UPC · Release
The Complete Motown Singles, Volume 8: 1968
Various Artists
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602517431775 is the Universal Product Code (UPC barcode) for the release “The Complete Motown Singles, Volume 8: 1968” by Various Artists, released 2007-01-01 on Hip-O Select. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 140 tracks, each with its own ISRC. Tracks include USMO16800483, USMO10110279, USUM70751842.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (140)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 38-1 | I Can’t Give Back the Love I Feel for You | Rita Wright | T-071.141.594-9 | |
| 38-2 | Something on My Mind | Rita Wright | T-070.141.375-3 | |
| 38-3 | Night Fo’ Last | Shorty Long | T-070.240.604-9 | |
| 38-4 | Night Fo’ Last (instrumental) | Shorty Long | T-070.240.604-9 | |
| 38-5 | Walk Away Renee | Four Tops | T-070.940.716-8 | |
| 38-6 | Your Love Is Wonderful | Four Tops | — | |
| 38-7 | The End of Our Road | Gladys Knight & the Pips | T-070.233.886-0 | |
| 38-8 | Don’t Let Her Take Your Love From Me | Gladys Knight & the Pips | T-070.039.770-1 | |
| 38-9 | (You Can’t Let the Boy Overpower) The Man in You | Chuck Jackson | — | |
| 38-10 | Girls, Girls, Girls | Chuck Jackson | — | |
| 38-11 | Why Am I Lovin’ You | Debbie Dean | — | |
| 38-12 | Stay My Love | Debbie Dean | — | |
| 38-13 | THANK YOU LOVE | BILLY ECKSTINE, VARIOUS ARTISTS | T-070.182.766-8 | |
| 38-14 | Is Anyone Here Goin’ My Way | Billy Eckstine | — | |
| 38-15 | If You Can Want | Smokey Robinson and The Miracles | T-070.079.819-1 | |
| 38-16 | When the Words from Your Heart Get Caught Up in Your Throat | Smokey Robinson & The Miracles | — | |
| 38-17 | Whisper You Love Me Boy | Chris Clark | T-700.080.099-9 | |
| 38-18 | I’ll Say Forever My Love | Jimmy Ruffin | T-070.918.983-2 | |
| 38-19 | Everybody Needs Love | Jimmy Ruffin | T-700.012.653-6 | |
| 38-21 | Fading Away | Bobby Taylor | T-905.614.914-5 | |
| 38-22 | Does Your Mama Know About Me | Bobby Taylor & the Vancouvers | — | |
| 38-23 | Forever Came Today | Diana Ross & The Supremes | T-070.234.105-6 | |
| 38-24 | Take Me in Your Arms (Rock Me a Little While) | The Isley Brothers | T-070.244.175-5 | |
| 38-25 | Why When Love Is Gone | The Isley Brothers | T-060.093.262-4 | |
| 39-1 | SHOO-BE-DOO-BE-DOO-DA-DAY [STEVIE WONDER] | VARIOUS ARTISTS | T-070.140.643-0 | |
| 39-2 | WHY DON'T YOU LEAD ME TO LOVE - SINGLE VERSION / MONO | STEVIE WONDER | T-071.236.728-6 | |
| 39-3 | I Am the Man for You Baby | Edwin Starr | T-070.249.946-4 | |
| 39-4 | My Weakness Is You | Edwin Starr | T-070.242.415-4 | |
| 39-5 | Where Would I Be Without You | Barbara McNair | T-071.932.940-4 | |
| 39-6 | Ain’t Nothing Like the Real Thing | Marvin Gaye, Tammi Terrell | T-070.003.186-2 | |
| 39-7 | Little Ole Boy, Little Ole Girl | Marvin Gaye, Tammi Terrell | — | |
| 39-8 | Bring Back the Love | The Monitors | — | |
| 39-9 | I Promise to Wait My Love | Martha and the Vandellas | — | |
| 39-10 | Forget Me Not | Martha and the Vandellas | — | |
| 39-11 | Gotta See Jane | R. Dean Taylor | — | |
| 39-13 | If I Were a Carpenter | Four Tops | T-031.654.436-1 | |
| 39-14 | Wonderful Baby | Four Tops | T-070.240.740-6 | |
| 39-15 | I Could Never Love Another (After Loving You) | The Temptations | T-070.240.510-4 | |
| 39-16 | Gonna Give Her All the Love I’ve Got | The Temptations | T-700.017.582-8 | |
| 39-17 | Linda Sue Dixon | Mitch Ryder & The Detroit Wheels | — | |
| 39-18 | Tally Ho | The Detroit Wheels | T-060.095.678-2 | |
| 39-19 | Here I Am Baby | The Marvelettes | T-070.075.756-7 | |
| 39-20 | Keep Off, No Trespassing | The Marvelettes | — | |
| 39-21 | Here Comes the Judge | Shorty Long | — | |
| 39-22 | Sing What You Wanna | Shorty Long | — | |
| 39-23 | Ain’t That Lovin’ You | The Volumes | T-010.150.486-2 | |
| 39-24 | I Love You Baby | The Volumes | T-802.439.966-5 | |
| 40-1 | Yester Love | Smokey Robinson & The Miracles | T-070.211.792-7 | |
| 40-2 | Much Better Off | Smokey Robinson & The Miracles | — | |
| 40-3 | It Should Have Been Me | Gladys Knight & the Pips | T-070.241.304-4 | |
| 40-4 | You Don’t Love Me No More | Gladys Knight & the Pips | — | |
| 40-5 | What the World Needs Now Is Love | Diana Ross & The Supremes | T-070.050.171-8 | |
| 40-6 | Your Kiss of Fire | The Supremes | T-910.015.514-4 | |
| 40-7 | Some Things You Never Get Used To | Diana Ross & The Supremes | T-070.140.661-2 | |
| 40-8 | You’ve Been So Wonderful to Me | Diana Ross & The Supremes | — | |
| 40-9 | Don’t Let Him Take Your Love From Me | Jimmy Ruffin | T-070.250.984-9 | |
| 40-10 | Lonely Lonely Man Am I | Jimmy Ruffin | T-700.038.679-0 | |
| 40-11 | YOU MET YOUR MATCH | STEVIE WONDER, VARIOUS ARTISTS | T-071.240.235-1 | |
| 40-12 | MY GIRL | VARIOUS ARTISTS | T-001.960.985-8 | |
| 40-13 | I Am Your Man | Bobby Taylor | — | |
| 40-14 | If You Love Her | Bobby Taylor & the Vancouvers | — | |
| 40-15 | Yesterday’s Dreams | Four Tops | T-071.238.913-3 | |
| 40-16 | For Once In My Life | Four Tops | T-070.881.469-0 | |
| 40-17 | You’re All I Need to Get By | Marvin Gaye, Tammi Terrell | T-070.211.799-4 | |
| 40-18 | I Care About Detroit | Smokey Robinson & The Miracles | T-910.012.184-4 | |
| 40-19 | Please Return Your Love to Me | The Temptations | T-700.054.314-8 | |
| 40-20 | How Can I Forget | The Temptations | T-700.023.523-6 | |
| 40-21 | Hip City, Part 2 | Jr. Walker & the All Stars | T-700.022.089-5 | |
| 40-22 | Hip City, Part 1 | Jr. Walker & the All Stars | T-700.022.089-5 | |
| 40-23 | I Can’t Dance to That Music You’re Playin’ | Martha and the Vandellas | T-070.079.895-3 | |
| 40-24 | I Tried | Martha and the Vandellas | T-031.851.353-9 | |
| 41-1 | Special Occasion | Smokey Robinson & The Miracles | T-070.140.714-8 | |
| 41-2 | Give Her Up | Smokey Robinson & The Miracles | T-070.066.247-0 | |
| 41-3 | A Little Bit for Sandy | Paul Petersen | — | |
| 41-4 | Your Love’s Got Me Burning Alive | Paul Petersen | T-904.283.600-0 | |
| 41-5 | I Wish It Would Rain | Gladys Knight & the Pips | T-071.679.605-2 | |
| 41-6 | It’s Summer | Gladys Knight & the Pips | — | |
| 41-7 | For Love of Ivy | Billy Eckstine | T-070.098.359-0 | |
| 41-8 | A Woman | Billy Eckstine | — | |
| 41-9 | Can I Get a Witness | Barbara Randolph | T-070.233.228-2 | |
| 41-10 | Chained | Marvin Gaye | T-070.238.763-0 | |
| 41-11 | Don’t Let Me Lose This Dream | The Ones | T-911.057.699-3 | |
| 41-12 | I’ve Been Good To You | The Ones | T-070.907.991-3 | |
| 41-13 | Step by Step (Hand in Hand) | The Monitors | — | |
| 41-14 | Time Is Passin’ By | The Monitors | — | |
| 41-15 | ALFIE | FAMOUS CHAPPELL LTD., STEVIE WONDER | T-070.002.812-1 | |
| 41-16 | MORE THAN A DREAM | STEVIE WONDER | T-070.112.643-3 | |
| 41-17 | Destination: Anywhere | The Marvelettes | T-070.041.344-0 | |
| 41-18 | What’s Easy for Two Is Hard for One | The Marvelettes | T-917.879.854-4 | |
| 41-19 | Think (About the Good Things) | Mitch Ryder & The Detroit Wheels | — | |
| 41-20 | For the Love of a Stranger | Mitch Ryder & The Detroit Wheels | T-070.880.588-2 | |
| 41-21 | His Eye Is on the Sparrow | Marvin Gaye | T-302.310.119-7 | |
| 41-22 | Just a Closer Walk With Thee | Gladys Knight and the Pips | T-904.707.155-6 | |
| 42-1 | I’m in a Different World | Four Tops | T-700.026.852-2 | |
| 42-2 | Remember When | Four Tops | T-072.033.620-8 | |
| 42-3 | I Love You Madly | The Fantastic Four | T-011.440.532-1 | |
| 42-4 | I Love You Madly (instrumental) | The Fantastic Four | T-011.440.532-1 | |
| 42-5 | Keep On Lovin’ Me Honey | Marvin Gaye, Tammi Terrell | — | |
| 42-6 | You Ain’t Livin’ Till You’re Lovin’ | Marvin Gaye, Tammi Terrell | T-070.211.899-7 | |
| 42-7 | Love Child | Diana Ross & The Supremes | T-070.241.887-8 | |
| 42-8 | Will This Be the Day | Diana Ross & The Supremes | T-914.510.337-3 | |
| 42-10 | You Could Never Love Him (Like I Love Him) | Barbara McNair | — | |
| 42-11 | Fancy Passes | Barbara McNair | — | |
| 42-12 | I’ll Pick a Rose for My Rose | Marv Johnson | T-070.240.688-9 | |
| 42-13 | You Got the Love I Love | Marv Johnson | — | |
| 42-14 | Malinda | Bobby Taylor | — | |
| 42-15 | It's Growing (single version) | Bobby Taylor | T-070.079.365-2 | |
| 42-17 | Sweet Darlin’ | Martha and the Vandellas | — | |
| 42-18 | Without You | Martha and the Vandellas | T-070.242.415-4 | |
| 42-19 | For Once in My Life | Stevie Wonder | T-070.881.469-0 | |
| 42-20 | ANGIE GIRL | STEVIE WONDER, (UNKNOWN) | T-070.003.071-2 | |
| 42-21 | I Comma Zimba Zio (Here I Stand the Mighty One) | Abdullah | — | |
| 42-22 | Why Them, Why Me | Abdullah | — | |
| 42-23 | Bad, Bad Weather (Till You Come Home) | The Spinners | T-918.220.531-8 | |
| 42-24 | I Just Can’t Help but Feel the Pain | The Spinners | — | |
| 43-1 | Cloud Nine | The Temptations | T-070.233.391-2 | |
| 43-2 | Why Did She Have to Leave Me (Why Did She Have to Go) | The Temptations | T-700.080.518-7 | |
| 43-3 | Way Over There | Edwin Starr | — | |
| 43-4 | If My Heart Could Tell the Story | Edwin Starr | — | |
| 43-5 | All Because I Love You | The Isley Brothers | T-010.479.332-9 | |
| 43-6 | Behind a Painted Smile | The Isley Brothers | T-070.884.325-7 | |
| 43-7 | I Wouldn’t Change the Man He Is | Blinky | — | |
| 43-8 | I’ll Always Love You | Blinky | T-070.084.215-4 | |
| 43-9 | Gonna Keep on Tryin’ Till I Win Your Love | Jimmy Ruffin | T-700.017.589-5 | |
| 43-10 | Sad and Lonesome Feeling | Jimmy Ruffin | — | |
| 43-11 | The Impossible Dream | Diana Ross & The Supremes, The Temptations | T-070.908.158-2 | |
| 43-12 | I’m Gonna Make You Love Me | Diana Ross & The Supremes, The Temptations | T-070.240.764-4 | |
| 43-13 | A Place in the Sun | Diana Ross & The Supremes, The Temptations | T-071.068.568-9 | |
| 43-14 | Rudolph the Red-Nosed Reindeer | The Temptations | T-031.834.032-7 | |
| 43-15 | Silent Night | The Temptations | T-914.285.596-7 | |
| 43-16 | I Heard It Through the Grapevine | Marvin Gaye | T-070.240.615-2 | |
| 43-17 | You’re What’s Happening in the World Today | Marvin Gaye | — | |
| 43-18 | This Old Heart of Mine (Is Weak for You) | Tammi Terrell | T-070.247.303-7 | |
| 43-19 | Just Too Much to Hope For | Tammi Terrell | — | |
| 43-20 | Baby, Baby Don’t Cry | Smokey Robinson & The Miracles | T-070.880.700-4 | |
| 43-21 | Your Mother’s Only Daughter | Smokey Robinson & The Miracles | — | |
| 43-22 | Home Cookin’ | Jr. Walker & the All Stars | — | |
| 43-23 | Mutiny | Jr. Walker & the All Stars | T-070.112.671-7 | |
| 43-24 | I’m Gonna Hold on Long as I Can | The Marvelettes | — | |
| 43-25 | Don’t Make Hurting Me a Habit | The Marvelettes | T-906.908.227-5 |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I Heard It Through the Grapevine (single version) (mono) | Marvin Gaye | T-070.240.615-2 |
| STEEL LOVE | OSCAR G | T-070.881.469-0 |
| Rudolph the Red‐Nosed Reindeer (stereo LP version) | The Temptations | T-031.834.032-7 |
| Does Your Mama Know About Me (promo version) | Bobby Taylor & the Vancouvers | — |
| Gotta See Jane (alternate mix) | R. Dean Taylor | T-072.335.775-2 |
| Malinda (alternate mix) | Bobby Taylor & the Vancouvers | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 602517431775?
602517431775 is a Universal Product Code (UPC) assigned to The Complete Motown Singles, Volume 8: 1968 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 140 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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