UPC · Release
The Kniφe
Last verified:
602537292851 is the Universal Product Code (UPC barcode) for the release “Shaking the Habitual” by The Kniφe, released 2013-01-01 on Brille Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 7 tracks, each with its own ISRC. Tracks include SEWCE1300101, SEWCE1300102, SEWCE1300103.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A Tooth for an Eye | The Knife | T-917095295-1 |
| 2 | Full of Fire | The Knife | T-917095294-0 |
| 3 | A Cherry on Top | The Knife | T-917095308-9 |
| 4 | Without You My Life Would Be Boring | The Knife | T-917095315-8 |
| 5 | Wrap Your Arms Around Me | The Knife | T-917095316-9 |
| 6 | Crake | The Knife | T-917.095.309-0 |
| 7 | Old Dreams Waiting to Be Realized | The Knife | T-917.095.312-5 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Raging Lung | The Knife | T-915853409-9 |
| Networking | The Knife | T-917.095.311-4 |
| Oryx | The Knife | T-917.095.313-6 |
| Stay Out Here | Shannon Funchess, Emily Roysdon, The Knife | T-918.266.991-6 |
| Fracking Fluid Injection | The Knife | T-917.095.310-3 |
| Ready to Lose | The Knife | T-917.095.314-7 |
| A Tooth for an Eye (Cooly G remix) | The Knife | T-917.095.295-1 |
| A Tooth for an Eye (Pursuit Grooves remix) | The Knife | T-917.095.295-1 |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
602537292851 is a Universal Product Code (UPC) assigned to Shaking the Habitual by The Kniφe. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 7 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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