UPC · Release
Franz Liszt
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602448700605 is the Universal Product Code (UPC barcode) for the release “An Evening of Classical: Liszt” by Franz Liszt, released 2023-02-02. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 139 tracks, each with its own ISRC. Tracks include GBBBA1100272, DEF059304794, NLA508532412.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Consolations, S. 172 no. 2: Poco più mosso | Nelson Freire | — | |
| 2 | Grand Duo concertant, S. 128: Variation II | Gidon Kremer, Oleg Maisenberg | — | |
| 3 | Hungarian Rhapsodies, S. 244: No. 18 in F-sharp minor | Misha Dichter | — | |
| 4 | Grand Duo concertant, S. 128: Lento assai - Animato, quasi Allegro | Gidon Kremer, Oleg Maisenberg | — | |
| 5 | 12 Etudes d'exécution transcendante, S. 139 no. 2 Molto vivace | Daniil Trifonov | — | |
| 6 | Lohengrins Verweis aus Wagners "Lohengrin", S. 446 | Jean-Yves Thibaudet | — | |
| 7 | Harmonies poétiques et religieuses, S. 173: No. 3. Bénédiction de Dieu dans la solitude: Andante | Claudio Arrau | T-106.677.158-0 | |
| 8 | Grand Duo concertant, S. 128: Andantino | Gidon Kremer, Oleg Maisenberg | — | |
| 9 | Piano Sonata in B minor, S. 178: c. Grandioso | Seong-Jin Cho | — | |
| 10 | Schwanengesang, S.560 - piano transcriptions after Schubert : Liszt: Schwanengesang, S.560 - piano transcriptions after Schubert - No.1 Liebesbotschaft | Misha Dichter | T-329.530.213-1 | |
| 11 | Grand Duo concertant, S. 128: Finale. Animato marziale | Oleg Maisenberg, Gidon Kremer | — | |
| 12 | Consolations, S. 172 no. 4: Quasi adagio | Nelson Freire | — | |
| 13 | 12 Etudes d'exécution transcendante, S. 139 no. 5 Feux follets (Allegretto) | Daniil Trifonov | T-924.490.462-9 | |
| 14 | Consolations, S. 172 no. 6: Allegretto sempre cantabile | Nelson Freire | — | |
| 15 | 5 Kleine Klavierstücke, S.192 : Liszt: 5 Kleine Klavierstücke, S.192 - No. 3 in F sharp, Andantino | Alfred Brendel | T-918.063.801-1 | |
| 16 | Liszt: Schlaflos! Frage und Antwort, S.203 | Alfred Brendel | — | |
| 17 | Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto | Daniel Barenboim | — | |
| 18 | Piano Concerto No. 2 in A Major, S. 125 : Liszt: Piano Concerto No. 2 in A Major, S. 125 - 2. Allegro agitato assai | Földes Andor | — | |
| 19 | Années de pèlerinage, Première année: Suisse, S. 160 no. 3: Pastorale | Alfred Brendel | — | |
| 20 | 12 études d'exécution transcendante: I. Preludio | Alice Sara Ott | T-312.527.003-9 | |
| 22 | Das Wandern, S. 565 no. 1 | Jorge Bolet | T-902.873.310-0 | |
| 23 | Piano Concerto No. 2 in A Major, S. 125 : Liszt: Piano Concerto No. 2 in A Major, S. 125 - IV. Allegro animato | Святослав Теофилович Рихтер | — | |
| 24 | 2 Etudes de Concert, S. 145: no. 1 Waldesrauschen | Géza Anda | — | |
| 25 | Impromptu ("Nocturne"), 1872 | Vladimir Ashkenazy | — | |
| 26 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 17 in D minor | Misha Dichter | — | |
| 27 | Années de pèlerinage: 1e année: Suisse, S.160 : Liszt: Années de pèlerinage: 1e année: Suisse, S.160 - 4. Au bord d'une source | Misha Dichter | — | |
| 28 | Piano Concerto No. 2 in A Major, S. 125 : Liszt: Piano Concerto No. 2 in A Major, S. 125 - 5. Marziale un poco meno Allegro | Földes Andor | — | |
| 29 | Weihnachtsbaum Suite, S.186 : Liszt: Weihnachtsbaum Suite, S.186 - 7. Schlummerlied | Alfred Brendel | — | |
| 30 | Grand Duo concertant, S. 128: Variation III. Allegretto pastorale | Gidon Kremer, Oleg Maisenberg | — | |
| 31 | 6 Etudes d'exécution transcendante d'après Paganini, S. 140: 2. Andantino capriccioso | Nikita Magaloff | — | |
| 32 | Wohin?, S. 545 no. 5 | Jorge Bolet | — | |
| 33 | Liszt: Unstern! -Sinistre, S208 | Alfred Brendel | T-801.746.807-5 | |
| 34 | Piano Concerto No. 1 in E-Flat Major, S. 124 : Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124 - IIb. Allegretto vivace - Allegro animato | Святослав Теофилович Рихтер | — | |
| 35 | Années de pèlerinage, Première année: Suisse, S. 160 no. 5: Orage | Alfred Brendel | — | |
| 36 | Piano Concerto No. 1 in E-Flat Major, S. 124 : Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124 - IV. Allegro marziale animato - Presto | Dame Moura Lympany | — | |
| 37 | Liszt: Mephisto Waltz No. 1, S.514 (Edit) | Vladimir Ashkenazy | — | |
| 38 | Franz Liszt - La Lugubre Gondola I | Maurizio Pollini | — | |
| 39 | Weihnachtsbaum Suite, S.186 - Transcription by Vladimir Horowitz : Liszt: Weihnachtsbaum Suite, S.186 - Transcription by Vladimir Horowitz - 10. Ehemals | Vladimir Horowitz | — | |
| 40 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato – Presto | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 41 | Weihnachtsbaum Suite, S.186 : Liszt: Weihnachtsbaum Suite, S.186 - 6. Glockenspiel | Alfred Brendel | — | |
| 42 | 12 Etudes d'exécution transcendante, S.139 : Liszt: 12 Etudes d'exécution transcendante, S.139 - No. 3 Paysage (Poco adagio) | Claudio Arrau | — | |
| 43 | Consolation no. 3 in D-flat major: Lento placido | Vladimir Horowitz | T-306.229.968-3 | |
| 44 | Liszt: Rhapsodie espagnole, S. 254 | Walter Rehberg | — | |
| 45 | Liebesträume no. 2 in E-flat major, S. 541 no. 2: "Seliger Tod" | Jorge Bolet | T-329.516.968-1 | |
| 46 | 3 Etudes de Concert, S.144 : Liszt: 3 Etudes de Concert, S.144 - No. 3 in D Flat "Un sospiro" | Святослав Теофилович Рихтер | T-306.229.968-3 | |
| 47 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: 3. Marziale un poco meno allegro - | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | — | |
| 48 | 12 Etudes d'exécution transcendante, S. 139 no. 7 Eroica (Allegro) | Daniil Trifonov | — | |
| 49 | Liszt: Grand Galop Chromatique, S.219 | Jorge Bolet | — | |
| 50 | 6 Etudes d'exécution transcendante d'après Paganini, S. 140: 1. Trémolo | Nikita Magaloff | — | |
| 51 | Piano Concerto No. 2 in A Major, S. 125 : Liszt: Piano Concerto No. 2 in A Major, S. 125 - 1. Adagio sostenuto assai | Földes Andor | — | |
| 52 | 3 Etudes de Concert, S. 144 no. 2 in F minor "La leggierezza" (A capriccio: Quasi allegretto) | Daniil Trifonov | — | |
| 53 | Hungarian Coronation Mass, S.11 : Liszt: Hungarian Coronation Mass, S.11 - 5. Offertorium | Hungarian State Orchestra | — | |
| 54 | Tre Sonetti di Petrarca, S. 270 : Liszt: Tre Sonetti di Petrarca, S. 270 - Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo se | Daniel Barenboim | — | |
| 55 | O lieb, so lang du lieben kannst, S. 298: Liebestraum no. 3 | Anatol Ugorski | T-914.290.242-9 | |
| 56 | Piano Concerto No. 1 in E-Flat Major, S. 124 : Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124 - IIa. Quasi adagio | Святослав Теофилович Рихтер | — | |
| 57 | Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161) : Liszt: Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161) - 1. Gondoliera | Jorge Bolet | — | |
| 58 | Concerto Pathétique for Two Pianos in E minor, S. 258/1: 2. Andante sostenuto | Brenda Lucas, John Ogdon | — | |
| 59 | Piano Concerto No. 1 in E-Flat Major, S. 124 : Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124 - I. Allegro maestoso | Святослав Теофилович Рихтер | — | |
| 60 | Liebestraum no. 3 in A-flat, S. 541 no. 3 | Jorge Bolet | — | |
| 61 | 6 Etudes d'exécution transcendante d'après Paganini, S. 140: 6. Thème et variations | Nikita Magaloff | — | |
| 62 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 4: Sonetto 47 del Petrarca | Alfred Brendel | — | |
| 63 | Die Legende von der Heiligen Elisabeth / 4. Landgräfin Sophie : Liszt: Die Legende von der Heiligen Elisabeth / 4. Landgräfin Sophie - Die Pforte schloß sich hinter ihr - Es wächst der Sturm | Istvan Berczelly | — | |
| 64 | Soirées de Vienne, S.427 : Liszt: Soirées de Vienne, S.427 - 7. Allegro spiritoso | Földes Andor | — | |
| 65 | Liszt: Valse oubliée No. 2 in A flat, S.215 | Misha Dichter | — | |
| 66 | Liszt: Rakoczy March, S117 | Süddeutsche Philharmonie | T-905.659.852-8 | |
| 67 | Années de Pèlerinage, Troisième année, S. 163 no. 2: Aux cyprès de la Villa d'Este, no. 1: Thrénodie | Zoltán Kocsis | — | |
| 68 | Lob der Tränen S. 557 | Jorge Bolet | — | |
| 69 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 15 in A minor | Misha Dichter | — | |
| 70 | Années de pèlerinage: Deuxième année "Italie": V. Sonetto 104 del Petrarca: Agitato assai - Adagio | Vladimir Horowitz | — | |
| 71 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 7 in D minor | Misha Dichter | — | |
| 72 | 12 Etudes d'exécution transcendante, S.139 : Liszt: 12 Etudes d'exécution transcendante, S.139 - No. 10 Allegro agitato molto | Jorge Bolet | — | |
| 73 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 10 in E major | Misha Dichter | — | |
| 74 | Liszt: Spinning Song, S.440 piano transcription from Richard Wagner's "Flying Dutchman" | Jean-Yves Thibaudet | — | |
| 75 | 12 études d'exécution transcendante: XII. Chasse-neige | Alice Sara Ott | — | |
| 76 | Schwanengesang, S. 560 no. 7 "Ständchen" | Vladimir Horowitz | — | |
| 77 | 12 Etudes d'exécution transcendante, S. 139 no. 6 Vision (Lento) | Daniil Trifonov | — | |
| 78 | Concert Paraphrase on Rigoletto, after Verdi's opera, S.434 | Yundi Li | — | |
| 79 | Die Legende von der Heiligen Elisabeth / 5. Elisabeth : Liszt: Die Legende von der Heiligen Elisabeth / 5. Elisabeth - Es beruhigt sich das Toben | Maria Szechowska | — | |
| 80 | Soirées de Vienne, S.427 : Liszt: Soirées de Vienne, S.427 - No. 6 in A Minor (Live) | Wilhelm Backhaus | — | |
| 81 | Liszt: Mosonyis Grabgeleit, S.194 | Alfred Brendel | — | |
| 82 | Tre Sonetti di Petrarca, S. 270 : Liszt: Tre Sonetti di Petrarca, S. 270 - Sonetto No. 104: "Pace non trovo" Agitato assai - Adagio | Daniel Barenboim | — | |
| 83 | Liszt: Vexilla regis prodeunt, S.185 | Alfred Brendel | — | |
| 84 | Années de Pèlerinage, Troisième année, S. 163 no. 6: Marche funèbre: En mémoire de Maximilien I | Zoltán Kocsis | — | |
| 85 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 8 in F sharp minor | Misha Dichter | — | |
| 86 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 6 in D flat major | Misha Dichter | — | |
| 87 | メフィスト・ポルカ : Liszt: Mephisto Polka, S.217 | Святослав Теофилович Рихтер | — | |
| 88 | Années de Pèlerinage, Troisième année, S. 163 no. 1: Angelus! Prière aux anges gardiens | Zoltán Kocsis | — | |
| 89 | Ave Maria arr. Gottschalk/Liszt | Thomas Trotter | T-905.458.833-9 | |
| 90 | Prelude and Fugue on the Name B-A-C-H, S. 260 : Liszt: Prelude and Fugue on the Name B-A-C-H, S. 260 - 2. Fugue | Jeanne Demessieux | T-304.334.102-8 | |
| 91 | Harmonies du soir, S. 139 no. 11 | Nelson Freire | — | |
| 92 | Liszt: Ballade No. 1 | Sophie Cashell | — | |
| 93 | Concert Paraphrase on Rigoletto, S. 434 | Jorge Bolet | — | |
| 94 | 12 Etudes d'exécution transcendante, S.139 : Liszt: 12 Etudes d'exécution transcendante, S.139 - No. 4 Mazeppa (Presto) | Pascal Rogé | — | |
| 95 | Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259 : Liszt: Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259 - 2. Adagio | Jeanne Demessieux | — | |
| 96 | Czardas Macabre, S. 224 | Ingolf Wunder | — | |
| 97 | Tre Sonetti di Petrarca, S. 270 : Liszt: Tre Sonetti di Petrarca, S. 270 - Sonetto No. 123: "I' vidi in terra angelici costumi" Lento placido - Sempre lento - Più l | Daniel Barenboim | — | |
| 98 | Années de pèlerinage: 3ème année, S.163 : Liszt: Années de pèlerinage: 3ème année, S.163 - 5. Sunt lacrimae rerum (En mode hongrois) | Alfred Brendel | — | |
| 99 | 10 Harmonies poétiques et religieuses, S. 173: No. 1. Invocation | Alfred Brendel | — | |
| 100 | 6 Hungarian Rhapsodies, S. 359: No. 3 in D major | Orchester der Wiener Staatsoper, Hermann Scherchen | — | |
| 101 | 12 études d'exécution transcendante: XI. Harmonies du soir | Alice Sara Ott | — | |
| 102 | Deux Légendes: Saint François de Paule marchant sur les flots | Wilhelm Kempff | — | |
| 103 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 13 in A minor | Misha Dichter | T-306.229.946-7 | |
| 104 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 5 in E minor | Misha Dichter | — | |
| 105 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 2 in C sharp minor | Misha Dichter | — | |
| 106 | Liszt: Concert Waltz on two themes from Lucia and Parisina (Donizetti), S401 | Jean-Yves Thibaudet | — | |
| 107 | Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259 : Liszt: Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259 - 3. Allegro deciso - Fuga (Allegretto con moto - ...) | Simon Preston | — | |
| 108 | Berceuse, S. 174 | Sir Clifford Curzon | — | |
| 109 | Polonaise brillante: Introduzione - Tempo di Polacca | Misha Dichter, Philharmonia Orchestra, Neville Marriner | — | |
| 110 | La notte | Krystian Zimerman | — | |
| 111 | 3 Etudes de Concert, S. 144 no. 1 in A-flat "Il lamento" (A capriccio: Allegro cantabile) | Daniil Trifonov | — | |
| 112 | Venezia e Napoli, (rev. version 1859), supplement to "Années de Pelerinage", S.162: III. Tarantella | Yundi Li | — | |
| 113 | Concerto Pathétique for Two Pianos in E minor, S. 258/1: 3. Allegro agitato assai - Andante quasi Marcia funebre - Allegro trionfante | Brenda Lucas, John Ogdon | — | |
| 114 | Liszt: Hungarian Rhapsody No. 7 in D minor, S.244 - Arranged for panflute and orchestra by Tony Britten | Gheorghe Zamfir | — | |
| 115 | Hungarian Rhapsody no. 2 in C sharp minor, S244 | Wiener Philharmoniker, Giuseppe Sinopoli | T-304.255.693-0 | |
| 116 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: 2. Allegro moderato - Allegro deciso - | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | — | |
| 117 | Ave Maria, S. 558 (after Schubert, D. 839) | Benjamin Grosvenor | — | |
| 118 | Consolations, S. 172: No. 3 in D-flat major. Lento, placido (arr. Milstein for Violin and Piano) | Bomsori, Rafał Blechacz | — | |
| 119 | Consolations, S. 172: No. 3. Lento placido | Jorge Bolet | T-306.229.968-3 | |
| 120 | Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | T-902.782.592-9 | |
| 121 | Berceuse, S. 174 | Benjamin Grosvenor | T-306.229.968-3 | |
| 122 | Ave verum corpus, K. 618 (Transcr. Liszt for Solo Piano) | Víkingur Ólafsson | T-323.252.117-0 | |
| 123 | 3 Etudes de Concert, S. 144 no. 3 in D-flat "Un sospiro" (Allegro affettuoso) | Daniil Trifonov | T-306.229.968-3 | |
| 124 | Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto | Daniel Barenboim | — | |
| 125 | Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido | Daniel Barenboim | T-306.229.968-3 | |
| 126 | Grandes Etudes de Paganini, S. 141 no. 3 in G-sharp minor ("La Campanella") | Daniil Trifonov | — | |
| 127 | Hungarian Rhapsody in C-sharp minor, S. 244 no. 2 | Roberto Szidon | — | |
| 128 | Grandes Etudes de Paganini: No. 3 in G sharp minor "La Campanella", S.141 | Yundi Li | T-060.294.330-5 | |
| 129 | Hungarian Rhapsody no. 2 in C-sharp minor | Lang Lang | — | |
| 130 | Consolations, S. 172 : Liszt: Consolations, S. 172 - No. 3 in D-Flat Major. Lento placido | Jean-Yves Thibaudet | T-306.229.968-3 | |
| 131 | En rêve - Nocturne, S. 207 | Benjamin Grosvenor | — | |
| 132 | Ellens Gesang III (Ave Maria), S. 558 no. 12 (after Schubert’s D. 839) | Valentina Lisitsa | — | |
| 133 | 4 Lieder: Gretchen am Spinnrade, D. 118 (trans. Liszt) | Yevgeny Kissin | T-920.299.614-3 | |
| 134 | Toccata S. 197a | Gianluca Cascioli | — | |
| 135 | Grandes Etudes de Paganini, S. 141 no. 1 in G minor | Daniil Trifonov | — | |
| 136 | Erlkönig, S. 558 no. 4 (after Schubert’s D. 328) | Valentina Lisitsa | — | |
| 137 | Unstern! Sinistre, S. 208 | Pierre-Laurent Aimard | — | |
| 138 | Années de pèlerinage : Première année : Suisse, S.160, No. 4 : Au bord d'une source | Lazar Berman | — | |
| 139 | Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo | Martha Argerich | — | |
| 140 | Nuages gris, S.199 | Krystian Zimerman | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161) : Liszt: Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161) - 2. Canzone | Benjamin Grosvenor | — |
| Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
602448700605 is a Universal Product Code (UPC) assigned to An Evening of Classical: Liszt by Franz Liszt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 139 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
602448700605 is the Universal Product Code (UPC barcode) for the release “An Evening of Classical: Liszt” by Franz Liszt, released 2023-02-02. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 139 tracks, each with its own ISRC. Tracks include GBBBA1100272, DEF059304794, NLA508532412.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Consolations, S. 172 no. 2: Poco più mosso | Nelson Freire | — | |
| 2 | Grand Duo concertant, S. 128: Variation II | Gidon Kremer, Oleg Maisenberg | — | |
| 3 | Hungarian Rhapsodies, S. 244: No. 18 in F-sharp minor | Misha Dichter | — | |
| 4 | Grand Duo concertant, S. 128: Lento assai - Animato, quasi Allegro | Gidon Kremer, Oleg Maisenberg | — | |
| 5 | 12 Etudes d'exécution transcendante, S. 139 no. 2 Molto vivace | Daniil Trifonov | — | |
| 6 | Lohengrins Verweis aus Wagners "Lohengrin", S. 446 | Jean-Yves Thibaudet | — | |
| 7 | Harmonies poétiques et religieuses, S. 173: No. 3. Bénédiction de Dieu dans la solitude: Andante | Claudio Arrau | T-106.677.158-0 | |
| 8 | Grand Duo concertant, S. 128: Andantino | Gidon Kremer, Oleg Maisenberg | — | |
| 9 | Piano Sonata in B minor, S. 178: c. Grandioso | Seong-Jin Cho | — | |
| 10 | Schwanengesang, S.560 - piano transcriptions after Schubert : Liszt: Schwanengesang, S.560 - piano transcriptions after Schubert - No.1 Liebesbotschaft | Misha Dichter | T-329.530.213-1 | |
| 11 | Grand Duo concertant, S. 128: Finale. Animato marziale | Oleg Maisenberg, Gidon Kremer | — | |
| 12 | Consolations, S. 172 no. 4: Quasi adagio | Nelson Freire | — | |
| 13 | 12 Etudes d'exécution transcendante, S. 139 no. 5 Feux follets (Allegretto) | Daniil Trifonov | T-924.490.462-9 | |
| 14 | Consolations, S. 172 no. 6: Allegretto sempre cantabile | Nelson Freire | — | |
| 15 | 5 Kleine Klavierstücke, S.192 : Liszt: 5 Kleine Klavierstücke, S.192 - No. 3 in F sharp, Andantino | Alfred Brendel | T-918.063.801-1 | |
| 16 | Liszt: Schlaflos! Frage und Antwort, S.203 | Alfred Brendel | — | |
| 17 | Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto | Daniel Barenboim | — | |
| 18 | Piano Concerto No. 2 in A Major, S. 125 : Liszt: Piano Concerto No. 2 in A Major, S. 125 - 2. Allegro agitato assai | Földes Andor | — | |
| 19 | Années de pèlerinage, Première année: Suisse, S. 160 no. 3: Pastorale | Alfred Brendel | — | |
| 20 | 12 études d'exécution transcendante: I. Preludio | Alice Sara Ott | T-312.527.003-9 | |
| 22 | Das Wandern, S. 565 no. 1 | Jorge Bolet | T-902.873.310-0 | |
| 23 | Piano Concerto No. 2 in A Major, S. 125 : Liszt: Piano Concerto No. 2 in A Major, S. 125 - IV. Allegro animato | Святослав Теофилович Рихтер | — | |
| 24 | 2 Etudes de Concert, S. 145: no. 1 Waldesrauschen | Géza Anda | — | |
| 25 | Impromptu ("Nocturne"), 1872 | Vladimir Ashkenazy | — | |
| 26 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 17 in D minor | Misha Dichter | — | |
| 27 | Années de pèlerinage: 1e année: Suisse, S.160 : Liszt: Années de pèlerinage: 1e année: Suisse, S.160 - 4. Au bord d'une source | Misha Dichter | — | |
| 28 | Piano Concerto No. 2 in A Major, S. 125 : Liszt: Piano Concerto No. 2 in A Major, S. 125 - 5. Marziale un poco meno Allegro | Földes Andor | — | |
| 29 | Weihnachtsbaum Suite, S.186 : Liszt: Weihnachtsbaum Suite, S.186 - 7. Schlummerlied | Alfred Brendel | — | |
| 30 | Grand Duo concertant, S. 128: Variation III. Allegretto pastorale | Gidon Kremer, Oleg Maisenberg | — | |
| 31 | 6 Etudes d'exécution transcendante d'après Paganini, S. 140: 2. Andantino capriccioso | Nikita Magaloff | — | |
| 32 | Wohin?, S. 545 no. 5 | Jorge Bolet | — | |
| 33 | Liszt: Unstern! -Sinistre, S208 | Alfred Brendel | T-801.746.807-5 | |
| 34 | Piano Concerto No. 1 in E-Flat Major, S. 124 : Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124 - IIb. Allegretto vivace - Allegro animato | Святослав Теофилович Рихтер | — | |
| 35 | Années de pèlerinage, Première année: Suisse, S. 160 no. 5: Orage | Alfred Brendel | — | |
| 36 | Piano Concerto No. 1 in E-Flat Major, S. 124 : Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124 - IV. Allegro marziale animato - Presto | Dame Moura Lympany | — | |
| 37 | Liszt: Mephisto Waltz No. 1, S.514 (Edit) | Vladimir Ashkenazy | — | |
| 38 | Franz Liszt - La Lugubre Gondola I | Maurizio Pollini | — | |
| 39 | Weihnachtsbaum Suite, S.186 - Transcription by Vladimir Horowitz : Liszt: Weihnachtsbaum Suite, S.186 - Transcription by Vladimir Horowitz - 10. Ehemals | Vladimir Horowitz | — | |
| 40 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato – Presto | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 41 | Weihnachtsbaum Suite, S.186 : Liszt: Weihnachtsbaum Suite, S.186 - 6. Glockenspiel | Alfred Brendel | — | |
| 42 | 12 Etudes d'exécution transcendante, S.139 : Liszt: 12 Etudes d'exécution transcendante, S.139 - No. 3 Paysage (Poco adagio) | Claudio Arrau | — | |
| 43 | Consolation no. 3 in D-flat major: Lento placido | Vladimir Horowitz | T-306.229.968-3 | |
| 44 | Liszt: Rhapsodie espagnole, S. 254 | Walter Rehberg | — | |
| 45 | Liebesträume no. 2 in E-flat major, S. 541 no. 2: "Seliger Tod" | Jorge Bolet | T-329.516.968-1 | |
| 46 | 3 Etudes de Concert, S.144 : Liszt: 3 Etudes de Concert, S.144 - No. 3 in D Flat "Un sospiro" | Святослав Теофилович Рихтер | T-306.229.968-3 | |
| 47 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: 3. Marziale un poco meno allegro - | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | — | |
| 48 | 12 Etudes d'exécution transcendante, S. 139 no. 7 Eroica (Allegro) | Daniil Trifonov | — | |
| 49 | Liszt: Grand Galop Chromatique, S.219 | Jorge Bolet | — | |
| 50 | 6 Etudes d'exécution transcendante d'après Paganini, S. 140: 1. Trémolo | Nikita Magaloff | — | |
| 51 | Piano Concerto No. 2 in A Major, S. 125 : Liszt: Piano Concerto No. 2 in A Major, S. 125 - 1. Adagio sostenuto assai | Földes Andor | — | |
| 52 | 3 Etudes de Concert, S. 144 no. 2 in F minor "La leggierezza" (A capriccio: Quasi allegretto) | Daniil Trifonov | — | |
| 53 | Hungarian Coronation Mass, S.11 : Liszt: Hungarian Coronation Mass, S.11 - 5. Offertorium | Hungarian State Orchestra | — | |
| 54 | Tre Sonetti di Petrarca, S. 270 : Liszt: Tre Sonetti di Petrarca, S. 270 - Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo se | Daniel Barenboim | — | |
| 55 | O lieb, so lang du lieben kannst, S. 298: Liebestraum no. 3 | Anatol Ugorski | T-914.290.242-9 | |
| 56 | Piano Concerto No. 1 in E-Flat Major, S. 124 : Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124 - IIa. Quasi adagio | Святослав Теофилович Рихтер | — | |
| 57 | Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161) : Liszt: Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161) - 1. Gondoliera | Jorge Bolet | — | |
| 58 | Concerto Pathétique for Two Pianos in E minor, S. 258/1: 2. Andante sostenuto | Brenda Lucas, John Ogdon | — | |
| 59 | Piano Concerto No. 1 in E-Flat Major, S. 124 : Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124 - I. Allegro maestoso | Святослав Теофилович Рихтер | — | |
| 60 | Liebestraum no. 3 in A-flat, S. 541 no. 3 | Jorge Bolet | — | |
| 61 | 6 Etudes d'exécution transcendante d'après Paganini, S. 140: 6. Thème et variations | Nikita Magaloff | — | |
| 62 | Années de pèlerinage, Deuxième année: Italie, S. 161 no. 4: Sonetto 47 del Petrarca | Alfred Brendel | — | |
| 63 | Die Legende von der Heiligen Elisabeth / 4. Landgräfin Sophie : Liszt: Die Legende von der Heiligen Elisabeth / 4. Landgräfin Sophie - Die Pforte schloß sich hinter ihr - Es wächst der Sturm | Istvan Berczelly | — | |
| 64 | Soirées de Vienne, S.427 : Liszt: Soirées de Vienne, S.427 - 7. Allegro spiritoso | Földes Andor | — | |
| 65 | Liszt: Valse oubliée No. 2 in A flat, S.215 | Misha Dichter | — | |
| 66 | Liszt: Rakoczy March, S117 | Süddeutsche Philharmonie | T-905.659.852-8 | |
| 67 | Années de Pèlerinage, Troisième année, S. 163 no. 2: Aux cyprès de la Villa d'Este, no. 1: Thrénodie | Zoltán Kocsis | — | |
| 68 | Lob der Tränen S. 557 | Jorge Bolet | — | |
| 69 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 15 in A minor | Misha Dichter | — | |
| 70 | Années de pèlerinage: Deuxième année "Italie": V. Sonetto 104 del Petrarca: Agitato assai - Adagio | Vladimir Horowitz | — | |
| 71 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 7 in D minor | Misha Dichter | — | |
| 72 | 12 Etudes d'exécution transcendante, S.139 : Liszt: 12 Etudes d'exécution transcendante, S.139 - No. 10 Allegro agitato molto | Jorge Bolet | — | |
| 73 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 10 in E major | Misha Dichter | — | |
| 74 | Liszt: Spinning Song, S.440 piano transcription from Richard Wagner's "Flying Dutchman" | Jean-Yves Thibaudet | — | |
| 75 | 12 études d'exécution transcendante: XII. Chasse-neige | Alice Sara Ott | — | |
| 76 | Schwanengesang, S. 560 no. 7 "Ständchen" | Vladimir Horowitz | — | |
| 77 | 12 Etudes d'exécution transcendante, S. 139 no. 6 Vision (Lento) | Daniil Trifonov | — | |
| 78 | Concert Paraphrase on Rigoletto, after Verdi's opera, S.434 | Yundi Li | — | |
| 79 | Die Legende von der Heiligen Elisabeth / 5. Elisabeth : Liszt: Die Legende von der Heiligen Elisabeth / 5. Elisabeth - Es beruhigt sich das Toben | Maria Szechowska | — | |
| 80 | Soirées de Vienne, S.427 : Liszt: Soirées de Vienne, S.427 - No. 6 in A Minor (Live) | Wilhelm Backhaus | — | |
| 81 | Liszt: Mosonyis Grabgeleit, S.194 | Alfred Brendel | — | |
| 82 | Tre Sonetti di Petrarca, S. 270 : Liszt: Tre Sonetti di Petrarca, S. 270 - Sonetto No. 104: "Pace non trovo" Agitato assai - Adagio | Daniel Barenboim | — | |
| 83 | Liszt: Vexilla regis prodeunt, S.185 | Alfred Brendel | — | |
| 84 | Années de Pèlerinage, Troisième année, S. 163 no. 6: Marche funèbre: En mémoire de Maximilien I | Zoltán Kocsis | — | |
| 85 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 8 in F sharp minor | Misha Dichter | — | |
| 86 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 6 in D flat major | Misha Dichter | — | |
| 87 | メフィスト・ポルカ : Liszt: Mephisto Polka, S.217 | Святослав Теофилович Рихтер | — | |
| 88 | Années de Pèlerinage, Troisième année, S. 163 no. 1: Angelus! Prière aux anges gardiens | Zoltán Kocsis | — | |
| 89 | Ave Maria arr. Gottschalk/Liszt | Thomas Trotter | T-905.458.833-9 | |
| 90 | Prelude and Fugue on the Name B-A-C-H, S. 260 : Liszt: Prelude and Fugue on the Name B-A-C-H, S. 260 - 2. Fugue | Jeanne Demessieux | T-304.334.102-8 | |
| 91 | Harmonies du soir, S. 139 no. 11 | Nelson Freire | — | |
| 92 | Liszt: Ballade No. 1 | Sophie Cashell | — | |
| 93 | Concert Paraphrase on Rigoletto, S. 434 | Jorge Bolet | — | |
| 94 | 12 Etudes d'exécution transcendante, S.139 : Liszt: 12 Etudes d'exécution transcendante, S.139 - No. 4 Mazeppa (Presto) | Pascal Rogé | — | |
| 95 | Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259 : Liszt: Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259 - 2. Adagio | Jeanne Demessieux | — | |
| 96 | Czardas Macabre, S. 224 | Ingolf Wunder | — | |
| 97 | Tre Sonetti di Petrarca, S. 270 : Liszt: Tre Sonetti di Petrarca, S. 270 - Sonetto No. 123: "I' vidi in terra angelici costumi" Lento placido - Sempre lento - Più l | Daniel Barenboim | — | |
| 98 | Années de pèlerinage: 3ème année, S.163 : Liszt: Années de pèlerinage: 3ème année, S.163 - 5. Sunt lacrimae rerum (En mode hongrois) | Alfred Brendel | — | |
| 99 | 10 Harmonies poétiques et religieuses, S. 173: No. 1. Invocation | Alfred Brendel | — | |
| 100 | 6 Hungarian Rhapsodies, S. 359: No. 3 in D major | Orchester der Wiener Staatsoper, Hermann Scherchen | — | |
| 101 | 12 études d'exécution transcendante: XI. Harmonies du soir | Alice Sara Ott | — | |
| 102 | Deux Légendes: Saint François de Paule marchant sur les flots | Wilhelm Kempff | — | |
| 103 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 13 in A minor | Misha Dichter | T-306.229.946-7 | |
| 104 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 5 in E minor | Misha Dichter | — | |
| 105 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 2 in C sharp minor | Misha Dichter | — | |
| 106 | Liszt: Concert Waltz on two themes from Lucia and Parisina (Donizetti), S401 | Jean-Yves Thibaudet | — | |
| 107 | Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259 : Liszt: Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259 - 3. Allegro deciso - Fuga (Allegretto con moto - ...) | Simon Preston | — | |
| 108 | Berceuse, S. 174 | Sir Clifford Curzon | — | |
| 109 | Polonaise brillante: Introduzione - Tempo di Polacca | Misha Dichter, Philharmonia Orchestra, Neville Marriner | — | |
| 110 | La notte | Krystian Zimerman | — | |
| 111 | 3 Etudes de Concert, S. 144 no. 1 in A-flat "Il lamento" (A capriccio: Allegro cantabile) | Daniil Trifonov | — | |
| 112 | Venezia e Napoli, (rev. version 1859), supplement to "Années de Pelerinage", S.162: III. Tarantella | Yundi Li | — | |
| 113 | Concerto Pathétique for Two Pianos in E minor, S. 258/1: 3. Allegro agitato assai - Andante quasi Marcia funebre - Allegro trionfante | Brenda Lucas, John Ogdon | — | |
| 114 | Liszt: Hungarian Rhapsody No. 7 in D minor, S.244 - Arranged for panflute and orchestra by Tony Britten | Gheorghe Zamfir | — | |
| 115 | Hungarian Rhapsody no. 2 in C sharp minor, S244 | Wiener Philharmoniker, Giuseppe Sinopoli | T-304.255.693-0 | |
| 116 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: 2. Allegro moderato - Allegro deciso - | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | — | |
| 117 | Ave Maria, S. 558 (after Schubert, D. 839) | Benjamin Grosvenor | — | |
| 118 | Consolations, S. 172: No. 3 in D-flat major. Lento, placido (arr. Milstein for Violin and Piano) | Bomsori, Rafał Blechacz | — | |
| 119 | Consolations, S. 172: No. 3. Lento placido | Jorge Bolet | T-306.229.968-3 | |
| 120 | Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | T-902.782.592-9 | |
| 121 | Berceuse, S. 174 | Benjamin Grosvenor | T-306.229.968-3 | |
| 122 | Ave verum corpus, K. 618 (Transcr. Liszt for Solo Piano) | Víkingur Ólafsson | T-323.252.117-0 | |
| 123 | 3 Etudes de Concert, S. 144 no. 3 in D-flat "Un sospiro" (Allegro affettuoso) | Daniil Trifonov | T-306.229.968-3 | |
| 124 | Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto | Daniel Barenboim | — | |
| 125 | Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido | Daniel Barenboim | T-306.229.968-3 | |
| 126 | Grandes Etudes de Paganini, S. 141 no. 3 in G-sharp minor ("La Campanella") | Daniil Trifonov | — | |
| 127 | Hungarian Rhapsody in C-sharp minor, S. 244 no. 2 | Roberto Szidon | — | |
| 128 | Grandes Etudes de Paganini: No. 3 in G sharp minor "La Campanella", S.141 | Yundi Li | T-060.294.330-5 | |
| 129 | Hungarian Rhapsody no. 2 in C-sharp minor | Lang Lang | — | |
| 130 | Consolations, S. 172 : Liszt: Consolations, S. 172 - No. 3 in D-Flat Major. Lento placido | Jean-Yves Thibaudet | T-306.229.968-3 | |
| 131 | En rêve - Nocturne, S. 207 | Benjamin Grosvenor | — | |
| 132 | Ellens Gesang III (Ave Maria), S. 558 no. 12 (after Schubert’s D. 839) | Valentina Lisitsa | — | |
| 133 | 4 Lieder: Gretchen am Spinnrade, D. 118 (trans. Liszt) | Yevgeny Kissin | T-920.299.614-3 | |
| 134 | Toccata S. 197a | Gianluca Cascioli | — | |
| 135 | Grandes Etudes de Paganini, S. 141 no. 1 in G minor | Daniil Trifonov | — | |
| 136 | Erlkönig, S. 558 no. 4 (after Schubert’s D. 328) | Valentina Lisitsa | — | |
| 137 | Unstern! Sinistre, S. 208 | Pierre-Laurent Aimard | — | |
| 138 | Années de pèlerinage : Première année : Suisse, S.160, No. 4 : Au bord d'une source | Lazar Berman | — | |
| 139 | Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo | Martha Argerich | — | |
| 140 | Nuages gris, S.199 | Krystian Zimerman | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161) : Liszt: Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161) - 2. Canzone | Benjamin Grosvenor | — |
| Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | — |
