UPC · Release
Richard Bonynge
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602438345298 is the Universal Product Code (UPC barcode) for the release “Favourite Ballet” by Richard Bonynge. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC. Tracks include GBF078310270, NLA508330606, NLA508330109.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Romeo and Juliet, op. 64 / Act 1: Dance Of The Knights | — | ||
| 2 | The Nutcracker, op. 71, TH.14 / Act 2: no. 12b Coffee (Arabian Dance) | — | ||
| 3 | Méditation from Thaïs | Nigel Kennedy, The National Philharmonic Orchestra, Richard Bonynge | T-303.641.746-2 | |
| 4 | Le Carnaval des Animaux: Le Cygne | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | T-302.168.144-3 | |
| 5 | Les Contes d'Hoffmann, Act 4: Entr'acte (Barcarolle) | Staatskapelle Dresden, Silvio Varviso | — | |
| 6 | Masquerade - Ballet Suite: 1. Waltz | — | ||
| 7 | Nocturne | — | ||
| 8 | La Gioconda / Act 3: Dance Of The Hours | — | ||
| 9 | Appalachian Spring (1945 Suite): 1. Very slowly | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.001.612-1 | |
| 10 | The Sleeping Beauty, op. 66: Act I, no. 6. Valse | Royal Concertgebouw Orchestra, Antal Doráti | — | |
| 11 | El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | — | ||
| 12 | Gayaneh: Sabre Dance | — | ||
| 13 | The Nutcracker, op. 71: Ouverture | Koninklijk Concertgebouworkest, Antal Doráti | T-312.199.363-9 | |
| 14 | Adagio from Spartacus: Onedin Line theme | Симфонический оркестр Мариинского театра | T-900.012.827-8 | |
| 15 | The Nutcracker, op. 71, TH.14 / Act 1: no. 2 March | — | ||
| 16 | The Nutcracker, op. 71, TH.14 / Act 2: no. 13 Waltz of the Flowers | — | ||
| 17 | The Nutcracker, op. 71, TH.14 / Act 2: no. 14c Pas de deux: Variation II (Dance of the Sugar‐Plum Fairy) | — | ||
| 18 | La Fille mal gardée: Act I. No. 17a Clog Dance | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 19 | The Nutcracker, op. 71, TH.14 / Act 2: no. 12e Dance of the Reed Pipes | — | ||
| 20 | Swan Lake, op. 20, TH.12 / Act 2: no. 13 Danses des cygnes: a) Valse - b) Moderato assai - c) Valse - d) Allegro moderato - e) Pas d’action (Andante) - f) Valse - g) Coda (Allegro vivace) | — | ||
| 21 | Les Sylphides / Act 1: Prélude | Rotterdams Philharmonisch Orkest, David Zinman | — | |
| 22 | Masquerade - Ballet Suite: 2. Nocturne | — | ||
| 23 | Swan Lake, op. 20, TH.12 / Act 4: no. 27 Danses des petits cygnes (Moderato) | — | ||
| 24 | I vespri siciliani / Act 3: Le quattro stagioni: 2. La primavera | — | ||
| 25 | The Firebird: 14. Lullaby of the Firebird | — | ||
| 26 | The Firebird - Suite (1919): 4. Infernal Dance of King Kaschei | — | ||
| 27 | Les Petits Riens, K. Anh. 10/299b: III. (Gavotte) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28 | Cinderella: Act I. No. 13. Summer Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 29 | The Nutcracker, op. 71, TH.14 / Act 2: no. 12d Trépak (Russian Dance) | — | ||
| 30 | La Vièrge: Le dernier sommeil de la Vièrge (The last sleep of the Virgin) | New Symphony Orchestra of London, Raymond Agoult | — | |
| 31 | Appalachian Spring (1945 Suite): 7. Doppio movimento: Variations on a Shaker Hymn | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 32 | The Sleeping Beauty, op. 66, TH 13: Introduction | — | ||
| 33 | Giselle: Act duex. Grand pas de deux | Wiener Philharmoniker, Herbert von Karajan | — | |
| 34 | Tahiti Trot (Tea for Two), Op. 16 | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 35 | The Skaters’ Waltz, op. 183 (Les Patineurs) | — | ||
| 36 | Romeo and Juliet, op. 64: Act I, Scene I. No. 3 The Street Awakens - No. 4 Morning Dance | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 37 | La Bayadère / Act 1: no. 25 Allegro | — | ||
| 38 | Romeo and Juliet, op. 64: Act I, Scene II. No. 19 Balcony Scene - No. 20 Romeo's Variation - No. 21 Love Dance | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 39 | Les Sylphides / Act 1: Mazurka #2 | Rotterdams Philharmonisch Orkest, David Zinman | — | |
| 40 | Rodeo: IV. Hoe-Down | Baltimore Symphony Orchestra, David Zinman | — | |
| 41 | Les Indes Galantes: I. Prologue: 1. Ouverture | Orchestra of the 18th Century, Frans Brüggen | — | |
| 42 | Appalachian Spring (1945 Suite): 2. Allegro | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.001.612-1 | |
| 43 | The Nutcracker (Suite), op. 71a, TH 35: 1. Miniature Overture | — | ||
| 44 | La Navaraisse: Nocturne | London Symphony Orchestra, Richard Bonynge | — | |
| 45 | Cinderella: Act III. No. 50. Amoroso: The Prince and Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 46 | La Boîte à joujoux: Prélude. Le Sommeil de la boîte | Orchestre symphonique de Montréal, Charles Dutoit | T-900.798.614-3 | |
| 47 | Coppélia / Tableau 2: no. 11 Musique des automates - scène | — | ||
| 48 | Daphnis et Chloé, Part I: Introduction et Danse religieuse | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-004.014.574-1 | |
| 49 | La Boîte à joujoux, L.128: Quatrième Tableau | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 50 | Romeo and Juliet, op. 64 - Act 2: Folk Dance | — | ||
| 51 | La Boîte à joujoux: V. Épilogue | Orchestre symphonique de Montréal, Charles Dutoit | T-000.842.760-8 | |
| 52 | Coppélia / Tableau 3: no. 20 Fête de la cloche: 8) Galop final | — | ||
| 53 | Pulcinella: 1. Ouverture: Allegro moderato | — | ||
| 54 | La Bayadère / Act 1: no. 27 Allegro | — | ||
| 55 | Le Sacre du Printemps / Pt 1: L’Adoration de la Terre: 2. Les augures printaniers - Danses des adolescentes - Live | — | ||
| 56 | Diana and Actaeon: Pas de deux (Arr. March) | — | ||
| 57 | Coppélia / Tableau 2: no. 14 Scène et Valse de la Poupée | — | ||
| 58 | Jeux (Poème dansé), L. 126 | — | ||
| 59 | Judas Maccabaeus, HWV 63: March | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-061.793.179-9 | |
| 60 | Don Quixote: Pas de deux | London Symphony Orchestra, Richard Bonynge | T-900.017.125-5 | |
| 61 | Pas classique | London Symphony Orchestra, Richard Bonynge | — | |
| 62 | La Bayadère / Act 1: no. 3 Andante delicato | — | ||
| 63 | Rosamunde, D. 797: Ballet Music no. 2 | — | ||
| 64 | Love's Dream After the Ball (arr. Gamley) | London Symphony Orchestra, Richard Bonynge | — | |
| 65 | La Bayadère / Act 1: no. 22 Andante | — | ||
| 66 | Esmeralda: Pas de deux | London Symphony Orchestra, Richard Bonynge | — | |
| 67 | La Bayadère / Act 1: no. 20 Moderato | — | ||
| 68 | Apollon musagète, K48: VIII. Pas de deux (Apollo and Terpsichore) | — | ||
| 69 | The Comedians - Suite, op. 26: Waltz | — | ||
| 70 | La Reine de Saba / Act 2: Waltz | — | ||
| 71 | Gayaneh: Lullaby | — | ||
| 72 | Pulcinella Ballet in one Act: 3. Scherzino: Allegro | — | ||
| 73 | Gayaneh: Lezghinka | — | ||
| 75 | The Miraculous Mandarin Suite, op. 19 | London Symphony Orchestra, Sir Georg Solti | — | |
| 76 | Odna, op. 26: March - Music from the Film | — | ||
| 77 | Petrushka, Circus Polka for a Young Elephant | Los Angeles Philharmonic, Zubin Mehta | — | |
| 78 | Rusalka: 2. Jednání. Slavností hudba – balet | Czech Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 79 | El amor brujo: Pantomima | — | ||
| 80 | El amor brujo: Escena | — | ||
| 81 | La fille mal gardée Act 1: 1. Intro II Dance III Lise and the Ribbon Lise | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 82 | Glow-worm (Gavotte Pavlova) | London Symphony Orchestra, Richard Bonynge | — | |
| 83 | “Still Life” at the Penguin Café - Ballet: 1. Air à danser | — | ||
| 84 | Soirées musicales, op. 9: I. March | National Philharmonic Orchestra, Richard Bonynge | — | |
| 85 | Le Corsaire: Pas de deux | — | ||
| 86 | The Sleeping Beauty Suite: Pas De Caractere (Puss in Boots) (Act III) | Wiener Philharmoniker, Herbert von Karajan | T-905.014.886-2 | |
| 87 | Paquita: Pas de deux | London Symphony Orchestra, Richard Bonynge | T-070.096.762-9 | |
| 88 | Matinées musicales, op. 24: III. Waltz | National Philharmonic Orchestra, Richard Bonynge | T-905.049.109-3 | |
| 89 | Cinderella: Act I. No. 2. Shawl Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 90 | Pictures At An Exhibition: Ballet Of The Chickens In Their Shells | — | ||
| 91 | Chopiniana, op. 46: 4. Valse (op. 64, no. 2) | — | ||
| 92 | La Boutique Fantasque: Tarantella | — | ||
| 93 | Four Dance Episodes From "Rodeo": II. Corral Nocturne | Detroit Symphony Orchestra, Antal Doráti | T-070.026.038-3 | |
| 94 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Prince and Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 95 | Flower Festival at Genzano: Pas de deux | London Symphony Orchestra, Richard Bonynge | — | |
| 96 | The Seasons, Op.67: 2. Spring | — | ||
| 97 | Boléro | Orchestre symphonique de Montréal, Charles Dutoit | T-003.006.377-4 | |
| 98 | La fille mal gardée Act 1: 16. Simone - XIX Storm and Finale | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Swan Lake, op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace) | Mariinsky Orchestra, Valery Gergiev | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
602438345298 is a Universal Product Code (UPC) assigned to Favourite Ballet by Richard Bonynge. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 97 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
602438345298 is the Universal Product Code (UPC barcode) for the release “Favourite Ballet” by Richard Bonynge. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC. Tracks include GBF078310270, NLA508330606, NLA508330109.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Romeo and Juliet, op. 64 / Act 1: Dance Of The Knights | — | ||
| 2 | The Nutcracker, op. 71, TH.14 / Act 2: no. 12b Coffee (Arabian Dance) | — | ||
| 3 | Méditation from Thaïs | Nigel Kennedy, The National Philharmonic Orchestra, Richard Bonynge | T-303.641.746-2 | |
| 4 | Le Carnaval des Animaux: Le Cygne | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | T-302.168.144-3 | |
| 5 | Les Contes d'Hoffmann, Act 4: Entr'acte (Barcarolle) | Staatskapelle Dresden, Silvio Varviso | — | |
| 6 | Masquerade - Ballet Suite: 1. Waltz | — | ||
| 7 | Nocturne | — | ||
| 8 | La Gioconda / Act 3: Dance Of The Hours | — | ||
| 9 | Appalachian Spring (1945 Suite): 1. Very slowly | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.001.612-1 | |
| 10 | The Sleeping Beauty, op. 66: Act I, no. 6. Valse | Royal Concertgebouw Orchestra, Antal Doráti | — | |
| 11 | El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | — | ||
| 12 | Gayaneh: Sabre Dance | — | ||
| 13 | The Nutcracker, op. 71: Ouverture | Koninklijk Concertgebouworkest, Antal Doráti | T-312.199.363-9 | |
| 14 | Adagio from Spartacus: Onedin Line theme | Симфонический оркестр Мариинского театра | T-900.012.827-8 | |
| 15 | The Nutcracker, op. 71, TH.14 / Act 1: no. 2 March | — | ||
| 16 | The Nutcracker, op. 71, TH.14 / Act 2: no. 13 Waltz of the Flowers | — | ||
| 17 | The Nutcracker, op. 71, TH.14 / Act 2: no. 14c Pas de deux: Variation II (Dance of the Sugar‐Plum Fairy) | — | ||
| 18 | La Fille mal gardée: Act I. No. 17a Clog Dance | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 19 | The Nutcracker, op. 71, TH.14 / Act 2: no. 12e Dance of the Reed Pipes | — | ||
| 20 | Swan Lake, op. 20, TH.12 / Act 2: no. 13 Danses des cygnes: a) Valse - b) Moderato assai - c) Valse - d) Allegro moderato - e) Pas d’action (Andante) - f) Valse - g) Coda (Allegro vivace) | — | ||
| 21 | Les Sylphides / Act 1: Prélude | Rotterdams Philharmonisch Orkest, David Zinman | — | |
| 22 | Masquerade - Ballet Suite: 2. Nocturne | — | ||
| 23 | Swan Lake, op. 20, TH.12 / Act 4: no. 27 Danses des petits cygnes (Moderato) | — | ||
| 24 | I vespri siciliani / Act 3: Le quattro stagioni: 2. La primavera | — | ||
| 25 | The Firebird: 14. Lullaby of the Firebird | — | ||
| 26 | The Firebird - Suite (1919): 4. Infernal Dance of King Kaschei | — | ||
| 27 | Les Petits Riens, K. Anh. 10/299b: III. (Gavotte) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28 | Cinderella: Act I. No. 13. Summer Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 29 | The Nutcracker, op. 71, TH.14 / Act 2: no. 12d Trépak (Russian Dance) | — | ||
| 30 | La Vièrge: Le dernier sommeil de la Vièrge (The last sleep of the Virgin) | New Symphony Orchestra of London, Raymond Agoult | — | |
| 31 | Appalachian Spring (1945 Suite): 7. Doppio movimento: Variations on a Shaker Hymn | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 32 | The Sleeping Beauty, op. 66, TH 13: Introduction | — | ||
| 33 | Giselle: Act duex. Grand pas de deux | Wiener Philharmoniker, Herbert von Karajan | — | |
| 34 | Tahiti Trot (Tea for Two), Op. 16 | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 35 | The Skaters’ Waltz, op. 183 (Les Patineurs) | — | ||
| 36 | Romeo and Juliet, op. 64: Act I, Scene I. No. 3 The Street Awakens - No. 4 Morning Dance | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 37 | La Bayadère / Act 1: no. 25 Allegro | — | ||
| 38 | Romeo and Juliet, op. 64: Act I, Scene II. No. 19 Balcony Scene - No. 20 Romeo's Variation - No. 21 Love Dance | The Cleveland Orchestra, Lorin Maazel | T-003.506.743-6 | |
| 39 | Les Sylphides / Act 1: Mazurka #2 | Rotterdams Philharmonisch Orkest, David Zinman | — | |
| 40 | Rodeo: IV. Hoe-Down | Baltimore Symphony Orchestra, David Zinman | — | |
| 41 | Les Indes Galantes: I. Prologue: 1. Ouverture | Orchestra of the 18th Century, Frans Brüggen | — | |
| 42 | Appalachian Spring (1945 Suite): 2. Allegro | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.001.612-1 | |
| 43 | The Nutcracker (Suite), op. 71a, TH 35: 1. Miniature Overture | — | ||
| 44 | La Navaraisse: Nocturne | London Symphony Orchestra, Richard Bonynge | — | |
| 45 | Cinderella: Act III. No. 50. Amoroso: The Prince and Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 46 | La Boîte à joujoux: Prélude. Le Sommeil de la boîte | Orchestre symphonique de Montréal, Charles Dutoit | T-900.798.614-3 | |
| 47 | Coppélia / Tableau 2: no. 11 Musique des automates - scène | — | ||
| 48 | Daphnis et Chloé, Part I: Introduction et Danse religieuse | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T-004.014.574-1 | |
| 49 | La Boîte à joujoux, L.128: Quatrième Tableau | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 50 | Romeo and Juliet, op. 64 - Act 2: Folk Dance | — | ||
| 51 | La Boîte à joujoux: V. Épilogue | Orchestre symphonique de Montréal, Charles Dutoit | T-000.842.760-8 | |
| 52 | Coppélia / Tableau 3: no. 20 Fête de la cloche: 8) Galop final | — | ||
| 53 | Pulcinella: 1. Ouverture: Allegro moderato | — | ||
| 54 | La Bayadère / Act 1: no. 27 Allegro | — | ||
| 55 | Le Sacre du Printemps / Pt 1: L’Adoration de la Terre: 2. Les augures printaniers - Danses des adolescentes - Live | — | ||
| 56 | Diana and Actaeon: Pas de deux (Arr. March) | — | ||
| 57 | Coppélia / Tableau 2: no. 14 Scène et Valse de la Poupée | — | ||
| 58 | Jeux (Poème dansé), L. 126 | — | ||
| 59 | Judas Maccabaeus, HWV 63: March | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-061.793.179-9 | |
| 60 | Don Quixote: Pas de deux | London Symphony Orchestra, Richard Bonynge | T-900.017.125-5 | |
| 61 | Pas classique | London Symphony Orchestra, Richard Bonynge | — | |
| 62 | La Bayadère / Act 1: no. 3 Andante delicato | — | ||
| 63 | Rosamunde, D. 797: Ballet Music no. 2 | — | ||
| 64 | Love's Dream After the Ball (arr. Gamley) | London Symphony Orchestra, Richard Bonynge | — | |
| 65 | La Bayadère / Act 1: no. 22 Andante | — | ||
| 66 | Esmeralda: Pas de deux | London Symphony Orchestra, Richard Bonynge | — | |
| 67 | La Bayadère / Act 1: no. 20 Moderato | — | ||
| 68 | Apollon musagète, K48: VIII. Pas de deux (Apollo and Terpsichore) | — | ||
| 69 | The Comedians - Suite, op. 26: Waltz | — | ||
| 70 | La Reine de Saba / Act 2: Waltz | — | ||
| 71 | Gayaneh: Lullaby | — | ||
| 72 | Pulcinella Ballet in one Act: 3. Scherzino: Allegro | — | ||
| 73 | Gayaneh: Lezghinka | — | ||
| 75 | The Miraculous Mandarin Suite, op. 19 | London Symphony Orchestra, Sir Georg Solti | — | |
| 76 | Odna, op. 26: March - Music from the Film | — | ||
| 77 | Petrushka, Circus Polka for a Young Elephant | Los Angeles Philharmonic, Zubin Mehta | — | |
| 78 | Rusalka: 2. Jednání. Slavností hudba – balet | Czech Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 79 | El amor brujo: Pantomima | — | ||
| 80 | El amor brujo: Escena | — | ||
| 81 | La fille mal gardée Act 1: 1. Intro II Dance III Lise and the Ribbon Lise | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 82 | Glow-worm (Gavotte Pavlova) | London Symphony Orchestra, Richard Bonynge | — | |
| 83 | “Still Life” at the Penguin Café - Ballet: 1. Air à danser | — | ||
| 84 | Soirées musicales, op. 9: I. March | National Philharmonic Orchestra, Richard Bonynge | — | |
| 85 | Le Corsaire: Pas de deux | — | ||
| 86 | The Sleeping Beauty Suite: Pas De Caractere (Puss in Boots) (Act III) | Wiener Philharmoniker, Herbert von Karajan | T-905.014.886-2 | |
| 87 | Paquita: Pas de deux | London Symphony Orchestra, Richard Bonynge | T-070.096.762-9 | |
| 88 | Matinées musicales, op. 24: III. Waltz | National Philharmonic Orchestra, Richard Bonynge | T-905.049.109-3 | |
| 89 | Cinderella: Act I. No. 2. Shawl Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 90 | Pictures At An Exhibition: Ballet Of The Chickens In Their Shells | — | ||
| 91 | Chopiniana, op. 46: 4. Valse (op. 64, no. 2) | — | ||
| 92 | La Boutique Fantasque: Tarantella | — | ||
| 93 | Four Dance Episodes From "Rodeo": II. Corral Nocturne | Detroit Symphony Orchestra, Antal Doráti | T-070.026.038-3 | |
| 94 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Prince and Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 95 | Flower Festival at Genzano: Pas de deux | London Symphony Orchestra, Richard Bonynge | — | |
| 96 | The Seasons, Op.67: 2. Spring | — | ||
| 97 | Boléro | Orchestre symphonique de Montréal, Charles Dutoit | T-003.006.377-4 | |
| 98 | La fille mal gardée Act 1: 16. Simone - XIX Storm and Finale | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Swan Lake, op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace) | Mariinsky Orchestra, Valery Gergiev | — |
