UPC · Release
O Brother, Where Art Thou?
Various Artists
Last verified:
602527489278 is the Universal Product Code (UPC barcode) for the release “O Brother, Where Art Thou?” by Various Artists, released 2011-01-01 on Lost Highway. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include USRO29770106, USRN10100795, USMR10000135.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (32)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Po’ Lazarus | James Carter | T-071.289.380-5 | |
| 2 | Big Rock Candy Mountain | Harry McClintock | T-070.011.254-4 | |
| 3 | You Are My Sunshine | Norman Blake | T-314.787.727-4 | |
| 4 | Down to the River to Pray | Alison Krauss | T-306.302.758-3 | |
| 5 | I Am a Man of Constant Sorrow (radio station version) | Soggy Bottom Boys, Dan Tyminski | — | |
| 6 | Hard Time Killing Floor Blues | Chris Thomas King | T-906.252.881-8 | |
| 7 | I Am a Man of Constant Sorrow (instrumental) | Norman Blake | — | |
| 8 | Keep on the Sunny Side | The Whites | T-902.196.493-2 | |
| 9 | I’ll Fly Away | Gillian Welch, Alison Krauss | T-306.380.949-0 | |
| 10 | Didn’t Leave Nobody but the Baby | Gillian Welch, Alison Krauss, Emmylou Harris | T-913.111.119-8 | |
| 11 | In the Highways | Sarah, Hannah & Leah Peasall | — | |
| 12 | I Am Weary (Let Me Rest) | The Cox Family | T-700.024.242-4 | |
| 13 | I Am a Man of Constant Sorrow (instrumental) | John Hartford | — | |
| 14 | O Death | Ralph Stanley | T-700.049.771-4 | |
| 15 | In the Jailhouse Now | Soggy Bottom Boys, Tim Blake Nelson | T-070.906.394-4 | |
| 16 | I Am a Man of Constant Sorrow (with band) | The Soggy Bottom Boys, Dan Tyminski | — | |
| 17 | Indian War Whoop | John Hartford | T-928.522.408-0 | |
| 18 | Lonesome Valley | Fairfield Four | — | |
| 19 | Angel Band | The Stanley Brothers, The Clinch Mountain Boys | T-070.224.340-0 | |
| 2-1 | Hard Time Killing Floor Blues | Colin Linden | — | |
| 2-2 | You Are My Sunshine | Alan O’Bryant | T-314.787.727-4 | |
| 2-3 | Tishomingo Blues | John Hartford | T-010.434.427-5 | |
| 2-4 | I’ll Fly Away | The Kossoy Sisters, Erik Darling | T-306.380.949-0 | |
| 2-5 | Big Rock Candy Mountain | Van Dyke Parks, Norman Blake | T-070.011.254-4 | |
| 2-6 | Tom Devil | Ed Lewis & Prisoners | T-070.247.397-9 | |
| 2-7 | Keep on the Sunny Side | The Cox Family | T-902.196.493-2 | |
| 2-8 | Angel Band | Sarah, Hannah and Leah Peasall, Robert Hamlett | T-011.557.264-9 | |
| 2-10 | Little Sadie | Norman Blake | T-071.000.752-5 | |
| 2-11 | In the Highways | The Cox Family | — | |
| 2-12 | Hogfoot | John Hartford | T-932.226.311-6 | |
| 2-13 | The Lord Will Make a Way | Fairfield Four | T-071.000.817-5 | |
| 2-14 | In the Jailhouse Now | Harley Allen | T-070.906.394-4 |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Big Rock Candy Mountain | Norman Blake | T-070.011.254-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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What is UPC 602527489278?
602527489278 is a Universal Product Code (UPC) assigned to O Brother, Where Art Thou? by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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