UPC · Release
Night Train to Nashville: Music City Rhythm & Blues 1945-1970
Various Artists
Last verified:
602498618240 is the Universal Product Code (UPC barcode) for the release “Night Train to Nashville: Music City Rhythm & Blues 1945-1970” by Various Artists, released 2004-01-01 on Lost Highway. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include USCMF0446250, USCMF0447266, USUMG0300063.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nashville Jumps | Cecil Grant | T-913.804.534-8 | |
| 2 | Buzzard Pie | Rudy Green | — | |
| 3 | Skip's Boogie | Kid King’s Combo | — | |
| 4 | L&N Special | Christine Kittrell | — | |
| 5 | Sittin' Here Drinking | Christine Kittrell | — | |
| 6 | Just Walkin’ in the Rain | The Prisonaires | T-070.247.649-0 | |
| 7 | If You and I Could Be Sweethearts | The Varieteers | — | |
| 8 | Baby Let's Play House | Arthur Gunter | T-071.790.576-4 | |
| 9 | Christene | Little Hank & The Rhythm Kings | — | |
| 10 | It's Love Baby (24 Hours a Day) | Louis Brooks and His Hi-Toppers | — | |
| 11 | Rollin' Stone | The Marigolds | T-070.242.825-8 | |
| 12 | You Can Make It If You Try | Gene Allison | T-901.126.495-2 | |
| 13 | Rockin’ the Joint | Esquerita | — | |
| 14 | Let's Trade a Little | Audrey Bryant | — | |
| 15 | Say You Really Care | Roscoe Shelton | — | |
| 16 | Somebody, Somewhere | Larry Birdsong | — | |
| 17 | Pipe Dreams | Jimmy Beck & His Orchestra | — | |
| 18 | WLAC Commercial | Little Richard | — | |
| 19 | White Rose (theme) | Earl Gaines | — | |
| 2-1 | Monkey Doin' Woman | Shy Guy Douglas | — | |
| 2-2 | What'd I Say | Etta James | T-070.940.773-7 | |
| 2-3 | Really, Part 1 | Johnny Jones & The Imperial 7 | — | |
| 2-4 | Just Like Him | Frank Howard & The Commanders | T-904.050.190-4 | |
| 2-5 | Anna (Go to Him) | Arthur Alexander | T-070.231.982-1 | |
| 2-6 | Snap Your Fingers | Joe Henderson | T-070.243.709-9 | |
| 2-8 | Something Tells Me | Sam Baker | T-070.136.721-6 | |
| 2-9 | Sunny | Bobby Hebb | T-070.244.064-9 | |
| 2-10 | I Want To (Do Everything for You) | Joe Tex | T-700.028.359-2 | |
| 2-11 | Bigger and Better | The Hytones | T-912.704.058-8 | |
| 2-12 | Since I Met You Baby | The Avons | T-070.940.231-2 | |
| 2-13 | Chokin’ Kind | Joe Simon | T-070.233.349-0 | |
| 2-14 | She Shot a Hole in My Soul | Clifford Curry | — | |
| 2-15 | Gotta Get Yourself Together | The Valentines | — | |
| 2-16 | Soul Shake | Peggy Scott & Jo Jo Benson | T-070.243.855-8 | |
| 2-17 | Reconsider Me | Johnny Adams | T-037.002.697-3 | |
| 2-18 | Everlasting Love | Robert Knight | T-070.050.551-6 |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mama, He Treats Your Daughter Mean (Nashville version) | Ruth Brown | T-071.185.368-7 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 602498618240?
602498618240 is a Universal Product Code (UPC) assigned to Night Train to Nashville: Music City Rhythm & Blues 1945-1970 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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