UPC · Album
We Can’t Get Enough! Best of the Eighties
Various Artists
Last verified:
602507009229 is the Universal Product Code (UPC barcode) for the release “We Can’t Get Enough! Best of the Eighties” by Various Artists, released 1998-01-01 on Universal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include DEE868500079, FRZ050400041, FRZ058200040.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (88)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Girl’s Got a Brand New Toy | T.X.T | DEE868500079 |
| L’Aventurier | Indochine | FRZ050400041 |
| L’Aventurier | Indochine | FRZ058200040 |
| C’est comme ça | Les Rita Mitsouko | FRZ188600030 |
| C’est comme ça | Les Rita Mitsouko | FRZ188610025 |
| Do You Really Want to Hurt Me | Culture Club | GB0028230700 |
| Shouldn’t Have to Be Like That | Fra Lippo Lippi | GB0028650200 |
| Don't Go | Yazoo | GB5KW1800054 |
| Love Song | Simple Minds | GBAAA0100599 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA0201000 |
| Let Me Go | Heaven 17 | GBAAA0600339 |
| Something Good | Paul Haig | GBAAA0701247 |
| Love Action (I Believe in Love) | The Human League | GBAAA8100231 |
| Love Song | Simple Minds | GBAAA8100297 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA8200005 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA8200048 |
| Let Me Go | Heaven 17 | GBAAA8200282 |
| Black Man Ray | China Crisis | GBAAA8500047 |
| Shouldn’t Have to Be Like That | Fra Lippo Lippi | GBAAA8600031 |
| The Promise | When in Rome | GBAAA8800494 |
| Genius of Love (extended mix) | Tom Tom Club | GBAAN0400812 |
| Sometimes | Erasure | GBAJH0100079 |
| Don't Go | Yazoo | GBAJH0100174 |
| Don't Go | Yazoo | GBAJH0400476 |
| Don't Go | Yazoo | GBAJH0600166 |
| Don’t Go (2008 remaster) | Yazoo | GBAJH0800097 |
| Sometimes | Erasure | GBAJH0801279 |
| Sometimes | Erasure | GBAJH1100066 |
| Don't Go | Yazoo | GBAJH9600227 |
| Sometimes | Erasure | GBAJH9900098 |
| Don't Go | Yazoo | GBAJH9900157 |
| Sometimes | Erasure | GBAJH9900201 |
| Love Song | Simple Minds | GBAQT9200012 |
| Favourite Shirts (Boy Meets Girl) | Haircut One Hundred | GBARK8200004 |
| Wishing (If I Had a Photograph of You) | A Flock of Seagulls | GBARL0800906 |
| She Blinded Me With Science | Thomas Dolby | GBAYE0900105 |
| Vienna | Ultravox | GBAYE8000017 |
| To Cut a Long Story Short | Spandau Ballet | GBAYE8000026 |
| She Blinded Me With Science | Thomas Dolby | GBAYE8200083 |
| She Blinded Me With Science | Thomas Dolby | GBAYE8200116 |
| The Politics of Dancing | Re-Flex | GBAYE8300191 |
| The Politics of Dancing | Re-Flex | GBAYE8300273 |
| The Politics of Dancing | Re-Flex | GBAYE8400107 |
| It’s My Life | Talk Talk | GBAYE8400109 |
| It’s My Life | Talk Talk | GBAYE8400123 |
| It’s My Life | Talk Talk | GBAYE9700491 |
| Vienna | Ultravox | GBAYK0900022 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK1000002 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK2500071 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK8000013 |
| Vienna | Ultravox | GBAYK8000061 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK8000068 |
| Cars | Gary Numan | GBAZP1500019 |
| Birds Fly (Whisper to a Scream) | The Icicle Works | GBAZP8300008 |
| Cars | Gary Numan | GBAZP9700067 |
| Stand and Deliver | Adam and the Ants | GBBBN8100001 |
| Stand and Deliver | Adam and the Ants | GBBBN8102016 |
| Doot Doot | Freur | GBBBN8300004 |
| (Feels Like) Heaven | Fiction Factory | GBBBN8302003 |
| (Feels Like) Heaven | Fiction Factory | GBBBN8400001 |
| (Feels Like) Heaven | Fiction Factory | GBBBN9302003 |
| The Safety Dance | Men Without Hats | GBBLG0200064 |
| Do You Really Want to Hurt Me | Culture Club | GBC780800053 |
| Tainted Love | Soft Cell | GBF088100001 |
| Tainted Love | Soft Cell | GBF088100017 |
| Tainted Love | Soft Cell | GBF088100120 |
| The Look of Love | ABC | GBF088200008 |
| The Celtic Soul Brothers | Dexys Midnight Runners | GBF088200052 |
| Tainted Love / Where Did Our Love Go (original 12″) | Soft Cell | GBFO88100017 |
| The Celtic Soul Brothers | Dexys Midnight Runners | GBFO88200052 |
| The Look of Love | ABC | GBUM70601979 |
| Tainted Love | Soft Cell | GBUM72304240 |
| Shouldn’t Have to Be Like That | Fra Lippo Lippi | NOFGR0266010 |
| Vienna | Ultravox | UKKP22501332 |
| Vienna | Ultravox | UKKP28100008 |
| The Promise | When in Rome | USA370915152 |
| The Look of Love | ABC | USA371425902 |
| The Promise | When in Rome | USA560987552 |
| Everybody Have Fun Tonight | Wang Chung | USGF18611501 |
| Cars | Gary Numan | USGMP0800025 |
| Love Action (I Believe in Love) | The Human League | USGMP0800029 |
| The Safety Dance (extended dance version) | Men Without Hats | USMC10110179 |
| The Safety Dance | Men Without Hats | USMC18314274 |
| Do You Really Want to Hurt Me | Culture Club | USMV28200001 |
| Fade to Grey | Visage | USPR38080067 |
| Sometimes | Erasure | USRHD0900076 |
| Fade to Grey | Visage | USUM70601704 |
| Genius of Love (extended mix) | Tom Tom Club | USWB10106527 |
What other identifiers does this connect to?
Musical Works (ISWC)
+58 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+24 more
People also ask
Verified on
What is UPC 602507009229?
602507009229 is a Universal Product Code (UPC) assigned to We Can’t Get Enough! Best of the Eighties by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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