UPC · Release
On Air
The Rolling Stones
Last verified:
602567027409 is the Universal Product Code (UPC barcode) for the release “On Air” by The Rolling Stones, released 2017-01-01 on Polydor. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include USA171720010, USA171720020, USA171720030.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (32)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Come On (Saturday Club, 26 October 1963) | The Rolling Stones | T-070.233.429-9 | |
| 2 | (I Can’t Get No) Satisfaction (Saturday Club, 18 September 1965) | The Rolling Stones | T-010.072.181-0 | |
| 3 | Roll Over Beethoven (Saturday Club, 26 October 1963) | The Rolling Stones | T-070.940.070-3 | |
| 4 | The Spider and the Fly (Yeah Yeah, 30 August 1965) | The Rolling Stones | T-010.065.911-7 | |
| 5 | Cops and Robbers (Blues in Rhythm, 9 May 1964) | The Rolling Stones | T-700.007.012-4 | |
| 6 | It’s All Over Now (The Joe Loss Pop Show, 17 July 1964) | The Rolling Stones | T-070.241.251-8 | |
| 7 | Route 66 (Blues in Rhythm, 9 May 1964) | The Rolling Stones | T-070.127.339-3 | |
| 8 | Memphis, Tennessee (Saturday Club, 26 October 1963) | The Rolling Stones | T-071.000.958-7 | |
| 9 | Down the Road Apiece (Top Gear, 6 March 1965) | The Rolling Stones | T-070.261.083-0 | |
| 10 | The Last Time (Top Gear, 6 March 1965) | The Rolling Stones | T-070.241.576-6 | |
| 11 | Cry to Me (Saturday Club, 18 September 1965) | The Rolling Stones | T-910.298.092-7 | |
| 12 | Mercy, Mercy (Yeah Yeah, 30 August 1965) | The Rolling Stones | T-070.242.160-0 | |
| 13 | Oh! Baby (We Got a Good Thing Goin’) (Saturday Club, 18 September 1965) | The Rolling Stones | — | |
| 14 | Around and Around (Top Gear, 23 July 1964) | The Rolling Stones | T-070.880.680-7 | |
| 15 | Hi Heel Sneakers (Saturday Club, 18 April 1964) | The Rolling Stones | T-070.240.292-3 | |
| 16 | Fannie Mae (Saturday Club, 18 September 1965) | The Rolling Stones | T-070.881.385-7 | |
| 17 | You Better Move On (Blues in Rhythm, 9 May 1964) | The Rolling Stones | T-913.572.651-1 | |
| 18 | Mona (Blues in Rhythm, 9 May 1964) | The Rolling Stones | T-070.242.249-8 | |
| 2-1 | I Wanna Be Your Man (Saturday Club, 8 February 1964) | — | ||
| 2-2 | Carol (Saturday Club, 18 April 1964) | — | ||
| 2-3 | I’m Moving On (The Joe Loss Pop Show, 10 April 1964) | — | ||
| 2-4 | If You Need Me (The Joe Loss Pop Show, 17 July 1964) | — | ||
| 2-5 | Walking the Dog (Saturday Club, 8 February 1964) | — | ||
| 2-6 | Confessin’ the Blues (The Joe Loss Pop Show, 17 July 1964) | — | ||
| 2-7 | Everybody Needs Somebody to Love (Top Gear, 6 March 1965) | — | ||
| 2-8 | Little by Little (The Joe Loss Pop Show, 10 April 1964) | — | ||
| 2-9 | Ain’t That Loving You Baby (Rhythm and Blues (BBC World Service), 31 October 1964) | — | ||
| 2-10 | Beautiful Delilah (Saturday Club, 18 April 1964) | — | ||
| 2-11 | Crackin’ Up (Top Gear, 23 July 1964) | — | ||
| 2-12 | I Can’t Be Satisfied (Top Gear, 23 July 1964) | — | ||
| 2-13 | I Just Want to Make Love to You (Saturday Club, 18 April 1964) | — | ||
| 2-14 | 2120 South Michigan Avenue (Rhythm and Blues (BBC World Service), 31 October 1964) | — |
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What is UPC 602567027409?
602567027409 is a Universal Product Code (UPC) assigned to On Air by The Rolling Stones. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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