UPC · Release
Memphis Soul Beat
Booker T & the MGs, The Mar‐Keys
Last verified:
604988075823 is the Universal Product Code (UPC barcode) for the release “Memphis Soul Beat” by Booker T & the MGs, The Mar‐Keys, released 2013-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include USAT20001001, USAT20201251, USAT20003731.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Last Night | The Mar-Keys | T-070.241.565-3 | |
| 2 | Night Before | The Mar-Keys | T-906.850.422-3 | |
| 3 | Morning After | The Mar-Keys | T-924.082.236-0 | |
| 4 | Diana | The Mar-Keys | T-070.233.637-5 | |
| 5 | Burnt Biscuits | — | ||
| 6 | About Noon | The Mar-Keys | — | |
| 7 | Sack‐o‐Woe | The Mar-Keys | — | |
| 8 | Foxy | The Mar-Keys | — | |
| 9 | One Degree North | The Mar-Keys | T-071.203.760-9 | |
| 10 | Pop‐Eye Stroll | The Mar-Keys | T-700.054.655-6 | |
| 11 | Po’ Dunk | — | ||
| 12 | Whot’s Happenin’ | — | ||
| 13 | You Got It | — | ||
| 14 | Green Onions | Booker T. & the MG’s | T-070.234.358-5 | |
| 15 | Behave Yourself | Booker T. & the MG’s | T-070.880.778-6 | |
| 16 | Jellybread | Booker T. & the MG’s | T-700.032.133-7 | |
| 17 | Alright, Okay, You Win | The Mar-Keys | T-070.247.781-3 | |
| 18 | Sticks and Stones | — | ||
| 19 | Misty | The Mar-Keys | T-070.109.662-9 | |
| 20 | Hold It! | The Mar-Keys | — | |
| 21 | Ebb Tide | The Mar-Keys | T-070.049.117-3 | |
| 2-1 | Wimp‐Burger | — | ||
| 2-2 | Straight From the Can | — | ||
| 2-3 | ’Cause I Love You | — | ||
| 2-4 | Squint Eye | — | ||
| 2-5 | Pop Eye Rider | — | ||
| 2-6 | It’s Gonna Work Out Fine | — | ||
| 2-7 | Sit Still | — | ||
| 2-8 | Too Pooped to Popeye | — | ||
| 2-9 | Sweet‐P Crawl | — | ||
| 2-10 | Muscles a Comin’ | — | ||
| 2-11 | Sailor Man Waltz | — | ||
| 2-12 | Rinky‐Dink | Booker T. & the MG’s | T-910.864.079-5 | |
| 2-13 | I Got a Woman | Booker T. & the MG’s | T-070.919.077-1 | |
| 2-14 | Mo’ Onions | Booker T. & the MG’s | T-071.001.001-7 | |
| 2-15 | Twist and Shout | Booker T. & the MG’s | T-071.214.645-6 | |
| 2-16 | Stranger on the Shore | Booker T. & the MG’s | T-011.225.516-9 | |
| 2-17 | Lonely Avenue | Booker T. & the MG’s | T-071.000.785-4 | |
| 2-18 | One Who Really Loves You | Booker T. & the MG’s | T-070.160.272-3 | |
| 2-19 | You Can’t Sit Down | Booker T. & the MG’s | T-070.881.002-9 | |
| 2-20 | A Woman, a Lover, a Friend | Booker T. & the MG’s | — | |
| 2-21 | Comin’ Home Baby | Booker T. & the MG’s | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| A Woman, a Lover, a Friend | Booker T. & the MG’s | T-070.919.077-1 |
| Comin’ Home Baby | Booker T. & the MG’s | T-070.026.828-5 |
| A Woman, a Lover, a Friend | Booker T. & the MG’s | — |
| Comin’ Home Baby | Booker T. & the MG’s | T-070.026.828-5 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 604988075823?
604988075823 is a Universal Product Code (UPC) assigned to Memphis Soul Beat by Booker T & the MGs, The Mar‐Keys. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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