UPC · Release
The Complete Motown Singles, Volume 10: 1970
Various Artists
Last verified:
602517659209 is the Universal Product Code (UPC barcode) for the release “The Complete Motown Singles, Volume 10: 1970” by Various Artists, released 2008-01-01 on Hip-O Select. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 132 tracks, each with its own ISRC. Tracks include USUM70744460, USMO17084740, USUM70813616.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (132)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 50-1 | The Bells | The Originals | T-301.672.977-0 | |
| 50-2 | I’ll Wait for You | The Originals | — | |
| 50-3 | The Bells (alternate take) | The Originals | — | |
| 50-4 | Blackmail | Bobby Taylor | T-070.014.365-2 | |
| 50-5 | My Cherie Amour | Joe Harnell | T-931.293.349-6 | |
| 50-6 | NEVER HAD A DREAM COME TRUE - SINGLE VERSION / MONO | STEVIE WONDER | T-070.153.848-8 | |
| 50-7 | SOMEBODY KNOWS, SOMEBODY CARES | STEVIE WONDER | T-070.141.402-9 | |
| 50-8 | What’cha Gonna Do | Terry Johnson | — | |
| 50-9 | Time | Edwin Starr | T-910.729.714-3 | |
| 50-10 | Running Back & Forth | Edwin Starr | — | |
| 50-11 | Gotta Hold on to This Feeling | Jr. Walker & the All Stars | — | |
| 50-12 | Clinging to the Thought That She’s Coming Back | Jr. Walker & the All Stars | — | |
| 50-13 | I Should Be Proud | Martha and the Vandellas | T-071.146.841-5 | |
| 50-14 | Love, Guess Who | Martha and the Vandellas | — | |
| 50-15 | Message From a Blackman | The Spinners | — | |
| 50-16 | Life Beats | The Supremes | — | |
| 50-17 | Up the Ladder to the Roof | The Supremes | T-070.247.587-3 | |
| 50-18 | Bill, When Are You Coming Back | The Supremes | T-930.963.964-3 | |
| 50-19 | Expressin’ My Love | Stu Gardner | — | |
| 50-20 | I Don’t Dream No More | Stu Gardner | T-904.004.072-0 | |
| 50-21 | Get Ready | Rare Earth | T-070.065.945-5 | |
| 50-22 | ABC | The Jackson 5 | T-070.003.227-4 | |
| 50-23 | The Young Folks | The Jackson 5 | — | |
| 50-24 | You Need Love Like I Do (Don't You?) | Gladys Knight & the Pips | T-071.017.491-6 | |
| 50-25 | You’re My Everything | Gladys Knight & the Pips | T-070.248.292-5 | |
| 51-2 | Sorry Is a Sorry Word | Ivy Jo Hunter | T-911.916.264-0 | |
| 51-4 | The Onion Song | Marvin Gaye, Tammi Terrell | T-070.160.769-3 | |
| 51-5 | California Soul | Marvin Gaye, Tammi Terrell | T-070.027.576-8 | |
| 51-6 | It’s All in the Game | Four Tops | T-070.907.229-6 | |
| 51-7 | Love (Is the Answer) | Four Tops | T-306.587.208-0 | |
| 51-8 | Reach Out and Touch (Somebody’s Hand) | Diana Ross | T-070.128.258-7 | |
| 51-9 | These Things Will Keep Me Loving You | Diana Ross | T-070.182.689-2 | |
| 51-10 | Dark Side of the World | Diana Ross | T-070.041.346-2 | |
| 51-12 | Love’s Your Name | R. Dean Taylor | T-910.250.341-3 | |
| 51-14 | Come On People | Rustix | — | |
| 51-15 | Free Again (Non C’est rien) | Rustix | T-003.013.003-0 | |
| 51-16 | On the Brighter Side of a Blue World | The Fantastic Four | — | |
| 51-17 | I’m Gonna Carry On | The Fantastic Four | — | |
| 51-18 | Who’s Gonna Take the Blame | Smokey Robinson & The Miracles | — | |
| 51-19 | I Gotta Thing for You | Smokey Robinson & The Miracles | T-070.085.010-7 | |
| 51-20 | My Baby’s Love | Arthur Adams | T-700.026.242-2 | |
| 51-21 | Loving You | Arthur Adams | T-071.000.874-4 | |
| 51-22 | Two Feet From Happiness | Chuck Jackson | — | |
| 51-23 | Let Somebody Love Me | Chuck Jackson | T-070.065.138-2 | |
| 52-1 | Ball of Confusion (That’s What the World Is Today) | The Temptations | T-070.232.899-1 | |
| 52-2 | It’s Summer | The Temptations | T-700.031.238-1 | |
| 52-3 | The Love You Save | The Jackson 5 | T-070.099.277-3 | |
| 52-4 | I Found That Girl | The Jackson 5 | T-070.080.443-8 | |
| 52-5 | The End of Our Road | — | ||
| 52-6 | Me and My Lonely Room | Marvin Gaye | — | |
| 52-7 | Just Another Morning | Michael Denton | T-802.515.338-3 | |
| 52-8 | Arma’ Geden | Michael Denton | — | |
| 52-9 | Signed, Sealed, Delivered I’m Yours (alternate take) | — | ||
| 52-10 | I'M MORE THAN HAPPY (I'M SATISFIED) - SINGLE VERSION / MONO | STEVIE WONDER | T-070.083.611-8 | |
| 52-11 | Signed. Sealed, Delivered I’m Yours | — | ||
| 52-12 | War | Edwin Starr | T-070.247.669-4 | |
| 52-13 | He Who Picks a Rose | Edwin Starr | — | |
| 52-14 | It’s a Shame | The Spinners | T-070.080.463-2 | |
| 52-15 | Together We Can Make Such Sweet Music | The Spinners | T-700.073.237-8 | |
| 52-16 | Do You See My Love (for You Growing) | Jr. Walker & the All Stars | — | |
| 52-17 | Groove and Move | Jr. Walker & the All Stars | — | |
| 52-18 | The Day Will Come Between Sunday and Monday | Kiki Dee | — | |
| 52-19 | My Whole World Ended (The Moment You Left Me) | Kiki Dee | — | |
| 52-20 | Everybody’s Got the Right to Love | The Supremes | T-925.440.045-8 | |
| 52-21 | But I Love You More | The Supremes | T-070.902.524-0 | |
| 52-23 | I Like Your Style | The Originals | — | |
| 52-25 | An Important Message From Barney Ales (Play Immediately) | Barney Ales | — | |
| 53-1 | I Know I’m Losing You | Rare Earth | T-070.240.636-7 | |
| 53-2 | When Joanie Smiles | Rare Earth | — | |
| 53-3 | Stay a Little Longer | Yvonne Fair | — | |
| 53-4 | We Should Never Be Lonely My Love | Yvonne Fair | — | |
| 53-5 | How You Gonna Keep It (After You Get It) | Blinky | — | |
| 53-6 | This Time Last Summer | Blinky | — | |
| 53-10 | Can’t It Wait Until Tomorrow | Diana Ross | T-070.027.947-5 | |
| 53-11 | To Be Young Gifted & Black | Bob & Marcia | T-070.183.223-6 | |
| 53-12 | Peace of Mind | Bob & Marcia | T-305.805.480-7 | |
| 53-13 | Still Water (Love) | Four Tops | T-070.940.367-7 | |
| 53-14 | Still Water (Peace) | Four Tops | T-070.939.834-4 | |
| 53-15 | Stone Soul Booster | Buzzie | — | |
| 53-16 | Sandy | Buzzie | T-928.422.283-9 | |
| 53-17 | I’ll Be There | The Jacksons | T-070.080.433-6 | |
| 53-18 | One More Chance | The Jackson 5 | T-070.160.808-3 | |
| 53-19 | Ungena Za Ulimwengu (Unite the World) (single version edit) | The Temptations | T-700.075.673-2 | |
| 53-20 | Hum Along and Dance | The Temptations | T-700.023.836-0 | |
| 53-21 | As Long as I Got You | Danny Hernandez & The Ones | — | |
| 53-22 | One Little Teardrop | Danny Hernandez & The Ones | — | |
| 53-23 | Stand by Me | David Ruffin, Jimmy Ruffin | T-011.233.891-6 | |
| 53-24 | Your Love Was Worth Waiting For | David Ruffin, Jimmy Ruffin | — | |
| 54-1 | The Tears of a Clown | Smokey Robinson & The Miracles | T-070.183.555-3 | |
| 54-2 | Promise Me | Smokey Robinson & The Miracles | — | |
| 54-3 | The Love I Saw in You Was Just a Mirage | Smokey Robinson & The Miracles | T-070.099.275-1 | |
| 54-4 | HEAVEN HELP US ALL | STEVIE WONDER | T-924.599.361-7 | |
| 54-5 | I GOTTA HAVE A SONG | STEVIE WONDER | T-071.886.791-4 | |
| 54-6 | You Keep Me Hangin’ On | Hugh Masekela | T-070.248.250-5 | |
| 54-7 | Make Me a Potion | Hugh Masekela | — | |
| 54-8 | It’s a Lonesome Road | Hearts of Stone | — | |
| 54-9 | Yesterday’s Love Is Over | Hearts of Stone | — | |
| 54-10 | I Gotta Let You Go | Martha and the Vandellas | T-700.025.376-1 | |
| 54-11 | You’re the Loser Now | Martha and the Vandellas | T-031.502.326-7 | |
| 54-12 | Stoned Love | The Supremes | T-070.243.979-9 | |
| 54-13 | Shine on Me | The Supremes | T-070.237.006-6 | |
| 54-15 | If I Were Your Woman | Gladys Knight & the Pips | T-070.080.457-4 | |
| 54-16 | The Tracks of My Tears | Gladys Knight & the Pips | T-070.183.063-8 | |
| 54-17 | Marionette | The Marvelettes | — | |
| 54-18 | After All | The Marvelettes | T-917.879.852-2 | |
| 54-19 | River Deep – Mountain High | The Supremes, Four Tops | T-070.243.198-8 | |
| 54-20 | Together We Can Make Such Sweet Music | The Supremes, Four Tops | T-700.073.237-8 | |
| 54-21 | Coming Apart | Allan Nicholls | T-911.056.430-2 | |
| 54-22 | Let the Music Play | Allan Nicholls | T-070.098.092-2 | |
| 55-1 | Stop the War Now | Edwin Starr | — | |
| 55-2 | God Bless Whoever Sent You | The Originals | — | |
| 55-3 | Just to Keep You Satisfied | The Originals | T-071.062.086-2 | |
| 55-4 | Desperate Young Man | The Originals | — | |
| 55-6 | Here Comes the Night | Rare Earth | — | |
| 55-7 | Born to Wander | Rare Earth | T-070.014.278-4 | |
| 55-8 | Holly Holy | Jr. Walker & the All Stars | T-070.249.758-2 | |
| 55-9 | Carry Your Own Load | Jr. Walker & the All Stars | — | |
| 55-10 | Santa Claus Is Coming to Town | Jackson 5 | T-039.705.892-2 | |
| 55-11 | Christmas Won’t Be the Same This Year | The Jackson 5 | — | |
| 55-12 | Way Back Home | The Jazz Crusaders | — | |
| 55-13 | Jackson! | The Jazz Crusaders | — | |
| 55-14 | Remember Me | Diana Ross | T-070.128.257-6 | |
| 55-15 | How About You | Diana Ross | T-071.280.001-5 | |
| 55-16 | We’ll Have It Made | The Spinners | T-070.202.424-5 | |
| 55-17 | My Whole World Ended (the Moment You Left Me) | The Spinners | T-070.242.409-6 | |
| 55-18 | Just Seven Numbers (Can Straighten Out My Life) | Four Tops | T-070.089.608-7 | |
| 55-19 | I Wish I Were Your Mirror | Four Tops | — | |
| 55-20 | Maria (You Were the Only One) | Jimmy Ruffin | T-070.916.408-8 | |
| 55-21 | Living in a World I Created for Myself | Jimmy Ruffin | — | |
| 55-22 | Living in a World I Created for Myself (alternate take) | Jimmy Ruffin | — | |
| 55-23 | Can’t Wait to See You | Arthur Adams | — | |
| 55-24 | It’s Private Tonight | Arthur Adams | T-900.611.561-3 |
Additional database matches (21)
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People also ask
What is UPC 602517659209?
602517659209 is a Universal Product Code (UPC) assigned to The Complete Motown Singles, Volume 10: 1970 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 132 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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