UPC · Release
Landscapes: Minimalism
Philip Glass
602445179923
98 tracks
Last verified:
602445179923 is the Universal Product Code (UPC barcode) for the release “Landscapes: Minimalism” by Philip Glass. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 98 tracks, each with its own ISRC. Tracks include DEN961631304, GBUM71503687, GBF079911060.
Format
6Number system
02445Manufacturer
17992Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCLandscapes: Minimalism
ISRC98 recordings
ISWC44 works
IPI7 songwriters
Track List (98)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Étude no. 6 | Víkingur Ólafsson | T-011.128.487-7 | |
| 2 | Spiegel im Spiegel | Nicola Benedetti, Alexei Grynyuk | T-917.645.859-6 | |
| 3 | The Piano: The Heart Asks Pleasure First | Jean-Yves Thibaudet | T-010.203.179-7 | |
| 5 | The Piano: Deep Sleep Playing | Valentina Lisitsa | — | |
| 6 | Für Alina | Gianluca Cascioli | — | |
| 7 | Shaker Loops: 2. Hymning Slews | San Francisco Symphony, Edo de Waart | — | |
| 8 | Duet for Two Violins and Strings | Daniel Hope, Simos Papanas, Kammerorchester Basel | — | |
| 9 | Three Movements for Orchestra: 2. Mvt.2 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | — | |
| 10 | The Diary of Anne Frank: Why? | Valentina Lisitsa | T-071.770.447-6 | |
| 11 | China Gates | Alan Feinberg | — | |
| 12 | Hymn to a Great City | Katia & Marielle Labèque | — | |
| 13 | Águas da Amazonia: Tiquiê River | Uakti | T-010.897.575-2 | |
| 14 | The Piano: The Embrace | Valentina Lisitsa | T-010.203.179-7 | |
| 15 | In C | Piano Circus | — | |
| 16 | The Time Curve Preludes: XII. | Katia Labèque | — | |
| 17 | Glassworks: Opening | Víkingur Ólafsson | T-316.902.801-3 | |
| 18 | Gameland | David Chalmin, Katia Labèque, Marielle Labèque, Raphaël Séguinier, Nicola Tescari | — | |
| 19 | Reed Phase | Steve Reich, Jon Gibson | — | |
| 20 | Escape! | Valentina Lisitsa | T-071.769.789-6 | |
| 21 | Metamorphosis: II | Valentina Lisitsa | — | |
| 22 | The End of the Affair: Diary of Love | Valentina Lisitsa | T-010.968.374-0 | |
| 23 | Águas da Amazonia: Amazon River | Uakti | T-010.897.575-2 | |
| 24 | The Olympian: Lighting of the Torch | Valentina Lisitsa | — | |
| 25 | In Dark Trees | David Chalmin, Katia Labèque, Raphaël Séguinier, Nicola Tescari | T-010.324.640-7 | |
| 26 | The Hours: Why Does Someone Have To Die? | Valentina Lisitsa | T-071.769.789-6 | |
| 27 | Three Movements for Orchestra: 1. Mvt 1 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | — | |
| 28 | 4 Movements for 2 Pianos: II. | Katia & Marielle Labèque | T-316.904.632-2 | |
| 29 | Closing | Valentina Lisitsa | T-011.194.276-7 | |
| 30 | Free to X | David Chalmin, Katia Labèque, Raphaël Séguinier, Nicola Tescari | T-305.879.950-7 | |
| 31 | The Diary of Anne Frank - Arr. Harle: If | Michael Nyman, Jess Gillam, BBC Concert Orchestra, Jessica Cottis | — | |
| 32 | The Time Curve Preludes: II. | Katia Labèque | — | |
| 33 | Wonderland: Jack | Valentina Lisitsa | T-010.141.479-2 | |
| 34 | Something She Has to Do. | Valentina Lisitsa | T-071.769.789-6 | |
| 35 | 4 Movements for 2 Pianos: IV. | Katia & Marielle Labèque | T-922.975.344-0 | |
| 36 | Choosing Life | Valentina Lisitsa | T-071.769.789-6 | |
| 37 | Étude no. 13 | Víkingur Ólafsson | — | |
| 38 | Morning Passages | Valentina Lisitsa | T-071.769.789-6 | |
| 39 | Aguas da Amazonia: Negro River | Philip Glass, Uakti | T-010.897.575-2 | |
| 40 | Étude no. 5 | Víkingur Ólafsson | T-071.017.479-0 | |
| 41 | Carrington: Fly Drive | Valentina Lisitsa | — | |
| 42 | Metamorphosis: III | Valentina Lisitsa | T-011.144.544-3 | |
| 43 | Images: Prelude 5 | Marielle Labèque | — | |
| 44 | Étude no. 15 | Víkingur Ólafsson | — | |
| 45 | Cello Counterpoint: I. Fast | Peter Gregson | — | |
| 46 | The Piano: The Attraction of the Pedalling Ankle | Valentina Lisitsa | — | |
| 47 | 4 Movements for 2 Pianos: III. | Katia & Marielle Labèque | T-922.975.339-3 | |
| 48 | The Piano: All Imperfect Things | Valentina Lisitsa | — | |
| 49 | The Piano: Big My Secret | Valentina Lisitsa | T-900.053.663-0 | |
| 50 | Águas da Amazonia: Purus River | Uakti | T-010.897.575-2 | |
| 51 | Gattaca: The Departure | Valentina Lisitsa | T-010.151.647-5 | |
| 52 | Wichita Sutra Vortex | Valentina Lisitsa | T-900.143.891-1 | |
| 53 | Metamorphosis: I | Valentina Lisitsa | T-011.197.744-6 | |
| 54 | Aguas da Amazonia: Tapajós River | Philip Glass, Uakti | T-010.897.575-2 | |
| 55 | The Diary of Anne Frank: Goodbye Moortle | Valentina Lisitsa | — | |
| 56 | Metamorphosis: IV | Valentina Lisitsa | T-316.904.611-7 | |
| 57 | Cello Counterpoint: III. Fast | Peter Gregson | — | |
| 58 | The Time Curve Preludes: I. | Marielle Labèque | T-932.637.060-9 | |
| 59 | The Hours: An Unwelcome Friend | Valentina Lisitsa | T-072.593.714-3 | |
| 60 | The Time Curve Preludes: XVII. | Marielle Labèque | — | |
| 61 | Aguas da Amazonia: Xingu River | Philip Glass, Uakti | T-010.897.575-2 | |
| 62 | Shaker Loops: IV. A Final Shaking | San Francisco Symphony, Edo de Waart | — | |
| 63 | The Piano: Silver‐Fingered Fling | Valentina Lisitsa | — | |
| 64 | Short Ride in a Fast Machine | Orchestre symphonique de Montréal, Kent Nagano | — | |
| 65 | Cello Counterpoint: II. Slow | Peter Gregson | — | |
| 66 | Postlude | Marielle Labèque | — | |
| 67 | Images: Prelude 7 | Marielle Labèque | — | |
| 68 | Shaker Loops: III. Loops and Verses | San Francisco Symphony, Edo de Waart | — | |
| 69 | Wonderland: Bill | Valentina Lisitsa | T-010.078.253-3 | |
| 70 | Aguas da Amazonia: Japurá River | Philip Glass, Uakti | T-010.897.575-2 | |
| 71 | Études no. 3 | Víkingur Ólafsson | T-923.005.029-0 | |
| 72 | The Time Curve Preludes: VII. | Katia Labèque | T-329.497.346-5 | |
| 73 | Trysting Fields From “Drowning by Numbers” | Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey | T-010.021.626-9 | |
| 74 | The Poet Acts | Valentina Lisitsa, Katia Labèque | T-010.072.246-0 | |
| 75 | Études no. 9 (Reworked by CFCF) | Víkingur Ólafsson, CFCF | T-011.128.487-7 | |
| 76 | Águas da Amazonia: Paru River | Uakti | T-010.897.575-2 | |
| 77 | The Piano: Lost and Found | Valentina Lisitsa | — | |
| 78 | Drowning by Numbers: Sheep 'N' Tides | Valentina Lisitsa | T-010.203.080-7 | |
| 79 | Glassworks: Opening (reworked by Christian Badzura) | Siggi String Quartet, Víkingur Ólafsson | T-316.902.801-3 | |
| 80 | Étude no. 2 | Víkingur Ólafsson | T-316.904.638-8 | |
| 81 | The Hours | Valentina Lisitsa | T-071.769.789-6 | |
| 82 | Étude no. 14 | Víkingur Ólafsson | T-923.059.400-0 | |
| 83 | The Diary of Anne Frank: Candlefire | Valentina Lisitsa | — | |
| 84 | Three Movements for Orchestra: 3. Mvt 3 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | — | |
| 85 | Water Dances: IV. Gliding | Katia & Marielle Labèque | — | |
| 86 | The Draughtman’s Contract: Chasing Sheep Is Best Left to Shepherds | Valentina Lisitsa | T-010.152.136-1 | |
| 87 | Études no. 18 | Víkingur Ólafsson | — | |
| 88 | Images: Interlude 4 | Marielle Labèque | T-011.165.393-0 | |
| 89 | A Zed and Two Noughts - Time Lapse | Simon Ghraichy | T-917.066.235-8 | |
| 91 | Dead Things | Valentina Lisitsa | T-071.769.789-6 | |
| 92 | Images: Interlude 5 | Marielle Labèque | T-011.165.394-1 | |
| 93 | The Piano: The Mood That Passes Through You | Valentina Lisitsa | T-010.203.186-6 | |
| 94 | Études no. 5 (Reworked by Christian Badzura) | Víkingur Ólafsson | T-316.902.798-5 | |
| 95 | I'm Going to Make a Cake | Valentina Lisitsa | T-071.769.789-6 | |
| 96 | Águas da Amazonia: Madeira River | Uakti | T-010.897.575-2 | |
| 97 | Experiences, I | Katia & Marielle Labèque | — | |
| 98 | Water Dances: II. Stroking | Katia & Marielle Labèque | — | |
| 99 | 4 Movements for 2 Pianos: I. | Katia & Marielle Labèque | T-802.476.657-3 | |
| 100 | Vladimir’s Blues | Max Richter | — |
The Piano: Deep Sleep Playing
Valentina Lisitsa
—
Für Alina
Gianluca Cascioli
—
Shaker Loops: 2. Hymning Slews
San Francisco Symphony, Edo de Waart
—
Duet for Two Violins and Strings
Daniel Hope, Simos Papanas, Kammerorchester Basel
—
Three Movements for Orchestra: 2. Mvt.2
Steve Reich, Los Angeles Philharmonic, Stefan Asbury
—
China Gates
Alan Feinberg
—
Hymn to a Great City
Katia & Marielle Labèque
—
In C
Piano Circus
—
The Time Curve Preludes: XII.
Katia Labèque
—
Gameland
David Chalmin, Katia Labèque, Marielle Labèque, Raphaël Séguinier, Nicola Tescari
—
Reed Phase
Steve Reich, Jon Gibson
—
Metamorphosis: II
Valentina Lisitsa
—
The Olympian: Lighting of the Torch
Valentina Lisitsa
—
Three Movements for Orchestra: 1. Mvt 1
Steve Reich, Los Angeles Philharmonic, Stefan Asbury
—
The Diary of Anne Frank - Arr. Harle: If
Michael Nyman, Jess Gillam, BBC Concert Orchestra, Jessica Cottis
—
The Time Curve Preludes: II.
Katia Labèque
—
Étude no. 13
Víkingur Ólafsson
—
Carrington: Fly Drive
Valentina Lisitsa
—
Images: Prelude 5
Marielle Labèque
—
Étude no. 15
Víkingur Ólafsson
—
Cello Counterpoint: I. Fast
Peter Gregson
—
The Piano: The Attraction of the Pedalling Ankle
Valentina Lisitsa
—
The Piano: All Imperfect Things
Valentina Lisitsa
—
The Diary of Anne Frank: Goodbye Moortle
Valentina Lisitsa
—
Cello Counterpoint: III. Fast
Peter Gregson
—
The Time Curve Preludes: XVII.
Marielle Labèque
—
Shaker Loops: IV. A Final Shaking
San Francisco Symphony, Edo de Waart
—
The Piano: Silver‐Fingered Fling
Valentina Lisitsa
—
Short Ride in a Fast Machine
Orchestre symphonique de Montréal, Kent Nagano
—
Cello Counterpoint: II. Slow
Peter Gregson
—
Postlude
Marielle Labèque
—
Images: Prelude 7
Marielle Labèque
—
Shaker Loops: III. Loops and Verses
San Francisco Symphony, Edo de Waart
—
Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey
The Piano: Lost and Found
Valentina Lisitsa
—
Siggi String Quartet, Víkingur Ólafsson
The Diary of Anne Frank: Candlefire
Valentina Lisitsa
—
Three Movements for Orchestra: 3. Mvt 3
Steve Reich, Los Angeles Philharmonic, Stefan Asbury
—
Water Dances: IV. Gliding
Katia & Marielle Labèque
—
Études no. 18
Víkingur Ólafsson
—
Experiences, I
Katia & Marielle Labèque
—
Water Dances: II. Stroking
Katia & Marielle Labèque
—
Vladimir’s Blues
Max Richter
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Poet Acts | Katia Labèque | T-010.072.246-0 |
| The Truman Show: Truman Sleeps | Valentina Lisitsa | T-070.930.671-7 |
Katia Labèque
Valentina Lisitsa
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.021.626-9T-010.078.253-3T-010.141.479-2T-010.203.080-7T-010.021.626-9T-010.078.253-3T-010.141.479-2T-010.203.080-7T-010.072.246-0T-010.151.647-5
+34 more
T-010.152.136-1T-010.203.179-7T-010.203.186-6T-010.324.640-7T-010.897.575-2T-010.968.374-0T-011.128.487-7T-011.144.544-3T-011.165.393-0T-011.165.394-1T-011.194.276-7T-011.197.744-6T-070.930.671-7T-071.017.479-0T-071.769.789-6T-071.770.447-6T-072.593.714-3T-305.879.950-7T-316.902.798-5T-316.902.801-3T-316.904.611-7T-316.904.632-2T-316.904.638-8T-329.497.346-5T-802.476.657-3T-900.053.663-0T-900.143.891-1T-917.066.235-8T-917.645.859-6T-922.975.339-3T-922.975.344-0T-923.005.029-0T-923.059.400-0T-932.637.060-9
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000044615868000000005405553400000000594405620000000071408901000000007249384500000000783981440000000081611727000000008357624000000000837376220000000083982492
+20 more
0000000084826467000000010670976400000001072196870000000107293174000000010937417000000001094067770000000109446533000000010970204X000000011093557X00000001145069830000000114893709000000011497224700000001176320610000000118822684000000012136702900000003739806470000000416449873000000044359195500000004602562000000000465973049
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What is UPC 602445179923?
602445179923 is a Universal Product Code (UPC) assigned to Landscapes: Minimalism by Philip Glass. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 98 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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