UPC · Album
Night Train to Nashville: Music City Rhythm & Blues 1945-1970
Various Artists
Last verified:
602498618240 is the Universal Product Code (UPC barcode) for the release “Night Train to Nashville: Music City Rhythm & Blues 1945-1970” by Various Artists, released 2004-01-01 on Lost Highway. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include USATV0000027, USATV0000028, USBT21612350.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (40)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| If You and I Could Be Sweethearts | The Varieteers | USATV0000027 |
| I Want To (Do Everything for You) | Joe Tex | USATV0000028 |
| Chokin’ Kind | Joe Simon | USBT21612350 |
| Rockin’ the Joint | Esquerita | USCA28901385 |
| Pipe Dreams | Jimmy Beck & His Orchestra | USCMF0401002 |
| Somebody, Somewhere | Larry Birdsong | USCMF0401015 |
| Snap Your Fingers | Joe Henderson | USCMF0401072 |
| Monkey Doin' Woman | Shy Guy Douglas | USCMF0401092 |
| Let's Trade a Little | Audrey Bryant | USCMF0401405 |
| L&N Special | Christine Kittrell | USCMF0407044 |
| Christene | Little Hank & The Rhythm Kings | USCMF0445101 |
| Nashville Jumps | Cecil Grant | USCMF0446250 |
| Buzzard Pie | Rudy Green | USCMF0447266 |
| Sittin' Here Drinking | Christine Kittrell | USCMF0452128 |
| You Can Make It If You Try | Gene Allison | USCMF0457256 |
| White Rose (theme) | Earl Gaines | USCMF0459706 |
| Really, Part 1 | Johnny Jones & The Imperial 7 | USCMF0463813 |
| Just Like Him | Frank Howard & The Commanders | USCMF0464870 |
| She Shot a Hole in My Soul | Clifford Curry | USCMF0490002 |
| Mama, He Treats Your Daughter Mean (Nashville version) | Ruth Brown | USIR20300739 |
| Anna (Go to Him) | Arthur Alexander | USMC16316978 |
| What'd I Say | Etta James | USMC16348720 |
| Sunny | Bobby Hebb | USPR36660028 |
| Sunny | Bobby Hebb | USPR39402093 |
| Just Walkin’ in the Rain | The Prisonaires | USSE60272528 |
| Soul Shake | Peggy Scott & Jo Jo Benson | USSE60371391 |
| Reconsider Me | Johnny Adams | USSE60371502 |
| Just Walkin’ in the Rain | The Prisonaires | USSE60372528 |
| Something Tells Me | Sam Baker | USSM16501523 |
| Everlasting Love | Robert Knight | USSM16701671 |
| Chokin’ Kind | Joe Simon | USSM16900841 |
| Gotta Get Yourself Together | The Valentines | USSM16901327 |
| WLAC Commercial | Little Richard | USUG10400006 |
| Baby Let's Play House | Arthur Gunter | USUM15501015 |
| Rollin' Stone | The Marigolds | USUM15501769 |
| It's Love Baby (24 Hours a Day) | Louis Brooks and His Hi-Toppers | USUM15501770 |
| Bigger and Better | The Hytones | USUMG0300061 |
| Since I Met You Baby | The Avons | USUMG0300062 |
| Skip's Boogie | Kid King’s Combo | USUMG0300063 |
| Say You Really Care | Roscoe Shelton | USUMG0300064 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
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What is UPC 602498618240?
602498618240 is a Universal Product Code (UPC) assigned to Night Train to Nashville: Music City Rhythm & Blues 1945-1970 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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