UPC · Release
The Verve & Philips Small Group Sessions
Dizzy Gillespie
Last verified:
602567849391 is the Universal Product Code (UPC barcode) for the release “The Verve & Philips Small Group Sessions” by Dizzy Gillespie. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 117 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (117)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sugar Hips | — | ||
| 2 | One Alone | — | ||
| 3 | Hey Pete | — | ||
| 4 | Money Honey | — | ||
| 5 | Blue Mood | — | ||
| 6 | Rails | — | ||
| 7 | Devil And The Flesh | — | ||
| 8 | Rumbola | — | ||
| 9 | Blues After Dark | — | ||
| 10 | Sea Breeze | — | ||
| 11 | Out Of The Past | — | ||
| 12 | Shabozz | — | ||
| 13 | Reminiscing | — | ||
| 14 | A Night At Tony’s | — | ||
| 15 | Smoke Signals | — | ||
| 16 | Just By Myself | — | ||
| 2-1 | My Heart Belongs To Daddy | — | ||
| 2-2 | My Man (Mon Homme) | — | ||
| 2-3 | Moonglow | — | ||
| 2-4 | St. Louis Blues | — | ||
| 2-5 | Woodyn’ You | — | ||
| 2-6 | Wrap Your Troubles In Dreams (And Dream Your Troubles Away) | — | ||
| 2-7 | There Is No Greater Love | — | ||
| 2-8 | I Found A Million Dollar Baby In A Five And Ten Cent Store - Master Take | — | ||
| 2-9 | Always | — | ||
| 2-10 | Swing Low Sweet Cadillac | — | ||
| 2-11 | Willow Weep For Me | — | ||
| 2-12 | Ungawa | — | ||
| 2-13 | Girl Of My Dreams | — | ||
| 3-1 | Lorraine | — | ||
| 3-2 | Constantinople | — | ||
| 3-3 | The Umbrella Man | — | ||
| 3-4 | Squatty Roo | — | ||
| 3-5 | Oo‐Shoo‐Be‐Doo‐Be | — | ||
| 3-6 | I Found A Million Dollar Baby In A Five And Ten Cent Store - Alternate Take | — | ||
| 3-7 | There Is No Greater Love - Take 1 | — | ||
| 3-8 | There Is No Greater Love - Take 3 | — | ||
| 3-9 | There Is No Greater Love - Take 4 | — | ||
| 3-10 | Theme From Formula 409 - Pt. 1 | — | ||
| 3-11 | Theme From Formula 409 - Pt. 2 | — | ||
| 3-12 | Kush - Pt. 1 | — | ||
| 3-13 | Kush - Pt. 2 | — | ||
| 3-14 | Goin’ Fishin’ | — | ||
| 3-15 | This Is The Way / Untitled Dizzy Original / Cubano‐Be / I Waited For You / Medley | — | ||
| 3-16 | Things Ain’t What They Used To Be | — | ||
| 4-1 | Kush | — | ||
| 4-2 | Salt Peanuts | — | ||
| 4-3 | Night In Tunisia | — | ||
| 4-4 | The Mooche | — | ||
| 4-5 | Pau De Arara - Live At Third International Festival Of Jazz D’Antibes, Juan‐Les‐Pins/1962 | — | ||
| 4-6 | Desafinado | — | ||
| 4-7 | Chega De Saudade - Pt. 1 | — | ||
| 4-8 | Chega De Saudade - Pt. 2 | — | ||
| 4-9 | Taboo | — | ||
| 4-10 | Long, Long Summer - Live At Third International Festival Of Jazz D’Antibes, Juan‐Les‐Pins/1962 | — | ||
| 4-11 | This Is The Way | — | ||
| 4-12 | Cubana Be | — | ||
| 4-13 | One Alone - Alternate Version | — | ||
| 4-14 | I Think That Maybe I Should Go Away | — | ||
| 4-15 | I Waited For You - Live At Third International Festival Of Jazz D’Antibes, Juan‐Les‐Pins/1962 | — | ||
| 4-16 | Manha De Carnaval | — | ||
| 5-1 | Pergunte Ao Joao (Ask John) | — | ||
| 5-2 | Me‐da‐um Dinheiro Ahi (Give Me Some Money There) | — | ||
| 5-3 | I Shall Never Forget | — | ||
| 5-4 | Mount Olive | — | ||
| 5-5 | Oo‐Shoo‐Be‐Doo‐Be - Alternate Take | — | ||
| 5-6 | Lady Be Good | — | ||
| 5-7 | In A Shanty In Old Shanty Town | — | ||
| 5-8 | Careless Love | — | ||
| 5-9 | Gee Baby, Ain’t I Good To You | — | ||
| 5-10 | Chega De Saudade - Live At Third International Festival Of Jazz D’Antibes, Juan‐Les‐Pins/1962 | — | ||
| 5-11 | One Note Samba | — | ||
| 5-12 | Here It Is - Live At Third International Festival Of Jazz D’Antibes, Juan‐Les‐Pins/1962 | — | ||
| 5-13 | For The Gypsies - Live At Third International Festival Of Jazz D’Antibes, Juan‐Les‐Pins/1962 | — | ||
| 5-14 | Early Morning Blues | — | ||
| 6-1 | Be‐Bop | — | ||
| 6-2 | Good Bait | — | ||
| 6-3 | Can’t Get Started / ’Round Midnight - Medley | — | ||
| 6-4 | Dizzy Atmosphere | — | ||
| 6-5 | November Afternoon | — | ||
| 6-6 | This Lovely Feeling | — | ||
| 6-7 | The Day After | — | ||
| 6-8 | The Cup Bearers | — | ||
| 6-9 | Ow | — | ||
| 6-10 | The Champ | — | ||
| 6-11 | Emanon | — | ||
| 6-12 | Anthropology | — | ||
| 6-13 | Tin Tin Deo - 1963 Version | — | ||
| 6-14 | One Bass Hit | — | ||
| 6-15 | Two Bass Hit | — | ||
| 6-16 | Groovin’ High | — | ||
| 6-17 | Oo‐Shoo‐Be‐Doo‐Be | — | ||
| 6-18 | Hot House | — | ||
| 6-19 | Con Alma | — | ||
| 6-20 | Blue ’N’ Boogie | — | ||
| 7-1 | Theme From Exodus | — | ||
| 7-2 | Moon River | — | ||
| 7-3 | Caesar And Cleopatra Theme | — | ||
| 7-4 | Days Of Wine And Roses | — | ||
| 7-5 | Walk On The Wild Side | — | ||
| 7-6 | More | — | ||
| 7-7 | Love Theme From Lolita | — | ||
| 7-8 | Theme From Picnic | — | ||
| 7-9 | Never On Sunday | — | ||
| 7-10 | Theme From Lawrence Of Arabia | — | ||
| 7-11 | Carioca | — | ||
| 7-12 | Theme From The Cool World | — | ||
| 7-13 | The Pushers | — | ||
| 7-14 | Enter, Priest | — | ||
| 7-15 | Duke’s Awakening | — | ||
| 7-16 | Duke On The Run | — | ||
| 7-17 | Street Music | — | ||
| 7-18 | Bonnie’s Blues | — | ||
| 7-19 | Coney Island | — | ||
| 7-20 | Duke’s Fantasy | — | ||
| 7-21 | Coolie | — | ||
| 7-22 | Duke’s Last Soliloquy | — |
What other identifiers does this connect to?
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Creative Contributors (ISNI)
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People also ask
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What is UPC 602567849391?
602567849391 is a Universal Product Code (UPC) assigned to The Verve & Philips Small Group Sessions by Dizzy Gillespie. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 117 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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