The Engine Room: A History of Jazz Drumming From Storyville to 52nd Street

UPC · Release

The Engine Room: A History of Jazz Drumming From Storyville to 52nd Street

Various Artists

604988990225
95 tracksReleased 2005-01-01Proper Records (2)

Last verified:

604988990225 is the Universal Product Code (UPC barcode) for the release The Engine Room: A History of Jazz Drumming From Storyville to 52nd Street by Various Artists, released 2005-01-01 on Proper Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 95 tracks, each with its own ISRC. Tracks include DEU240800160, DEU240802952, DEU240804746.

Format

6Number system
04988Manufacturer
99022Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Engine Room: A History of Jazz Drumming From Storyville to 52nd Street
ISRC5 recordings
ISWC18 works
IPI13 songwriters

Track List (95)

Canal Street Blues
Canal Street Blues
New Orleans Wiggle
New Orleans Wiggle
Black Bottom Stomp
Jelly Roll Morton’s Red Hot Peppers
Wolverine Blues
Wolverine Blues
At The Jazz Band Ball
At The Jazz Band Ball
Memphis Blues
Memphis Blues
China Boy
China Boy
Clarinetitis
Clarinetitis
Bone Yard Shuffle
Bone Yard Shuffle
She's Crying For Me
She's Crying For Me
Smilin' the Blues Away
Smilin' the Blues Away
Panama
Panama
'Way Down Yonder in New Orleans
'Way Down Yonder in New Orleans
Weary Blues
Weary Blues
Nobody's Sweetheart
Nobody's Sweetheart
Dear Old Southland
Dear Old Southland
King Porter Stomp
King Porter Stomp
Copenhagen
Copenhagen
The Sheik of Araby
The Sheik of Araby
Muskrat Ramble
Muskrat Ramble
Blame It on the Blues
Blame It on the Blues
Buddy Bolden Blues
Buddy Bolden Blues
Nobody's Sweetheart
Nobody's Sweetheart
Dicky Wells Blues
Dicky Wells Blues
Let's Swing It
Let's Swing It
Crazy Rhythm
Coleman Hawkins & His All-Star “Jam” Band
Down Home Jump
Down Home Jump
Jim Jam Stomp
Jim Jam Stomp
Looney
Looney
Shivers
Shivers
Shufflin' at the Hollywood
Shufflin' at the Hollywood
Hootie's Ignorant Oil
Hootie's Ignorant Oil
Linger Awhile
Linger Awhile
Front and Center
Front and Center
I May Be Wrong
I May Be Wrong
Destination K.C.
Destination K.C.
Too Marvellous for Words
Too Marvellous for Words
Seven Come Eleven
Seven Come Eleven
A Bunch of Rhythm
A Bunch of Rhythm
Behind the Eight Bar
Behind the Eight Bar
Gotta Gimme What You Got
Gotta Gimme What You Got
I Want to Go Where You Go
I Want to Go Where You Go
Jonah's Wail
Jonah's Wail
Airiness a La Nat
Airiness a La Nat
Boogie Woogie Barbecue
Boogie Woogie Barbecue
I Want to Be Happy
I Want to Be Happy
Put It There
Put It There
Down South Camp Meeting
Down South Camp Meeting
Walkin’ & Swingin’
Walkin’ & Swingin’
Jivin’ the Jeep
Jivin’ the Jeep
Sing, Sing, Sing
Sing, Sing, Sing
Lisa
Lisa
Wolverine Blues
Wolverine Blues
T’Ain’t What You Do (It’s the Way That You Do It)
T’Ain’t What You Do (It’s the Way That You Do It)
Ratamacue
Ratamacue
Cab Calloway and His Orchestra
Wham (Re-Bop-Boom-Bam)
Wham (Re-Bop-Boom-Bam)
Tickle-Toe
Tickle-Toe
Dameron Stomp
Dameron Stomp
Pound Ridge
Pound Ridge
Up Jumped the Devil
Up Jumped the Devil
Jumpin’ Pumpkins
Jumpin’ Pumpkins
Little John Special
Little John Special
The Good Earth
The Good Earth
Moten Swing
Moten Swing
In the Middle
In the Middle
Quiet Riot
Quiet Riot
Our Delight
Our Delight
Oo Bop Sh’Bam
Oo Bop Sh’Bam
How High the Moon
How High the Moon
Four Brothers
Four Brothers
Woody Herman and His Orchestra
Rifftide
Rifftide
Congo Blues
Congo Blues
Get Happy
Get Happy
Moose the Mooche
Moose the Mooche
Commercial Eyes
Commercial Eyes
Lester’s Be-Bop Boogie
Lester’s Be-Bop Boogie
Easy Swing
Easy Swing
Relaxing at Camarillo
Relaxing at Camarillo
The Chase
The Chase
All God’s Children Got Rhythm
All God’s Children Got Rhythm
Klact-Oveeseds-Tene
Klact-Oveeseds-Tene
Lop-Pow
Lop-Pow
Dextrose
Dextrose
Wee Dot
Wee Dot
Jumpin’ at the Woodside
Jumpin’ at the Woodside
The Bird
The Bird
The Last Word
The Last Word
Dinky
Dinky
Lady Bird
Lady Bird
More Brew
More Brew
Pina Colada
Pina Colada
Oh Henry
Oh Henry
Shawn
Shawn
Bop Alley
Bop Alley

Identifier Graph

UPCThe Engine Room…ISRCDixie Jass Band…ISRCBlack Bottom St…

People also ask

What is UPC 604988990225?
UPC 604988990225 is the Universal Product Code (barcode) for "The Engine Room: A History of Jazz Drumming From Storyville to 52nd Street" by Various Artists, released on Proper Records (2).
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 604988990225?
UPC 604988990225 contains 95 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 604988990225?

604988990225 is a Universal Product Code (UPC) assigned to The Engine Room: A History of Jazz Drumming From Storyville to 52nd Street by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 95 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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