UPC · Release
Gilded Goldbergs
Robin Holloway, The Micallef-Inanga Piano Duo
602458138924
33 tracks
Last verified:
602458138924 is the Universal Product Code (UPC barcode) for the release “Gilded Goldbergs” by Robin Holloway, The Micallef-Inanga Piano Duo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include GBAJY0236001, GBAJY0236002, GBAJY0236003.
Format
6Number system
02458Manufacturer
13892Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCGilded Goldbergs
ISRC33 recordings
Track List (33)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gilded Goldbergs, Part I, First Set: Aria: G major | The Micallef-Inanga Piano Duo | — | |
| 2 | Gilded Goldbergs, Part I, First Set: Variation 1: expanding the theme: G | The Micallef-Inanga Piano Duo | — | |
| 3 | Gilded Goldbergs, Part I, First Set: Variation 2: simple tonal cubism: G-D | The Micallef-Inanga Piano Duo | — | |
| 4 | Gilded Goldbergs, Part I, First Set: Variation 3: canon at the unison: G | The Micallef-Inanga Piano Duo | — | |
| 5 | Gilded Goldbergs, Part I, First Set: Variation 4: simply through some keys: G-G | The Micallef-Inanga Piano Duo | — | |
| 6 | Gilded Goldbergs, Part I, Second Set: Variation 5: vivace à la Scarlatti: C | The Micallef-Inanga Piano Duo | — | |
| 7 | Gilded Goldbergs, Part I, Second Set: Variation 6: canon at the second: C-A-flat | The Micallef-Inanga Piano Duo | — | |
| 8 | Gilded Goldbergs, Part I, Second Set: Variation 7: gigue in antiphony: A-flat/C | The Micallef-Inanga Piano Duo | — | |
| 9 | Gilded Goldbergs, Part I, Second Set: Variation 8: enhanced replay of Variation 1: G | The Micallef-Inanga Piano Duo | — | |
| 10 | Gilded Goldbergs, Part I, Second Set: Variation 9: canon at the third: homage to Granger: E-flat | The Micallef-Inanga Piano Duo | — | |
| 11 | Gilded Goldbergs, Part I, Second Set: Variation 10: 'robust and a bit gormless' (wrong-note music): B | The Micallef-Inanga Piano Duo | — | |
| 12 | Gilded Goldbergs, Part I, Second Set: Variation 11: dreaming: homage to Schubert and Brahms: G | The Micallef-Inanga Piano Duo | — | |
| 13 | Gilded Goldbergs, Part I, Third Set: Variation 12: canon at the fourth: E | The Micallef-Inanga Piano Duo | — | |
| 14 | Gilded Goldbergs, Part I, Third Set: Variation 13: Cantilena I: double variation with homage to Dowland: G/E-flat minor | The Micallef-Inanga Piano Duo | — | |
| 15 | Gilded Goldbergs, Part I, Third Set: Variation 14: energico: A-flat minor | The Micallef-Inanga Piano Duo | — | |
| 16 | Gilded Goldbergs, Part I, Third Set: Variation 15: canon at the fifth: G minor | The Micallef-Inanga Piano Duo | — | |
| 2-1 | Gilded Goldbergs, Part II, Fourth Set: Variation 16: French Overture and homage to Nancarrow: G sharp minor | The Micallef-Inanga Piano Duo | — | |
| 2-2 | Gilded Goldbergs, Part II, Fourth Set: Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor doïna – homage to Enescu – linking to | The Micallef-Inanga Piano Duo | — | |
| 2-3 | Gilded Goldbergs, Part II, Fourth Set: Variation 18: canon in sixths: D-flat | The Micallef-Inanga Piano Duo | — | |
| 2-4 | Gilded Goldbergs, Part II, Fourth Set: Variation 19: Ländler and trio (brief history of Austro-German music in triple time): B-flat | The Micallef-Inanga Piano Duo | — | |
| 2-5 | Gilded Goldbergs, Part II, Fourth Set: Variation 20: vivace con brio: D | The Micallef-Inanga Piano Duo | — | |
| 2-6 | Gilded Goldbergs, Part II, Fourth Set: Variation 21: canon at the seventh: G minor | The Micallef-Inanga Piano Duo | — | |
| 2-7 | Gilded Goldbergs, Part II, Fourth Set: Variation 22: churchy counterpoint in antiphony: A-flat | The Micallef-Inanga Piano Duo | — | |
| 2-8 | Gilded Goldbergs, Part II, Fourth Set: Variation 23: diatonic scrunches (homage to Tippett): F | The Micallef-Inanga Piano Duo | — | |
| 2-9 | Gilded Goldbergs, Part II, Fifth Set: Variation 24: canon at the octave: complex journey through some keys: G/G minor-B-flat | The Micallef-Inanga Piano Duo | — | |
| 2-10 | Gilded Goldbergs, Part II, Fifth Set: Variation 25: Cantilena II: G minor | The Micallef-Inanga Piano Duo | — | |
| 2-11 | Gilded Goldbergs, Part II, Fifth Set: Variation 26a: Sarabande: G | The Micallef-Inanga Piano Duo | — | |
| 2-12 | Gilded Goldbergs, Part II, Fifth Set: Variation 27: 'Trio' – canon at the ninth: F | The Micallef-Inanga Piano Duo | — | |
| 2-13 | Gilded Goldbergs, Part II, Fifth Set: Variation 26b: Sarabande resumed: A major/A minor, Rückblick – homage to Schumann – linking to | The Micallef-Inanga Piano Duo | — | |
| 2-14 | Gilded Goldbergs, Part II, Fifth Set: Variation 28: 'Summer afternoon' – hazy trills and tremolos: G | The Micallef-Inanga Piano Duo | — | |
| 2-15 | Gilded Goldbergs, Part II, Fifth Set: Variation 29: Toccata with clusters: F-sharp | The Micallef-Inanga Piano Duo | — | |
| 2-16 | Gilded Goldbergs, Part II, Fifth Set: Variation 30: Quodlibet: traversing all twelve keys, ending D | The Micallef-Inanga Piano Duo | — | |
| 2-17 | Gilded Goldbergs, Part II, Fifth Set: Aria da capo: G | The Micallef-Inanga Piano Duo | — |
Gilded Goldbergs, Part I, First Set: Aria: G major
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, First Set: Variation 1: expanding the theme: G
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, First Set: Variation 2: simple tonal cubism: G-D
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, First Set: Variation 3: canon at the unison: G
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, First Set: Variation 4: simply through some keys: G-G
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, Second Set: Variation 5: vivace à la Scarlatti: C
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, Second Set: Variation 6: canon at the second: C-A-flat
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, Second Set: Variation 7: gigue in antiphony: A-flat/C
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, Second Set: Variation 8: enhanced replay of Variation 1: G
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, Second Set: Variation 9: canon at the third: homage to Granger: E-flat
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, Second Set: Variation 10: 'robust and a bit gormless' (wrong-note music): B
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, Second Set: Variation 11: dreaming: homage to Schubert and Brahms: G
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, Third Set: Variation 12: canon at the fourth: E
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, Third Set: Variation 13: Cantilena I: double variation with homage to Dowland: G/E-flat minor
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, Third Set: Variation 14: energico: A-flat minor
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part I, Third Set: Variation 15: canon at the fifth: G minor
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fourth Set: Variation 16: French Overture and homage to Nancarrow: G sharp minor
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fourth Set: Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor doïna – homage to Enescu – linking to
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fourth Set: Variation 18: canon in sixths: D-flat
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fourth Set: Variation 19: Ländler and trio (brief history of Austro-German music in triple time): B-flat
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fourth Set: Variation 20: vivace con brio: D
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fourth Set: Variation 21: canon at the seventh: G minor
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fourth Set: Variation 22: churchy counterpoint in antiphony: A-flat
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fourth Set: Variation 23: diatonic scrunches (homage to Tippett): F
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fifth Set: Variation 24: canon at the octave: complex journey through some keys: G/G minor-B-flat
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fifth Set: Variation 25: Cantilena II: G minor
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fifth Set: Variation 26a: Sarabande: G
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fifth Set: Variation 27: 'Trio' – canon at the ninth: F
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fifth Set: Variation 26b: Sarabande resumed: A major/A minor, Rückblick – homage to Schumann – linking to
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fifth Set: Variation 28: 'Summer afternoon' – hazy trills and tremolos: G
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fifth Set: Variation 29: Toccata with clusters: F-sharp
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fifth Set: Variation 30: Quodlibet: traversing all twelve keys, ending D
The Micallef-Inanga Piano Duo
—
Gilded Goldbergs, Part II, Fifth Set: Aria da capo: G
The Micallef-Inanga Piano Duo
—
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What is UPC 602458138924?
602458138924 is a Universal Product Code (UPC) assigned to Gilded Goldbergs by Robin Holloway, The Micallef-Inanga Piano Duo. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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