UPC · Release
The 7″ Singles Box
Paul McCartney
Last verified:
602445296521 is the Universal Product Code (UPC barcode) for the release “The 7″ Singles Box” by Paul McCartney, released 2022-01-01 on Capitol Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 154 tracks, each with its own ISRC. Tracks include GBCCS0100321, GBCCS1100101, GBCCS2200001.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (154)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Another Day | Paul McCartney | T-010.305.662-7 | |
| 2 | Oh Woman, Oh Why | Paul McCartney | T-011.579.438-1 | |
| 2-1 | Uncle Albert/Admiral Halsey | Paul, Linda McCartney | T-010.344.543-7 | |
| 2-2 | Too Many People | Paul, Linda McCartney | T-011.554.162-2 | |
| 3-1 | The Back Seat of My Car | Paul, Linda McCartney | T-900.012.387-5 | |
| 3-2 | Heart of the Country | Paul, Linda McCartney | T-010.446.674-1 | |
| 4-1 | Love Is Strange (single edit) | — | ||
| 4-2 | I Am Your Singer | — | ||
| 5-1 | Give Ireland Back to the Irish | Wings | T-011.631.982-4 | |
| 6-1 | Mary Had a Little Lamb | — | ||
| 6-2 | Little Woman Love | — | ||
| 7-1 | Hi, Hi, Hi | Wings | T-010.452.431-3 | |
| 7-2 | C Moon | Wings | T-010.452.556-5 | |
| 8-1 | My Love | — | ||
| 8-2 | The Mess (live at the Hague) | — | ||
| 9-1 | Live and Let Die | — | ||
| 9-2 | I Lie Around | — | ||
| 10-1 | Helen Wheels | Paul McCartney & Wings | T-070.265.220-7 | |
| 10-2 | Country Dreamer | Paul McCartney & Wings | T-070.259.518-3 | |
| 11-1 | Jet | Paul McCartney & Wings | T-070.267.764-2 | |
| 11-2 | Let Me Roll It | — | ||
| 12-1 | Band on the Run | Paul McCartney & Wings | T-070.257.733-0 | |
| 12-2 | Nineteen Hundred and Eighty Five | — | ||
| 13-1 | Mrs. Vandebilt | — | ||
| 13-2 | Bluebird | Paul McCartney & Wings | T-010.173.622-4 | |
| 14-1 | Junior’s Farm | — | ||
| 14-2 | Sally G | — | ||
| 15-1 | Listen to What the Man Said | — | ||
| 15-2 | Love in Song | — | ||
| 16-1 | Letting Go | — | ||
| 16-2 | You Gave Me the Answer | — | ||
| 17-1 | Venus and Mars / Rock Show | — | ||
| 17-2 | Magneto and Titanium Man | — | ||
| 18-1 | Silly Love Songs | — | ||
| 18-2 | Cook of the House | Wings | T-010.463.610-3 | |
| 19-1 | Let ’Em In | Wings | T-010.463.662-5 | |
| 19-2 | Beware My Love | Wings | T-010.463.609-0 | |
| 20-1 | Maybe I’m Amazed (live) | — | ||
| 20-2 | Soily (live) | — | ||
| 21-1 | Mull of Kintyre | — | ||
| 21-2 | Girls’ School | Wings | T-010.468.216-7 | |
| 22-1 | With a Little Luck (DJ edit) | — | ||
| 22-2 | Backwards Traveller / Cuff Link | Wings | T-010.087.222-7 | |
| 23-1 | I’ve Had Enough | — | ||
| 23-2 | Deliver Your Children | Wings | T-011.632.128-8 | |
| 24-1 | London Town | — | ||
| 24-2 | I’m Carrying | — | ||
| 25-1 | Goodnight Tonight | Wings | T-010.469.651-6 | |
| 25-2 | Daytime Nightime Suffering | Wings | T-010.470.425-7 | |
| 26-1 | Old Siam, Sir | — | ||
| 26-2 | Spin It On | — | ||
| 27-1 | Getting Closer | Wings | T-010.470.299-9 | |
| 27-2 | Baby’s Request | Wings | T-010.470.298-8 | |
| 28-1 | Arrow Through Me | Wings | T-010.472.558-7 | |
| 28-2 | Old Siam, Sir | — | ||
| 29-1 | Wonderful Christmastime | — | ||
| 29-2 | Rudolph the Red-Nosed Reggae | — | ||
| 30-1 | Coming Up | — | ||
| 30-2 | Coming Up | Paul McCartney & Wings | T-010.471.988-1 | |
| 30-3 | Lunch Box / Odd Sox | — | ||
| 31-1 | Waterfalls | — | ||
| 31-2 | Check My Machine | — | ||
| 32-1 | Temporary Secretary | — | ||
| 32-2 | Secret Friend [7” single edit] | — | ||
| 33-1 | Ebony and Ivory | — | ||
| 33-2 | Rainclouds | — | ||
| 34-1 | Take It Away | — | ||
| 34-2 | I’ll Give You a Ring | — | ||
| 35-1 | Tug of War | — | ||
| 35-2 | Get It | — | ||
| 36-1 | Say Say Say | — | ||
| 36-2 | Ode to a Koala Bear | — | ||
| 37-1 | Pipes of Peace | — | ||
| 37-2 | So Bad | — | ||
| 38-1 | No More Lonely Nights (Ballad) | — | ||
| 39-1 | We All Stand Together | — | ||
| 40-1 | Spies Like Us | — | ||
| 40-2 | My Carnival | — | ||
| 41-1 | Press (video edit) | — | ||
| 41-2 | It’s Not True | — | ||
| 42-2 | Write Away | — | ||
| 43-1 | Stranglehold | — | ||
| 44-2 | Tough on a Tightrope | — | ||
| 45-1 | Once Upon a Long Ago | — | ||
| 45-2 | Back on My Feet | — | ||
| 46-1 | My Brave Face | — | ||
| 46-2 | Flying to My Home | — | ||
| 47-1 | This One | — | ||
| 47-2 | The First Stone | — | ||
| 48-2 | Où Est Le Soleil | — | ||
| 49-1 | Party Party | — | ||
| 50-1 | Put It There | — | ||
| 50-2 | Mama’s Little Girl | — | ||
| 51-1 | The Long and Winding Road (live) | — | ||
| 51-2 | C Moon | Wings | T-010.452.556-5 | |
| 52-1 | Birthday (live) | — | ||
| 52-2 | Good Day Sunshine (live) | — | ||
| 53-1 | All My Trials | — | ||
| 53-2 | C Moon | Wings | T-010.452.556-5 | |
| 54-1 | The World You’re Coming Into | — | ||
| 54-2 | Tres Conejos | — | ||
| 54-3 | Save the Child | — | ||
| 54-4 | The Drinking Song (Let’s Find Ourselves a Little Hostelry) | — | ||
| 55-1 | Hope of Deliverance | — | ||
| 55-2 | Long Leather Coat | — | ||
| 56-1 | C’mon People | — | ||
| 56-2 | I Can’t Imagine | — | ||
| 57-1 | Young Boy | — | ||
| 57-2 | Looking for You | — | ||
| 58-1 | The World Tonight | — | ||
| 58-2 | Used to Be Bad | — | ||
| 59-1 | Beautiful Night | — | ||
| 59-2 | Love Come Tumbling Down | — | ||
| 60-1 | No Other Baby | — | ||
| 60-2 | Brown Eyed Handsome Man | — | ||
| 60-3 | Fabulous | — | ||
| 61-1 | From a Lover to a Friend | — | ||
| 61-2 | Riding Into Jaipur | — | ||
| 62-1 | Tropic Island Hum | — | ||
| 62-2 | We All Stand Together | — | ||
| 63-1 | Fine Line | — | ||
| 63-2 | Growing Up Falling Down | — | ||
| 64-1 | Jenny Wren | — | ||
| 64-2 | Summer of ’59 | — | ||
| 65-1 | Dance Tonight | — | ||
| 65-2 | Dance Tonight [demo] | — | ||
| 66-1 | Nod Your Head | — | ||
| 66-2 | 222 | — | ||
| 67-1 | Ever Present Past | — | ||
| 67-2 | House of Wax (live) | — | ||
| 68-1 | Sing the Changes | — | ||
| 68-2 | Nothing Too Much Just Out of Sight [radio edit] | — | ||
| 69-1 | (I Want to) Come Home | — | ||
| 69-2 | (I Want to) Come Home [demo] | — | ||
| 70-1 | My Valentine | — | ||
| 70-2 | Get Yourself Another Fool | — | ||
| 71-1 | The Christmas Song (Chestnuts Roasting on an Open Fire) | — | ||
| 71-2 | Wonderful Christmastime | — | ||
| 72-1 | New | — | ||
| 72-2 | Early Days | — | ||
| 73-1 | Queenie Eye | — | ||
| 73-2 | Save Us | — | ||
| 74-1 | Hope for the Future | — | ||
| 75-1 | In the Blink of an Eye | — | ||
| 75-2 | Walking in the Park With Eloise | — | ||
| 76-1 | I Don’t Know | — | ||
| 76-2 | Come On to Me | — | ||
| 77-1 | Who Cares | — | ||
| 77-2 | Fuh You | — | ||
| 78-1 | Home Tonight | — | ||
| 78-2 | In a Hurry | — | ||
| 79-1 | Find My Way | — | ||
| 79-2 | Winter Bird / When Winter Comes | — | ||
| 80-1 | Women and Wives | Paul McCartney | T-302.299.665-8 |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Give Ireland Back to the Irish (version) | Wings | T-011.631.982-4 |
| Women and Wives (St. Vincent remix) | Paul McCartney, St. Vincent | T-302.299.665-8 |
| Give Ireland Back to the Irish (version) | Wings | T-011.631.982-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 602445296521?
602445296521 is a Universal Product Code (UPC) assigned to The 7″ Singles Box by Paul McCartney. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 154 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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