UPC · Release
Hip Hop II: The Collection
Various Artists
Last verified:
602498006023 is the Universal Product Code (UPC barcode) for the release “Hip Hop II: The Collection” by Various Artists, released 2004-01-01 on Universal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include USIR10311895, USIR10300033, USEE10240729.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Shut Up | The Black Eyed Peas | T-071.826.410-8 | |
| 2 | In da Club | 50 Cent | T-071.884.417-7 | |
| 3 | Work It | Missy Elliott | T-071.911.740-4 | |
| 4 | Stand Up | Ludacris, Shawnna | T-071.906.145-6 | |
| 5 | X GON' GIVE IT TO YA | DMX, DMX,DMX,DMX, DMX, EARL SIMMONS, SHATEK KING, KASSEEM DEAN, DMX, SHATEK KING, SISQÓ, UNKNOWN ARTIST, VARIOUS ARTIST, VARIOUS ARTISTS | T-071.772.321-1 | |
| 6 | Got Some Teeth | Obie Trice | T-072.124.792-2 | |
| 8 | Who's That Girl | — | ||
| 9 | Girls, Girls, Girls | — | ||
| 10 | Stunt 101 | — | ||
| 11 | Pump It Up | Joe Budden | T-072.280.152-6 | |
| 12 | It Wasn’t Me | Shaggy | T-071.720.197-2 | |
| 13 | Hey Ma | Cam’ron, Juelz Santana | T-072.510.724-3 | |
| 14 | Livin' It Up | — | ||
| 15 | Never Leave You (Uh Ooh, Uh Ooh!) | — | ||
| 16 | Ride Wit Me | Nelly, City Spud | T-903.278.980-3 | |
| 18 | Rock Wit U (Awww Baby) | — | ||
| 20 | Be Faithful | Fatman Scoop, Crooklyn Clan | T-905.318.192-3 | |
| 2-1 | Still D.R.E. | — | ||
| 2-2 | Hypnotize | The Notorious B.I.G. | T-070.898.802-6 | |
| 2-3 | Rumble in the Jungle | — | ||
| 2-4 | This DJ | — | ||
| 2-5 | Gangsta’s Paradise | Coolio, L.V. | T-071.182.833-9 | |
| 2-6 | I Ain’t Mad at Cha | 2Pac, Danny Boy | T-070.086.564-0 | |
| 2-7 | I Ain't Going Out Like That | — | ||
| 2-8 | It’s Like That | Run-D.M.C., Jason Nevins | T-070.083.066-5 | |
| 2-9 | Mama Said Knock You Out | LL Cool J | T-071.849.801-1 | |
| 2-10 | White Lines (Don’t Do It) | Grandmaster & Melle Mel | T-070.247.960-4 | |
| 2-11 | Express Yourself | — | ||
| 2-12 | Buffalo Stance | — | ||
| 2-13 | Brass Monkey | Beastie Boys | T-070.016.908-9 | |
| 2-14 | Wild Thing | — | ||
| 2-15 | This Is How We Do It | Montell Jordan | T-918.739.186-2 | |
| 2-16 | The Crossroads | — | ||
| 2-17 | People Everyday (Metamorphosis mix) | Arrested Development | T-911.264.593-9 | |
| 2-18 | Know How | — | ||
| 2-19 | Fight the Power | Public Enemy | T-070.234.021-3 |
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I’m Real (Murder remix) | Jennifer Lopez, Ja Rule | T-071.398.398-2 |
| People Everyday | Arrested Development | T-070.233.932-9 |
| X GON' GIVE IT TO YA (INT'L BONUS TRACK) | DMX | T-071.772.321-1 |
| Gangsta’s Paradise (amended LP version) | Coolio, L.V. | T-071.182.833-9 |
| RIDE WIT ME - CLEAN EDIT | NELLY, FX SHORT | T-914.877.644-7 |
What other identifiers does this connect to?
Musical Works (ISWC)
+39 more
Songwriters/Publishers (IPI)
+30 more
Creative Contributors (ISNI)
+40 more
Identifier Graph
People also ask
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What is UPC 602498006023?
602498006023 is a Universal Product Code (UPC) assigned to Hip Hop II: The Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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