UPC · Release
Pretty Blank
Sex Pistols
Last verified:
603777907420 is the Universal Product Code (UPC barcode) for the release “Pretty Blank” by Sex Pistols, released 2009-01-01 on Blank Records (6). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 214 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (214)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Anarchy in the UK | — | ||
| 2 | I Wanna Be Me | — | ||
| 3 | I’m a Lazy Sod | — | ||
| 4 | New York | — | ||
| 5 | Don’t Give Me No Lip | — | ||
| 6 | Stepping Stone | — | ||
| 7 | Submission | — | ||
| 8 | Liar | — | ||
| 9 | Substitute | — | ||
| 10 | No Feelings | — | ||
| 11 | No Fun | — | ||
| 12 | Pretty Vacant | — | ||
| 13 | Problems | — | ||
| 2-1 | Anarchy in the UK (edit version) | — | ||
| 2-2 | Seventeen | — | ||
| 2-3 | Satellite | — | ||
| 2-4 | Feelings (No Feelings) | — | ||
| 2-5 | Just Me (I Wanna Be Me) | — | ||
| 2-6 | Submission | — | ||
| 2-7 | Nookie (Anarchy in the UK) | — | ||
| 2-8 | No Future (God Save the Queen) | — | ||
| 2-9 | Problems | — | ||
| 2-10 | Lost of Fun (Pretty Vacant) | — | ||
| 2-11 | Liar | — | ||
| 2-12 | Who Was It (EMI) | — | ||
| 2-13 | Looking for a Kiss (New York) | — | ||
| 3-1 | I Wanna Be Me | — | ||
| 3-2 | Anarchy in the UK | — | ||
| 3-3 | Pretty Vacant | — | ||
| 3-4 | No Feelings | — | ||
| 3-5 | No Lip | — | ||
| 3-6 | Submission | — | ||
| 3-7 | Stepping Stone | — | ||
| 3-8 | Satellite | — | ||
| 3-9 | No Fun | — | ||
| 3-10 | Substitute | — | ||
| 3-11 | Problems | — | ||
| 3-12 | God Save the Queen | — | ||
| 4-1 | No Feelings | — | ||
| 4-2 | PVC (Wants to Be Me) | — | ||
| 4-3 | Rotten (Was a Lazy Sod) | — | ||
| 4-4 | Underwater Secrets (Pub Mission for Pigs Ears) | — | ||
| 4-5 | Anarchy for USA | — | ||
| 4-6 | I Love You (Sputnik) | — | ||
| 4-7 | C’mon Everybody | — | ||
| 4-8 | Chatterbox | — | ||
| 4-9 | Born to Loose | — | ||
| 4-10 | Sid Vicious Speaks | — | ||
| 4-11 | Take a Chance With Me | — | ||
| 4-12 | God Save the Queen | — | ||
| 4-13 | I Wanna Be Me | — | ||
| 4-14 | Seventeen | — | ||
| 4-15 | New York | — | ||
| 4-16 | Satellite | — | ||
| 4-17 | EMI | — | ||
| 4-18 | Liar | — | ||
| 4-19 | Pretty Vacant | — | ||
| 4-20 | Problems | — | ||
| 4-21 | No Feelings | — | ||
| 4-22 | Anarchy in the UK | — | ||
| 4-23 | God Save the Queen | — | ||
| 5-1 | Anarchy in the UK | — | ||
| 5-2 | I Wanna Be Me | — | ||
| 5-3 | Seventeen | — | ||
| 5-4 | New York | — | ||
| 5-5 | EMI | — | ||
| 5-6 | Submission | — | ||
| 5-7 | Problems | — | ||
| 5-8 | God Save the Queen | — | ||
| 5-9 | Pretty Vacant | — | ||
| 5-10 | Anarchy in the UK | — | ||
| 5-11 | I Wanna Be Me | — | ||
| 5-12 | Seventeen | — | ||
| 5-13 | New York | — | ||
| 5-14 | EMI | — | ||
| 5-15 | No Feelings | — | ||
| 5-16 | Pretty Vacant | — | ||
| 5-17 | Problems | — | ||
| 5-18 | God Save the Queen | — | ||
| 6-1 | God Save the Queen | — | ||
| 6-2 | I Wanna Be Me | — | ||
| 6-3 | Seventeen | — | ||
| 6-4 | New York | — | ||
| 6-5 | EMI | — | ||
| 6-6 | Bodies | — | ||
| 6-7 | Belson Was a Gas | — | ||
| 6-8 | Holidays in the Sun | — | ||
| 6-9 | No Feelings | — | ||
| 6-10 | Submission | — | ||
| 6-11 | Satellite | — | ||
| 6-12 | Problems | — | ||
| 6-13 | Pretty Vacant | — | ||
| 6-14 | Anarchy in the UK | — | ||
| 6-15 | Liar | — | ||
| 7-1 | God Save the Queen | — | ||
| 7-2 | I Wanna Be Me | — | ||
| 7-3 | Seventeen | — | ||
| 7-4 | New York | — | ||
| 7-5 | Bodies | — | ||
| 7-6 | Sub‐mission | — | ||
| 7-7 | Holidays in the Sun | — | ||
| 7-8 | EMI (Unlimited edition) | — | ||
| 7-9 | No Feelings | — | ||
| 7-10 | Problems | — | ||
| 7-11 | Pretty Vacant | — | ||
| 7-12 | Anarchy in the UK | — | ||
| 8-1 | God Save the Queen | — | ||
| 8-2 | I Wanna Be Me | — | ||
| 8-3 | Seventeen | — | ||
| 8-4 | New York | — | ||
| 8-5 | EMI | — | ||
| 8-6 | Bodies | — | ||
| 8-7 | Belsen Was a Gas | — | ||
| 8-8 | Holidays in the Sun | — | ||
| 8-9 | No Feelings | — | ||
| 8-10 | Problems | — | ||
| 8-11 | Pretty Vacant | — | ||
| 8-12 | Anarchy in the USA | — | ||
| 8-13 | Liar | — | ||
| 9-1 | Did You No Wrong | — | ||
| 9-2 | No Lip | — | ||
| 9-3 | Lazy Sod | — | ||
| 9-4 | New York | — | ||
| 9-5 | Watcha Gonna Do About It | — | ||
| 9-6 | Stepping Stone | — | ||
| 9-7 | Submission | — | ||
| 9-8 | Satellite Kid | — | ||
| 9-9 | No Feelings | — | ||
| 9-10 | Pretty Vacant | — | ||
| 9-11 | No Fun | — | ||
| 9-12 | Substitute | — | ||
| 9-13 | Problems | — | ||
| 9-14 | Understanding | — | ||
| 9-15 | Did You No Wrong | — | ||
| 10-1 | No Feelings | — | ||
| 10-2 | Substitute | — | ||
| 10-3 | Pretty Vacant | — | ||
| 10-4 | Problems | — | ||
| 10-5 | No Fun | — | ||
| 10-6 | Anarchy in the UK | — | ||
| 10-7 | I Wanna Be Me | — | ||
| 10-8 | Seventeen | — | ||
| 10-9 | New York | — | ||
| 10-10 | No Lip | — | ||
| 10-11 | Stepping Stone | — | ||
| 10-12 | Satelitte | — | ||
| 10-13 | Submission | — | ||
| 11-1 | God Save the Queen | — | ||
| 11-2 | I Wanna Be Me | — | ||
| 11-3 | Seventeen | — | ||
| 11-4 | New York | — | ||
| 11-5 | EMI | — | ||
| 11-6 | Bodies | — | ||
| 11-7 | Belsen Was a Gas | — | ||
| 11-8 | Holidays in the Sun | — | ||
| 11-9 | No Feelings | — | ||
| 11-10 | Problems | — | ||
| 11-11 | Pretty Vacant | — | ||
| 11-12 | Anarchy in the UK | — | ||
| 11-13 | No Fun | — | ||
| 12-1 | Anarchy in the UK | — | ||
| 12-2 | I Wanna Be Me | — | ||
| 12-3 | Seventeen | — | ||
| 12-4 | Stepping Stone | — | ||
| 12-5 | Satellite | — | ||
| 12-6 | Submission | — | ||
| 12-7 | Substitute | — | ||
| 12-8 | No Feelings | — | ||
| 12-9 | Liar | — | ||
| 12-10 | Pretty Vacant | — | ||
| 12-11 | No Future | — | ||
| 13-1 | God Save the Queen | — | ||
| 13-2 | I Wanna Be Me | — | ||
| 13-3 | Seventeen | — | ||
| 13-4 | New York | — | ||
| 13-5 | EMI | — | ||
| 13-6 | Holidays in the Sun | — | ||
| 13-7 | Bodies | — | ||
| 13-8 | Belsen Was a Gas | — | ||
| 13-9 | No Feelings | — | ||
| 13-10 | Problems | — | ||
| 13-11 | Pretty Vacant | — | ||
| 13-12 | Anarchy in the UK | — | ||
| 14-1 | Anarchy in the UK | — | ||
| 14-2 | God Save the Queen | — | ||
| 14-3 | I Wanna Be Me | — | ||
| 14-4 | Seventeen | — | ||
| 14-5 | New York | — | ||
| 14-6 | Bodies | — | ||
| 14-7 | Submission | — | ||
| 14-8 | Holidays in the Sun | — | ||
| 14-9 | EMI (Unlimited edition) | — | ||
| 14-10 | No Feelings | — | ||
| 14-11 | Problems | — | ||
| 14-12 | Pretty Vacant | — | ||
| 15-1 | Anarchy in the UK | — | ||
| 15-2 | I Wanna Be Me | — | ||
| 15-3 | Seventeen | — | ||
| 15-4 | New York | — | ||
| 15-5 | EMI | — | ||
| 15-6 | Submission | — | ||
| 15-7 | Problems | — | ||
| 15-8 | God Save the Queen | — | ||
| 15-9 | Pretty Vacant | — | ||
| 15-10 | I Wanna Be Me | — | ||
| 15-11 | Anarchy in the UK | — | ||
| 15-12 | I Wanna Be Me | — | ||
| 15-13 | Seventeen | — | ||
| 15-14 | New York | — | ||
| 15-15 | EMI | — | ||
| 15-16 | Problems | — | ||
| 15-17 | No Feelings | — | ||
| 15-18 | Pretty Vacant | — | ||
| 15-19 | God Save the Queen | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 603777907420?
603777907420 is a Universal Product Code (UPC) assigned to Pretty Blank by Sex Pistols. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 214 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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