UPC · Release
Heartbeat City
The Cars
Last verified:
603497807383 is the Universal Product Code (UPC barcode) for the release “Heartbeat City” by The Cars, released 2025-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include USEE10170485, USEE10170486, USEE10100558.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (29)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hello Again | The Cars | T-070.077.975-4 | |
| 2 | Looking for Love | The Cars | T-070.101.567-9 | |
| 3 | Magic | The Cars | T-070.115.067-5 | |
| 4 | Drive | The Cars | T-903.590.608-2 | |
| 5 | Stranger Eyes | The Cars | T-070.145.707-9 | |
| 6 | You Might Think (2018 remaster) | — | ||
| 7 | It’s Not the Night | The Cars | T-070.083.336-8 | |
| 8 | Why Can’t I Have You | The Cars | T-070.204.623-8 | |
| 9 | I Refuse | The Cars | T-070.083.492-9 | |
| 10 | Heartbeat City | The Cars | T-070.077.990-3 | |
| 2-1 | Breakaway | The Cars | T-901.127.407-0 | |
| 2-4 | Drive (demo) | The Cars | T-903.590.608-2 | |
| 4-1 | Hello Again (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-2 | It’s Not the Night (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-3 | Touch and Go (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-4 | Candy‐O (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-5 | Good Times Roll (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-6 | Jimmy Jimmy (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-7 | Moving in Stereo (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-8 | Just What I Needed (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-9 | A Dream Away (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-10 | Cruiser (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-11 | Drive (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-12 | You Might Think (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-13 | My Best Friend’s Girl (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-14 | Magic (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-15 | Let’s Go (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-16 | Heartbeat City (live at The Summit, Houston, TX, 9/11/1984) | — | ||
| 4-17 | You’re All I’ve Got Tonight (live at The Summit, Houston, TX, 9/11/1984) | — |
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Hello Again (remix version) | The Cars | T-070.077.975-4 |
| One More Time (early version of “Why Can’t I Have You”) | The Cars | T-070.204.623-8 |
| Baby I Refuse (early version of “I Refuse”) | The Cars | T-070.083.492-9 |
| Jacki (early version of “Heartbeat City”) | The Cars | T-070.077.990-3 |
| Stranger Eyes | The Cars | — |
| I Refuse | The Cars | — |
| I Refuse | The Cars | T-070.077.990-3 |
| Hello Again (remix version) | The Cars | T-070.077.975-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 603497807383?
603497807383 is a Universal Product Code (UPC) assigned to Heartbeat City by The Cars. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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