UPC · Release
Down the Line: Rarities
Buddy Holly
Last verified:
602517798915 is the Universal Product Code (UPC barcode) for the release “Down the Line: Rarities” by Buddy Holly, released 2009-01-01 on Geffen Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 56 tracks, each with its own ISRC. Tracks include GBBLY0604404, USUM70721636, USUM70721635.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (56)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | My Two-Timin’ Woman | — | ||
| 2 | Footprints in the Snow | Buddy, Bob | — | |
| 3 | Flower of My Heart | Buddy Holly | T-911.059.010-8 | |
| 4 | Door to My Heart | Buddy Holly | T-070.251.711-0 | |
| 5 | Soft Place in My Heart | Buddy Holly | T-911.064.845-8 | |
| 6 | Gotta Get You Near Me Blues | Buddy, Bob | T-700.018.177-3 | |
| 7 | I Gambled My Heart | Buddy Holly | T-911.062.136-8 | |
| 8 | You and I Are Through | — | ||
| 9 | Down the Line | Buddy Holly | T-917.312.092-8 | |
| 10 | Baby, Let’s Play House | — | ||
| 11 | Moonlight Baby | — | ||
| 12 | I Guess I Was Just a Fool | — | ||
| 13 | Don’t Come Back Knockin’ | Buddy Holly | T-301.193.373-2 | |
| 14 | Love Me | — | ||
| 15 | Gone | Buddy Holly | T-070.234.286-6 | |
| 16 | Gone (alternate take) | — | ||
| 17 | Have You Ever Been Lonely (alternate take) | — | ||
| 18 | Have You Ever Been Lonely | — | ||
| 19 | Brown-Eyed Handsome Man | — | ||
| 20 | Good Rockin’ Tonight | — | ||
| 21 | Rip It Up | — | ||
| 22 | Blue Monday | — | ||
| 23 | Honky Tonk | — | ||
| 24 | Blue Suede Shoes | Buddy Holly | T-900.301.723-0 | |
| 25 | Shake Rattle and Roll (partial) | — | ||
| 26 | Bo Diddley | — | ||
| 27 | Ain’t Got No Home | Buddy Holly | T-070.231.861-3 | |
| 28 | Holly Hop | — | ||
| 2-1 | Last Night (undubbed) | — | ||
| 2-2 | Not Fade Away (partial alternate overdub) | — | ||
| 2-3 | Peggy Sue (alternate take) | — | ||
| 2-4 | Oh Boy! (undubbed) | — | ||
| 2-5 | That’s My Desire (two false starts plus undubbed master) | — | ||
| 2-6 | Take Your Time (false start & partially undubbed take) | — | ||
| 2-7 | Fool’s Paradise (alternate take undubbed) | — | ||
| 2-8 | Fool’s Paradise (undubbed master) | — | ||
| 2-9 | Fool’s Paradise (alternate #2, undubbed) | — | ||
| 2-10 | Think It Over (false start & rehearsal take, take 1) | — | ||
| 2-11 | Think It Over (undubbed alternate, take 2) | — | ||
| 2-12 | Think It Over (undubbed master, take 3) | — | ||
| 2-13 | Love’s Made a Fool of You (undubbed) | — | ||
| 2-14 | That’ll Be the Day (greetings to Bob Thiele) | — | ||
| 2-15 | That’ll Be the Day (greetings to Murray Deutsch) | — | ||
| 2-16 | That’s What They Say (with fragment) | — | ||
| 2-17 | What to Do | — | ||
| 2-18 | Peggy Sue Got Married | — | ||
| 2-19 | That Makes It Tough | — | ||
| 2-20 | Crying, Waiting, Hoping | — | ||
| 2-21 | Learning the Game | — | ||
| 2-22 | Wait Till the Sun Shines Nellie | — | ||
| 2-26 | [Buddy & Maria Elena Talking in Apartment] | — | ||
| 2-27 | Dearest (fragment) | — | ||
| 2-28 | Dearest | — | ||
| 2-29 | [untitled instrumental] | — | ||
| 2-30 | Love Is Strange | — | ||
| 2-31 | Smokey Joe’s Café | — |
What other identifiers does this connect to?
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People also ask
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What is UPC 602517798915?
602517798915 is a Universal Product Code (UPC) assigned to Down the Line: Rarities by Buddy Holly. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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