UPC · Release
The Complete Motown Singles, Volume 11A: 1971
Various Artists
Last verified:
602517776555 is the Universal Product Code (UPC barcode) for the release “The Complete Motown Singles, Volume 11A: 1971” by Various Artists, released 2008-01-01 on Hip-O Select. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 93 tracks, each with its own ISRC. Tracks include USMO17082638, USMO19883516, USMO17100074.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (93)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 56-1 | Mama’s Pearl | The Jackson 5 | T-070.113.031-5 | |
| 56-2 | Darling Dear | The Jackson 5 | — | |
| 56-3 | Let’s All Save the Children | — | ||
| 56-4 | You Are Blue | — | ||
| 56-5 | Sweet Water | — | ||
| 56-6 | You Keep Me Hangin’ On | — | ||
| 56-7 | Pet Names | — | ||
| 56-8 | Is There Anything Love Can’t Do | — | ||
| 56-9 | Just My Imagination (Running Away with Me) (single version / mono) | The Temptations | T-070.241.432-1 | |
| 56-10 | You Make Your Own Heaven and Hell Right Here on Earth | — | ||
| 56-11 | Ain’t It a Sad Thing | — | ||
| 56-12 | Back Street | — | ||
| 56-13 | What’s Going On | Marvin Gaye | T-070.202.410-9 | |
| 56-14 | God Is Love | Marvin Gaye | T-071.062.086-2 | |
| 56-15 | Save My Love for a Rainy Day | — | ||
| 56-16 | Since I’ve Lost You | — | ||
| 56-17 | Don’t Pay Me No Mind | — | ||
| 56-18 | Listen to Your Soul | — | ||
| 56-19 | Each Day Is a Lifetime | — | ||
| 56-20 | Don’t Stop Lovin’ Me | — | ||
| 56-21 | Love Makes the World Go ’Round | — | ||
| 56-22 | Jimmy | — | ||
| 57-1 | We Can Work It Out | — | ||
| 57-2 | NEVER DREAMED YOUD LEAVE IN SUMMER | STEVIE WONDER | T-070.153.849-9 | |
| 57-3 | I Don’t Blame You at All | — | ||
| 57-4 | That Girl | — | ||
| 57-5 | This Used to Be the Home of Johnnie Mae | — | ||
| 57-6 | It’s So Hard for Me to Say Goodbye | — | ||
| 57-8 | In My Own Lifetime | — | ||
| 57-9 | I’ll Begin Again | — | ||
| 57-11 | Never Can Say Goodbye | The Jackson 5 | T-070.153.814-8 | |
| 57-12 | She's Good | The Jackson 5 | T-070.141.469-8 | |
| 57-13 | Gotta See Jane | — | ||
| 57-15 | Strung Out | — | ||
| 57-16 | Sounds of the Zodiac | — | ||
| 57-19 | Funky Music Sho Nuff Turns Me On | — | ||
| 57-20 | Cloud Nine | — | ||
| 57-21 | When My Love Hand Comes Down | — | ||
| 57-22 | Steppin’ on a Dream | — | ||
| 57-23 | I Won’t Weep No More | — | ||
| 57-24 | You Touched Me | — | ||
| 58-1 | Reach Out I’ll Be There | — | ||
| 58-2 | (They Long to Be) Close to You | — | ||
| 58-5 | (I’ve Given You) The Best Years of My Life | — | ||
| 58-6 | It Takes a Man to Teach a Woman How to Love | — | ||
| 58-7 | What You See Is What You Get | — | ||
| 58-8 | Lady Be Mine | — | ||
| 58-10 | Nathan Jones | — | ||
| 58-11 | Happy (Is a Bumpy Road) | — | ||
| 58-13 | Melodie | — | ||
| 58-14 | Someday We’ll Be Together | — | ||
| 58-15 | Never Can Say Goodbye | — | ||
| 58-16 | So Far, So Good | — | ||
| 58-18 | Heartaches | — | ||
| 58-19 | Together We Can Do Anything | — | ||
| 58-20 | Feelin’ Alright | — | ||
| 58-21 | Love Story | — | ||
| 58-22 | I Don’t Want to Do Wrong | — | ||
| 58-23 | Is There a Place (In His Heart for Me) | — | ||
| 59-1 | You Gotta Have Love in Your Heart | — | ||
| 59-2 | I’m Glad About It | — | ||
| 59-4 | Smiling Faces Sometimes | The Undisputed Truth | T-070.243.692-7 | |
| 59-5 | You Got the Love I Need | — | ||
| 59-6 | I’d Still Love You | — | ||
| 59-7 | I Can Feel the Pain | — | ||
| 59-9 | In These Changing Times | — | ||
| 59-10 | Right Before My Eyes | — | ||
| 59-12 | Pass the Plate | — | ||
| 59-13 | Greasy Spoon | — | ||
| 59-15 | Dyambo (Dee‐Yambo) Weary Day Is Over | — | ||
| 59-16 | Shebeen | — | ||
| 59-18 | Uncle Tom | — | ||
| 59-19 | Mornin’ Train | — | ||
| 59-20 | What Is Love | — | ||
| 59-21 | Where Did the Children Go | — | ||
| 59-22 | Crazy About the La La La | — | ||
| 59-23 | Oh, Baby Baby I Love You | — | ||
| 60-1 | Mercy Mercy Me (The Ecology) | — | ||
| 60-2 | Sad Tomorrows | — | ||
| 60-4 | If I Could Give You the World | — | ||
| 60-5 | You Gotta Sacrifice (We Gotta Sacrifice) | — | ||
| 60-7 | The Reverend John B. Daniels | — | ||
| 60-8 | Jesus Is the Key | — | ||
| 60-10 | Candy Apple Red | — | ||
| 60-11 | Woman Alive | — | ||
| 60-13 | I Just Want to Celebrate | — | ||
| 60-14 | The Seed | — | ||
| 60-16 | Maybe Tomorrow | — | ||
| 60-17 | I Will Find a Way | — | ||
| 60-19 | What the World Needs Now Is Live / Abraham, Martin and John | — | ||
| 60-20 | The Victors | — | ||
| 60-22 | It’s Summer | — | ||
| 60-23 | I’m the Exception to the Rule | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Just My Imagination (Running Away With Me) | The Temptations | T-070.241.432-1 |
| Just My Imagination (Running Away With Me) | The Temptations | T-070.241.432-1 |
| Just My Imagination (Running Away with Me) | The Temptations | T-070.241.432-1 |
What other identifiers does this connect to?
Musical Works (ISWC)
+26 more
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 602517776555?
602517776555 is a Universal Product Code (UPC) assigned to The Complete Motown Singles, Volume 11A: 1971 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 93 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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