum | Wayne Shorter | T-070.881.398-2 | |
| 16-3 | Dance Cadaverous | Wayne Shorter | T-700.008.327-4 | |
| 16-4 | Speak No Evil | Wayne Shorter | T-070.243.872-9 | |
| 16-5 | Infant Eyes | — | ||
| 16-6 | Wild Flower | Wayne Shorter | T-700.080.703-6 | |
| 16-7 | Dance Cadaverous (alternate take) | Wayne Shorter | T-700.008.327-4 | |
| 17-1 | Maiden Voyage | Herbie Hancock | T-700.041.356-1 | |
| 17-2 | The Eye of the Hurricane | Herbie Hancock | T-700.012.991-1 | |
| 17-3 | Little One | — | ||
| 17-4 | Survival of the Fittest | — | ||
| 17-5 | Dolphin Dance | — | ||
| 18-1 | Hommage À Enelram Atsenig | — | ||
| 18-2 | Days of Wine and Roses | — | ||
| 18-3 | Christmas Dreams | — | ||
| 18-4 | Juste Un Moment | — | ||
| 18-5 | Gattito | — | ||
| 18-6 | Cherokee | — | ||
| 19-1 | Love Has Gone Away | — | ||
| 19-2 | Who Used to Dance | — | ||
| 19-3 | Love Lament | — | ||
| 19-4 | Mr. Tambourine Man | — | ||
| 19-5 | When Autumn Sings | — | ||
| 19-6 | Love What You Doin' | — | ||
| 19-7 | Street of Dreams | — | ||
| 19-8 | I Sing a Song | — | ||
| 19-9 | The River | — | ||
| 20-1 | La estiba | Paco de Lucía, Al Di Meola, John McLaughlin | T-041.432.411-0 | |
| 20-2 | Beyond the Mirage | Paco de Lucía, Al Di Meola, John McLaughlin | — | |
| 20-3 | Midsummer Night | Paco de Lucía, Al Di Meola, John McLaughlin | T-031.701.131-6 | |
| 20-4 | Manhã de carnaval | Paco de Lucía, Al Di Meola, John McLaughlin | T-003.905.377-4 | |
| 20-5 | Letter From India | Paco de Lucía, Al Di Meola, John McLaughlin | T-031.793.136-4 | |
| 20-6 | Espiritu | Paco de Lucía, Al Di Meola, John McLaughlin | T-070.262.569-1 | |
| 20-7 | Le Monastère dans les Montagnes | Paco de Lucía, Al Di Meola, John McLaughlin | T-031.731.764-8 | |
| 20-8 | Azzura | Paco de Lucía, Al Di Meola, John McLaughlin | T-070.256.964-9 | |
| 20-9 | Cardeosa | Paco de Lucía, Al Di Meola, John McLaughlin | T-041.432.412-1 | |
| 21-1 | Don’t Know Why | Norah Jones | T-072.027.711-1 | |
| 21-2 | Seven Years | Norah Jones | T-071.335.042-5 | |
| 21-3 | Cold Cold Heart | Norah Jones | T-070.233.402-8 | |
| 21-4 | Feelin’ the Same Way | Norah Jones | T-071.335.043-6 | |
| 21-5 | Come Away With Me | Norah Jones | T-071.306.700-5 | |
| 21-6 | Shoot the Moon | Norah Jones | T-071.353.338-0 | |
| 21-7 | Turn Me On | Norah Jones | T-700.074.891-6 | |
| 21-8 | Lonestar | Norah Jones | T-071.304.133-8 | |
| 21-9 | I’ve Got to See You Again | Norah Jones | T-071.007.386-1 | |
| 21-10 | Painter Song | Norah Jones | T-071.342.091-7 | |
| 21-11 | One Flight Down | Norah Jones | T-904.657.105-5 | |
| 21-12 | Nightingale | Norah Jones | T-906.657.078-3 | |
| 21-13 | The Long Day Is Over | Norah Jones | T-071.007.391-8 | |
| 21-14 | The Nearness of You | Norah Jones | T-010.433.548-9 | |
| 22-1 | What a Difference a Day Made | Jamie Cullum | T-070.940.765-7 | |
| 22-2 | These Are the Days | Jamie Cullum | T-010.088.775-9 | |
| 22-3 | Singin’ in the Rain | Jamie Cullum | T-900.301.991-8 | |
| 22-4 | Twentysomething | Jamie Cullum | T-010.093.323-0 | |
| 22-5 | But for Now | Jamie Cullum | — | |
| 22-6 | Old Devil Moon | Jamie Cullum | T-070.178.687-9 | |
| 22-7 | I Could Have Danced All Night | Jamie Cullum | T-070.902.566-0 | |
| 22-8 | Blame It on My Youth | Jamie Cullum | T-070.011.502-1 | |
| 22-9 | I Get a Kick Out of You | Jamie Cullum | T-070.902.897-6 | |
| 22-10 | All at Sea | Jamie Cullum | T-010.096.162-3 | |
| 22-11 | Wind Cries Mary | Jamie Cullum | T-070.281.014-7 | |
| 22-12 | Lover, You Should Have Come Over | Jamie Cullum | T-906.099.991-9 | |
| 22-13 | It’s About Time | Jamie Cullum | T-010.088.776-0 | |
| 22-14 | Next Year, Baby | Jamie Cullum | T-010.093.327-4 | |
| 23-1 | Dance Me to the End of Love | Madeleine Peyroux | T-071.577.467-6 | |
| 23-2 | Don’t Wait Too Long | Madeleine Peyroux | T-072.126.830-9 | |
| 23-3 | Don’t Cry Baby | Madeleine Peyroux | T-302.076.393-9 | |
| 23-4 | You’re Gonna Make Me Lonesome When You Go | Madeleine Peyroux | T-070.250.221-3 | |
| 23-5 | Between the Bars | Madeleine Peyroux | T-914.161.677-5 | |
| 23-6 | No More | Madeleine Peyroux | T-914.786.505-2 | |
| 23-7 | Lonesome Road | Madeleine Peyroux | T-070.096.808-6 | |
| 23-8 | J’ai deux amours | Madeleine Peyroux | T-003.010.753-9 | |
| 23-9 | Weary Blues | Madeleine Peyroux | T-070.247.759-5 | |
| 23-10 | I’ll Look Around | Madeleine Peyroux | T-070.266.331-7 | |
| 23-11 | Careless Love | Madeleine Peyroux | T-900.304.340-1 | |
| 23-12 | This Is Heaven to Me | Madeleine Peyroux | — | |
| 24-1 | Baby I’m a Fool | Melody Gardot | T-901.820.608-1 | |
| 24-2 | If the Stars Were Mine | Melody Gardot | T-901.822.251-0 | |
| 24-3 | Who Will Comfort Me | Melody Gardot | T-901.824.991-7 | |
| 24-4 | Your Heart Is as Black as Night | Melody Gardot | T-901.825.155-3 | |
| 24-5 | Lover Undercover | Melody Gardot | — | |
| 24-6 | Our Love Is Easy | Melody Gardot | — | |
| 24-7 | Les Étoiles | Melody Gardot | T-901.822.633-0 | |
| 24-8 | The Rain | Melody Gardot | T-901.824.566-4 | |
| 24-9 | My One and Only Thrill | Melody Gardot | T-901.822.872-3 | |
| 24-10 | Deep Within the Corners of My Mind | Melody Gardot | T-901.821.216-3 | |
| 24-11 | Over the Rainbow | Melody Gardot | T-070.159.949-6 | |
| 25-1 | No Love Dying | Gregory Porter | T-910.655.836-5 | |
| 25-2 | Liquid Spirit | Gregory Porter | T-910.655.874-1 | |
| 25-3 | Lonesome Lover | Gregory Porter | T-700.038.778-2 | |
| 25-4 | Water Under Bridges | Gregory Porter | T-910.660.019-5 | |
| 25-5 | Hey Laura | Gregory Porter | T-910.655.937-9 | |
| 25-6 | Musical Genocide | Gregory Porter | T-910.658.374-8 | |
| 25-7 | Wolfcry | Gregory Porter | T-910.659.376-4 | |
| 25-8 | Free | Gregory Porter | T-916.641.473-9 | |
| 25-9 | Brown Grass | Gregory Porter | T-910.656.019-4 | |
| 25-10 | Wind Song | Gregory Porter | T-910.653.507-3 | |
| 25-11 | The “In” Crowd | Gregory Porter | T-070.241.153-7 | |
| 25-12 | Movin’ | Gregory Porter | T-910.658.371-5 | |
| 25-13 | When Love Was King | Gregory Porter | T-910.653.549-3 | |
| 25-14 | I Fall in Love Too Easily | Gregory Porter | T-070.902.822-7 |
Additional database matches (24)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Leap Frog | Charlie Parker, Dizzy Gillespie | T-700.036.053-4 |
| Leap Frog (breakdown take) | Charlie Parker, Dizzy Gillespie | T-700.036.053-4 |
| Leap Frog (breakdown take) | Charlie Parker, Dizzy Gillespie | T-700.036.053-4 |
| Leap Frog (breakdown take) | Charlie Parker, Dizzy Gillespie | T-700.036.053-4 |
| Leap Frog (breakdown take) | Charlie Parker, Dizzy Gillespie | T-700.036.053-4 |
| Leap Frog (breakdown take) | Charlie Parker, Dizzy Gillespie | T-700.036.053-4 |
| Leap Frog (breakdown take) | Charlie Parker, Dizzy Gillespie | T-700.036.053-4 |
| If the Stars Were Mine (orchestral version) | Melody Gardot | T-901.822.251-0 |
| WELL YOU NEEDN’T | THELONIOUS MONK | T-700.078.455-6 |
| Strode Rode | Sonny Rollins | — |
| Die Moritat von Mackie Messer (The Ballad of Mack the Knife) A Theme From “The Threepenny Opera” | Sonny Rollins | — |
| Blue 7 | Sonny Rollins | — |
| Générique | Miles Davis | — |
| But for Now | Jamie Cullum | — |
| Wind Cries Mary | Jamie Cullum | — |
| These Are the Days | Jamie Cullum | — |
| WELL, YOU NEEDN'T (FEAT. GIGI GRYCE, ART BLAKEY, COLEMAN HAWKINS & JOHN COLTRANE) | THELONIOUS MONK SEPTET | T-700.078.455-6 |
| THE COMPLETE 1957 RIVERSIDE RECORDINGS | THELONIOUS MONK SEPTET,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,THELONIOUS MONK,THELONIOUS MONK,GIGI GRYCE,COLEMAN HAWKINS,JOHN COLTRANE | T-700.078.455-6 |
| THE COMPLETE 1957 RIVERSIDE RECORDINGS | THELONIOUS MONK SEPTET,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,THELONIOUS MONK,GIGI GRYCE,COLEMAN HAWKINS,JOHN COLTRANE | T-070.049.520-0 |
| THE COMPLETE 1957 RIVERSIDE RECORDINGS | THELONIOUS MONK,JOHN COLTRANE,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,GIGI GRYCE,COLEMAN HAWKINS | T-070.242.608-1 |
| Générique | Miles Davis | — |
| II B.S. | Charles Mingus | T-072.599.519-6 |
| Só danço samba (Jazz Samba) | Antônio Carlos Jobim | T-041.645.314-9 |
| This Is Heaven to Me | Madeleine Peyroux | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 600753857205?
600753857205 is a Universal Product Code (UPC) assigned to Jazz Box (25 Original Albums) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 251 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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