UPC · Release
Magical Melodies: Beethoven
Ludwig van Beethoven
Last verified:
602435764405 is the Universal Product Code (UPC barcode) for the release “Magical Melodies: Beethoven” by Ludwig van Beethoven, released 2021-01-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 275 tracks, each with its own ISRC. Tracks include GB6LT1000077, DEF059732709, DEF059732713.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (275)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight" : II. Allegretto | — | ||
| 2 | 11 Bagatelles, Op. 119 : 7. Allegro ma non troppo | — | ||
| 3 | Speaking Unto Nations (Beethoven Symphony No. 7 - II) | London Symphony Orchestra, Terry Davies | — | |
| 4 | Piano Sonata No.25 in G, Op.79 : 3. Vivace | — | ||
| 5 | Rage Over A Lost Penny, Op.129 | — | ||
| 6 | Piano Exercise in B-Flat Major / Minor, Hess 58 | — | ||
| 7 | 6 Bagatelles, Op. 126 : No. 3 Andante | — | ||
| 8 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 : Thema. Andante | — | ||
| 9 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 : Variation I | — | ||
| 10 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 : Variation II | — | ||
| 11 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 : Variation III | — | ||
| 12 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 : Variation IV | — | ||
| 13 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 : Variation V. Si prenda il tempo un poco più vivace | — | ||
| 14 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 : Variation VI. Adagio | — | ||
| 15 | 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 : Variation VII. Allegro, ma non troppo | — | ||
| 16 | Violin Romance No.2 in F major, Op.50 | — | ||
| 17 | Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight" : 3. Presto agitato | — | ||
| 18 | Variations on Mozart's "La ci darem la mano" : Variation 6 (Lento espressivo) | — | ||
| 19 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Thema. Allegretto | — | ||
| 20 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation I | — | ||
| 21 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation II | — | ||
| 22 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation III | — | ||
| 23 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation IV | — | ||
| 24 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation V | — | ||
| 25 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation VI | — | ||
| 26 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation VII | — | ||
| 27 | 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. VIII | Mikhail Pletnev | — | |
| 28 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation IX | — | ||
| 29 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation X | — | ||
| 30 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XI | — | ||
| 31 | 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XII | Mikhail Pletnev | — | |
| 32 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XIII | — | ||
| 33 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XIV | — | ||
| 34 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XV | — | ||
| 35 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XVI | — | ||
| 36 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XVII | — | ||
| 37 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XVIII | — | ||
| 38 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XIX | — | ||
| 39 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XX. Scherzando | — | ||
| 40 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XXI | — | ||
| 41 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XXII | — | ||
| 42 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XXIII. Adagio sostenuto | — | ||
| 43 | 24 Variations on "Venni Amore" in D Major, WoO 65 : Variation XXIV. Allegro | — | ||
| 44 | Violin Concerto in D, Op.61 : 3. Rondo (Allegro) | — | ||
| 45 | March for Military Music in F Major, WoO 18 | — | ||
| 46 | Piano Piece in A Major, Kafka f. 160r | — | ||
| 47 | 12 German Dances, WoO 8 : 7. German Dance in C Major | — | ||
| 48 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Theme. Allegretto | — | ||
| 49 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation I | — | ||
| 50 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation II | — | ||
| 51 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation III | — | ||
| 52 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation IV | — | ||
| 53 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation V | — | ||
| 54 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation VI | — | ||
| 55 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation VII | — | ||
| 56 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation VIII | — | ||
| 57 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation IX | — | ||
| 58 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation X. Adagio | — | ||
| 59 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation XI. Poco Adagio, quasi Andante | — | ||
| 60 | 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 : Variation XII. Allegro | — | ||
| 61 | 6 Minuets for Two Violins & Bass, WoO 9 : No. 2 in G Major | — | ||
| 62 | 6 Minuets for Two Violins & Bass, WoO 9 : No. 6 in G Major | — | ||
| 63 | 12 German Dances, WoO 8 : 8. German Dance in A Major | — | ||
| 64 | 12 Contredanses, WoO 14 : 12. Contredanse - Trio in E Major | — | ||
| 65 | 6 Ländler for 2 Violins And Bass, WoO 15 : No. 1 in D Major | — | ||
| 66 | 11 Bagatelles, Op. 119 : 2. Andante con moto | — | ||
| 67 | 12 German Dances, WoO 8 : 1. German Dance in C Major | — | ||
| 68 | 11 Bagatelles, Op. 119 : 8. Moderato cantabile | — | ||
| 69 | 12 Contredanses, WoO 14 : 6. Contredanse - Trio in C Major | — | ||
| 70 | Musik zu einem Ritterballett (1790-91), WoO 1 : Deutscher Gesang (da capo) (III) | — | ||
| 71 | 12 German Dances, WoO 8 : 10. German Dance in D Major | — | ||
| 72 | 12 German Dances, WoO 8 : 5. German Dance in E Major | — | ||
| 73 | 11 Bagatelles, Op. 119 : 10. Allegramente | — | ||
| 74 | 12 Contredanses, WoO 14 : 4. Contredanse in B Major | — | ||
| 75 | 12 Contredanses, WoO 14 : 10. Contredanse - Trio in C Major | — | ||
| 76 | 5 Pieces for Musical Clock, WoO 33 : 3. Allegro in G Major | — | ||
| 77 | Musik zu einem Ritterballett (1790-91), WoO 1 : Deutscher Gesang (da capo) (II) | — | ||
| 78 | 12 German Dances, WoO 8 : 9. German Dance in F Major | — | ||
| 79 | 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff" : Theme: Andante con moto | — | ||
| 80 | 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff" : Variation I | — | ||
| 81 | 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff" : Variation II | — | ||
| 82 | 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff" : Variation III | — | ||
| 83 | 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff" : Variation IV | — | ||
| 84 | 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff" : Variation V | — | ||
| 85 | 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff" : Variation VI | — | ||
| 86 | 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff" : Variation VII | — | ||
| 87 | 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff" : Variation VIII | — | ||
| 88 | 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff" : Variation IX | — | ||
| 89 | 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff" : Variation X | — | ||
| 90 | Symphony No.9 In D Minor, Op.125 - "Choral" - "Europa Hymn" : Europa Hymn (Excerpt) | — | ||
| 91 | 12 Minuets, WoO 7 : 2. Minuet in B Major | — | ||
| 92 | 6 Minuets for Two Violins & Bass, WoO 9 : No. 4 in F Major | — | ||
| 93 | 12 Minuets, WoO 7 : 5. Minuet in C Major | — | ||
| 94 | 12 German Dances, WoO 8 : 11. German Dance in G Major | — | ||
| 95 | 12 Contredanses, WoO 14 : 3. Contredanse - Trio in D Major | — | ||
| 96 | 12 German Dances, WoO 8 : 2. German Dance in A Major | — | ||
| 97 | 12 German Dances, WoO 8 : 6. German Dance in G Major | — | ||
| 98 | 12 Contredanses, WoO 14 : 2. Contredanse in A Major | — | ||
| 99 | 6 Minuets for Two Violins & Bass, WoO 9 : No. 3 in C Major | — | ||
| 100 | 6 Minuets for Two Violins & Bass, WoO 9 : No. 1 in E-Flat Major | — | ||
| 101 | 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 : Thema. Allegretto | — | ||
| 102 | 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 : Variation I | — | ||
| 103 | 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 : Variation II | — | ||
| 104 | 12 Variations on "See The Conquering Hero Comes" for Cello and Piano, WoO 45 : Variation III | — | ||
| 105 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 : Variation IV | — | ||
| 106 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 : Variation V | — | ||
| 107 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 : Variation VI | — | ||
| 108 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 : Variation VII | — | ||
| 109 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 : Variation VIII | — | ||
| 110 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 : Variation IX | — | ||
| 111 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 : Variation X. Allegro | — | ||
| 112 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 : Variation XI. Adagio | — | ||
| 113 | 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 : Variation XII. Allegro | — | ||
| 114 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Introduzione col basso del tema - Tema | Alfred Brendel | — | |
| 115 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation I | Alfred Brendel | — | |
| 116 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation II | Alfred Brendel | — | |
| 117 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation III | Alfred Brendel | — | |
| 118 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation IV | Alfred Brendel | — | |
| 119 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation V | Alfred Brendel | — | |
| 120 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation VI-VII | Alfred Brendel | — | |
| 121 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation VIII | Alfred Brendel | — | |
| 122 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation IX | Alfred Brendel | — | |
| 123 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation X | Alfred Brendel | — | |
| 124 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XI | Alfred Brendel | — | |
| 125 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XII | Alfred Brendel | — | |
| 126 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XIII | Alfred Brendel | — | |
| 127 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation XIV-XV | Alfred Brendel | — | |
| 128 | 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Finale. Alla fuga | Alfred Brendel | — | |
| 129 | 12 German Dances, WoO 8 : 3. German Dance in F Major | — | ||
| 130 | Sonata For Violin And Piano No.5 In F, Op.24 - "Spring" : 3. Scherzo. Allegro molto | — | ||
| 131 | March for Military Music in D Major, WoO 22 | — | ||
| 132 | Minuet in A-Flat Major, WoO 209 | — | ||
| 133 | Musik zu einem Ritterballett (1790-91), WoO 1 : 7. Deutscher Tanz. Walzer | — | ||
| 134 | 11 Bagatelles, Op. 119 : 4. Andante cantabile | — | ||
| 135 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Tema (Vivace), Variation I (Alla marcia maestoso) | Stephen Kovacevich | — | |
| 136 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation II (Poco allegro) | Stephen Kovacevich | — | |
| 137 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation III (L’istesso tempo) | Stephen Kovacevich | — | |
| 138 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IV (Un poco più vivace) | Stephen Kovacevich | T-010.204.251-2 | |
| 139 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation V (Allegro vivace) | Stephen Kovacevich | T-003.038.364-2 | |
| 140 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VI (Allegro ma non troppo e serioso) | Stephen Kovacevich | — | |
| 141 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VII (Un poco più allegro) | Stephen Kovacevich | — | |
| 142 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VIII (Poco vivace) | Stephen Kovacevich | — | |
| 143 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IX (Allegro pesante e risoluto) | Stephen Kovacevich | — | |
| 144 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation X (Presto) | Stephen Kovacevich | — | |
| 145 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XI (Allegretto) | Stephen Kovacevich | — | |
| 146 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XII (Un poco più moto) | Stephen Kovacevich | — | |
| 147 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIII (Vivace) | Stephen Kovacevich | — | |
| 148 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIV (Grave e maestoso) | Stephen Kovacevich | — | |
| 149 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XV (Presto scherzando) | Stephen Kovacevich | — | |
| 150 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVI (Allegro) | Stephen Kovacevich | — | |
| 151 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVII | Stephen Kovacevich | — | |
| 152 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVIII (Poco moderato) | Stephen Kovacevich | — | |
| 153 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIX (Presto) | Stephen Kovacevich | — | |
| 154 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XX (Andante) | Stephen Kovacevich | — | |
| 155 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXI (Allegro con brio - Meno allegro - Tempo I) | Stephen Kovacevich | — | |
| 156 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXII (Allegro molto): Alla “Notte e giorno faticar” di Mozart | Stephen Kovacevich | — | |
| 157 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIII (Allegro assai) | Stephen Kovacevich | — | |
| 158 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIV: Fughetta (Andante) | Stephen Kovacevich | — | |
| 159 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXV (Allegro) | Stephen Kovacevich | — | |
| 160 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI | Stephen Kovacevich | — | |
| 161 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVII (Vivace) | Stephen Kovacevich | — | |
| 162 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVIII (Allegro) | Stephen Kovacevich | — | |
| 163 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIX (Adagio ma non troppo) | Stephen Kovacevich | — | |
| 164 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXX (Andante, sempre cantabile) | Stephen Kovacevich | — | |
| 165 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXI (Largo, molto espressivo) | Stephen Kovacevich | — | |
| 166 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXII: Fuga (Allegro poco adagio) | Stephen Kovacevich | — | |
| 167 | 33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXIII (Tempo di minuetto moderato, ma non tirarsi dietro) | Stephen Kovacevich | — | |
| 168 | Minuet in G Major, WoO 10, No.2 | — | ||
| 169 | 12 Minuets, WoO 7 : 9. Minuet in G Major | — | ||
| 170 | 12 Contredanses, WoO 14 : 5. Contredanse - Trio in E Major | — | ||
| 171 | 11 Bagatelles, Op. 119 : 11. Andante ma non troppo | — | ||
| 172 | 11 Bagatelles, Op. 119 : 5. Risoluto | — | ||
| 173 | 5 Pieces for Musical Clock, WoO 33 : 2. Scherzo. Allegro in G Major | — | ||
| 174 | 11 Bagatelles, Op. 119 : 6. Andante - Allegretto leggiermente | — | ||
| 175 | Molto Adagio in G Major, Hess 71 (Fragment) | — | ||
| 176 | Zärtliche Liebe, WoO 123 "Ich liebe dich" | — | ||
| 177 | 12 Minuets, WoO 7 : 1. Minuet in D Major | — | ||
| 178 | The Creatures of Prometheus, Op. 43 : No. 11 Coro di Gioja. Andante | — | ||
| 180 | 6 Ländler for 2 Violins And Bass, WoO 15 : No. 2 in D Major | — | ||
| 181 | 6 Minuets for Two Violins & Bass, WoO 9 : No. 5 in D Major | — | ||
| 182 | String Quartet No. 13 in B-Flat Major, Op. 130 : 2. Presto | — | ||
| 183 | 12 Contredanses, WoO 14 : 1. Contredanse in C Major | — | ||
| 184 | 12 Minuets, WoO 7 : 6. Minuet in A Major | — | ||
| 185 | Septet in E-Flat Major, Op. 20 : 5. Scherzo. Allegro molto e vivace | — | ||
| 186 | Musik zu einem Ritterballett (1790-91), WoO 1 : 3. Jagdlied. Allegretto | — | ||
| 187 | Musik zu einem Ritterballett (1790-91), WoO 1 : 2. Deutscher Gesang. Allegro moderato | — | ||
| 188 | Musik zu einem Ritterballett (1790-91), WoO 1 : 4. Romanze (Minnelied). Andantino | — | ||
| 189 | Musik zu einem Ritterballett (1790-91), WoO 1 : Deutscher Gesang (da capo) (I) | — | ||
| 190 | 11 Bagatelles, Op. 119 : 3. à l'Allemande | — | ||
| 191 | Musik zu einem Ritterballett (1790-91), WoO 1 : 8. Coda. Allegro vivace | — | ||
| 192 | 6 Minuets, WoO 10 : 2. Minuet in G Major - Trio | — | ||
| 193 | 12 Contredanses, WoO 14 : 7. Contredanse in E Major | — | ||
| 194 | 12 Minuets, WoO 7 : 3. Minuet in G Major | — | ||
| 195 | 12 Minuets, WoO 7 : 8. Minuet in B Major | — | ||
| 196 | String Quartet No. 14 in C-Sharp Minor, Op. 131 : 6. Adagio quasi un poco andante | — | ||
| 197 | 12 Minuets, WoO 7 : 4. Minuet in E Major | — | ||
| 198 | 12 Minuets, WoO 7 : 7. Minuet in D Major | — | ||
| 199 | 12 German Dances, WoO 8 : 4. German Dance in B Major | — | ||
| 200 | 11 Bagatelles, Op. 119 : 9. Vivace moderato | — | ||
| 201 | March for Military Music in F Major, WoO 19 | — | ||
| 202 | 12 Minuets, WoO 7 : 11. Minuet in C Major | — | ||
| 203 | Musik zu einem Ritterballett (1790-91), WoO 1 : 6. Trinklied. Allegro con brio | — | ||
| 204 | 12 Contredanses, WoO 14 : No. 8 | — | ||
| 205 | Musik zu einem Ritterballett (1790-91), WoO 1 : Deutscher Gesang (da capo) (IV) | — | ||
| 206 | 12 Minuets, WoO 7 : 12. Minuet in F Major | — | ||
| 207 | Musik zu einem Ritterballett (1790-91), WoO 1 : 1. Marsch | — | ||
| 208 | 11 Bagatelles, Op. 119 : 1. Allegretto | — | ||
| 209 | 12 Minuets, WoO 7 : 10. Minuet in E Major | — | ||
| 210 | Symphony No.9 in D minor, Op.125 - "Choral" - 4. : Allegro assai - | — | ||
| 211 | Piano Sonata No. 28 in A Major, Op. 101 : 3. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | — | ||
| 212 | Piano Piece in C Major, Hess 59 | — | ||
| 213 | Minuet in C Major, WoO 218 | — | ||
| 214 | Piano Sonata in D Major, Op. 6 : 2. Rondo. Moderato | — | ||
| 215 | Piano Sonata No. 7 In D Major, Op. 10, No. 3 : 3. Menuetto (Allegro) (Live) | — | ||
| 216 | 6 Bagatelles, Op.126 : 2. Allegro | — | ||
| 217 | Violin Sonata in A Major, UnV 11 (Hess46) (Fragment) | — | ||
| 218 | Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1 : 1. Andante | — | ||
| 219 | Trio for Two Oboes and Cor Anglais in C, Op. 87 : 3. Menuetto (allegro molto - scherzo) | — | ||
| 220 | Symphony No. 6 in F Major, Op. 68 - "Pastoral" : 3. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 221 | Piano Sonata No. 31 in A-Flat Major, Op. 110 : 3a. Adagio ma non troppo | — | ||
| 222 | Symphony No.1 in C, Op.21 : 3. Menuetto (Allegro molto e vivace) | — | ||
| 223 | Symphony No. 7 in A Major, Op. 92 (arr. piano) | — | ||
| 224 | Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1 : 3. Adagio | — | ||
| 226 | 12 German Dances, WoO 8 : 12. German Dance in C Major | — | ||
| 227 | Septet in E-Flat Major, Op. 20 : III. Tempo di Menuetto | — | ||
| 228 | Piano Sonata No. 28 in A Major, Op. 101 : 1. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | — | ||
| 229 | Symphony No.7 in A, Op.92 : 2. Allegretto | — | ||
| 230 | Symphony No.8 in F, Op.93 : 2. Allegretto scherzando | — | ||
| 231 | Piano Concerto No.1 in C major, Op.15 : 2. Largo (Snippet) | — | ||
| 232 | 5 Pieces for Musical Clock, WoO 33 : 5. Minuet. Allegretto in C Major | — | ||
| 233 | Variationen über 10 Volksweisen, Op.107 - für Violine und Fortepiano : 6. Peggy's daughter (Walisisch) | — | ||
| 234 | Symphony No.6 in F, Op.68 -"Pastoral" : 2. Szene am Bach: (Andante molto mosso) (Excerpt) | — | ||
| 235 | 5 Pieces for Musical Clock, WoO 33 : 4. Allegro. Allegro non più molto in C Major | — | ||
| 236 | Piano Sonata No.1 in F minor, Op.2 No.1 : 2. Adagio | — | ||
| 237 | Piano Sonata No.8 in C minor, Op.13 -"Pathétique" : 3. Rondo (Allegro) | — | ||
| 238 | Variationen über 10 Volksweisen, Op.107 - für Violine und Fortepiano : 9. Oh, Thou are the Lad of my Heart (Schottisch) | — | ||
| 239 | Violin Sonata No. 1 in D Major, Op. 12, No. 1 : III. Rondo (Allegro) | — | ||
| 240 | Romance Cantabile for Piano, Flute and Basson accompanied by Two Oboes and Strings in E Minor, Hess 13 | — | ||
| 241 | Grosse Fuge in B-Flat Major, Op. 133 : Overtura (Allegro - Fuga) | — | ||
| 242 | Grosse Fuge in B-Flat Major, Op. 133 : Meno mosso e moderato (I) | — | ||
| 243 | Grosse Fuge in B-Flat Major, Op. 133 : Allegro molto e con brio (I) | — | ||
| 244 | Grosse Fuge in B-Flat Major, Op. 133 : Meno mosso e moderato (II) | — | ||
| 245 | Grosse Fuge in B-Flat Major, Op. 133 : Allegro molto e con brio (II) | — | ||
| 246 | Grosse Fuge in B-Flat Major, Op. 133 : Allegro | — | ||
| 247 | Piano Concerto No.4 in G, Op.58 : 2. Andante con moto | — | ||
| 248 | Variationen über 10 Volksweisen, Op.107 - für Violine und Fortepiano : 1. I bin a Tiroler Bua (Österreichisch) | — | ||
| 249 | Piano Sonata No.8 In C Minor, Op.13 -"Pathétique" : 2. Adagio cantabile | — | ||
| 250 | 5 Pieces for Musical Clock, WoO 33 : 1. Adagio. Adagio assai in F Major | — | ||
| 251 | Sonata For Violin And Piano No.2 In A, Op.12 No.2 : 2. Andante più tosto allegretto | — | ||
| 252 | Variationen über 10 Volksweisen, Op.107 - für Violine und Fortepiano : 3. Volkslied aus Kleinrußland | — | ||
| 253 | Violin Sonata No. 5 in F Major, Op. 24 "Spring" : 2. Adagio molto espressivo | — | ||
| 254 | Symphony No.1 in C, Op.21 : 2. Andante cantabile con moto | — | ||
| 255 | The Creatures of Prometheus, Op. 43 : Overtura. Adagio - Allegro molto con brio | — | ||
| 256 | The Creatures of Prometheus, Op. 43 : Introduzione. La Tempesta. Allegro non troppo | — | ||
| 257 | The Creatures of Prometheus, Op. 43 : No. 1 Poco Adagio | — | ||
| 258 | The Creatures of Prometheus, Op. 43 : No. 2 Adagio - Allegro con brio | — | ||
| 259 | The Creatures of Prometheus, Op. 43 : No. 3 Allegro vivace | — | ||
| 260 | The Creatures of Prometheus, Op. 43 : No. 4 Maestoso - Andante | — | ||
| 261 | The Creatures of Prometheus, Op. 43 : No. 5 Adagio - Andante quasi Allegretto | — | ||
| 262 | The Creatures of Prometheus, Op. 43 : No. 6 Un poco Adagio - Allegro | — | ||
| 263 | The Creatures of Prometheus, Op. 43 : No. 7 Grave | — | ||
| 264 | The Creatures of Prometheus, Op. 43 : No. 8 Allegro con brio | — | ||
| 265 | The Creatures of Prometheus, Op. 43 : No. 9 Adagio | — | ||
| 266 | The Creatures of Prometheus, Op. 43 : No. 10 Pastorale. Allegro | — | ||
| 267 | The Creatures of Prometheus, Op. 43 : No. 12 Solo di Gioja. Maestoso - Adagio | — | ||
| 268 | The Creatures of Prometheus, Op. 43 : No. 13 Terzettino. Grotteschi. Allegro | — | ||
| 269 | The Creatures of Prometheus, Op. 43 : No. 14 Solo della Signora Cassentini. Andante - Adagio | — | ||
| 270 | The Creatures of Prometheus, Op. 43 : No. 15 Coro (e) Solo di Viganò. Andantino - Adagio | — | ||
| 271 | The Creatures of Prometheus, Op. 43 : No. 16 Finale. Allegretto | — | ||
| 272 | 6 Ecossaises in E-Flat Major, WoO 83 | — | ||
| 273 | 25 Scottish Songs, Op. 108 : 7. Bonney Laddie, Highland Laddie | — | ||
| 274 | 25 Scottish Songs, Op. 108 : 13. Come Fill, Fill, My Good Fellow | — | ||
| 275 | Piano Sonata No.21 In C Major, Op.53 -"Waldstein" : 2. Introduzione (Adagio molto) | — | ||
| 276 | 32 Piano Variations In C Minor On An Original Theme, WoO 80 | — | ||
| 277 | Piano Sonata No.7 In D, Op.10 No.3 : 2. Largo e mesto | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 15 Variations and Fugue in E-flat major, op. 35 "Eroica Variations": Variation VI-VII | Alfred Brendel | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
Credits Graph
People also ask
Verified on
What is UPC 602435764405?
602435764405 is a Universal Product Code (UPC) assigned to Magical Melodies: Beethoven by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 275 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm