UPC · Release
Fleetwood Mac: 1969 to 1974
Fleetwood Mac
Last verified:
603497851300 is the Universal Product Code (UPC barcode) for the release “Fleetwood Mac: 1969 to 1974” by Fleetwood Mac, released 2020-01-01 on Reprise Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include USRE11300162, USRE11300163, USRE11300164.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Coming Your Way | Fleetwood Mac | — | |
| 2 | Closing My Eyes | Fleetwood Mac | T-900.201.950-3 | |
| 3 | Fighting for Madge | Fleetwood Mac | T-924.789.516-5 | |
| 4 | When You Say | Fleetwood Mac | — | |
| 5 | Show‐Biz Blues | Fleetwood Mac | — | |
| 6 | Underway | Fleetwood Mac | T-900.201.950-3 | |
| 7 | One Sunny Day | Fleetwood Mac | — | |
| 8 | Although the Sun Is Shining | Fleetwood Mac | — | |
| 9 | Rattlesnake Shake | Fleetwood Mac | T-010.433.983-4 | |
| 10 | Without You | Fleetwood Mac | T-910.303.009-7 | |
| 11 | Searching for Madge | Fleetwood Mac | — | |
| 12 | My Dream | Fleetwood Mac | — | |
| 13 | Like Crying | Fleetwood Mac | — | |
| 14 | Like Crying | Fleetwood Mac | — | |
| 15 | Oh Well, Pt. 1 | Fleetwood Mac | T-010.163.514-6 | |
| 16 | Oh Well, Pt. 2 | Fleetwood Mac | T-010.163.514-6 | |
| 17 | Green Manalishi | Fleetwood Mac | T-010.165.990-8 | |
| 18 | World in Harmony | Fleetwood Mac | — | |
| 2-1 | This Is the Rock | Fleetwood Mac | — | |
| 2-2 | Station Man | Fleetwood Mac | — | |
| 2-3 | Blood on the Floor | Fleetwood Mac | — | |
| 2-4 | Hi Ho Silver | Fleetwood Mac | — | |
| 2-5 | Jewel Eyed Judy | Fleetwood Mac | — | |
| 2-6 | Buddy’s Song | Fleetwood Mac | — | |
| 2-7 | Earl Gray | Fleetwood Mac | — | |
| 2-8 | One Together | Fleetwood Mac | — | |
| 2-9 | Tell Me All the Things You Do | Fleetwood Mac | — | |
| 2-10 | Mission Bell | Fleetwood Mac | — | |
| 2-11 | Dragonfly | — | ||
| 2-12 | Purple Dancer | — | ||
| 2-13 | Jewel Eyed Judy (single version) | — | ||
| 2-14 | Station Man (single version) | Fleetwood Mac | — | |
| 3-1 | Woman of 1000 Years | Fleetwood Mac | — | |
| 3-2 | Morning Rain | Fleetwood Mac | — | |
| 3-3 | What a Shame | Fleetwood Mac | T-902.923.279-9 | |
| 3-4 | Future Games | Fleetwood Mac | T-070.056.803-1 | |
| 3-5 | Sands of Time | Fleetwood Mac | — | |
| 3-6 | Sometimes | Fleetwood Mac | T-000.096.591-2 | |
| 3-7 | Lay It All Down | Fleetwood Mac | — | |
| 3-8 | Show Me a Smile | Fleetwood Mac | — | |
| 3-9 | Sands of Time (single version) | Fleetwood Mac | — | |
| 3-12 | Stone | — | ||
| 4-1 | Child of Mine | Fleetwood Mac | — | |
| 4-2 | The Ghost | Fleetwood Mac | — | |
| 4-3 | Homeward Bound | Fleetwood Mac | — | |
| 4-4 | Sunny Side of Heaven | Fleetwood Mac | — | |
| 4-5 | Bare Trees | Fleetwood Mac | — | |
| 4-6 | Sentimental Lady | Fleetwood Mac | T-070.141.604-7 | |
| 4-7 | Danny’s Chant | Fleetwood Mac | — | |
| 4-8 | Spare Me a Little of Your Love | Fleetwood Mac | T-700.066.113-4 | |
| 4-9 | Dust | Fleetwood Mac | T-070.234.283-3 | |
| 4-10 | Thoughts on a Grey Day | Fleetwood Mac | — | |
| 4-12 | Sentimental Lady (single version) | Fleetwood Mac | T-070.141.604-7 | |
| 4-13 | Homeward Bound (live) | — | ||
| 5-1 | Remember Me | Fleetwood Mac | — | |
| 5-2 | Bright Fire | Fleetwood Mac | T-070.014.655-9 | |
| 5-3 | Dissatisfied | Fleetwood Mac | — | |
| 5-4 | (I’m a) Road Runner | Fleetwood Mac | T-070.240.735-9 | |
| 5-5 | The Derelict | Fleetwood Mac | — | |
| 5-6 | Revelation | Fleetwood Mac | T-918.060.086-6 | |
| 5-7 | Did You Ever Love Me | Fleetwood Mac | T-072.105.131-5 | |
| 5-8 | Night Watch | Fleetwood Mac | — | |
| 5-9 | Caught in the Rain | Fleetwood Mac | T-011.694.282-5 | |
| 6-1 | Emerald Eyes | Fleetwood Mac | T-070.050.587-8 | |
| 6-2 | Believe Me | Fleetwood Mac | — | |
| 6-3 | Just Crazy Love | Fleetwood Mac | — | |
| 6-4 | Hypnotized | Fleetwood Mac | T-070.076.326-3 | |
| 6-5 | Forever | Fleetwood Mac | T-320.241.962-9 | |
| 6-6 | Keep On Going | Fleetwood Mac | — | |
| 6-7 | The City | Fleetwood Mac | — | |
| 6-8 | Miles Away | Fleetwood Mac | — | |
| 6-9 | Somebody | Fleetwood Mac | T-070.142.065-6 | |
| 6-10 | The Way I Feel | Fleetwood Mac | — | |
| 6-11 | For Your Love | Fleetwood Mac | T-010.162.968-8 | |
| 6-12 | Why | Fleetwood Mac | T-070.904.918-2 | |
| 6-13 | For Your Love (mono promo edit) | — | ||
| 6-14 | Good Things (Come to Those Who Wait) | — | ||
| 7-1 | Heroes Are Hard to Find | Fleetwood Mac | — | |
| 7-2 | Coming Home | Fleetwood Mac | T-926.446.444-0 | |
| 7-3 | Angel | Fleetwood Mac | T-070.349.926-6 | |
| 7-4 | Bermuda Triangle | Fleetwood Mac | T-070.014.807-7 | |
| 7-5 | Come a Little Bit Closer | Fleetwood Mac | — | |
| 7-6 | She’s Changing Me | Fleetwood Mac | — | |
| 7-7 | Bad Loser | Fleetwood Mac | — | |
| 7-8 | Silver Heels | Fleetwood Mac | — | |
| 7-9 | Prove Your Love | Fleetwood Mac | — | |
| 7-10 | Born Enchanter | Fleetwood Mac | T-072.247.003-2 | |
| 7-11 | Safe Harbour | Fleetwood Mac | T-902.892.457-4 | |
| 7-12 | Heroes Are Hard to Find (single version) | Fleetwood Mac | — | |
| 8-1 | The Green Manalishi (With the Two Prong Crown) (live at the Record Plant, Sausalito, CA, 12/15/1974) | — | ||
| 8-2 | Angel (live at the Record Plant, Sausalito, CA, 12/15/1974) | — | ||
| 8-3 | Spare Me a Little of Your Love (live at the Record Plant, Sausalito, CA, 12/15/1974) | — | ||
| 8-4 | Sentimental Lady (live at the Record Plant, Sausalito, CA, 12/15/1974) | — | ||
| 8-5 | Future Games (live at the Record Plant, Sausalito, CA, 12/15/1974) | — | ||
| 8-6 | Bermuda Triangle (live at the Record Plant, Sausalito, CA, 12/15/1974) | — | ||
| 8-7 | Why (live at the Record Plant, Sausalito, CA, 12/15/1974) | — | ||
| 8-8 | Believe Me (live at the Record Plant, Sausalito, CA, 12/15/1974) | — | ||
| 8-9 | Black Magic Woman / Oh Well (live at the Record Plant, Sausalito, CA, 12/15/1974) | — | ||
| 8-10 | Rattlesnake Shake (live at the Record Plant, Sausalito, CA, 12/15/1974) | — | ||
| 8-11 | Hypnotized (live at the Record Plant, Sausalito, CA, 12/15/1974) | — |
Additional database matches (20)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Show‐Biz Blues | Fleetwood Mac | — |
| One Sunny Day | Fleetwood Mac | — |
| Before the Beginning | Fleetwood Mac | — |
| Coming Your Way | Fleetwood Mac | — |
| Show‐Biz Blues | Fleetwood Mac | — |
| My Dream | Fleetwood Mac | — |
| Although the Sun Is Shining | Fleetwood Mac | — |
| When You Say | Fleetwood Mac | — |
| Like Crying | Fleetwood Mac | — |
| Before the Beginning | Fleetwood Mac | — |
| Coming Your Way | Fleetwood Mac | — |
| When You Say | Fleetwood Mac | — |
| Show‐Biz Blues | Fleetwood Mac | — |
| One Sunny Day | Fleetwood Mac | — |
| Although the Sun Is Shining | Fleetwood Mac | — |
| Searching for Madge | Fleetwood Mac | — |
| My Dream | Fleetwood Mac | — |
| Like Crying | Fleetwood Mac | — |
| Before the Beginning | Fleetwood Mac | — |
| World in Harmony | Fleetwood Mac | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 603497851300?
603497851300 is a Universal Product Code (UPC) assigned to Fleetwood Mac: 1969 to 1974 by Fleetwood Mac. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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