UPC · Release
C’est ci bon: Satchmo in the Forties
Louis Armstrong
604988992427
86 tracksReleased 2001-01-01Proper Records (2)
Last verified:
604988992427 is the Universal Product Code (UPC barcode) for the release “C’est ci bon: Satchmo in the Forties” by Louis Armstrong, released 2001-01-01 on Proper Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 86 tracks, each with its own ISRC. Tracks include DEU240806373, DEU240820410, DEU240820413.
Format
6Number system
04988Manufacturer
99242Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCC’est ci bon: Satchmo in the Forties
ISRC9 recordings
ISWC58 works
IPI3 songwriters
Track List (86)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cherry | — | ||
| 2 | Perdido Street Blues | — | ||
| 3 | 2:19 Blues | — | ||
| 4 | Down in Honky Tonk Town | — | ||
| 5 | Coal Cart Blues | Louis Armstrong and His Orchestra | T-070.275.501-8 | |
| 6 | Everything's Been Done Before | — | ||
| 7 | I Cover the Waterfront | — | ||
| 8 | In the Gloaming | — | ||
| 9 | Long, Long, Ago | — | ||
| 10 | Hey Lawdy Mama | — | ||
| 11 | I'll Get Mine Bye and Bye | — | ||
| 12 | Do You Call That a Buddy? | — | ||
| 13 | Yes Suh! | — | ||
| 14 | When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | T-071.192.536-8 | |
| 15 | Leap Frog | — | ||
| 16 | I Used to Love You (But It's All Over Now) | — | ||
| 17 | You Rascal, You | Louis Armstrong and His Orchestra | T-071.063.907-8 | |
| 18 | (Get Some) Cash for Your Trash | Louis Armstrong & His Orchestra | — | |
| 19 | Among My Souvenirs | Louis Armstrong and His Orchestra | T-070.001.189-7 | |
| 20 | Coquette | — | ||
| 21 | I Never Knew | — | ||
| 22 | Jack-Armstrong Blues | — | ||
| 23 | I'm Confessin' | — | ||
| 24 | You Won’t Be Satisfied (Until You Break My Heart) | Ella Fitzgerald, Louis Armstrong, Bob Haggart’s Orchestra | T-070.211.113-4 | |
| 25 | The Frim Fram Sauce | Ella Fitzgerald, Louis Armstrong, Bob Haggart’s Orchestra | T-070.892.618-4 | |
| 2-1 | Long Long Journey | — | ||
| 2-2 | Snafu | — | ||
| 2-3 | Linger in My Arms a Little Longer | — | ||
| 2-4 | What Ya Gonna Do? | — | ||
| 2-5 | No Variety Blues | — | ||
| 2-6 | Joseph 'n' His Brothers | — | ||
| 2-7 | Back o’ Town Blues | Louis Armstrong & His Orchestra | T-070.010.095-3 | |
| 2-8 | I Want a Little Girl | — | ||
| 2-9 | Sugar | — | ||
| 2-10 | Blues for Yesterday | — | ||
| 2-11 | Blues in the South | — | ||
| 2-12 | Endie | — | ||
| 2-13 | The Blues Are Brewin' | — | ||
| 2-14 | Do You Know What It Means to Miss New Orleans? | — | ||
| 2-15 | Where the Blues Were Born in New Orleans | — | ||
| 2-16 | Mahogany Hall Stomp | — | ||
| 2-17 | I Wonder, I Wonder | — | ||
| 2-18 | I Believe | — | ||
| 2-19 | Why Doubt My Love? | — | ||
| 2-20 | It Takes Time | — | ||
| 2-21 | You Don't Learn That in School | — | ||
| 2-22 | Ain't Misbehavin' | — | ||
| 2-23 | Rockin' Chair | — | ||
| 3-1 | Back O'Town Blues | — | ||
| 3-2 | Pennies From Heaven | — | ||
| 3-3 | Save It Pretty Mama | — | ||
| 3-4 | St. James Infirmary | — | ||
| 3-5 | Jack-Armstrong Blues | — | ||
| 3-6 | Rockin' Chair | — | ||
| 3-7 | Someday (You'll Be Sorry) | — | ||
| 3-8 | Fifty-Fifty Blues | — | ||
| 3-9 | A Song Was Born | — | ||
| 3-10 | Please Stop Playing Those Blues | — | ||
| 3-11 | Before Long | — | ||
| 3-12 | Lovely Weather We're Having | — | ||
| 3-13 | Muskrat Ramble | — | ||
| 3-14 | Black and Blue | — | ||
| 3-15 | Royal Garden Blues | — | ||
| 3-16 | Lover | — | ||
| 3-17 | Stars Fell on Alabama | — | ||
| 3-18 | I Cried for You | — | ||
| 3-19 | Since I Fell for You | — | ||
| 3-20 | Tea for Two | — | ||
| 4-1 | Body and Soul | — | ||
| 4-2 | Steak Face | — | ||
| 4-3 | Mahogany Hall Stomp | — | ||
| 4-4 | On the Sunny Side of the Street | — | ||
| 4-5 | High Society | — | ||
| 4-6 | Baby Won't You Please Come Home? | — | ||
| 4-7 | That's My Desire | — | ||
| 4-8 | "C" Jam Blues | — | ||
| 4-9 | Boff-Boff | — | ||
| 4-10 | Maybe It's Because | — | ||
| 4-11 | I'll Keep the Lovelight Burning in My Heart | — | ||
| 4-12 | You Can’t Lose a Broken Heart | Billie Holiday, Sy Oliver and His Orchestra | T-071.194.022-5 | |
| 4-13 | My Sweet Hunk O'Trash | — | ||
| 4-14 | New Orleans Function (Free as a Bird / Oh Didn't He Ramble) | — | ||
| 4-15 | La Vie en rose | — | ||
| 4-16 | C'est ci bon | — | ||
| 4-17 | Life Is So Peculiar | — | ||
| 4-18 | You Rascal You | — |
Cherry
—
Perdido Street Blues
—
2:19 Blues
—
Down in Honky Tonk Town
—
Everything's Been Done Before
—
I Cover the Waterfront
—
In the Gloaming
—
Long, Long, Ago
—
Hey Lawdy Mama
—
I'll Get Mine Bye and Bye
—
Do You Call That a Buddy?
—
Yes Suh!
—
Leap Frog
—
I Used to Love You (But It's All Over Now)
—
(Get Some) Cash for Your Trash
Louis Armstrong & His Orchestra
—
Coquette
—
I Never Knew
—
Jack-Armstrong Blues
—
I'm Confessin'
—
Ella Fitzgerald, Louis Armstrong, Bob Haggart’s Orchestra
Long Long Journey
—
Snafu
—
Linger in My Arms a Little Longer
—
What Ya Gonna Do?
—
No Variety Blues
—
Joseph 'n' His Brothers
—
I Want a Little Girl
—
Sugar
—
Blues for Yesterday
—
Blues in the South
—
Endie
—
The Blues Are Brewin'
—
Do You Know What It Means to Miss New Orleans?
—
Where the Blues Were Born in New Orleans
—
Mahogany Hall Stomp
—
I Wonder, I Wonder
—
I Believe
—
Why Doubt My Love?
—
It Takes Time
—
You Don't Learn That in School
—
Ain't Misbehavin'
—
Rockin' Chair
—
Back O'Town Blues
—
Pennies From Heaven
—
Save It Pretty Mama
—
St. James Infirmary
—
Jack-Armstrong Blues
—
Rockin' Chair
—
Someday (You'll Be Sorry)
—
Fifty-Fifty Blues
—
A Song Was Born
—
Please Stop Playing Those Blues
—
Before Long
—
Lovely Weather We're Having
—
Muskrat Ramble
—
Black and Blue
—
Royal Garden Blues
—
Lover
—
Stars Fell on Alabama
—
I Cried for You
—
Since I Fell for You
—
Tea for Two
—
Body and Soul
—
Steak Face
—
Mahogany Hall Stomp
—
On the Sunny Side of the Street
—
High Society
—
Baby Won't You Please Come Home?
—
That's My Desire
—
"C" Jam Blues
—
Boff-Boff
—
Maybe It's Because
—
I'll Keep the Lovelight Burning in My Heart
—
My Sweet Hunk O'Trash
—
New Orleans Function (Free as a Bird / Oh Didn't He Ramble)
—
La Vie en rose
—
C'est ci bon
—
Life Is So Peculiar
—
You Rascal You
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.434.554-1T-011.332.694-5T-070.001.189-7T-070.010.095-3T-070.211.113-4T-070.275.501-8T-070.892.618-4T-070.001.189-7T-070.010.095-3T-070.011.896-2
+48 more
T-070.023.587-5T-070.026.001-0T-070.039.254-6T-070.049.453-6T-070.086.611-0T-070.088.615-2T-070.095.841-3T-070.096.027-5T-070.096.866-6T-070.108.705-9T-070.126.989-7T-070.134.257-5T-070.136.630-4T-070.138.193-2T-070.152.811-1T-070.165.305-5T-070.165.538-0T-070.195.415-5T-070.196.007-7T-070.196.388-3T-070.199.447-9T-070.211.113-4T-070.232.239-1T-070.241.310-2T-070.259.216-2T-070.275.501-8T-070.892.618-4T-070.902.378-8T-070.902.587-5T-070.904.185-9T-070.904.644-5T-070.904.888-3T-070.924.083-4T-071.063.907-8T-071.192.536-8T-071.194.022-5T-071.056.299-4T-071.063.907-8T-071.066.624-2T-071.070.447-4T-071.192.536-8T-071.194.005-4T-071.194.022-5T-071.869.475-7T-071.872.669-2T-305.103.561-7T-800.785.794-6T-900.305.892-2
Songwriters/Publishers (IPI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 604988992427?
604988992427 is a Universal Product Code (UPC) assigned to C’est ci bon: Satchmo in the Forties by Louis Armstrong. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 86 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm