UPC · Album
Roy Orbison: The MGM Years 1965 - 1973
Roy Orbison
Last verified:
602547585295 is the Universal Product Code (UPC barcode) for the release “Roy Orbison: The MGM Years 1965 - 1973” by Roy Orbison, released 2015-12-04. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 164 tracks, each with its own ISRC. Tracks include USBMG0800123, USF068926100, USFO66826080.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (85)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Big as I Can Dream | Roy Orbison | USBMG0800123 |
| Southbound Jericho Parkway | Roy Orbison | USF068926100 |
| Walk On | Roy Orbison | USFO66826080 |
| Ride Away | Roy Orbison | USFO68925980 |
| Crawling Back | Roy Orbison | USFO68925990 |
| Communication Breakdown | Roy Orbison | USFO68926030 |
| Ride Away | Roy Orbison | USOR40000001 |
| Crawling Back | Roy Orbison | USOR40000013 |
| Breakin’ Up Is Breakin’ My Heart | Roy Orbison | USOR40000019 |
| Unchained Melody | Roy Orbison | USOR40000061 |
| Heartache | Roy Orbison | USOR40000064 |
| Walk On | Roy Orbison | USOR40000068 |
| It Ain't No Big Thing | Roy Orbison, The Candy Men | USUM71504511 |
| Why Hurt the One Who Loves You | Roy Orbison | USUM71504521 |
| Where Is Tomorrow? | Roy Orbison | USUM71504555 |
| Cry Softly, Lonely One | Roy Orbison | USUM71504587 |
| Girl Like Mine | Roy Orbison | USUM71504588 |
| Memories | Roy Orbison | USUM71504594 |
| Only Alive | Roy Orbison | USUM71504596 |
| Truly, Truly, True | Roy Orbison | USUM71504598 |
| I Recommend Her | Roy Orbison | USUM71504600 |
| More | Roy Orbison | USUM71504601 |
| Amy | Roy Orbison | USUM71504603 |
| Good Morning Dear | Roy Orbison | USUM71504604 |
| Walk On | Roy Orbison | USUM71504606 |
| Yesterday's Child | Roy Orbison | USUM71504607 |
| Try to Remember | Roy Orbison | USUM71504608 |
| Kaw-Liga | Roy Orbison | USUM71504609 |
| Jambalaya (On the Bayou) | Roy Orbison | USUM71504611 |
| (Last Night) I Heard You Crying in Your Sleep | Roy Orbison | USUM71504612 |
| You Win Again | Roy Orbison | USUM71504613 |
| Your Cheatin’ Heart | Roy Orbison | USUM71504614 |
| A Mansion on the Hill | Roy Orbison | USUM71504617 |
| I’m So Lonesome I Could Cry | Roy Orbison | USUM71504620 |
| Money | Roy Orbison | USUM71504629 |
| When I Stop Dreaming | Roy Orbison | USUM71504630 |
| Loving Touch | Roy Orbison | USUM71504631 |
| Land of a Thousand Dances | Roy Orbison | USUM71504632 |
| Scarlet Ribbons (for Her Hair) | Roy Orbison | USUM71504633 |
| She Won’t Hang Her Love Out (on the Line) | Roy Orbison | USUM71504634 |
| Casting My Spell on You | Roy Orbison | USUM71504635 |
| Penny Arcade | Roy Orbison | USUM71504636 |
| God Love You | Roy Orbison | USUM71504787 |
| Beaujolais | Roy Orbison | USUM71504788 |
| If Only for a While | Roy Orbison | USUM71504789 |
| Rings of Gold | Roy Orbison | USUM71504790 |
| Help Me | Roy Orbison | USUM71504791 |
| Plain Jane Country (Come to Town) | Roy Orbison | USUM71504792 |
| Harlem Woman | Roy Orbison | USUM71504793 |
| Cheyenne | Roy Orbison | USUM71504794 |
| Changes | Roy Orbison | USUM71504795 |
| It Takes All Kinds of People | Roy Orbison | USUM71504796 |
| Remember the Good | Roy Orbison | USUM71504797 |
| Memphis, Tennessee | Roy Orbison | USUM71504829 |
| Why a Woman Cries | Roy Orbison | USUM71504830 |
| Run, Baby, Run (Back Into My Arms) | Roy Orbison | USUM71504831 |
| Take Care of Your Woman | Roy Orbison | USUM71504832 |
| I’m the Man on Susie’s Mind | Roy Orbison | USUM71504833 |
| I Can’t Stop Loving You | Roy Orbison | USUM71504834 |
| Run the Engines Up High | Roy Orbison | USUM71504835 |
| It Ain’t No Big Thing (But It’s Growing) | Roy Orbison | USUM71504836 |
| I Fought the Law | Roy Orbison | USUM71504837 |
| The Three Bells | Roy Orbison | USUM71504838 |
| Danny Boy | Roy Orbison | USUM71504839 |
| You Don’t Know Me | Roy Orbison | USUM71504840 |
| California Sunshine Girl | Roy Orbison | USUM71504842 |
| Words | Roy Orbison | USUM71504843 |
| Blue Rain (Coming Down) | Roy Orbison | USUM71504844 |
| Drift Away | Roy Orbison | USUM71504845 |
| You Lay So Easy on My Mind | Roy Orbison | USUM71504846 |
| The World You Live In | Roy Orbison | USUM71504847 |
| Sweet Caroline | Roy Orbison | USUM71504848 |
| I’ve Been Loving You Too Long (to Stop Now) | Roy Orbison | USUM71504849 |
| The Morning After | Roy Orbison | USUM71504850 |
| You’ll Never Walk Alone | Roy Orbison | USUM71504851 |
| Leaving Makes the Rain Come Down | Roy Orbison | USUM71504853 |
| Sweet Memories | Roy Orbison | USUM71504854 |
| Laurie | Roy Orbison | USUM71504855 |
| One of the Lonely Ones | Roy Orbison | USUM71504856 |
| Child Woman, Woman Child | Roy Orbison | USUM71504857 |
| Give Up | Roy Orbison | USUM71504858 |
| The Defector | Roy Orbison | USUM71504859 |
| Little Girl (In the Big City) | Roy Orbison | USUM71504860 |
| After Tonight | Roy Orbison | USUM71504861 |
| I Will Always | Roy Orbison | USUM71504862 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
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What is UPC 602547585295?
602547585295 is a Universal Product Code (UPC) assigned to Roy Orbison: The MGM Years 1965 - 1973 by Roy Orbison. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 164 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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