UPC · Album
The Best 80’s Album in the World… Ever! Volume 2
Various Artists
Last verified:
6009143575707 is the Universal Product Code (UPC barcode) for the release “The Best 80’s Album in the World… Ever! Volume 2” by Various Artists, released 2017-01-01 on Force 10 Music (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include CAU111800471, CAU118401754, DEC640000008.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (84)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Sunglasses at Night | Corey Hart | CAU111800471 |
| SUNGLASSES AT NIGHT | Corey Hart | CAU118401754 |
| Bette Davis Eyes | Kim Carnes | DEC640000008 |
| Girl I’m Gonna Miss You | Milli Vanilli | DED169400021 |
| Love Is a Stranger | Eurythmics | GB1108300680 |
| I’m Still Standing | Elton John | GBA098200130 |
| Karma Chameleon | Culture Club | GBAAA0201011 |
| Mirror Man | The Human League | GBAAA0300608 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA0300612 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA0300613 |
| Mirror Man | The Human League | GBAAA1200306 |
| Alive and Kicking | Simple Minds | GBAAA1300123 |
| Mirror Man | The Human League | GBAAA8200002 |
| Karma Chameleon | Culture Club | GBAAA8300010 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA8400009 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA8400231 |
| A Good Heart | Feargal Sharkey | GBAAA8500024 |
| Alive and Kicking | Simple Minds | GBAAA8500070 |
| If You Leave | Orchestral Manoeuvres in the Dark | GBAAA8600027 |
| Everything I Own | Boy George | GBAAA8700025 |
| Love Will Tear Us Apart | Joy Division | GBAAP0500321 |
| Love Will Tear Us Apart | Joy Division | GBAAP1200064 |
| Love Will Tear Us Apart | Joy Division | GBAAP9500224 |
| Love Will Tear Us Apart | Joy Division | GBAAP9700227 |
| I Should Be So Lucky | Kylie Minogue | GBAHK0200205 |
| Love Will Tear Us Apart | Joy Division | GBAHT2000137 |
| Relax | Frankie Goes to Hollywood | GBAHW0100371 |
| Relax | Frankie Goes to Hollywood | GBAHW0900004 |
| Relax | Frankie Goes to Hollywood | GBAHW9900051 |
| Running in the Family | Level 42 | GBAKW8701001 |
| I’m Still Standing | Elton John | GBALX8300190 |
| Love Is a Stranger | Eurythmics | GBARL0300584 |
| Love Is a Stranger | Eurythmics | GBARL8200010 |
| What’s Love Got to Do With It | Tina Turner | GBAYE1401507 |
| Der Kommissar | After the Fire | GBBBN8200002 |
| I Won’t Let the Sun Go Down on Me | Nik Kershaw | GBBBY0300012 |
| I Should Be So Lucky | Kylie Minogue | GBBTK0900051 |
| Relax | Frankie Goes to Hollywood | GBCFZ0900700 |
| Love Will Tear Us Apart | Joy Division | GBCRL1000175 |
| Running in the Family | Level 42 | GBF068625690 |
| Running in the Family | Level 42 | GBF068990011 |
| The Look of Love | ABC | GBF088200008 |
| Mad World (full length version) | Tears for Fears | GBF088200040 |
| Mad World | Tears for Fears | GBF088200876 |
| The Look of Love | ABC | GBUM70601979 |
| Alive and Kicking | Simple Minds | GBUM71501243 |
| I’m Still Standing | Elton John | GBUM71604229 |
| Somebody’s Watching Me | Rockwell | NLD910701710 |
| Der Kommissar | After the Fire | USA371024642 |
| The Look of Love | ABC | USA371425902 |
| Heaven | Bryan Adams | USAM18490004 |
| Wanna Dance with Somebody | Whitney Houston | USAR10000249 |
| I Wanna Dance With Somebody (Who Loves Me) | Whitney Houston | USAR18700121 |
| Every Rose Has Its Thorn | Poison | USCA20300335 |
| Every Rose Has Its Thorn | Poison | USCA20501644 |
| Centerfold | The J. Geils Band | USCA20600378 |
| Centerfold | The J. Geils Band | USCA28100075 |
| Bette Davis Eyes | Kim Carnes | USCA28100081 |
| What’s Love Got to Do With It | Tina Turner | USCA28400002 |
| Sunglasses at Night | Corey Hart | USCA28400142 |
| Every Rose Has Its Thorn | Poison | USCA28800073 |
| What’s Love Got to Do With It | Tina Turner | USCA29401293 |
| Every Rose Has Its Thorn | Poison | USCA29601150 |
| What’s Love Got to Do With It | Tina Turner | USCA29700644 |
| Bette Davis Eyes | Kim Carnes | USCA29701371 |
| Centerfold | The J. Geils Band | USEM30100644 |
| Centerfold | The J. Geils Band | USEM38100071 |
| Bette Davis Eyes | Kim Carnes | USEM38900124 |
| Centerfold | The J. Geils Band | USEM38900192 |
| She Works Hard for the Money | Donna Summer | USIR20300010 |
| Love Will Tear Us Apart | Joy Division | USLS50792805 |
| Somebody’s Watching Me | Rockwell | USM018400484 |
| Somebody’s Watching Me | Rockwell | USMO10000307 |
| Somebody's Watching Me | Rockwell | USMO18400484 |
| Fade to Grey | Visage | USPR38080067 |
| Maneater | Daryl Hall & John Oates | USRC10000831 |
| Maneater | Daryl Hall & John Oates | USRC10301821 |
| Maneater (edited version) | Hall & Oates | USRC10400906 |
| Maneater | Daryl Hall & John Oates | USRC10600303 |
| Maneater | Daryl Hall & John Oates | USRC18207933 |
| What’s Love Got to Do With It | Tina Turner | USRHD0532195 |
| Love Will Tear Us Apart | Joy Division | USRHD0702651 |
| Fade to Grey | Visage | USUM70601704 |
| Relax | Frankie Goes to Hollywood | USWWW0132027 |
What other identifiers does this connect to?
Musical Works (ISWC)
+58 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
People also ask
Verified on
What is UPC 6009143575707?
6009143575707 is a Universal Product Code (UPC) assigned to The Best 80’s Album in the World… Ever! Volume 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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