UPC · Release
Matthew Good
Last verified:
602498848296 is the Universal Product Code (UPC barcode) for the release “In a Coma: 1995–2005” by Matthew Good, released 2005-01-01 on Universal Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 56 tracks, each with its own ISRC. Tracks include CAA149900370, CAA149900373, CAA149900371.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Oh Be Joyful | — | ||
| 2 | Big City Life | — | ||
| 3 | Alert Status Red | — | ||
| 4 | Weapon | — | ||
| 5 | In a World Called Catastrophe | — | ||
| 6 | Hello Time Bomb | Matthew Good Band | T-071.525.337-4 | |
| 7 | Load Me Up | Matthew Good Band | T-071.525.338-5 | |
| 8 | Strange Days | Matthew Good Band | T-071.525.335-2 | |
| 9 | The Future Is X‐Rated | Matthew Good Band | T-071.525.336-3 | |
| 10 | Everything Is Automatic | Matthew Good Band | T-071.523.696-6 | |
| 11 | Rico | Matthew Good Band | T-071.524.196-5 | |
| 12 | Apparitions | Matthew Good Band | T-071.523.694-4 | |
| 13 | Indestructible | Matthew Good Band | T-071.523.697-7 | |
| 14 | Symbolistic White Walls | — | ||
| 15 | Haven't Slept in Years | — | ||
| 16 | Alabama Motel Room | — | ||
| 17 | Pony Boy | — | ||
| 2-1 | Truffle Pigs | — | ||
| 2-2 | Tripoli | — | ||
| 2-3 | Generation X-Wing | — | ||
| 2-4 | Apparitions | — | ||
| 2-5 | North American for Life | — | ||
| 2-6 | Advertising on Police Cars | — | ||
| 2-7 | Hello Time Bomb | — | ||
| 2-8 | Strange Days | — | ||
| 2-9 | Prime Time Deliverance | — | ||
| 2-10 | Flashdance II | — | ||
| 2-11 | Man From Harold Wood | — | ||
| 2-12 | My Life as a Circus Clown | — | ||
| 2-13 | Intermezzo: M. Good V M. Trolley | — | ||
| 2-14 | Flight Recorder From Viking 7 | — | ||
| 2-15 | Life Beyond the Minimum Safe Distance | — | ||
| 2-16 | The Fine Art of Falling Apart | — | ||
| 2-17 | Born to Kill | — | ||
| 2-18 | Enjoy the Silence | — | ||
| 2-19 | Fated | — | ||
| 3-1 | Alabama Motel Room | — | ||
| 3-2 | Symbolistic White Walls | — | ||
| 3-3 | Everything Is Automatic | — | ||
| 3-4 | Indestructible | — | ||
| 3-5 | Apparitions | — | ||
| 3-6 | Rico | — | ||
| 3-7 | Hello Time Bomb | — | ||
| 3-8 | Load Me Up | — | ||
| 3-9 | Strange Days | — | ||
| 3-10 | The Future Is X-Rated | — | ||
| 3-11 | Carmelina | — | ||
| 3-12 | Anti-Pop | — | ||
| 3-13 | Weapon | — | ||
| 3-14 | In a World Called Catastrophe | — | ||
| 3-15 | Alert Status Red | — | ||
| 3-16 | It's Been a While Since I Was Your Man | — | ||
| 3-17 | While We Were Hunting Rabbits | — | ||
| 3-18 | The Making Of "Rooms" | — | ||
| 3-19 | "Stills" | — | ||
| 3-20 | Discography | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
602498848296 is a Universal Product Code (UPC) assigned to In a Coma: 1995–2005 by Matthew Good. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
602498848296 is the Universal Product Code (UPC barcode) for the release “In a Coma: 1995–2005” by Matthew Good, released 2005-01-01 on Universal Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 56 tracks, each with its own ISRC. Tracks include CAA149900370, CAA149900373, CAA149900371.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Oh Be Joyful | — | ||
| 2 | Big City Life | — | ||
| 3 | Alert Status Red | — | ||
| 4 | Weapon | — | ||
| 5 | In a World Called Catastrophe | — | ||
| 6 | Hello Time Bomb | Matthew Good Band | T-071.525.337-4 | |
| 7 | Load Me Up | Matthew Good Band | T-071.525.338-5 | |
| 8 | Strange Days | Matthew Good Band | T-071.525.335-2 | |
| 9 | The Future Is X‐Rated | Matthew Good Band | T-071.525.336-3 | |
| 10 | Everything Is Automatic | Matthew Good Band | T-071.523.696-6 | |
| 11 | Rico | Matthew Good Band | T-071.524.196-5 | |
| 12 | Apparitions | Matthew Good Band | T-071.523.694-4 | |
| 13 | Indestructible | Matthew Good Band | T-071.523.697-7 | |
| 14 | Symbolistic White Walls | — | ||
| 15 | Haven't Slept in Years | — | ||
| 16 | Alabama Motel Room | — | ||
| 17 | Pony Boy | — | ||
| 2-1 | Truffle Pigs | — | ||
| 2-2 | Tripoli | — | ||
| 2-3 | Generation X-Wing | — | ||
| 2-4 | Apparitions | — | ||
| 2-5 | North American for Life | — | ||
| 2-6 | Advertising on Police Cars | — | ||
| 2-7 | Hello Time Bomb | — | ||
| 2-8 | Strange Days | — | ||
| 2-9 | Prime Time Deliverance | — | ||
| 2-10 | Flashdance II | — | ||
| 2-11 | Man From Harold Wood | — | ||
| 2-12 | My Life as a Circus Clown | — | ||
| 2-13 | Intermezzo: M. Good V M. Trolley | — | ||
| 2-14 | Flight Recorder From Viking 7 | — | ||
| 2-15 | Life Beyond the Minimum Safe Distance | — | ||
| 2-16 | The Fine Art of Falling Apart | — | ||
| 2-17 | Born to Kill | — | ||
| 2-18 | Enjoy the Silence | — | ||
| 2-19 | Fated | — | ||
| 3-1 | Alabama Motel Room | — | ||
| 3-2 | Symbolistic White Walls | — | ||
| 3-3 | Everything Is Automatic | — | ||
| 3-4 | Indestructible | — | ||
| 3-5 | Apparitions | — | ||
| 3-6 | Rico | — | ||
| 3-7 | Hello Time Bomb | — | ||
| 3-8 | Load Me Up | — | ||
| 3-9 | Strange Days | — | ||
| 3-10 | The Future Is X-Rated | — | ||
| 3-11 | Carmelina | — | ||
| 3-12 | Anti-Pop | — | ||
| 3-13 | Weapon | — | ||
| 3-14 | In a World Called Catastrophe | — | ||
| 3-15 | Alert Status Red | — | ||
| 3-16 | It's Been a While Since I Was Your Man | — | ||
| 3-17 | While We Were Hunting Rabbits | — | ||
| 3-18 | The Making Of "Rooms" | — | ||
| 3-19 | "Stills" | — | ||
| 3-20 | Discography | — |
