UPC · Release
Pull the Pin (‘Live at Wembley’ Audio E-Bundle)
Stereophonics
Last verified:
602517648548 is the Universal Product Code (UPC barcode) for the release “Pull the Pin (‘Live at Wembley’ Audio E-Bundle)” by Stereophonics, released 2008-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 4 tracks, each with its own ISRC. Tracks include GBUM70802019, GBUM70802036, GBUM70802024.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (4)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bank Holiday Monday (live at Wembley) | Stereophonics | T-011681146-1 | |
| 2 | My Friends (live at Wembley) | Stereophonics | T-011681151-8 | |
| 3 | Pass the Buck (live at Wembley) | Stereophonics | T0116811529 | |
| 4 | It Means Nothing (live at Wembley) | Stereophonics | T-011681149-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 602517648548?
602517648548 is a Universal Product Code (UPC) assigned to Pull the Pin (‘Live at Wembley’ Audio E-Bundle) by Stereophonics. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 4 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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