UPC · Release
Various Artists
Last verified:
The UPC for “Selected Signs III–VIII” by Various Artists is 602537289714. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: ECM Records. This release contains 87 tracks, each with its own ISRC. Tracks include USHM19823105, DEB330912506, DEB330912507.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | In einem alten Fahrstuhl | — | ||
| 2 | Music for 18 Musicians (excerpt) | — | ||
| 3 | Fratres (for violin and piano) | — | ||
| 4 | Tabula Rasa: I. Ludus | — | ||
| 5 | Játékok: Aus der Ferne | — | ||
| 6 | Gottes Zeit ist die allerbeste Zeit | — | ||
| 7 | Testament | — | ||
| 8 | Neharót Neharót (excerpt) | — | ||
| 9 | Fantasie für Klavier fis-Moll | — | ||
| 10 | The Seven Last Words of our Saviour on the Cross: IV. Largo | — | ||
| 11 | River | — | ||
| 12 | Scared Song | — | ||
| 13 | Der Chef | — | ||
| 2-1 | Hörstück II („Ich möchte Ihnen einen Vorschlag machen…“) / Kleine Passacaglia / Über den Selbstmord | — | ||
| 2-2 | Vom Winde beweint: I. Largo molto | — | ||
| 2-3 | Funeral Canticle | Academy of Ancient Music Chorus, George Mosley, Academy of Ancient Music, Paul Goodwin | — | |
| 2-4 | String Quartet No.15: I. Elegy | — | ||
| 2-5 | Most Holy Mother of God | Jan Garbarek, The Hilliard Ensemble | — | |
| 2-6 | Tres morillas | Jan Garbarek, The Hilliard Ensemble | T-911.413.159-8 | |
| 2-7 | Chamber Symphony op. 110 bis: I. Largo | — | ||
| 2-8 | I. Postludium ‘DSCH’ | — | ||
| 2-9 | III. Postludium | — | ||
| 3-1 | Voyage | — | ||
| 3-2 | Closed Roads | — | ||
| 3-3 | Invocation | — | ||
| 3-4 | Tango of Love | — | ||
| 3-5 | Tom’s Theme | — | ||
| 3-6 | Laura’s Waltz | — | ||
| 3-7 | Adagio | — | ||
| 3-8 | After Memory | — | ||
| 3-9 | Farewell Theme | — | ||
| 3-10 | Seeking Theme | — | ||
| 3-11 | Nostalgia Song | — | ||
| 3-12 | Requiem for Willy Loman, var. | — | ||
| 3-13 | The Weeping Meadow: The Weeping Meadow I | Ελένη Καραΐνδρου | — | |
| 3-14 | The Weeping Meadow: Memories | Ελένη Καραΐνδρου | — | |
| 3-15 | Dis | — | ||
| 3-16 | O Andalusin | — | ||
| 3-17 | Ashiyin Raïqin | — | ||
| 3-18 | Passacaglia andaluz II | Rolf Lislevand | T-802.818.612-2 | |
| 3-19 | Involatura di liuto, et di chitarrone, Libro primo: Toccata | Alessandro Piccinini | — | |
| 3-20 | Passacaglia cromatica | Rolf Lislevand | T-802.818.607-5 | |
| 3-21 | Arpeggiata addio | Johannes Hieronymus Kapsberger | T-902.503.887-3 | |
| 4-1 | Underwater | — | ||
| 4-2 | In the Bedroom | — | ||
| 4-3 | The Road | — | ||
| 4-4 | Mugam | — | ||
| 4-5 | Japan | — | ||
| 4-6 | Port | — | ||
| 4-7 | Rehearsal | — | ||
| 4-8 | Piano | — | ||
| 4-9 | Georgians | — | ||
| 4-10 | Final Titles | — | ||
| 4-11 | Wolf | — | ||
| 4-12 | Khmer | Nils Petter Molvær | T-924.604.491-7 | |
| 4-13 | Tløn | Nils Petter Molvær | T-924.604.491-7 | |
| 4-14 | Access / Song of Sand I | Nils Petter Molvær | T-000.610.614-4 | |
| 4-15 | On Stream | Nils Petter Molvær | — | |
| 4-16 | Platonic Years | Nils Petter Molvær | — | |
| 4-17 | Phum | Nils Petter Molvær | T-000.543.846-9 | |
| 4-18 | Song of Sand II | Nils Petter Molvær | T-000.610.614-4 | |
| 4-19 | Close (For Comfort) | — | ||
| 5-1 | Euphonia Elegy | — | ||
| 5-2 | Celestial Food | — | ||
| 5-3 | Prelude | Tord Gustavsen Quartet | T-305.532.783-4 | |
| 5-4 | Memoria e fado (Marrom) | Egberto Gismonti | T-039.041.653-1 | |
| 5-5 | Like a Lover | Norma Winstone | T-070.098.698-6 | |
| 5-6 | Cradle Song (Hoy Nazan) | Norma Winstone | T-802.888.578-2 | |
| 5-7 | Carta de Amor | Jan Garbarek, Egberto Gismonti, Charlie Haden | T-900.801.616-8 | |
| 5-8 | Zone | — | ||
| 5-9 | Trois morceaux après des hymnes byzantins: I | — | ||
| 5-10 | Trois morceaux après des hymnes byzantins: II | — | ||
| 5-11 | Telepathy | Colin Vallon | T-911.721.437-6 | |
| 5-12 | Solemn Mosquitoes | — | ||
| 5-13 | Blop | — | ||
| 5-14 | Song for Ania | Tomasz Stańko Quartet | T-801.549.735-6 | |
| 6-1 | Jesus Maria | — | ||
| 6-2 | Time Will Tell | — | ||
| 6-3 | Mountainscapes V | — | ||
| 6-4 | Lonely Woman | — | ||
| 6-5 | The Four Points Are Thus Beheld | — | ||
| 6-6 | Langt innpå skoga | — | ||
| 6-7 | Psalm | — | ||
| 6-8 | Voice from the Past | — | ||
| 6-9 | Spiritual | Steve Kuhn Trio, Joe Lovano | T-070.940.338-2 | |
| 6-10 | Kulture of Jazz | — | ||
| 6-11 | The World | — |
Identifier Graph
602537289714 is a Universal Product Code (UPC) assigned to Selected Signs III–VIII by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 87 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Creative Contributors (ISNI)
The UPC for “Selected Signs III–VIII” by Various Artists is 602537289714. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: ECM Records. This release contains 87 tracks, each with its own ISRC. Tracks include USHM19823105, DEB330912506, DEB330912507.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | In einem alten Fahrstuhl | — | ||
| 2 | Music for 18 Musicians (excerpt) | — | ||
| 3 | Fratres (for violin and piano) | — | ||
| 4 | Tabula Rasa: I. Ludus | — | ||
| 5 | Játékok: Aus der Ferne | — | ||
| 6 | Gottes Zeit ist die allerbeste Zeit | — | ||
| 7 | Testament | — | ||
| 8 | Neharót Neharót (excerpt) | — | ||
| 9 | Fantasie für Klavier fis-Moll | — | ||
| 10 | The Seven Last Words of our Saviour on the Cross: IV. Largo | — | ||
| 11 | River | — | ||
| 12 | Scared Song | — | ||
| 13 | Der Chef | — | ||
| 2-1 | Hörstück II („Ich möchte Ihnen einen Vorschlag machen…“) / Kleine Passacaglia / Über den Selbstmord | — | ||
| 2-2 | Vom Winde beweint: I. Largo molto | — | ||
| 2-3 | Funeral Canticle | Academy of Ancient Music Chorus, George Mosley, Academy of Ancient Music, Paul Goodwin | — | |
| 2-4 | String Quartet No.15: I. Elegy | — | ||
| 2-5 | Most Holy Mother of God | Jan Garbarek, The Hilliard Ensemble | — | |
| 2-6 | Tres morillas | Jan Garbarek, The Hilliard Ensemble | T-911.413.159-8 | |
| 2-7 | Chamber Symphony op. 110 bis: I. Largo | — | ||
| 2-8 | I. Postludium ‘DSCH’ | — | ||
| 2-9 | III. Postludium | — | ||
| 3-1 | Voyage | — | ||
| 3-2 | Closed Roads | — | ||
| 3-3 | Invocation | — | ||
| 3-4 | Tango of Love | — | ||
| 3-5 | Tom’s Theme | — | ||
| 3-6 | Laura’s Waltz | — | ||
| 3-7 | Adagio | — | ||
| 3-8 | After Memory | — | ||
| 3-9 | Farewell Theme | — | ||
| 3-10 | Seeking Theme | — | ||
| 3-11 | Nostalgia Song | — | ||
| 3-12 | Requiem for Willy Loman, var. | — | ||
| 3-13 | The Weeping Meadow: The Weeping Meadow I | Ελένη Καραΐνδρου | — | |
| 3-14 | The Weeping Meadow: Memories | Ελένη Καραΐνδρου | — | |
| 3-15 | Dis | — | ||
| 3-16 | O Andalusin | — | ||
| 3-17 | Ashiyin Raïqin | — | ||
| 3-18 | Passacaglia andaluz II | Rolf Lislevand | T-802.818.612-2 | |
| 3-19 | Involatura di liuto, et di chitarrone, Libro primo: Toccata | Alessandro Piccinini | — | |
| 3-20 | Passacaglia cromatica | Rolf Lislevand | T-802.818.607-5 | |
| 3-21 | Arpeggiata addio | Johannes Hieronymus Kapsberger | T-902.503.887-3 | |
| 4-1 | Underwater | — | ||
| 4-2 | In the Bedroom | — | ||
| 4-3 | The Road | — | ||
| 4-4 | Mugam | — | ||
| 4-5 | Japan | — | ||
| 4-6 | Port | — | ||
| 4-7 | Rehearsal | — | ||
| 4-8 | Piano | — | ||
| 4-9 | Georgians | — | ||
| 4-10 | Final Titles | — | ||
| 4-11 | Wolf | — | ||
| 4-12 | Khmer | Nils Petter Molvær | T-924.604.491-7 | |
| 4-13 | Tløn | Nils Petter Molvær | T-924.604.491-7 | |
| 4-14 | Access / Song of Sand I | Nils Petter Molvær | T-000.610.614-4 | |
| 4-15 | On Stream | Nils Petter Molvær | — | |
| 4-16 | Platonic Years | Nils Petter Molvær | — | |
| 4-17 | Phum | Nils Petter Molvær | T-000.543.846-9 | |
| 4-18 | Song of Sand II | Nils Petter Molvær | T-000.610.614-4 | |
| 4-19 | Close (For Comfort) | — | ||
| 5-1 | Euphonia Elegy | — | ||
| 5-2 | Celestial Food | — | ||
| 5-3 | Prelude | Tord Gustavsen Quartet | T-305.532.783-4 | |
| 5-4 | Memoria e fado (Marrom) | Egberto Gismonti | T-039.041.653-1 | |
| 5-5 | Like a Lover | Norma Winstone | T-070.098.698-6 | |
| 5-6 | Cradle Song (Hoy Nazan) | Norma Winstone | T-802.888.578-2 | |
| 5-7 | Carta de Amor | Jan Garbarek, Egberto Gismonti, Charlie Haden | T-900.801.616-8 | |
| 5-8 | Zone | — | ||
| 5-9 | Trois morceaux après des hymnes byzantins: I | — | ||
| 5-10 | Trois morceaux après des hymnes byzantins: II | — | ||
| 5-11 | Telepathy | Colin Vallon | T-911.721.437-6 | |
| 5-12 | Solemn Mosquitoes | — | ||
| 5-13 | Blop | — | ||
| 5-14 | Song for Ania | Tomasz Stańko Quartet | T-801.549.735-6 | |
| 6-1 | Jesus Maria | — | ||
| 6-2 | Time Will Tell | — | ||
| 6-3 | Mountainscapes V | — | ||
| 6-4 | Lonely Woman | — | ||
| 6-5 | The Four Points Are Thus Beheld | — | ||
| 6-6 | Langt innpå skoga | — | ||
| 6-7 | Psalm | — | ||
| 6-8 | Voice from the Past | — | ||
| 6-9 | Spiritual | Steve Kuhn Trio, Joe Lovano | T-070.940.338-2 | |
| 6-10 | Kulture of Jazz | — | ||
| 6-11 | The World | — |
