UPC · Release
John Williams
Last verified:
600753991985 is the Universal Product Code (UPC barcode) for the release “The Legend of John Williams: Original Soundtracks, Concert Works and Songs 1960-2022” by John Williams, released 2023-01-01 on Universal Music France. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 370 tracks, each with its own ISRC. Tracks include NLA508023806, NLA508023807, NLA508023803.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Star Wars: Main Theme | Boston Pops Orchestra, John Williams | T-909.207.175-5 | |
| 2 | Star Wars: Princess Leia | Boston Pops Orchestra, John Williams | T-918.284.900-9 | |
| 3 | The Empire Strikes Back: The Asteroid Field | John Williams, The Boston Pops Orchestra | T-909.246.774-8 | |
| 4 | The Empire Strikes Back: The Imperial March | Boston Pops Orchestra, John Williams | T-070.241.142-4 | |
| 5 | The Empire Strikes Back: Yoda's Theme | Boston Pops Orchestra, John Williams | — | |
| 6 | Return of the Jedi: Jabba the Hutt | John Williams, The Boston Pops Orchestra | — | |
| 7 | Return of the Jedi: Luke & Leia | Boston Pops Orchestra, John Williams | — | |
| 8 | Return of the Jedi: Parade of the Ewoks | John Williams, The Boston Pops Orchestra | — | |
| 9 | Return of the Jedi: The Forest Battle | John Williams, The Boston Pops Orchestra | — | |
| 10 | Superman: March | Boston Pops Orchestra, John Williams | T-700.080.985-0 | |
| 11 | Superman: Love Theme | Boston Pops Orchestra, John Williams | T-070.233.248-6 | |
| 12 | Close Encounters of the Third Kind: Suite | Boston Pops Orchestra, John Williams | T-070.233.382-1 | |
| 2-1 | Mission Theme (Theme for NBC News) | Boston Pops Orchestra, John Williams | T-903.722.717-1 | |
| 2-2 | Yes, Giorgio: If We Were in Love | John Williams, The Boston Pops Orchestra | T-070.082.788-8 | |
| 2-3 | March from “1941” | Boston Pops Orchestra, John Williams | T-700.080.972-5 | |
| 2-4 | Jane Eyre: I. At Lowood | Boston Pops Orchestra, John Williams | — | |
| 2-5 | Jane Eyre: II. To Thornfield | Boston Pops Orchestra, John Williams | T-071.227.807-3 | |
| 2-6 | Jane Eyre: III. The Return | Boston Pops Orchestra, John Williams | — | |
| 2-7 | Liberty Fanfare | Boston Pops Orchestra, John Williams | — | |
| 2-8 | America, the Dream Goes On | Tanglewood Festival Chorus, Boston Pops Orchestra, John Williams | T-072.102.236-1 | |
| 2-9 | March from Midway | Boston Pops Orchestra, John Williams | T-700.080.974-7 | |
| 2-10 | Balloon Sequence & Devil's Dance from "Witches of Eastwick" | John Williams, The Boston Pops Orchestra | — | |
| 2-11 | Olympic Fanfare and Theme | Boston Pops Orchestra, John Williams | T-918.301.105-4 | |
| 2-12 | Somewhere in My Memory | Tanglewood Festival Chorus, Boston Pops Orchestra, John Williams | T-913.783.076-3 | |
| 2-13 | Holiday Flight | Boston Pops Orchestra, John Williams | — | |
| 2-14 | Star of Bethlehem | Tanglewood Festival Chorus, Boston Pops Orchestra, John Williams | T-918.291.320-8 | |
| 3-1 | Theme from 'Checkmate' | Johnny Williams | — | |
| 3-2 | Shy Youth | Johnny Williams | — | |
| 3-3 | Cyanide Touch | Johnny Williams | — | |
| 3-4 | Main Title | John Williams | T-905.863.464-3 | |
| 3-5 | Simon Says | John Williams | — | |
| 3-6 | The Key | John Williams | T-919.514.938-3 | |
| 3-7 | Two Lovers | John Williams | T-700.231.750-4 | |
| 3-8 | Girl Chase | John Williams | — | |
| 3-9 | Poolside | John Williams | — | |
| 3-10 | Penelope (Love Theme) | John Williams | — | |
| 3-11 | Main Title (Big Beautiful Ball) | Johnny Williams | — | |
| 3-12 | My Inamorata (Instrumental) | Johnny Williams | — | |
| 3-13 | Hey Julietta | Johnny Williams | — | |
| 3-14 | Foney Poochini (Labrador-Opera Montage) | Johnny Williams | — | |
| 3-15 | Arrivederci Mondo (Italian Movie) | Johnny Williams | — | |
| 3-16 | Big Beautiful Ball | Johnny Mercer | T-070.013.757-0 | |
| 3-17 | Make Me Rainbows | John Williams | T-071.000.904-3 | |
| 3-18 | Overture | John Williams | — | |
| 3-19 | Fitzwilly's Date | John Williams | — | |
| 3-20 | More Theft | John Williams | — | |
| 3-21 | Sampson and Delilah | John Williams | — | |
| 3-22 | Main Title and Overture | John Williams | — | |
| 3-23 | The Alm | John Williams | — | |
| 3-24 | Reflections II | John Williams | — | |
| 3-25 | The Miracle | John Williams | — | |
| 3-26 | Love Theme From Heidi | John Williams | — | |
| 4-1 | Wednesday Special (main title) | John Williams | — | |
| 4-2 | Nice to Be Around | John Williams | T-070.049.110-6 | |
| 4-3 | New Shooter | John Williams | — | |
| 4-4 | Maggie Shoots Pool | John Williams | — | |
| 4-5 | Maggie and Baggs | John Williams | T-904.087.452-0 | |
| 4-6 | Boxing Montage | John Williams | T-921.983.895-6 | |
| 4-7 | Nice to Be Around | John Williams | T-070.242.486-9 | |
| 4-8 | Neptune’s Bar | John Williams | T-904.113.365-7 | |
| 4-9 | Cinderella Liberty Love Theme | John Williams | — | |
| 4-10 | The Ferry Ride | John Williams | T-905.298.394-5 | |
| 4-11 | A Baby Boy Arrives | John Williams | T-921.983.894-5 | |
| 4-12 | Wednesday Special (end title) | John Williams | — | |
| 4-13 | The River | John Williams | — | |
| 4-14 | Growing Up | John Williams | — | |
| 4-15 | The Pony Ride | John Williams | T-700.054.570-2 | |
| 4-16 | Love Theme from The River | John Williams | T-071.175.622-7 | |
| 4-17 | The Ancestral Home | John Williams | T-070.349.871-8 | |
| 4-18 | Rain Clouds Gather | John Williams | T-071.209.547-0 | |
| 4-19 | From Farm to Factory | John Williams | T-071.130.660-3 | |
| 4-20 | Back From Town | John Williams | T-901.021.546-0 | |
| 4-21 | Tractor Scene | John Williams | T-071.228.665-1 | |
| 4-22 | A Family Meeting | John Williams | T-071.084.319-8 | |
| 4-23 | Young Friends Farewell | John Williams | T-071.241.245-7 | |
| 5-1 | Main Title "Earthquake" | John Williams | — | |
| 5-2 | Miles on Wheels | John Williams | — | |
| 5-3 | City Theme | John Williams | — | |
| 5-4 | Something for Rosa | John Williams | — | |
| 5-5 | Love Scene | John Williams | — | |
| 5-6 | The City Sleeps | John Williams | — | |
| 5-7 | Love Theme | John Williams | — | |
| 5-8 | Cory in Jeopardy | John Williams | — | |
| 5-9 | Something for Remy | John Williams | — | |
| 5-10 | Medley (Watching & Waiting / Miles’ Pool Hall / Sam’s Rescue) | John Williams | — | |
| 5-11 | Finale, End Title | John Williams | — | |
| 5-12 | Main Title | John Williams | — | |
| 5-13 | Nonnie And Martin | John Williams | — | |
| 5-14 | Saving Robin | John Williams | — | |
| 5-15 | Up the Tree | John Williams | — | |
| 5-16 | Through the Galley | John Williams | — | |
| 5-17 | The Rescue and End Title | John Williams | — | |
| 5-18 | Main Title (film version) | John Williams | — | |
| 5-19 | The Rescue of Angela and the Blocked Door | John Williams | — | |
| 5-20 | Lisolette and Harlee (film version) | John Williams | — | |
| 5-21 | The Helicopter Explodes | John Williams | — | |
| 5-22 | The Solution | John Williams | — | |
| 5-23 | Finale | John Williams | — | |
| 5-24 | An Architect’s Dream - End Cast | John Williams | — | |
| 6-1 | Main Title | John Williams | — | |
| 6-2 | Theme From "The Eiger Sanction" | John Williams | — | |
| 6-3 | Fifty Miles of Desert | John Williams | — | |
| 6-4 | The Icy Ascent | John Williams | — | |
| 6-5 | Friends and Enemies | John Williams | — | |
| 6-6 | The Top of the World | John Williams | — | |
| 6-7 | Theme From "The Eiger Sanction" | John Williams | — | |
| 6-8 | Training With George | John Williams | — | |
| 6-9 | Theme From "The Eiger Sanction" (Hernlock and Jemma) | John Williams | — | |
| 6-10 | George Sets the Pace | John Williams | — | |
| 6-11 | The Microfilm Killing | John Williams | — | |
| 6-12 | Up the Drainpipe | John Williams | — | |
| 6-13 | The Eiger | John Williams | — | |
| 6-14 | The Long Goodbye (Clydie King, vocal) | Clydie King | — | |
| 6-15 | Love Theme From “The Long Goodbye” | John Williams | — | |
| 6-17 | In Search of Unicorns | John Williams | — | |
| 6-18 | The Killing of Marcel | John Williams | — | |
| 6-19 | Dogs, Ponies & Old Ruins | John Williams | T-200.570.980-5 | |
| 6-20 | Blood Moon | John Williams | — | |
| 6-21 | The Love Montage | John Williams | — | |
| 6-22 | The Waterfall / Final Chapter | John Williams | — | |
| 7-1 | The Cowboys | John Williams, Boston Pops Orchestra | T-071.494.456-5 | |
| 7-2 | Cat Dancing | John Williams | — | |
| 7-3 | Moving | John Williams | — | |
| 7-4 | Bound Up | John Williams | — | |
| 7-5 | Billy's Fall / Boys Will Be | John Williams | — | |
| 7-6 | Braiding / Just Whistle | John Williams | — | |
| 7-7 | Little John | John Williams | — | |
| 7-8 | Jay's Fall / End Title / End Cast | John Williams | — | |
| 7-9 | Missouri Breaks: Main Title | John Williams | — | |
| 7-10 | Missouri Breaks: Arrival of the Rustlers | John Williams | — | |
| 7-11 | Missouri Breaks: Love Theme | John Williams | — | |
| 7-12 | Missouri Breaks: The Train Robbery | John Williams | — | |
| 7-13 | Missouri Breaks: Bizarre Wake | John Williams | — | |
| 7-14 | Missouri Breaks: Celebration | John Williams | — | |
| 7-15 | Missouri Breaks: Confrontation | John Williams | — | |
| 7-16 | Missouri Breaks: Love Theme (reprise) | John Williams | — | |
| 7-17 | Missouri Breaks: Crossing the Missouri | John Williams | — | |
| 7-18 | Missouri Breaks: The Chase | John Williams | — | |
| 7-19 | Missouri Breaks: Remembrances | John Williams | — | |
| 7-20 | Missouri Breaks: The Horse Rustlers | John Williams | — | |
| 7-21 | Missouri Breaks: End Title | John Williams | — | |
| 8-1 | Main Title (Theme From Jaws) | John Williams | T-309.932.002-8 | |
| 8-2 | Chrissie's Death | John Williams | T-700.005.548-3 | |
| 8-3 | Promenade (Tourists on the Menu) | John Williams | T-070.001.144-4 | |
| 8-4 | Out to the Sea | John Williams | T-700.051.918-8 | |
| 8-5 | The Indianapolis Story | John Williams | T-700.030.032-5 | |
| 8-6 | Sea Attack Number One | John Williams | T-700.061.080-2 | |
| 8-7 | One Barrel Chase | John Williams | T-700.050.652-7 | |
| 8-8 | Preparing the Cage | John Williams | T-700.055.183-9 | |
| 8-9 | Night Search | John Williams | T-700.048.073-1 | |
| 8-10 | The Underwater Siege | John Williams | T-700.075.632-3 | |
| 8-11 | Hand to Hand Combat | John Williams | T-700.019.244-1 | |
| 8-12 | End Title (Theme From Jaws) | John Williams | T-905.824.099-6 | |
| 8-13 | Finding the "Orca" (Main Title) | John Williams | T-700.013.733-9 | |
| 8-14 | The Menu | John Williams | T-071.178.439-2 | |
| 8-15 | Ballet for Divers | John Williams | T-700.001.464-4 | |
| 8-16 | The Water Kite Sequence | John Williams | T-700.077.582-8 | |
| 8-17 | Brody Misunderstood | John Williams | T-700.003.887-1 | |
| 8-18 | The Catamaran Race | John Williams | T-700.005.007-9 | |
| 8-19 | Toward Cable Junction | John Williams | T-905.862.213-2 | |
| 8-20 | Attack on the Helicopter | John Williams | T-070.350.495-3 | |
| 8-21 | The Open Sea | John Williams | T-700.051.395-3 | |
| 8-22 | Fire Aboard and Eddie’s Death | John Williams | T-700.013.789-5 | |
| 8-23 | Sean’s Rescue | John Williams | T-072.015.049-1 | |
| 8-24 | Attack on the Water Skier | John Williams | T-070.350.496-4 | |
| 8-25 | The Big Jolt! | John Williams | T-700.002.297-1 | |
| 8-26 | End Title, End Cast | John Williams | — | |
| 9-1 | Three Million Light Years From Home | John Williams | T-700.072.394-6 | |
| 9-2 | Abandoned and Pursued | John Williams | T-070.348.920-6 | |
| 9-3 | E.T. and Me | John Williams | T-905.691.441-1 | |
| 9-4 | E.T.’s Halloween | John Williams | T-700.011.470-7 | |
| 9-5 | Flying | John Williams | T-070.233.848-4 | |
| 9-6 | E.T. Phone Home | John Williams | T-700.011.468-3 | |
| 9-7 | Over the Moon | John Williams | T-700.052.022-1 | |
| 9-8 | Adventure on Earth | John Williams | T-070.349.041-8 | |
| 9-9 | Among the Clouds | John Williams | T-070.349.833-2 | |
| 9-10 | Follow Me | John Williams | T-070.881.455-4 | |
| 9-11 | Seeing Dorinda | John Williams | T-700.061.416-6 | |
| 9-12 | Saying Goodbye | John Williams | T-700.135.791-3 | |
| 9-13 | Promise to Hap | John Williams | — | |
| 9-14 | The Old Timer’s Shack | John Williams | T-700.050.284-3 | |
| 9-15 | Dorinda Solo Flight | John Williams | — | |
| 9-16 | The Flight to Neverland from “Hook” | Los Angeles Philharmonic, Gustavo Dudamel | T-911.061.463-6 | |
| 10-1 | Opening Titles | John Williams | T-700.094.930-6 | |
| 10-2 | Theme From Jurassic Park | John Williams | T-700.094.345-5 | |
| 10-3 | Incident at Isla Nublar | John Williams | T-070.941.050-3 | |
| 10-4 | Journey to the Island | John Williams | T-905.861.777-9 | |
| 10-5 | The Raptor Attack | John Williams | T-905.818.134-3 | |
| 10-6 | Hatching Baby Raptor | John Williams | T-323.020.329-5 | |
| 10-7 | Welcome to Jurassic Park | John Williams | T-905.861.614-1 | |
| 10-8 | My Friend, the Brachiosaurus | John Williams | T-323.020.328-4 | |
| 10-9 | Dennis Steals the Embryo | John Williams | — | |
| 10-10 | A Tree for My Bed | John Williams | T-323.020.324-0 | |
| 10-11 | High‐Wire Stunts | John Williams | T-905.818.123-0 | |
| 10-12 | Remembering Petticoat Lane | John Williams | T-323.020.326-2 | |
| 10-13 | Jurassic Park Gate | John Williams | T-905.861.702-0 | |
| 10-14 | Eye to Eye | John Williams | T-070.941.051-4 | |
| 10-15 | T‐Rex Rescue & Finale | John Williams | T-072.891.112-3 | |
| 10-16 | End Credits | John Williams | T-070.248.663-2 | |
| 10-17 | Sean’s Theme | John Williams | T-071.674.203-8 | |
| 10-18 | Minority Report | John Williams | T-071.674.198-8 | |
| 11-1 | Theme From Schindler’s List | Itzhak Perlman, Boston Symphony Orchestra, John Williams | T-070.248.901-7 | |
| 11-2 | Jewish Town (Krakow Ghetto - Winter ’41) | Itzhak Perlman, Boston Symphony Orchestra, John Williams | — | |
| 11-3 | Immolation (With Our Lives, We Give Life) | Boston Symphony Orchestra, John Williams | T-700.103.055-5 | |
| 11-4 | Remembrances | Boston Symphony Orchestra, John Williams, Itzhak Perlman | T-700.116.781-5 | |
| 11-5 | Schindler’s Workforce | Boston Symphony Orchestra, John Williams | T-070.941.342-2 | |
| 11-6 | Schindler's List: Oyf'n Piripetshok And Nacht Aktion | John Williams | T-905.863.478-9 | |
| 11-7 | I Could Have Done More | Itzhak Perlman, Boston Symphony Orchestra, John Williams | T-700.103.056-6 | |
| 11-8 | Auschwitz-Birkenau | Itzhak Perlman, Boston Symphony Orchestra, John Williams | T-700.103.058-8 | |
| 11-9 | Stolen Memories | Boston Symphony Orchestra, John Williams | T-700.103.060-2 | |
| 11-10 | Making the List | Itzhak Perlman, Boston Symphony Orchestra, John Williams | T-700.103.053-3 | |
| 11-11 | Give Me Your Names | Boston Symphony Orchestra, John Williams | T-700.103.059-9 | |
| 11-12 | Yeroushalaim Chel Zahav (Jerusalem of Gold) | Hana Tzur, Ramat-Gan Chamber Choir | T-002.037.154-3 | |
| 11-14 | Theme From Schindler’s List (reprise) | Boston Symphony Orchestra, John Williams | T-700.121.101-6 | |
| 12-1 | Raiders of the Lost Ark | John Williams | — | |
| 12-2 | The Map Room: Dawn | London Symphony Orchestra, John Williams | — | |
| 12-3 | Marion’s Theme / The Crate | London Symphony Orchestra, John Williams | — | |
| 12-4 | The Basket Game | London Symphony Orchestra, John Williams | — | |
| 12-5 | Anything Goes | Cole Porter | T-070.001.571-9 | |
| 12-6 | Short Round’s Theme | John Williams | — | |
| 12-7 | Nocturnal Activities | John Williams | — | |
| 12-8 | End Credits | John Williams | T-906.031.582-4 | |
| 12-9 | Indy’s Very First Adventure | John Williams | — | |
| 12-10 | No Ticket | John Williams | — | |
| 12-11 | Scherzo for Motorcycle and Orchestra | John Williams | — | |
| 12-12 | The Keeper of the Grail | John Williams | — | |
| 12-13 | The Adventures of Mutt | Hollywood Studio Symphony, John Williams | — | |
| 12-14 | Call of the Crystal | Hollywood Studio Symphony, John Williams | — | |
| 12-15 | Irina’s Theme | Hollywood Studio Symphony, John Williams | — | |
| 12-16 | Finale | Hollywood Studio Symphony, John Williams | T-071.674.206-1 | |
| 13-1 | Prologue | John Williams | — | |
| 13-2 | The Early Days, Massapequa, 1957 | John Williams | — | |
| 13-3 | The Shooting of Wilson | John Williams | T-070.880.640-9 | |
| 13-4 | Cua Viet River, Vietnam, 1968 | John Williams | T-700.007.950-7 | |
| 13-5 | Homecoming | John Williams | T-700.022.731-8 | |
| 13-6 | Born on the Fourth of July | Boston Pops Orchestra, John Williams | T-700.080.988-3 | |
| 13-7 | JFK: Prologue | John Williams | T-070.241.358-8 | |
| 13-8 | The Motorcade | John Williams | T-700.045.361-4 | |
| 13-9 | Theme from JFK | John Williams | T-700.015.630-1 | |
| 13-10 | The Conspirators | John Williams | T-070.881.166-8 | |
| 13-11 | Garrison Family Theme | John Williams | T-700.015.630-1 | |
| 13-12 | The Witnesses | John Williams | T-700.081.488-2 | |
| 13-13 | Finale | John Williams | T-700.032.471-2 | |
| 13-14 | The 1960’s: The Turbulent Years | John Williams | — | |
| 13-15 | Main Title… The White House Gate | John Williams | T-071.801.153-0 | |
| 13-16 | The Miami Convention, 1968 | John Williams | T-901.056.090-4 | |
| 13-17 | The Meeting With Mao | John Williams | T-901.053.687-5 | |
| 13-18 | The Farewell Scene | John Williams | T-903.946.921-1 | |
| 14-1 | County Galway, June 1892 | John Williams | T-700.007.198-9 | |
| 14-2 | The Fighting Donellys | John Williams, The Chieftains | T-700.013.625-6 | |
| 14-3 | Joe Sr.’s Passing | John Williams | T-700.032.642-3 | |
| 14-4 | Leaving Home | John Williams | T-010.433.714-5 | |
| 14-5 | Burning the Manor House | John Williams | T-070.016.229-3 | |
| 14-6 | Blowing off Steam | John Williams | T-700.002.856-0 | |
| 14-7 | Fighting for Dough | John Williams, The Chieftains | T-070.141.922-8 | |
| 14-8 | Am I Beautiful | John Williams | — | |
| 14-9 | The Big Match | John Williams | T-700.002.320-3 | |
| 14-10 | Inside the Mansion | John Williams | T-071.066.429-1 | |
| 14-11 | Shannon Is Shot | John Williams | — | |
| 14-12 | Joseph’s Dream | John Williams | T-010.822.926-0 | |
| 14-13 | The Reunion | John Williams | T-906.353.816-9 | |
| 14-14 | Oklahoma Territory | John Williams | T-700.050.004-1 | |
| 14-15 | The Land Race | John Williams | T-070.243.056-5 | |
| 14-16 | Settling With Steven / The Race to the River | John Williams | T-700.061.723-4 | |
| 14-17 | Joseph and Shannon | John Williams | T-700.032.910-4 | |
| 14-18 | Far & Away: End Credits | John Williams, The Chieftains | T-305.487.397-7 | |
| 15-1 | Theme From Sabrina | John Williams | — | |
| 15-2 | Moonlight | Sting | T-071.066.896-4 | |
| 15-3 | Linus’ New Life | John Williams | — | |
| 15-4 | Growing Up in Paris | John Williams | — | |
| 15-5 | (In the) Moonlight | John Williams | T-071.066.896-4 | |
| 15-6 | Sabrina Remembers / La Vie en rose | John Williams | T-003.018.090-5 | |
| 15-7 | Sabrina Comes Home | John Williams | — | |
| 15-8 | Nantucket Visit | John Williams | — | |
| 15-9 | The Party Sequence: When Joanna Loved Me / The Shadow of Your Smile / Call Me Irresponsible / Stella by Starlight | John Williams | T-042.625.229-0 | |
| 15-10 | Sabrina and Linus Date | John Williams | — | |
| 15-11 | How Can I Remember? | Michael Dees | — | |
| 15-12 | Sabrina’s Return to Paris | John Williams | — | |
| 15-13 | Theme From "Sabrina" (extended version) | John Williams | — | |
| 15-14 | Love Theme | John Williams | — | |
| 15-15 | Vacation | John Williams | — | |
| 15-16 | End Title and End Cast | John Williams | — | |
| 15-17 | The Bicycle | John Williams | — | |
| 15-18 | Reading Lessons | John Williams | T-901.054.129-4 | |
| 15-19 | Letters | John Williams | T-901.053.623-9 | |
| 15-20 | End Title | John Williams | — | |
| 16-1 | Main Title / Storm Sequence | London Symphony Orchestra, John Williams | T-700.041.403-1 | |
| 16-2 | The Night Visitor | London Symphony Orchestra, John Williams | T-700.048.101-8 | |
| 16-3 | To Scarborough | London Symphony Orchestra, John Williams | T-700.073.119-3 | |
| 16-4 | The Abduction of Lucy | London Symphony Orchestra, John Williams | T-070.348.927-3 | |
| 16-5 | Night Journeys | London Symphony Orchestra, John Williams | T-700.048.016-2 | |
| 16-6 | The Love Scene | London Symphony Orchestra, John Williams | T-700.040.266-6 | |
| 16-7 | Meeting in the Cave | London Symphony Orchestra, John Williams | T-904.094.968-6 | |
| 16-8 | The Bat Attack | London Symphony Orchestra, John Williams | T-700.001.662-8 | |
| 16-9 | For Mina | London Symphony Orchestra, John Williams | T-700.014.628-3 | |
| 16-10 | Dracula’s Death | London Symphony Orchestra, John Williams | T-700.010.773-5 | |
| 16-11 | End Titles | London Symphony Orchestra, John Williams | T-700.012.137-1 | |
| 16-12 | Main Title | London Symphony Orchestra, John Williams | — | |
| 16-13 | For Gillian | London Symphony Orchestra, John Williams | — | |
| 16-14 | Vision on the Stairs | London Symphony Orchestra, John Williams | — | |
| 16-15 | Hester's Theme and the House | London Symphony Orchestra, John Williams | — | |
| 16-16 | Gillian's Escape | London Symphony Orchestra, John Williams | — | |
| 16-17 | The Search for Robin | London Symphony Orchestra, John Williams | T-906.353.847-6 | |
| 16-18 | Gillian's Vision | London Symphony Orchestra, John Williams | T-700.016.284-7 | |
| 16-19 | Death on the Carousel and End Titles | London Symphony Orchestra, John Williams | — | |
| 16-20 | Epilogue | London Symphony Orchestra, John Williams | T-700.012.199-5 | |
| 17-1 | End Cast | The Hollywood Studio Symphony, John Williams | — | |
| 17-2 | The Mystery Woman | The Hollywood Studio Symphony, John Williams | — | |
| 17-3 | The White Mustang | The Hollywood Studio Symphony, John Williams | — | |
| 17-4 | Maloney’s Exit | The Hollywood Studio Symphony, John Williams | — | |
| 17-5 | The Search Montage | The Hollywood Studio Symphony, John Williams | — | |
| 17-6 | Preparations | John Williams | T-918.903.532-3 | |
| 17-7 | The Explosion | John Williams | — | |
| 17-8 | End Title | John Williams | T-700.232.375-5 | |
| 17-9 | Reunion in Italy | London Symphony Orchestra, John Williams | T-073.354.762-0 | |
| 17-10 | Forgotten Vows | London Symphony Orchestra, John Williams | T-073.354.419-8 | |
| 17-11 | The Meeting in Sicily | London Symphony Orchestra, John Williams | T-073.354.763-1 | |
| 17-12 | At the Forum | London Symphony Orchestra, John Williams | T-073.369.348-5 | |
| 17-13 | The Football Game | John Williams | — | |
| 17-14 | Reunion and Finale | John Williams | — | |
| 17-15 | Seven Years in Tibet | Yo-Yo Ma, John Williams | — | |
| 17-16 | The Invasion | John Williams | T-700.030.311-9 | |
| 17-17 | Regaining a Son | John Williams | — | |
| 17-18 | Theme From Angela's Ashes | John Williams | — | |
| 17-19 | Delivering Telegrams | John Williams | — | |
| 17-20 | Back to America | John Williams | — | |
| 17-21 | Plenty of Fish and Chips in Heaven | John Williams | — | |
| 18-1 | Rey’s Theme (from “Star Wars: The Force Awakens”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | — | |
| 18-2 | Yoda’s Theme (from “Star Wars: The Empire Strikes Back”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-909.246.774-8 | |
| 18-3 | Hedwig’s Theme (from “Harry Potter and the Philosopher’s Stone”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-071.409.578-9 | |
| 18-4 | Across the Stars (Love Theme) (from “Star Wars: Attack of the Clones”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-071.436.765-3 | |
| 18-5 | Donnybrook Fair (Based on “Blowing Off Steam” from “Far and Away”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-700.002.856-0 | |
| 18-6 | Sayuri’s Theme (from “Memoirs of a Geisha”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-930.919.909-5 | |
| 18-7 | Remembrances (from “Schindler’s List”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-700.116.781-5 | |
| 18-8 | Night Journeys (from “Dracula”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-700.048.016-2 | |
| 18-9 | Theme (from “Sabrina”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-061.498.272-7 | |
| 18-10 | The Duel (from “The Adventures of Tintin”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-031.914.786-8 | |
| 18-11 | Princess Leia’s Theme (from “Star Wars: A New Hope”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-918.284.900-9 | |
| 18-12 | The Chairman’s Waltz (from “Memoirs of a Geisha”) | Anne-Sophie Mutter, Lynn Harrell, Recording Arts Orchestra of Los Angeles, John Williams | T-909.044.522-0 | |
| 18-13 | Luke and Leia (from “Star Wars: Return of the Jedi”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | — | |
| 18-14 | Nice to Be Around (from “Cinderella Liberty”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-070.242.486-9 | |
| 18-15 | Theme (from “Schindler’s List”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-061.498.272-7 | |
| 18-16 | A Prayer for Peace (from “Munich”) | Anne-Sophie Mutter, Recording Arts Orchestra of Los Angeles, John Williams | T-904.715.061-8 | |
| 19-1 | Prelude and Fugue | Stan Kenton | T-918.284.787-6 | |
| 19-2 | Sinfonietta for Wind Ensemble: 1. Satz: Lento Assai | Eastman Wind Ensemble, Donald Hunsberger | — | |
| 19-3 | Sinfonietta for Wind Ensemble: 2. Satz: Lento | Eastman Wind Ensemble, Donald Hunsberger | — | |
| 19-4 | Sinfonietta for Wind Ensemble: 3. Satz: Molto Allegro | Eastman Wind Ensemble, Donald Hunsberger | — | |
| 19-5 | Violin Concerto No. 2: I. Prologue | John Williams, Anne-Sophie Mutter, Boston Symphony Orchestra | T-011.697.860-9 | |
| 19-6 | Violin Concerto No. 2: II. Rounds | John Williams, Anne-Sophie Mutter, Boston Symphony Orchestra | T-304.450.468-5 | |
| 19-7 | Violin Concerto No. 2: III. Dactyls | John Williams, Anne-Sophie Mutter, Boston Symphony Orchestra | T-011.697.860-9 | |
| 19-8 | Violin Concerto No. 2: IV. Epilogue | John Williams, Anne-Sophie Mutter, Boston Symphony Orchestra | T-011.697.860-9 | |
| 19-9 | Elegy for Cello and Orchestra | Bruno Delepelaire, Berliner Philharmoniker, John Williams | T-918.063.884-0 | |
| 20-1 | A Million Bucks | André Previn | T-070.112.747-0 | |
| 20-2 | Make Me Rainbows | Ella Fitzgerald, The Count Basie Orchestra, Michel Legrand et son orchestre | T-071.000.904-3 | |
| 20-3 | Catch Me if You Can (from "Catch Me if You Can") | Jean-Michel Bernard | T-071.667.902-5 | |
| 20-4 | Dream Away | Frank Sinatra | — | |
| 20-5 | Fascinatin' Rhythm | John Williams | T-070.054.137-2 | |
| 20-6 | The Same Hello, the Same Goodbye | Barbra Streisand | T-901.466.496-1 | |
| 20-7 | A Big Beautiful Ball | Jackie and Roy | T-070.013.757-0 | |
| 20-8 | A Place of My Own (Heidi's Theme) | John Williams | — | |
| 20-9 | Daddy's Gone A-Hunting | Lyn Roman | — | |
| 20-10 | Come Tuesday | Alan Bergman | T-902.641.321-8 | |
| 20-11 | The Eiger Sanction | Kyle Eastwood | T-905.691.452-4 | |
| 20-12 | Remembering Carolyn (From "Presumed Innocent") | Simone Pedroni | T-700.057.390-2 | |
| 20-13 | Nice to Be Around | Maureen McGovern | T-070.242.486-9 | |
| 20-14 | A Powdered Wig | Henry Mancini | T-070.167.075-8 | |
| 20-15 | Love's the Only Game in Town | Suzanne Stevens | T-906.524.733-8 | |
| 20-16 | The Long Goodbye | Lou Donaldson | T-070.100.475-2 | |
| 20-17 | Theme From E.T. | David Helbock | T-070.233.848-4 | |
| 20-19 | If We Were in Love | Luciano Pavarotti | T-070.082.788-8 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Remembrances | Itzhak Perlman, Boston Symphony Orchestra, John Williams | T-700.116.781-5 |
| Make Me Rainbows | Michel Legrand et son orchestre | T-071.000.904-3 |
| The Long Goodbye (John Williams, piano soloist) | John Williams | — |
| Theme From Angela's Ashes | John Williams | — |
| Plenty of Fish and Chips in Heaven | John Williams | — |
| Delivering Telegrams | John Williams | — |
| Back to America | John Williams | — |
| Superman: March | Boston Pops Orchestra, John Williams | T-070.241.142-4 |
| Superman: March | Boston Pops Orchestra, John Williams | — |
| The Empire Strikes Back: Yoda's Theme | Boston Pops Orchestra, John Williams | — |
| Close Encounters of the Third Kind: Suite | Boston Pops Orchestra, John Williams | — |
| March from Midway | Boston Pops Orchestra, John Williams | — |
| The Cowboys | John Williams, Boston Pops Orchestra | — |
| Return of the Jedi: Parade of the Ewoks | John Williams, The Boston Pops Orchestra | — |
| Return of the Jedi: Luke & Leia | Boston Pops Orchestra, John Williams | — |
| Return of the Jedi: Jabba the Hutt | John Williams, The Boston Pops Orchestra | — |
| Return of the Jedi: The Forest Battle | John Williams, The Boston Pops Orchestra | — |
| Liberty Fanfare | Boston Pops Orchestra, John Williams | — |
| March from “1941” | Boston Pops Orchestra, John Williams | — |
| Mission Theme (Theme for NBC News) | Boston Pops Orchestra, John Williams | — |
| In Search of Unicorns | John Williams | — |
| Dogs, Ponies & Old Ruins | John Williams | — |
| The Killing of Marcel | John Williams | — |
| The Love Montage | John Williams | — |
| Blood Moon | John Williams | — |
| The Waterfall / Final Chapter | John Williams | T-700.077.605-8 |
| The Bicycle | John Williams | — |
| End Title | John Williams | — |
| Main Title | John Williams | — |
| Nonnie And Martin | John Williams | — |
| Saving Robin | John Williams | — |
| Up the Tree | John Williams | — |
| Through the Galley | John Williams | — |
| Preparations | John Williams | — |
| The Explosion | John Williams | — |
| End Title | John Williams | — |
| End Title and End Cast | John Williams | — |
| Love Theme | John Williams | — |
| Main Title | London Symphony Orchestra, John Williams | — |
| Theme From Angela's Ashes | John Williams | — |
| Main Title (Theme From Jaws) | John Williams | — |
| Preparing the Cage (From "Jaws" - 2025 mix) | John Williams | T-700.055.183-9 |
| The Indianapolis Story (From "Jaws" - 2025 mix) | John Williams | T-700.030.032-5 |
| Chrissie's Death (From "Jaws" - 2025 mix) | John Williams | T-700.005.548-3 |
| Promenade (Tourists on the Menu) | John Williams | T-700.055.524-0 |
| One Barrel Chase (From "Jaws" - 2025 mix) | John Williams | T-700.050.652-7 |
| The Underwater Siege (From "Jaws" - 2025 mix) | John Williams | T-700.075.632-3 |
| Hand to Hand Combat (From "Jaws" - 2025 mix) | John Williams | T-700.019.244-1 |
| End Title (From "Jaws" - 2025 mix) | John Williams | T-905.824.099-6 |
| Scherzo for Motorcycle and Orchestra | John Williams | — |
| No Ticket | John Williams | — |
| The Keeper of the Grail | John Williams | — |
| March from Midway | Boston Pops Orchestra, John Williams | — |
| Theme from 'Checkmate' | Johnny Williams | — |
| Cyanide Touch | Johnny Williams | — |
| Shy Youth | Johnny Williams | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
600753991985 is a Universal Product Code (UPC) assigned to The Legend of John Williams: Original Soundtracks, Concert Works and Songs 1960-2022 by John Williams. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 370 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
600753991985 is the Universal Product Code (UPC barcode) for the release “The Legend of John Williams: Original Soundtracks, Concert Works and Songs 1960-2022” by John Williams, released 2023-01-01 on Universal Music France. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 370 tracks, each with its own ISRC. Tracks include NLA508023806, NLA508023807, NLA508023803.
