UPC · Release
100 Tubes pour danser les années 60
Various Artists
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602498137949 is the Universal Product Code (UPC barcode) for the release “100 Tubes pour danser les années 60” by Various Artists, released 2003-01-01 on Universal Catalogue. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include FRZ196600150, ES5709651260, FRX086090025.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rock Around the Clock | — | ||
| 2 | Elle est terrible | — | ||
| 3 | Les Élucubrations d’Antoine | Antoine | T-003.008.939-4 | |
| 4 | You Never Can Tell | Chuck Berry | T-070.940.913-1 | |
| 5 | Ces bottes sont faites pour marcher | Eileen | T-001.513.924-8 | |
| 6 | Aussi dur que du bois | Johnny Hallyday | T-070.241.510-8 | |
| 7 | À présent tu peux t’en aller | Les Surfs | T-010.434.463-9 | |
| 8 | It’s My Party | Lesley Gore | T-070.079.069-7 | |
| 9 | Tu parles trop | Les Chaussettes Noires | T-071.017.500-0 | |
| 10 | Il a le truc | Les Gam's | T-314.432.883-2 | |
| 11 | L’Appareil à sous | Brigitte Bardot | T-003.005.574-3 | |
| 12 | Teenie Weenie Boppie | France Gall | T-003.017.085-4 | |
| 13 | Toujours un coin qui me rappelle | Eddy Mitchell | T-070.002.655-6 | |
| 14 | Qui est « in » qui est « out » | Serge Gainsbourg | T-003.015.054-9 | |
| 15 | L’Oiseau de nuit | Michel Polnareff | T-900.907.598-3 | |
| 16 | Harley Davidson | Brigitte Bardot | — | |
| 17 | D’accord, d’accord | Danyel Gérard | — | |
| 18 | Kilimandjaro | Pascal Danel | T-003.011.333-7 | |
| 19 | Hip hip hip hurrah | Claude François | — | |
| 20 | Rain And Tears | Demis Roussos | T-031.778.333-7 | |
| 2-1 | Les Cactus | Jacques Dutronc | T-003.129.438-8 | |
| 2-2 | Les Marionnettes | Christophe | T-003.011.979-9 | |
| 2-3 | Viens danser le twist | Johnny Hallyday | T-314.435.307-7 | |
| 2-4 | La Leçon de twist | Les Chaussettes Noires | T-900.306.074-0 | |
| 2-5 | Le Petit Gonzales | Danyel Gérard | T-802.620.845-8 | |
| 2-6 | Panne d’essence | Sylvie Vartan, Frankie Jordan | — | |
| 2-7 | Wooly Bully | — | ||
| 2-8 | Marche tout droit | Claude François | — | |
| 2-9 | Daniela | Les Chaussettes Noires | T-003.008.131-2 | |
| 2-10 | Scandale dans la famille | — | ||
| 2-11 | Ma biche | Frank Alamo | — | |
| 2-12 | Un verre de whisky | Monty | — | |
| 2-13 | Great Balls of Fire | — | ||
| 2-14 | Cheveux longs et idées courtes | Johnny Hallyday | T-003.007.351-8 | |
| 2-15 | Le Roi des fourmis | Michel Polnareff | T-900.907.635-1 | |
| 2-16 | Je veux être noir | Nino Ferrer | T-003.011.161-5 | |
| 2-17 | Tu veux ou tu veux pas ? | Brigitte Bardot | T-039.252.634-9 | |
| 2-18 | Les Petits Boudins | Dominique Walter | T-003.013.879-4 | |
| 2-19 | 7 heures du matin | Jacqueline Taïeb | T-003.148.491-9 | |
| 2-20 | Psyche‐rock | — | ||
| 3-1 | Belles ! Belles ! Belles ! | Claude François | T-314.435.920-2 | |
| 3-2 | Ça pourrait changer | Brigitte Bardot | — | |
| 3-3 | Le Téléfon | Nino Ferrer | T-003.017.091-2 | |
| 3-4 | Noir c’est noir | Johnny Hallyday | — | |
| 3-5 | La Madrague | Brigitte Bardot | T-003.011.675-6 | |
| 3-6 | La Plus Belle pour aller danser | Sylvie Vartan | T-050.395.192-5 | |
| 3-7 | Bébé requin | France Gall | T-003.006.125-6 | |
| 3-8 | Comment te dire adieu | Françoise Hardy | T-313.534.812-4 | |
| 3-9 | Ces mots stupides | — | ||
| 3-10 | Tous les bateaux, tous les oiseaux | Michel Polnareff | T-003.017.412-9 | |
| 3-11 | Et s’il n’en reste qu’un | Eddy Mitchell | T-003.009.270-6 | |
| 3-12 | Le Chef de la bande | Frank Alamo | T-070.241.600-9 | |
| 3-13 | My Boy Lollipop | Millie | T-071.001.066-4 | |
| 3-14 | Chante | Ronnie Bird | — | |
| 3-15 | Le Pénitencier | Johnny Hallyday | T-900.760.226-8 | |
| 3-16 | Alice | Eddy Mitchell | T-003.005.264-2 | |
| 3-17 | Heureux tous les deux | — | ||
| 3-18 | T’en vas pas comme ça | Nancy Holloway | — | |
| 3-19 | Pepito | Los Machucambos | — | |
| 3-20 | Mustapha (Chérie je t’aime, chérie je t’adore) | Bob Azzam | — | |
| 4-1 | See You Later Alligator | — | ||
| 4-2 | Si j’avais un marteau « If I Had a Hammer » | Claude François | T-314.443.274-2 | |
| 4-3 | Mirza | Nino Ferrer | T-003.012.325-1 | |
| 4-4 | Da doo ron ron | Frank Alamo | — | |
| 4-5 | La Bamba rock | Les Chaussettes Noires | T-071.000.650-0 | |
| 4-6 | California Sun | — | ||
| 4-7 | Dactylo rock | Les Chaussettes Noires, Eddy Mitchell | T-003.008.110-7 | |
| 4-8 | Hey ! Baby ! | — | ||
| 4-9 | That’ll Be the Day | — | ||
| 4-10 | Only You | — | ||
| 4-11 | T’aimer follement | Dalida | — | |
| 4-12 | J’attendrai | Claude François | — | |
| 4-13 | Je veux te graver dans ma vie | Johnny Hallyday | — | |
| 4-14 | La Fermeture Éclair | Delphine | T-703.259.225-1 | |
| 4-15 | Le Monde est gris, le monde est bleu | Éric Charden | T-003.012.460-7 | |
| 4-16 | Baby Pop | France Gall | T-003.005.905-2 | |
| 4-17 | Contact | Brigitte Bardot | T-003.007.942-5 | |
| 4-18 | Les Coups | Johnny Hallyday | T-902.853.275-4 | |
| 4-19 | Oh ! Hé ! Hein ! Bon ! | Nino Ferrer | T-003.013.202-5 | |
| 4-20 | Capri c’est fini | Hervé Vilard | T-003.006.705-0 | |
| 5-1 | Comme un garçon | Sylvie Vartan | T-003.007.669-7 | |
| 5-2 | Laisse tomber les filles | France Gall | T-003.011.380-4 | |
| 5-3 | Retiens la nuit | Johnny Hallyday | T-900.780.527-8 | |
| 5-4 | Le Twist des Chaussettes noires | Les Chaussettes Noires | — | |
| 5-5 | Des bises de moi pour toi | Claude François | — | |
| 5-6 | C'est toi mon idole (My Boy Lollipop) | Les Gam's | — | |
| 5-7 | Sheila | Lucky Blondo | — | |
| 5-8 | Quand je l’ai vue devant moi | Johnny Hallyday | — | |
| 5-9 | Peppermint Twist | Les Chaussettes Noires | T-070.939.850-4 | |
| 5-10 | Le Petit Gonzalès | Dalida | T-802.620.845-8 | |
| 5-11 | L’Idole des jeunes (Teenage Idol) | Johnny Hallyday | — | |
| 5-12 | The More I See You | — | ||
| 5-13 | Love Me, Please Love Me | Michel Polnareff | T-900.907.563-2 | |
| 5-14 | Ce n’est pas vrai | Brigitte Bardot | — | |
| 5-15 | Inventaire 66 | Michel Delpech | T-004.017.413-7 | |
| 5-16 | Comme d’habitude | Claude François | T-004.634.168-7 | |
| 5-17 | Jusqu’à minuit | Johnny Hallyday | — | |
| 5-18 | Poupée de cire, poupée de son | France Gall | T-003.014.417-2 | |
| 5-19 | La Musique (Angelica) | Nicoletta | T-071.739.831-6 | |
| 5-20 | Je t’aime moi non plus | Serge Gainsbourg, Jane Birkin | T-003.024.051-7 |
Additional database matches (14)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| L’Idole des jeunes (Teenage Idol) | Johnny Hallyday | — |
| Ma biche | Frank Alamo | — |
| Ma biche | Frank Alamo | — |
| Peppermint Twist | Les Chaussettes Noires | — |
| Da doo ron ron | Frank Alamo | T-070.233.554-3 |
| L’Idole des jeunes (Teenage Idol) | Johnny Hallyday | — |
| Sheila | Lucky Blondo | T-070.243.552-6 |
| L’Idole des jeunes (Teenage Idol) | Johnny Hallyday | — |
| Des bises de moi pour toi | Claude François | — |
| Marche tout droit | Claude François | — |
| Noir c’est noir | Johnny Hallyday | T-010.433.486-2 |
| J’attendrai | Claude François | T-070.939.978-9 |
| Je veux te graver dans ma vie | Johnny Hallyday | T-010.162.856-1 |
| Harley Davidson (album version) | Brigitte Bardot | T-003.010.199-5 |
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 602498137949?
602498137949 is a Universal Product Code (UPC) assigned to 100 Tubes pour danser les années 60 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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