UPC · Release
The Complete Motown Singles, Volume 7: 1967
Various Artists
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602517341906 is the Universal Product Code (UPC barcode) for the release “The Complete Motown Singles, Volume 7: 1967” by Various Artists, released 2007-01-01 on Hip-O Select. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 113 tracks, each with its own ISRC. Tracks include USUM70736592, USUM70736593, USMO10000473.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (113)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 33-1 | Love’s Gone Bad | The Underdogs | T-071.281.464-6 | |
| 33-2 | Mojo Hannah | The Underdogs | — | |
| 33-3 | Love Is Here and Now You’re Gone | The Supremes | T-070.241.911-1 | |
| 33-4 | There’s No Stopping Us Now | The Supremes | T-700.071.492-3 | |
| 33-5 | Pucker Up Buttercup | Jr. Walker & the All Stars | — | |
| 33-6 | Anyway You Wannta | Jr. Walker & the All Stars | — | |
| 33-7 | Chantilly Lace | Shorty Long | T-071.679.217-4 | |
| 33-8 | Your Love Is Amazing | Shorty Long | T-071.529.327-8 | |
| 33-9 | Till Johnny Comes | Brenda Holloway | — | |
| 33-10 | The Love I Saw in You Was Just a Mirage | Smokey Robinson & The Miracles | T-070.099.275-1 | |
| 33-11 | Come Spy with Me | Smokey Robinson & The Miracles | — | |
| 33-12 | Jimmy Mack | Martha and the Vandellas | T-070.241.360-2 | |
| 33-13 | Third Finger, Left Hand | Martha and the Vandellas | T-910.589.453-9 | |
| 33-14 | TRAVELIN' MAN (SINGLE VERSION - MONO) | STEVIE WONDER | T-010.485.147-9 | |
| 33-15 | HEY LOVE - SINGLE VERSION / MONO | STEVIE WONDER | T-070.076.127-8 | |
| 33-17 | I Got a Feeling | Four Tops | T-700.025.255-3 | |
| 33-19 | Gonna Give Her All the Love I’ve Got | Jimmy Ruffin | T-700.017.582-8 | |
| 33-20 | World So Wide, Nowhere to Hide (From Your Heart) | Jimmy Ruffin | — | |
| 33-21 | I Want to Go Back There Again | Chris Clark | T-070.080.448-3 | |
| 33-22 | I Love You | Chris Clark | T-072.311.339-0 | |
| 33-23 | It’s So Hard Being a Loser | The Contours | — | |
| 33-24 | Your Love Grows More Precious Everyday | The Contours | — | |
| 34-1 | Just Look What You’ve Done | Brenda Holloway | T-071.167.683-3 | |
| 34-2 | Starting the Hurt All Over Again | Brenda Holloway | — | |
| 34-3 | Here I Am Baby | Barbara McNair | — | |
| 34-4 | My World Is Empty Without You | Barbara McNair | T-070.242.415-4 | |
| 34-5 | Take Me in Your Arms and Love Me | Gladys Knight & the Pips | T-070.244.176-6 | |
| 34-6 | Do You Love Me Just a Little, Honey | Gladys Knight & the Pips | — | |
| 34-7 | The Happening | Diana Ross & The Supremes | T-070.075.623-5 | |
| 34-8 | All I Know About You | The Supremes | T-070.002.885-8 | |
| 34-9 | Got to Have You Back | The Isley Brothers | T-905.380.258-7 | |
| 34-10 | Just Ain’t Enough Love | The Isley Brothers | T-700.033.388-2 | |
| 34-11 | There’s a Ghost in My House | R. Dean Taylor | T-070.247.225-0 | |
| 34-12 | Don’t Fool Around | R. Dean Taylor | — | |
| 34-13 | Festival Time | San Remo Golden Strings | — | |
| 34-14 | Joy Road | San Remo Golden Strings | — | |
| 34-15 | I Wonder Why (Nobody Loves Me) | Billy Eckstine | — | |
| 34-16 | I’ve Been Blessed | Billy Eckstine | — | |
| 34-17 | When You’re Young and in Love | The Marvelettes | T-070.247.909-1 | |
| 34-18 | The Day You Take One (You Have to take the Other) | The Marvelettes | T-917.880.563-5 | |
| 34-19 | All I Need | The Temptations | T-070.234.521-8 | |
| 34-20 | Sorry Is a Sorry Word | The Temptations | T-070.140.553-9 | |
| 34-21 | Ain’t No Mountain High Enough | Marvin Gaye, Tammi Terrell | T-070.002.961-3 | |
| 34-22 | Give a Little Love | Marvin Gaye, Tammi Terrell | — | |
| 34-23 | 7‐Rooms of Gloom | Four Tops | T-071.017.282-9 | |
| 34-24 | I’ll Turn to Stone | Four Tops | T-071.144.369-4 | |
| 35-1 | Chained | Paul Petersen | T-070.238.763-0 | |
| 35-2 | Don’t Let It Happen to Us | Paul Petersen | — | |
| 35-4 | For All We Know | The Spinners | — | |
| 35-5 | I Cross My Heart | The Spinners | — | |
| 35-6 | I WAS MADE TO LOVE HER [SINGLE VERSION / MONO] | STEVIE WONDER | T-931.292.612-8 | |
| 35-7 | HOLD ME (SINGLE VERSION) | STEVIE WONDER | T-070.076.082-2 | |
| 35-8 | More Love | Smokey Robinson & The Miracles | T-070.113.032-6 | |
| 35-9 | Swept for You Baby | Smokey Robinson & The Miracles | — | |
| 35-10 | It’s Been a Long, Long Time | The Elgins | T-070.907.611-8 | |
| 35-11 | I Understand My Man | The Elgins | — | |
| 35-12 | Everybody Needs Love | Gladys Knight & the Pips | T-700.012.653-6 | |
| 35-13 | Your Unchanging Love | Marvin Gaye | T-700.084.189-6 | |
| 35-14 | I’ll Take Care of You | Marvin Gaye | T-070.240.704-2 | |
| 35-15 | You’re My Everything | The Temptations | T-070.248.292-5 | |
| 35-16 | I’ve Been Good to You | The Temptations | T-070.907.991-3 | |
| 35-17 | Ain’t That the Truth | Jr. Walker & the All Stars | — | |
| 35-18 | Don’t You Miss Me a Little Bit Baby | Jimmy Ruffin | T-070.251.594-3 | |
| 35-19 | That’s the Way Love Is | The Isley Brothers | T-070.244.319-3 | |
| 35-20 | One Too Many Heartaches | The Isley Brothers | T-070.250.089-7 | |
| 36-1 | Reflections | Diana Ross & The Supremes | T-070.939.995-0 | |
| 36-2 | Going Down for the Third Time | The Supremes | T-700.017.291-0 | |
| 36-3 | Love Bug Leave My Heart Alone | Martha and the Vandellas | — | |
| 36-4 | One Way Out | Martha and the Vandellas | T-700.051.132-2 | |
| 36-5 | Steal Away Tonight | Barbara McNair | — | |
| 36-6 | For Once in My Life | Barbara McNair | T-070.881.469-0 | |
| 36-8 | I’ve Got to Find It | Brenda Holloway | — | |
| 36-9 | You’ve Made Me So Very Happy | Brenda Holloway | T-070.211.764-3 | |
| 36-10 | Your Precious Love | Marvin Gaye, Tammi Terrell | T-070.211.762-1 | |
| 36-11 | Hold Me Oh My Darling | Marvin Gaye, Tammi Terrell | T-700.022.347-4 | |
| 36-12 | You Keep Running Away | Four Tops | T-700.063.121-2 | |
| 36-13 | If You Don’t Want My Love | Four Tops | T-071.149.162-1 | |
| 36-14 | From Head to Toe | Chris Clark | T-070.056.446-0 | |
| 36-15 | The Beginning of the End | Chris Clark | T-926.379.669-6 | |
| 36-16 | Window Shopping | The Messengers | — | |
| 36-17 | California Soul | The Messengers | T-070.027.576-8 | |
| 36-18 | I Got a Feeling | Barbara Randolph | — | |
| 36-19 | You Got Me Hurtin’ All Over | Barbara Randolph | — | |
| 36-20 | I'M WONDERING | (UNKNOWN) | T-931.292.608-2 | |
| 36-21 | EVERY TIME I SEE YOU I GO WILD | STEVIE WONDER, (UNKNOWN) | T-070.050.251-7 | |
| 36-23 | (Loneliness Made Me Realize) It’s You That I Need | The Temptations | T-700.038.626-7 | |
| 36-24 | Don’t Send Me Away | The Temptations | T-071.081.483-7 | |
| 37-1 | I Heard It Through the Grapevine | Gladys Knight & the Pips | T-070.240.615-2 | |
| 37-2 | It’s Time to Go Now | Gladys Knight & the Pips | — | |
| 37-4 | I Want My Baby Back | Edwin Starr | T-700.028.307-0 | |
| 37-5 | Gonna Keep on Tryin’ Till I Win Your Love | Edwin Starr | — | |
| 37-6 | What a Good Man He Is | Tammi Terrell | — | |
| 37-7 | There Are Things | Tammi Terrell | T-070.184.522-8 | |
| 37-8 | Second That Emotion | Smokey Robinson & The Miracles | T-070.079.766-5 | |
| 37-9 | You Must Be Love | Smokey Robinson & The Miracles | — | |
| 37-10 | In and Out of Love | Diana Ross & The Supremes | T-070.919.141-2 | |
| 37-11 | I Guess I’ll Always Love You | The Supremes | T-070.240.598-8 | |
| 37-12 | Honey Chile | Martha and the Vandellas | T-070.240.356-2 | |
| 37-13 | Show Me the Way | Martha and the Vandellas | — | |
| 37-14 | Come See About Me | Jr. Walker & the All Stars | T-070.026.828-5 | |
| 37-15 | Sweet Soul | Jr. Walker & the All Stars | T-070.244.122-2 | |
| 37-16 | You Haven’t Seen My Love | The Ones | — | |
| 37-17 | Happy Day | The Ones | — | |
| 37-18 | Two Can Have a Party | Marvin Gaye, Tammi Terrell | T-070.182.868-3 | |
| 37-19 | If I Could Build My Whole World Around You | Marvin Gaye, Tammi Terrell | T-070.266.618-9 | |
| 37-20 | If This World Were Mine | Marvin Gaye, Tammi Terrell | T-070.079.806-6 | |
| 37-21 | My Baby Must Be a Magician | The Marvelettes | T-070.112.479-9 | |
| 37-22 | I Need Someone | The Marvelettes | T-071.146.437-7 | |
| 37-23 | I Wish It Would Rain | The Temptations | T-071.679.605-2 | |
| 37-25 | I Truly, Truly Believe | The Temptations | — | |
| 37-26 | You | Marvin Gaye | T-071.239.050-5 | |
| 37-27 | At Last (I Found a Love) | Marvin Gaye | — | |
| 37-28 | Change What You Can | Marvin Gaye | — |
Additional database matches (11)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Bernadette (promo version) | Four Tops | T-070.232.972-3 |
| Bernadette | Four Tops | T-070.232.972-3 |
| Chained (alternate mix) | Paul Petersen | T-070.238.763-0 |
| I Heard It Through the Grapevine (alternate mix) | Gladys Knight & the Pips | T-070.240.615-2 |
| I Truly, Truly Believe (alternate mix) | The Temptations | — |
| You’re My Everything | The Temptations | — |
| I Was Made to Love Her | Stevie Wonder | T-070.080.455-2 |
| I WAS MADE TO LOVE HER [STEVIE WONDER] | VARIOUS ARTISTS | T-931.292.612-8 |
| It’s Time to Go Now | Gladys Knight & the Pips | T-070.193.774-7 |
| You Precious Love | Marvin Gaye, Tammi Terrell | T-070.211.762-1 |
| Bernadette | Four Tops | T-070.232.972-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 602517341906?
602517341906 is a Universal Product Code (UPC) assigned to The Complete Motown Singles, Volume 7: 1967 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 113 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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