UPC · Release
Charlie Parker
Last verified:
602498333822 is the Universal Product Code (UPC barcode) for the release “Bird: The Complete Charlie Parker on Verve” by Charlie Parker, released 2005-01-01 on Verve Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 175 tracks, each with its own ISRC. Tracks include USF095025280.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sweet Georgia Brown (Monday January 28, 1946 - Jazz at the Philharmonic) | — | ||
| 2 | Blues for Norman (Monday January 28, 1946 - Jazz at the Philharmonic) | — | ||
| 3 | I Can't Get Started (Monday January 28, 1946 - Jazz at the Philharmonic) | — | ||
| 4 | Oh, Lady Be Good (Monday January 28, 1946 - Jazz at the Philharmonic) | — | ||
| 5 | After You've Gone (Monday January 28, 1946 - Jazz at the Philharmonic) | — | ||
| 6 | I Got Rhythm (Monday April 22, 1946 - Jazz at the Philharmonic) | — | ||
| 7 | Introductions by Norman Granz (Monday April 22, 1946 - Jazz at the Philharmonic) | — | ||
| 8 | J.A.T.P. Blues (Monday April 22, 1946 - Jazz at the Philharmonic) | — | ||
| 2-1 | The Bird (December 1947 - The Jazz Scene) | — | ||
| 2-2 | Repetition (December 1947 - The Jazz Scene) | — | ||
| 2-3 | No Noise, Parts 1 & 2I (Monday December 20, 1948) | — | ||
| 2-4 | No Noise, Part 2 (complete take)I (Monday December 20, 1948) | — | ||
| 2-5 | Mango MangueI (Monday December 20, 1948) | — | ||
| 2-6 | Okiedoke (January 1949) | — | ||
| 2-7 | Cardboard (Circa March 1949) | — | ||
| 2-8 | Visa (Circa March 1949) | — | ||
| 2-9 | Segment - Tune X (Thursday May 5, 1949) | — | ||
| 2-10 | Diverse - Tune X (alternate take) (Thursday May 5, 1949) | — | ||
| 2-11 | Passport - Tune Y (rare) (Thursday May 5, 1949) | — | ||
| 2-12 | Passport - Tune Z (common) (Thursday May 5, 1949) | — | ||
| 3-1 | Opener (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-2 | Lester Leaps In (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-3 | Embraceable You (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-4 | The Closer (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-5 | Ow / Introduction of Ella Fitzgerald (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-6 | Flyin' Home (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-7 | How High the Moon (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-8 | Perdido (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 4-1 | Just Friends (Tuesday June 6, 1950) | — | ||
| 4-2 | Everything Happens to Me (Tuesday June 6, 1950) | — | ||
| 4-3 | April in Paris (Tuesday June 6, 1950) | — | ||
| 4-4 | Summertime (Tuesday June 6, 1950) | — | ||
| 4-5 | I Didn't Know What Time It Was (Tuesday June 6, 1950) | — | ||
| 4-6 | If I Should Lose You (Tuesday June 6, 1950) | — | ||
| 4-7 | Star Eyes (Late March - Early April 1950) | — | ||
| 4-8 | Blues (Fast) (Late March - Early April 1950) | — | ||
| 4-9 | I'm in the Mood for Love (Late March - Early April 1950) | — | ||
| 4-10 | Bloomdido (Tuesday June 6, 1950) | — | ||
| 4-11 | An Oscar for Treadwell (take 3) (Tuesday June 6, 1950) | — | ||
| 4-12 | An Oscar for Treadwell (take 4) (Tuesday June 6, 1950) | — | ||
| 4-13 | Mohawk | Charlie Parker, Dizzy Gillespie | T-700.044.500-3 | |
| 4-15 | My Melancholy Baby (take 1) (Tuesday June 6, 1950) | — | ||
| 4-16 | My Melancholy Baby (Coda rehearsal) (Tuesday June 6, 1950) | — | ||
| 4-17 | My Melancholy Baby (take 2) (Tuesday June 6, 1950) | — | ||
| 4-18 | Leap Frog (take 1) (Tuesday June 6, 1950) | — | ||
| 4-19 | Leap Frog (take 2) (Tuesday June 6, 1950) | — | ||
| 4-20 | Leap Frog (take 3) (Tuesday June 6, 1950) | — | ||
| 4-21 | Leap Frog (take 4) (Tuesday June 6, 1950) | — | ||
| 4-22 | Leap Frog (take 5) (Tuesday June 6, 1950) | — | ||
| 4-23 | Leap Frog (take 6) (Tuesday June 6, 1950) | — | ||
| 4-24 | Leap Frog (take 7) (Tuesday June 6, 1950) | — | ||
| 4-25 | Leap Frog (take 8) (Tuesday June 6, 1950) | — | ||
| 4-26 | Leap Frog (take 9) (Tuesday June 6, 1950) | — | ||
| 4-27 | Leap Frog (take 10) (Tuesday June 6, 1950) | — | ||
| 4-28 | Leap Frog (take 11) (Tuesday June 6, 1950) | — | ||
| 4-29 | Relaxing With Lee (take 1) (Tuesday June 6, 1950) | — | ||
| 4-30 | Relaxing With Lee (take 2) (Tuesday June 6, 1950) | — | ||
| 4-31 | Relaxing With Lee (take 3) (Tuesday June 6, 1950) | — | ||
| 4-32 | Relaxing With Lee (take 4) (Tuesday June 6, 1950) | — | ||
| 4-33 | Relaxing With Lee (take 5) (Tuesday June 6, 1950) | — | ||
| 4-34 | Relaxing With Lee (take 6) (Tuesday June 6, 1950) | — | ||
| 5-1 | Dancing in the Dark (Late Summer 1950) | — | ||
| 5-2 | Out of Nowhere (Late Summer 1950) | — | ||
| 5-3 | Laura (take 1) (Late Summer 1950) | — | ||
| 5-4 | Laura (take 2) (Late Summer 1950) | — | ||
| 5-5 | East of the Sun (Late Summer 1950) | — | ||
| 5-6 | They Can't Take That Away From Me (Late Summer 1950) | — | ||
| 5-7 | Easy to Love (Late Summer 1950) | — | ||
| 5-8 | I'm in the Mood for Love (take 2) (Late Summer 1950) | — | ||
| 5-9 | I'm in the Mood for Love (take 3) (Late Summer 1950) | — | ||
| 5-10 | I'll Remember April (take 1) (Late Summer 1950) | — | ||
| 5-11 | I'll Remember April (take 2) (False Start) (Late Summer 1950) | — | ||
| 5-12 | I'll Remember April (take 3) (Late Summer 1950) | — | ||
| 5-13 | What Is This Thing Called Love (Late Saturday Night, Sunday September 17, 1950 - Featured With Jazz at the Philharmonic) | — | ||
| 5-14 | April in Paris (Late Saturday Night, Sunday September 17, 1950 - Featured With Jazz at the Philharmonic) | — | ||
| 5-15 | Repetition (Late Saturday Night, Sunday September 17, 1950 - Featured With Jazz at the Philharmonic) | — | ||
| 5-16 | Easy to Love (Late Saturday Night, Sunday September 17, 1950 - Featured With Jazz at the Philharmonic) | — | ||
| 5-17 | Rocker (Late Saturday Night, Sunday September 17, 1950 - Featured With Jazz at the Philharmonic) | — | ||
| 5-18 | Celebrity (Circa Fall 1950 - Jazz at the Philharmonic) | — | ||
| 5-19 | Ballade (Circa Fall 1950 - Jazz at the Philharmonic) | — | ||
| 5-20 | Afro-Cuban Jazz Suite (Circa Fall 1950 - Jazz at the Philharmonic) | — | ||
| 6-1 | Au Privave (take 2) (Wednesday January 17, 1951) | — | ||
| 6-2 | Au Privave (take 3) (Wednesday January 17, 1951) | — | ||
| 6-3 | She Rote (take 3) (Wednesday January 17, 1951) | — | ||
| 6-4 | She Rote (take 5) (Wednesday January 17, 1951) | — | ||
| 6-5 | K.C. Blues (Wednesday January 17, 1951) | — | ||
| 6-6 | Star Eyes (Wednesday January 17, 1951) | — | ||
| 6-7 | My Little Suede Shoes (Monday March 12, 1951) | — | ||
| 6-8 | Un poquito de tu amor (Monday March 12, 1951) | — | ||
| 6-9 | Tico-Tico (Monday March 12, 1951) | — | ||
| 6-10 | Fiesta (Monday March 12, 1951) | — | ||
| 6-11 | Why Do I Love You (take 2) (Monday March 12, 1951) | — | ||
| 6-12 | Why Do I Love You (take 6) (Monday March 12, 1951) | — | ||
| 6-13 | Why Do I Love You (take 7) (Monday March 12, 1951) | — | ||
| 6-14 | Blues for Alice (Wednesday, August 8, 1951) | — | ||
| 6-15 | Si Si (Wednesday, August 8, 1951) | — | ||
| 6-16 | Swedish Schnapps (take 3) (Wednesday, August 8, 1951) | — | ||
| 6-17 | Swedish Schnapps (take 4) (Wednesday, August 8, 1951) | — | ||
| 6-18 | Back Home Blues (take 1) (Wednesday, August 8, 1951) | — | ||
| 6-19 | Back Home Blues (take 2) (Wednesday, August 8, 1951) | — | ||
| 6-20 | Lover Man (Wednesday, August 8, 1951) | — | ||
| 7-1 | Temptation (January 22 or 23, 1952) | — | ||
| 7-2 | Lover (January 22 or 23, 1952) | — | ||
| 7-3 | Autumn in New York (January 22 or 23, 1952) | — | ||
| 7-4 | Stella by Starlight (January 22 or 23, 1952) | — | ||
| 7-5 | Mama Inez (Wednesday January 23, 1952) | — | ||
| 7-6 | La cucaracha (take 1) (Wednesday January 23, 1952) | — | ||
| 7-7 | La cucaracha (take 2) (Wednesday January 23, 1952) | — | ||
| 7-8 | La cucaracha (take 3) (Wednesday January 23, 1952) | — | ||
| 7-9 | La cucaracha (take 4) (Wednesday January 23, 1952) | — | ||
| 7-10 | Estrellita (take 2) (Wednesday January 23, 1952) | — | ||
| 7-11 | Estrellita (take 4) (Wednesday January 23, 1952) | — | ||
| 7-12 | Estrellita (take 5) (Wednesday January 23, 1952) | — | ||
| 7-13 | Estrellita (take 6) (Wednesday January 23, 1952) | — | ||
| 7-14 | Begin the Beguine (Wednesday January 23, 1952) | — | ||
| 7-15 | La paloma (Wednesday January 23, 1952) | — | ||
| 7-16 | Night and Day (Tuesday March 25, 1952) | — | ||
| 7-17 | Almost Like Being in Love (Tuesday March 25, 1952) | — | ||
| 7-18 | I Can't Get Started (Tuesday March 25, 1952) | — | ||
| 7-19 | What Is This Thing Called Love (Tuesday March 25, 1952) | — | ||
| 8-1 | J.A.T.P. Blues (First Half of June 1952) | — | ||
| 8-2 | What Is This Thing Called Love (First Half of June 1952) | — | ||
| 8-3 | Ballad Medley: All the Things You Are / Dearly Beloved / The Nearness of You (First Half of June 1952) | — | ||
| 8-4 | Funky Blues (First Half of June 1952) | — | ||
| 9-1 | Song Is You (End of December 1952, January 1953) | — | ||
| 9-2 | Laird Baird (End of December 1952, January 1953) | — | ||
| 9-3 | Kim (take 2) (End of December 1952, January 1953) | — | ||
| 9-4 | Kim (take 4) (End of December 1952, January 1953) | — | ||
| 9-5 | Cosmic Rays (take 2) (End of December 1952, January 1953) | — | ||
| 9-6 | Cosmic Rays (take 5) (End of December 1952, January 1953) | — | ||
| 9-7 | In the Still of the Night (take 1) (Monday May 25, 1953) | — | ||
| 9-8 | In the Still of the Night (take 2) (Monday May 25, 1953) | — | ||
| 9-9 | In the Still of the Night (take 3) (Monday May 25, 1953) | — | ||
| 9-10 | In the Still of the Night (take 4) (Monday May 25, 1953) | — | ||
| 9-11 | In the Still of the Night (take 5) (Monday May 25, 1953) | — | ||
| 9-12 | In the Still of the Night (take 6) (Monday May 25, 1953) | — | ||
| 9-13 | In the Still of the Night (take 7) (Monday May 25, 1953) | — | ||
| 9-14 | Old Folks (take 1) (Monday May 25, 1953) | — | ||
| 9-15 | Old Folks (take 2) (Monday May 25, 1953) | — | ||
| 9-16 | Old Folks (take 3) (Monday May 25, 1953) | — | ||
| 9-17 | Old Folks (take 4) (Monday May 25, 1953) | — | ||
| 9-18 | Old Folks (take 6) (Monday May 25, 1953) | — | ||
| 9-19 | Old Folks (take 7) (Monday May 25, 1953) | — | ||
| 9-20 | Old Folks (take 8) (Monday May 25, 1953) | — | ||
| 9-21 | Old Folks (take 9) (Monday May 25, 1953) | — | ||
| 9-22 | If I Love Again (Monday May 25, 1953) | — | ||
| 10-1 | Chi Chi (take 1) (Thursday July 30, 1953) | — | ||
| 10-2 | Chi Chi (take 2) (Thursday July 30, 1953) | — | ||
| 10-3 | Chi Chi (take 3) (Thursday July 30, 1953) | — | ||
| 10-4 | Chi Chi (take 4) (Thursday July 30, 1953) | — | ||
| 10-5 | Chi Chi (take 5) (Thursday July 30, 1953) | — | ||
| 10-6 | Chi Chi (take 6) (Thursday July 30, 1953) | — | ||
| 10-7 | I Remember You (Thursday July 30, 1953) | — | ||
| 10-8 | Now's the Time (Thursday July 30, 1953) | — | ||
| 10-9 | Confirmation (take 1) (Thursday July 30, 1953) | — | ||
| 10-10 | Confirmation (take 2) (Thursday July 30, 1953) | — | ||
| 10-11 | Confirmation (take 3) (Thursday July 30, 1953) | — | ||
| 10-12 | I Get a Kick Out of You (take 1) (Wednesday March 31, 1954) | — | ||
| 10-13 | I Get a Kick Out of You (take 2) (Wednesday March 31, 1954) | — | ||
| 10-14 | I Get a Kick Out of You (take 3) (Wednesday March 31, 1954) | — | ||
| 10-15 | I Get a Kick Out of You (take 4) (Wednesday March 31, 1954) | — | ||
| 10-16 | I Get a Kick Out of You (take 5) (Wednesday March 31, 1954) | — | ||
| 10-17 | I Get a Kick Out of You (take 6) (Wednesday March 31, 1954) | — | ||
| 10-18 | I Get a Kick Out of You (take 7) (Wednesday March 31, 1954) | — | ||
| 10-19 | Just One of Those Things (Wednesday March 31, 1954) | — | ||
| 10-20 | My Heart Belongs to Daddy (take 1) (Wednesday March 31, 1954) | — | ||
| 10-21 | My Heart Belongs to Daddy (take 2) (Wednesday March 31, 1954) | — | ||
| 10-22 | I've Got You Under My Skin (Wednesday March 31, 1954) | — | ||
| 10-23 | Love for Sale (take 1) (Friday December 10, 1954) | — | ||
| 10-24 | Love for Sale (take 2) (Friday December 10, 1954) | — | ||
| 10-25 | Love for Sale (take 3) (Friday December 10, 1954) | — | ||
| 10-26 | Love for Sale (take 4) (Friday December 10, 1954) | — | ||
| 10-27 | Love for Sale (take 5) (Friday December 10, 1954) | — | ||
| 10-28 | I Love Paris (take 2) (Friday December 10, 1954) | — | ||
| 10-29 | I Love Paris (take 3) (Friday December 10, 1954) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mohawk | Charlie Parker, Dizzy Gillespie | T-700.044.500-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
602498333822 is a Universal Product Code (UPC) assigned to Bird: The Complete Charlie Parker on Verve by Charlie Parker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 175 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
602498333822 is the Universal Product Code (UPC barcode) for the release “Bird: The Complete Charlie Parker on Verve” by Charlie Parker, released 2005-01-01 on Verve Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 175 tracks, each with its own ISRC. Tracks include USF095025280.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sweet Georgia Brown (Monday January 28, 1946 - Jazz at the Philharmonic) | — | ||
| 2 | Blues for Norman (Monday January 28, 1946 - Jazz at the Philharmonic) | — | ||
| 3 | I Can't Get Started (Monday January 28, 1946 - Jazz at the Philharmonic) | — | ||
| 4 | Oh, Lady Be Good (Monday January 28, 1946 - Jazz at the Philharmonic) | — | ||
| 5 | After You've Gone (Monday January 28, 1946 - Jazz at the Philharmonic) | — | ||
| 6 | I Got Rhythm (Monday April 22, 1946 - Jazz at the Philharmonic) | — | ||
| 7 | Introductions by Norman Granz (Monday April 22, 1946 - Jazz at the Philharmonic) | — | ||
| 8 | J.A.T.P. Blues (Monday April 22, 1946 - Jazz at the Philharmonic) | — | ||
| 2-1 | The Bird (December 1947 - The Jazz Scene) | — | ||
| 2-2 | Repetition (December 1947 - The Jazz Scene) | — | ||
| 2-3 | No Noise, Parts 1 & 2I (Monday December 20, 1948) | — | ||
| 2-4 | No Noise, Part 2 (complete take)I (Monday December 20, 1948) | — | ||
| 2-5 | Mango MangueI (Monday December 20, 1948) | — | ||
| 2-6 | Okiedoke (January 1949) | — | ||
| 2-7 | Cardboard (Circa March 1949) | — | ||
| 2-8 | Visa (Circa March 1949) | — | ||
| 2-9 | Segment - Tune X (Thursday May 5, 1949) | — | ||
| 2-10 | Diverse - Tune X (alternate take) (Thursday May 5, 1949) | — | ||
| 2-11 | Passport - Tune Y (rare) (Thursday May 5, 1949) | — | ||
| 2-12 | Passport - Tune Z (common) (Thursday May 5, 1949) | — | ||
| 3-1 | Opener (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-2 | Lester Leaps In (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-3 | Embraceable You (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-4 | The Closer (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-5 | Ow / Introduction of Ella Fitzgerald (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-6 | Flyin' Home (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-7 | How High the Moon (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 3-8 | Perdido (Late Saturday Night, Sunday September 18, 1949 - Jazz at the Philharmonic) | — | ||
| 4-1 | Just Friends (Tuesday June 6, 1950) | — | ||
| 4-2 | Everything Happens to Me (Tuesday June 6, 1950) | — | ||
| 4-3 | April in Paris (Tuesday June 6, 1950) | — | ||
| 4-4 | Summertime (Tuesday June 6, 1950) | — | ||
| 4-5 | I Didn't Know What Time It Was (Tuesday June 6, 1950) | — | ||
| 4-6 | If I Should Lose You (Tuesday June 6, 1950) | — | ||
| 4-7 | Star Eyes (Late March - Early April 1950) | — | ||
| 4-8 | Blues (Fast) (Late March - Early April 1950) | — | ||
| 4-9 | I'm in the Mood for Love (Late March - Early April 1950) | — | ||
| 4-10 | Bloomdido (Tuesday June 6, 1950) | — | ||
| 4-11 | An Oscar for Treadwell (take 3) (Tuesday June 6, 1950) | — | ||
| 4-12 | An Oscar for Treadwell (take 4) (Tuesday June 6, 1950) | — | ||
| 4-13 | Mohawk | Charlie Parker, Dizzy Gillespie | T-700.044.500-3 | |
| 4-15 | My Melancholy Baby (take 1) (Tuesday June 6, 1950) | — | ||
| 4-16 | My Melancholy Baby (Coda rehearsal) (Tuesday June 6, 1950) | — | ||
| 4-17 | My Melancholy Baby (take 2) (Tuesday June 6, 1950) | — | ||
| 4-18 | Leap Frog (take 1) (Tuesday June 6, 1950) | — | ||
| 4-19 | Leap Frog (take 2) (Tuesday June 6, 1950) | — | ||
| 4-20 | Leap Frog (take 3) (Tuesday June 6, 1950) | — | ||
| 4-21 | Leap Frog (take 4) (Tuesday June 6, 1950) | — | ||
| 4-22 | Leap Frog (take 5) (Tuesday June 6, 1950) | — | ||
| 4-23 | Leap Frog (take 6) (Tuesday June 6, 1950) | — | ||
| 4-24 | Leap Frog (take 7) (Tuesday June 6, 1950) | — | ||
| 4-25 | Leap Frog (take 8) (Tuesday June 6, 1950) | — | ||
| 4-26 | Leap Frog (take 9) (Tuesday June 6, 1950) | — | ||
| 4-27 | Leap Frog (take 10) (Tuesday June 6, 1950) | — | ||
| 4-28 | Leap Frog (take 11) (Tuesday June 6, 1950) | — | ||
| 4-29 | Relaxing With Lee (take 1) (Tuesday June 6, 1950) | — | ||
| 4-30 | Relaxing With Lee (take 2) (Tuesday June 6, 1950) | — | ||
| 4-31 | Relaxing With Lee (take 3) (Tuesday June 6, 1950) | — | ||
| 4-32 | Relaxing With Lee (take 4) (Tuesday June 6, 1950) | — | ||
| 4-33 | Relaxing With Lee (take 5) (Tuesday June 6, 1950) | — | ||
| 4-34 | Relaxing With Lee (take 6) (Tuesday June 6, 1950) | — | ||
| 5-1 | Dancing in the Dark (Late Summer 1950) | — | ||
| 5-2 | Out of Nowhere (Late Summer 1950) | — | ||
| 5-3 | Laura (take 1) (Late Summer 1950) | — | ||
| 5-4 | Laura (take 2) (Late Summer 1950) | — | ||
| 5-5 | East of the Sun (Late Summer 1950) | — | ||
| 5-6 | They Can't Take That Away From Me (Late Summer 1950) | — | ||
| 5-7 | Easy to Love (Late Summer 1950) | — | ||
| 5-8 | I'm in the Mood for Love (take 2) (Late Summer 1950) | — | ||
| 5-9 | I'm in the Mood for Love (take 3) (Late Summer 1950) | — | ||
| 5-10 | I'll Remember April (take 1) (Late Summer 1950) | — | ||
| 5-11 | I'll Remember April (take 2) (False Start) (Late Summer 1950) | — | ||
| 5-12 | I'll Remember April (take 3) (Late Summer 1950) | — | ||
| 5-13 | What Is This Thing Called Love (Late Saturday Night, Sunday September 17, 1950 - Featured With Jazz at the Philharmonic) | — | ||
| 5-14 | April in Paris (Late Saturday Night, Sunday September 17, 1950 - Featured With Jazz at the Philharmonic) | — | ||
| 5-15 | Repetition (Late Saturday Night, Sunday September 17, 1950 - Featured With Jazz at the Philharmonic) | — | ||
| 5-16 | Easy to Love (Late Saturday Night, Sunday September 17, 1950 - Featured With Jazz at the Philharmonic) | — | ||
| 5-17 | Rocker (Late Saturday Night, Sunday September 17, 1950 - Featured With Jazz at the Philharmonic) | — | ||
| 5-18 | Celebrity (Circa Fall 1950 - Jazz at the Philharmonic) | — | ||
| 5-19 | Ballade (Circa Fall 1950 - Jazz at the Philharmonic) | — | ||
| 5-20 | Afro-Cuban Jazz Suite (Circa Fall 1950 - Jazz at the Philharmonic) | — | ||
| 6-1 | Au Privave (take 2) (Wednesday January 17, 1951) | — | ||
| 6-2 | Au Privave (take 3) (Wednesday January 17, 1951) | — | ||
| 6-3 | She Rote (take 3) (Wednesday January 17, 1951) | — | ||
| 6-4 | She Rote (take 5) (Wednesday January 17, 1951) | — | ||
| 6-5 | K.C. Blues (Wednesday January 17, 1951) | — | ||
| 6-6 | Star Eyes (Wednesday January 17, 1951) | — | ||
| 6-7 | My Little Suede Shoes (Monday March 12, 1951) | — | ||
| 6-8 | Un poquito de tu amor (Monday March 12, 1951) | — | ||
| 6-9 | Tico-Tico (Monday March 12, 1951) | — | ||
| 6-10 | Fiesta (Monday March 12, 1951) | — | ||
| 6-11 | Why Do I Love You (take 2) (Monday March 12, 1951) | — | ||
| 6-12 | Why Do I Love You (take 6) (Monday March 12, 1951) | — | ||
| 6-13 | Why Do I Love You (take 7) (Monday March 12, 1951) | — | ||
| 6-14 | Blues for Alice (Wednesday, August 8, 1951) | — | ||
| 6-15 | Si Si (Wednesday, August 8, 1951) | — | ||
| 6-16 | Swedish Schnapps (take 3) (Wednesday, August 8, 1951) | — | ||
| 6-17 | Swedish Schnapps (take 4) (Wednesday, August 8, 1951) | — | ||
| 6-18 | Back Home Blues (take 1) (Wednesday, August 8, 1951) | — | ||
| 6-19 | Back Home Blues (take 2) (Wednesday, August 8, 1951) | — | ||
| 6-20 | Lover Man (Wednesday, August 8, 1951) | — | ||
| 7-1 | Temptation (January 22 or 23, 1952) | — | ||
| 7-2 | Lover (January 22 or 23, 1952) | — | ||
| 7-3 | Autumn in New York (January 22 or 23, 1952) | — | ||
| 7-4 | Stella by Starlight (January 22 or 23, 1952) | — | ||
| 7-5 | Mama Inez (Wednesday January 23, 1952) | — | ||
| 7-6 | La cucaracha (take 1) (Wednesday January 23, 1952) | — | ||
| 7-7 | La cucaracha (take 2) (Wednesday January 23, 1952) | — | ||
| 7-8 | La cucaracha (take 3) (Wednesday January 23, 1952) | — | ||
| 7-9 | La cucaracha (take 4) (Wednesday January 23, 1952) | — | ||
| 7-10 | Estrellita (take 2) (Wednesday January 23, 1952) | — | ||
| 7-11 | Estrellita (take 4) (Wednesday January 23, 1952) | — | ||
| 7-12 | Estrellita (take 5) (Wednesday January 23, 1952) | — | ||
| 7-13 | Estrellita (take 6) (Wednesday January 23, 1952) | — | ||
| 7-14 | Begin the Beguine (Wednesday January 23, 1952) | — | ||
| 7-15 | La paloma (Wednesday January 23, 1952) | — | ||
| 7-16 | Night and Day (Tuesday March 25, 1952) | — | ||
| 7-17 | Almost Like Being in Love (Tuesday March 25, 1952) | — | ||
| 7-18 | I Can't Get Started (Tuesday March 25, 1952) | — | ||
| 7-19 | What Is This Thing Called Love (Tuesday March 25, 1952) | — | ||
| 8-1 | J.A.T.P. Blues (First Half of June 1952) | — | ||
| 8-2 | What Is This Thing Called Love (First Half of June 1952) | — | ||
| 8-3 | Ballad Medley: All the Things You Are / Dearly Beloved / The Nearness of You (First Half of June 1952) | — | ||
| 8-4 | Funky Blues (First Half of June 1952) | — | ||
| 9-1 | Song Is You (End of December 1952, January 1953) | — | ||
| 9-2 | Laird Baird (End of December 1952, January 1953) | — | ||
| 9-3 | Kim (take 2) (End of December 1952, January 1953) | — | ||
| 9-4 | Kim (take 4) (End of December 1952, January 1953) | — | ||
| 9-5 | Cosmic Rays (take 2) (End of December 1952, January 1953) | — | ||
| 9-6 | Cosmic Rays (take 5) (End of December 1952, January 1953) | — | ||
| 9-7 | In the Still of the Night (take 1) (Monday May 25, 1953) | — | ||
| 9-8 | In the Still of the Night (take 2) (Monday May 25, 1953) | — | ||
| 9-9 | In the Still of the Night (take 3) (Monday May 25, 1953) | — | ||
| 9-10 | In the Still of the Night (take 4) (Monday May 25, 1953) | — | ||
| 9-11 | In the Still of the Night (take 5) (Monday May 25, 1953) | — | ||
| 9-12 | In the Still of the Night (take 6) (Monday May 25, 1953) | — | ||
| 9-13 | In the Still of the Night (take 7) (Monday May 25, 1953) | — | ||
| 9-14 | Old Folks (take 1) (Monday May 25, 1953) | — | ||
| 9-15 | Old Folks (take 2) (Monday May 25, 1953) | — | ||
| 9-16 | Old Folks (take 3) (Monday May 25, 1953) | — | ||
| 9-17 | Old Folks (take 4) (Monday May 25, 1953) | — | ||
| 9-18 | Old Folks (take 6) (Monday May 25, 1953) | — | ||
| 9-19 | Old Folks (take 7) (Monday May 25, 1953) | — | ||
| 9-20 | Old Folks (take 8) (Monday May 25, 1953) | — | ||
| 9-21 | Old Folks (take 9) (Monday May 25, 1953) | — | ||
| 9-22 | If I Love Again (Monday May 25, 1953) | — | ||
| 10-1 | Chi Chi (take 1) (Thursday July 30, 1953) | — | ||
| 10-2 | Chi Chi (take 2) (Thursday July 30, 1953) | — | ||
| 10-3 | Chi Chi (take 3) (Thursday July 30, 1953) | — | ||
| 10-4 | Chi Chi (take 4) (Thursday July 30, 1953) | — | ||
| 10-5 | Chi Chi (take 5) (Thursday July 30, 1953) | — | ||
| 10-6 | Chi Chi (take 6) (Thursday July 30, 1953) | — | ||
| 10-7 | I Remember You (Thursday July 30, 1953) | — | ||
| 10-8 | Now's the Time (Thursday July 30, 1953) | — | ||
| 10-9 | Confirmation (take 1) (Thursday July 30, 1953) | — | ||
| 10-10 | Confirmation (take 2) (Thursday July 30, 1953) | — | ||
| 10-11 | Confirmation (take 3) (Thursday July 30, 1953) | — | ||
| 10-12 | I Get a Kick Out of You (take 1) (Wednesday March 31, 1954) | — | ||
| 10-13 | I Get a Kick Out of You (take 2) (Wednesday March 31, 1954) | — | ||
| 10-14 | I Get a Kick Out of You (take 3) (Wednesday March 31, 1954) | — | ||
| 10-15 | I Get a Kick Out of You (take 4) (Wednesday March 31, 1954) | — | ||
| 10-16 | I Get a Kick Out of You (take 5) (Wednesday March 31, 1954) | — | ||
| 10-17 | I Get a Kick Out of You (take 6) (Wednesday March 31, 1954) | — | ||
| 10-18 | I Get a Kick Out of You (take 7) (Wednesday March 31, 1954) | — | ||
| 10-19 | Just One of Those Things (Wednesday March 31, 1954) | — | ||
| 10-20 | My Heart Belongs to Daddy (take 1) (Wednesday March 31, 1954) | — | ||
| 10-21 | My Heart Belongs to Daddy (take 2) (Wednesday March 31, 1954) | — | ||
| 10-22 | I've Got You Under My Skin (Wednesday March 31, 1954) | — | ||
| 10-23 | Love for Sale (take 1) (Friday December 10, 1954) | — | ||
| 10-24 | Love for Sale (take 2) (Friday December 10, 1954) | — | ||
| 10-25 | Love for Sale (take 3) (Friday December 10, 1954) | — | ||
| 10-26 | Love for Sale (take 4) (Friday December 10, 1954) | — | ||
| 10-27 | Love for Sale (take 5) (Friday December 10, 1954) | — | ||
| 10-28 | I Love Paris (take 2) (Friday December 10, 1954) | — | ||
| 10-29 | I Love Paris (take 3) (Friday December 10, 1954) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mohawk | Charlie Parker, Dizzy Gillespie | T-700.044.500-3 |
