UPC · Release
The Stan Kenton Story
Stan Kenton
604988991321
93 tracksReleased 2006-01-01Proper Records (2)
Last verified:
604988991321 is the Universal Product Code (UPC barcode) for the release “The Stan Kenton Story” by Stan Kenton, released 2006-01-01 on Proper Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 93 tracks, each with its own ISRC. Tracks include USCA29201326.
Format
6Number system
04988Manufacturer
99132Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Stan Kenton Story
ISRC1 recording
ISWC51 works
IPI2 songwriters
Track List (93)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite for Saxaphones | — | ||
| 2 | Do Nothing Till You Hear From Me | — | ||
| 3 | Eager Beaver | — | ||
| 4 | Harlem Folk Dance | — | ||
| 5 | Artistry in Rhythm | — | ||
| 6 | I’m Going Mad for a Pad | — | ||
| 7 | And Her Tears Flowed Like Wine | — | ||
| 8 | Gotta Be Gettin’ | — | ||
| 9 | Ev’ry Time We Say Goodbye | — | ||
| 10 | Are You Livin’ Old Man | — | ||
| 11 | Balboa Bash | — | ||
| 12 | I Want a Grown Up Man | — | ||
| 13 | Travelin’ Man | — | ||
| 14 | Tampico | — | ||
| 15 | Southern Scandal | — | ||
| 16 | It’s Been a Long, Long Time | — | ||
| 17 | Don’t Let Me Dream | — | ||
| 18 | Just a Sittin’ and a Rockin’ | — | ||
| 19 | Artistry Jumps | — | ||
| 20 | Painted Rhythm | — | ||
| 21 | Blue Music | — | ||
| 22 | Body and Soul | — | ||
| 2-1 | Easy Street | — | ||
| 2-2 | On the Sunny Side of the Street | — | ||
| 2-3 | I Surrender Dear | — | ||
| 2-4 | Begin the Beguine | — | ||
| 2-5 | Two Moose in a Caboose | — | ||
| 2-6 | Solitude | — | ||
| 2-7 | No Baby, Nobody but You | — | ||
| 2-8 | Tea for Two | — | ||
| 2-9 | One Twenty | — | ||
| 2-10 | I Never Thought I’d Sing the Blues | — | ||
| 2-11 | Shoo Fly Pie and Apple Pan Dowdy | — | ||
| 2-12 | I Been Down in Texas | — | ||
| 2-13 | Intermission Riff | — | ||
| 2-14 | Four Months, Three Weeks, Two Days, One Hour Blues | — | ||
| 2-15 | Artistry in Boogie | — | ||
| 2-16 | Come Back to Sorrento | — | ||
| 2-17 | I Got the Sun in the Morning | — | ||
| 2-18 | Peg o My Heart | — | ||
| 2-19 | Come Rain or Come Shine | — | ||
| 2-20 | He’s Funny That Way | — | ||
| 2-21 | Ain’t No Misery in Me | — | ||
| 2-22 | Artistry in Percussion | — | ||
| 2-23 | Safranski | — | ||
| 2-24 | Artistry in Bolero | — | ||
| 3-1 | Yesterdays | — | ||
| 3-2 | I’ve Got the World on a String | — | ||
| 3-3 | Ecuador | — | ||
| 3-4 | More Than You Know | — | ||
| 3-5 | Loverman | — | ||
| 3-6 | Scotch and Water | — | ||
| 3-7 | Cocktails for Two | — | ||
| 3-8 | Everybody Swing | — | ||
| 3-9 | Willow Weep for Me | — | ||
| 3-10 | Fantasy | — | ||
| 3-11 | Concerto to End All Concertos, Parts 1 & 2 | — | ||
| 3-12 | Opus in Pastels | — | ||
| 3-13 | After You | — | ||
| 3-14 | Down in Chi‐Hua‐Hua | — | ||
| 3-15 | Rhythm Incorporated (Capitol Punishment), Parts 1 & 2 | — | ||
| 3-16 | There Is No Greater Love | — | ||
| 3-17 | Across the Alley From the Alamo | — | ||
| 3-18 | Collaboration | — | ||
| 3-19 | The Spider and the Fly | — | ||
| 3-20 | Minor Riff | — | ||
| 3-21 | Machito | Stan Kenton and His Orchestra | T-070.049.098-7 | |
| 3-22 | Lover | — | ||
| 4-1 | Artistry in Harlem Swing | — | ||
| 4-2 | By the River Ste. Marie | — | ||
| 4-3 | April in Paris | — | ||
| 4-4 | Don’t Worry About Me | — | ||
| 4-5 | If I Could Be With You One Hour Tonight | — | ||
| 4-6 | Elegy for Alto | — | ||
| 4-7 | Soothe Me | — | ||
| 4-8 | Chorale for Brass, Piano and Bongo (Prologue, Suite, Second Movement) | — | ||
| 4-9 | Theme to the West | — | ||
| 4-10 | Abstraction (Prologue, Suite, Third Movement) | — | ||
| 4-11 | Fugue for Rhythm Section | — | ||
| 4-12 | Monotony | — | ||
| 4-13 | Unison Riff | — | ||
| 4-14 | Lament | — | ||
| 4-15 | Impressionism | — | ||
| 4-16 | I Told Ya I Love Ya, Now Get Out | — | ||
| 4-17 | Cuban Carnival | — | ||
| 4-18 | The Peanut Vendor | — | ||
| 4-19 | Thermopolae | — | ||
| 4-20 | Over the Rainbow | — | ||
| 4-21 | Metronome Riff | — | ||
| 4-22 | Introduction to a Latin Rhythm (Prologue, Suite, First Movement) | — | ||
| 4-23 | Journey to Brazil (Prologue, Suite, Fourth Movement, Finale) | — | ||
| 4-24 | How High the Moon | — | ||
| 4-25 | Interlude | — |
Suite for Saxaphones
—
Do Nothing Till You Hear From Me
—
Eager Beaver
—
Harlem Folk Dance
—
Artistry in Rhythm
—
I’m Going Mad for a Pad
—
And Her Tears Flowed Like Wine
—
Gotta Be Gettin’
—
Ev’ry Time We Say Goodbye
—
Are You Livin’ Old Man
—
Balboa Bash
—
I Want a Grown Up Man
—
Travelin’ Man
—
Tampico
—
Southern Scandal
—
It’s Been a Long, Long Time
—
Don’t Let Me Dream
—
Just a Sittin’ and a Rockin’
—
Artistry Jumps
—
Painted Rhythm
—
Blue Music
—
Body and Soul
—
Easy Street
—
On the Sunny Side of the Street
—
I Surrender Dear
—
Begin the Beguine
—
Two Moose in a Caboose
—
Solitude
—
No Baby, Nobody but You
—
Tea for Two
—
One Twenty
—
I Never Thought I’d Sing the Blues
—
Shoo Fly Pie and Apple Pan Dowdy
—
I Been Down in Texas
—
Intermission Riff
—
Four Months, Three Weeks, Two Days, One Hour Blues
—
Artistry in Boogie
—
Come Back to Sorrento
—
I Got the Sun in the Morning
—
Peg o My Heart
—
Come Rain or Come Shine
—
He’s Funny That Way
—
Ain’t No Misery in Me
—
Artistry in Percussion
—
Safranski
—
Artistry in Bolero
—
Yesterdays
—
I’ve Got the World on a String
—
Ecuador
—
More Than You Know
—
Loverman
—
Scotch and Water
—
Cocktails for Two
—
Everybody Swing
—
Willow Weep for Me
—
Fantasy
—
Concerto to End All Concertos, Parts 1 & 2
—
Opus in Pastels
—
After You
—
Down in Chi‐Hua‐Hua
—
Rhythm Incorporated (Capitol Punishment), Parts 1 & 2
—
There Is No Greater Love
—
Across the Alley From the Alamo
—
Collaboration
—
The Spider and the Fly
—
Minor Riff
—
Lover
—
Artistry in Harlem Swing
—
By the River Ste. Marie
—
April in Paris
—
Don’t Worry About Me
—
If I Could Be With You One Hour Tonight
—
Elegy for Alto
—
Soothe Me
—
Chorale for Brass, Piano and Bongo (Prologue, Suite, Second Movement)
—
Theme to the West
—
Abstraction (Prologue, Suite, Third Movement)
—
Fugue for Rhythm Section
—
Monotony
—
Unison Riff
—
Lament
—
Impressionism
—
I Told Ya I Love Ya, Now Get Out
—
Cuban Carnival
—
The Peanut Vendor
—
Thermopolae
—
Over the Rainbow
—
Metronome Riff
—
Introduction to a Latin Rhythm (Prologue, Suite, First Movement)
—
Journey to Brazil (Prologue, Suite, Fourth Movement, Finale)
—
How High the Moon
—
Interlude
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-070.000.165-5T-070.000.363-9T-070.001.745-3T-070.010.811-7T-070.012.014-4T-070.012.998-1T-070.025.340-2T-070.025.551-1T-070.039.215-9T-070.049.895-8
+41 more
T-070.074.622-0T-070.088.911-7T-070.097.657-3T-070.110.125-8T-070.135.152-1T-070.135.232-0T-070.152.643-3T-070.159.949-6T-070.178.033-7T-070.178.141-0T-070.179.103-8T-070.200.285-4T-070.207.741-5T-070.210.198-1T-070.268.668-7T-070.882.063-6T-070.882.094-3T-070.882.113-9T-070.882.115-1T-070.891.381-8T-070.905.088-3T-070.907.611-8T-070.907.796-2T-070.907.797-3T-070.918.068-6T-070.919.837-7T-070.924.101-9T-071.058.438-5T-071.059.783-3T-071.063.844-0T-071.063.989-6T-071.066.499-5T-071.070.380-2T-071.183.820-8T-071.498.347-7T-900.008.746-7T-900.302.123-6T-900.302.128-1T-900.302.134-9T-900.302.135-0T-070.049.098-7
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 604988991321?
604988991321 is a Universal Product Code (UPC) assigned to The Stan Kenton Story by Stan Kenton. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 93 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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