UPC · Release
Selected Signs III–VIII
Various Artists
602537289714
87 tracksReleased 2013-01-01ECM Records
Last verified:
602537289714 is the Universal Product Code (UPC barcode) for the release “Selected Signs III–VIII” by Various Artists, released 2013-01-01 on ECM Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 87 tracks, each with its own ISRC. Tracks include USHM19823105, DEB330912506, DEB330912507.
Format
6Number system
02537Manufacturer
28971Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCSelected Signs III–VIII
ISRC24 recordings
ISWC21 works
IPI17 songwriters
Track List (87)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | In einem alten Fahrstuhl | — | ||
| 2 | Music for 18 Musicians (excerpt) | — | ||
| 3 | Fratres (for violin and piano) | — | ||
| 4 | Tabula Rasa: I. Ludus | — | ||
| 5 | Játékok: Aus der Ferne | — | ||
| 6 | Gottes Zeit ist die allerbeste Zeit | — | ||
| 7 | Testament | — | ||
| 8 | Neharót Neharót (excerpt) | — | ||
| 9 | Fantasie für Klavier fis-Moll | — | ||
| 10 | The Seven Last Words of our Saviour on the Cross: IV. Largo | — | ||
| 11 | River | — | ||
| 12 | Scared Song | — | ||
| 13 | Der Chef | — | ||
| 2-1 | Hörstück II („Ich möchte Ihnen einen Vorschlag machen…“) / Kleine Passacaglia / Über den Selbstmord | — | ||
| 2-2 | Vom Winde beweint: I. Largo molto | — | ||
| 2-3 | Funeral Canticle | Academy of Ancient Music Chorus, George Mosley, Academy of Ancient Music, Paul Goodwin | — | |
| 2-4 | String Quartet No.15: I. Elegy | — | ||
| 2-5 | Most Holy Mother of God | Jan Garbarek, The Hilliard Ensemble | — | |
| 2-6 | Tres morillas | Jan Garbarek, The Hilliard Ensemble | T-911.413.159-8 | |
| 2-7 | Chamber Symphony op. 110 bis: I. Largo | — | ||
| 2-8 | I. Postludium ‘DSCH’ | — | ||
| 2-9 | III. Postludium | — | ||
| 3-1 | Voyage | — | ||
| 3-2 | Closed Roads | — | ||
| 3-3 | Invocation | — | ||
| 3-4 | Tango of Love | — | ||
| 3-5 | Tom’s Theme | — | ||
| 3-6 | Laura’s Waltz | — | ||
| 3-7 | Adagio | — | ||
| 3-8 | After Memory | — | ||
| 3-9 | Farewell Theme | — | ||
| 3-10 | Seeking Theme | — | ||
| 3-11 | Nostalgia Song | — | ||
| 3-12 | Requiem for Willy Loman, var. | — | ||
| 3-13 | The Weeping Meadow: The Weeping Meadow I | Ελένη Καραΐνδρου | — | |
| 3-14 | The Weeping Meadow: Memories | Ελένη Καραΐνδρου | — | |
| 3-15 | Dis | — | ||
| 3-16 | O Andalusin | — | ||
| 3-17 | Ashiyin Raïqin | — | ||
| 3-18 | Passacaglia andaluz II | Rolf Lislevand | T-802.818.612-2 | |
| 3-19 | Involatura di liuto, et di chitarrone, Libro primo: Toccata | Alessandro Piccinini | — | |
| 3-20 | Passacaglia cromatica | Rolf Lislevand | T-802.818.607-5 | |
| 3-21 | Arpeggiata addio | Johannes Hieronymus Kapsberger | T-902.503.887-3 | |
| 4-1 | Underwater | — | ||
| 4-2 | In the Bedroom | — | ||
| 4-3 | The Road | — | ||
| 4-4 | Mugam | — | ||
| 4-5 | Japan | — | ||
| 4-6 | Port | — | ||
| 4-7 | Rehearsal | — | ||
| 4-8 | Piano | — | ||
| 4-9 | Georgians | — | ||
| 4-10 | Final Titles | — | ||
| 4-11 | Wolf | — | ||
| 4-12 | Khmer | Nils Petter Molvær | T-924.604.491-7 | |
| 4-13 | Tløn | Nils Petter Molvær | T-924.604.491-7 | |
| 4-14 | Access / Song of Sand I | Nils Petter Molvær | T-000.610.614-4 | |
| 4-15 | On Stream | Nils Petter Molvær | — | |
| 4-16 | Platonic Years | Nils Petter Molvær | — | |
| 4-17 | Phum | Nils Petter Molvær | T-000.543.846-9 | |
| 4-18 | Song of Sand II | Nils Petter Molvær | T-000.610.614-4 | |
| 4-19 | Close (For Comfort) | — | ||
| 5-1 | Euphonia Elegy | — | ||
| 5-2 | Celestial Food | — | ||
| 5-3 | Prelude | Tord Gustavsen Quartet | T-305.532.783-4 | |
| 5-4 | Memoria e fado (Marrom) | Egberto Gismonti | T-039.041.653-1 | |
| 5-5 | Like a Lover | Norma Winstone | T-070.098.698-6 | |
| 5-6 | Cradle Song (Hoy Nazan) | Norma Winstone | T-802.888.578-2 | |
| 5-7 | Carta de Amor | Jan Garbarek, Egberto Gismonti, Charlie Haden | T-900.801.616-8 | |
| 5-8 | Zone | — | ||
| 5-9 | Trois morceaux après des hymnes byzantins: I | — | ||
| 5-10 | Trois morceaux après des hymnes byzantins: II | — | ||
| 5-11 | Telepathy | Colin Vallon | T-911.721.437-6 | |
| 5-12 | Solemn Mosquitoes | — | ||
| 5-13 | Blop | — | ||
| 5-14 | Song for Ania | Tomasz Stańko Quartet | T-801.549.735-6 | |
| 6-1 | Jesus Maria | — | ||
| 6-2 | Time Will Tell | — | ||
| 6-3 | Mountainscapes V | — | ||
| 6-4 | Lonely Woman | — | ||
| 6-5 | The Four Points Are Thus Beheld | — | ||
| 6-6 | Langt innpå skoga | — | ||
| 6-7 | Psalm | — | ||
| 6-8 | Voice from the Past | — | ||
| 6-9 | Spiritual | Steve Kuhn Trio, Joe Lovano | T-070.940.338-2 | |
| 6-10 | Kulture of Jazz | — | ||
| 6-11 | The World | — |
In einem alten Fahrstuhl
—
Music for 18 Musicians (excerpt)
—
Fratres (for violin and piano)
—
Tabula Rasa: I. Ludus
—
Játékok: Aus der Ferne
—
Gottes Zeit ist die allerbeste Zeit
—
Testament
—
Neharót Neharót (excerpt)
—
Fantasie für Klavier fis-Moll
—
The Seven Last Words of our Saviour on the Cross: IV. Largo
—
River
—
Scared Song
—
Der Chef
—
Hörstück II („Ich möchte Ihnen einen Vorschlag machen…“) / Kleine Passacaglia / Über den Selbstmord
—
Vom Winde beweint: I. Largo molto
—
Funeral Canticle
Academy of Ancient Music Chorus, George Mosley, Academy of Ancient Music, Paul Goodwin
—
String Quartet No.15: I. Elegy
—
Most Holy Mother of God
Jan Garbarek, The Hilliard Ensemble
—
Chamber Symphony op. 110 bis: I. Largo
—
I. Postludium ‘DSCH’
—
III. Postludium
—
Voyage
—
Closed Roads
—
Invocation
—
Tango of Love
—
Tom’s Theme
—
Laura’s Waltz
—
Adagio
—
After Memory
—
Farewell Theme
—
Seeking Theme
—
Nostalgia Song
—
Requiem for Willy Loman, var.
—
The Weeping Meadow: The Weeping Meadow I
Ελένη Καραΐνδρου
—
The Weeping Meadow: Memories
Ελένη Καραΐνδρου
—
Dis
—
O Andalusin
—
Ashiyin Raïqin
—
Involatura di liuto, et di chitarrone, Libro primo: Toccata
Alessandro Piccinini
—
Underwater
—
In the Bedroom
—
The Road
—
Mugam
—
Japan
—
Port
—
Rehearsal
—
Piano
—
Georgians
—
Final Titles
—
Wolf
—
On Stream
Nils Petter Molvær
—
Platonic Years
Nils Petter Molvær
—
Close (For Comfort)
—
Euphonia Elegy
—
Celestial Food
—
Zone
—
Trois morceaux après des hymnes byzantins: I
—
Trois morceaux après des hymnes byzantins: II
—
Solemn Mosquitoes
—
Blop
—
Jesus Maria
—
Time Will Tell
—
Mountainscapes V
—
Lonely Woman
—
The Four Points Are Thus Beheld
—
Langt innpå skoga
—
Psalm
—
Voice from the Past
—
Kulture of Jazz
—
The World
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055167909000000005517098000000000551933570000000055521955000000007367159400000000783875330000000078392383000000007839676300000000784350800000000078457909
+40 more
0000000081014981000000008118766300000000818581560000000081889913000000008189024400000000818995130000000083624572000000008396653X000000008398002400000001066403570000000108595713000000010871027500000001088679930000000109064033000000010916094900000001093741700000000109444722000000011014267600000001101981350000000110791414000000011092145000000001144234750000000114505577000000011451212800000001146229680000000114765838000000011480357400000001148074010000000114929310000000011570878X000000011576465000000001194168800000000120201887000000012027943000000001211746140000000121192556000000012129000900000001212924340000000121779349000000012284814X
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What is UPC 602537289714?
602537289714 is a Universal Product Code (UPC) assigned to Selected Signs III–VIII by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 87 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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