UPC · Release
It’s Easy to Remember
Bing Crosby
604988993424
99 tracks
Last verified:
604988993424 is the Universal Product Code (UPC barcode) for the release “It’s Easy to Remember” by Bing Crosby. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 99 tracks, each with its own ISRC. Tracks include USSM11402287, GB9TT1001277, USMC13100983.
Format
6Number system
04988Manufacturer
99342Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCIt’s Easy to Remember
ISRC31 recordings
ISWC78 works
IPI9 songwriters
Track List (99)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I’ve Got the Girl | — | ||
| 2 | Muddy Water | — | ||
| 3 | Side by Side | — | ||
| 4 | From Monday On | — | ||
| 5 | Mississippi Mud | — | ||
| 6 | Taint So, Honey, Taint So | Paul Whiteman and His Orchestra | T-070.177.785-6 | |
| 7 | If I Had You | — | ||
| 8 | Can’t We Be Friends? | — | ||
| 9 | Happy Feet | Paul Whiteman and His Orchestra | T-902.936.955-9 | |
| 10 | You Brought a New Kind of Love to Me | — | ||
| 11 | Three Little Words | — | ||
| 12 | I Surrender, Dear | — | ||
| 13 | Wrap Your Troubles in Dreams (and Dream Your Troubles Away) | — | ||
| 14 | Just a Gigolo | — | ||
| 15 | Out of Nowhere | Bing Crosby | T-010.460.556-2 | |
| 16 | Just One More Chance | — | ||
| 17 | I’m Through With Love | — | ||
| 18 | I Found a Million Dollar Baby | Bing Crosby | T-071.882.807-9 | |
| 19 | Dancing in the Dark | — | ||
| 20 | Where the Blue of the Night (Meets the Gold of the Day) | — | ||
| 21 | Dinah | Bing Crosby, The Mills Brothers | T-071.059.730-0 | |
| 22 | St. Louis Blues | — | ||
| 23 | Sweet Georgia Brown | — | ||
| 24 | Please | Bing Crosby, Anson Weeks & His Orchestra | T-010.166.400-9 | |
| 25 | (I Don’t Stand A) Ghost of a Chance (With You) | — | ||
| 2-1 | Brother, Can You Spare a Dime? | Bing Crosby | T-070.012.596-7 | |
| 2-2 | You’re Getting to Be a Habit With Me | — | ||
| 2-3 | I’ve Got the World on a String | — | ||
| 2-4 | The Last Round‐Up | — | ||
| 2-5 | Love in Bloom | — | ||
| 2-6 | June in January | — | ||
| 2-7 | Soon | Bing Crosby, Georgie Stoll and His Orchestra | T-070.137.026-4 | |
| 2-8 | It’s Easy to Remember | Bing Crosby, Georgie Stoll and His Orchestra | T-070.907.619-6 | |
| 2-9 | Red Sails in the Sunset | Bing Crosby, Victor Young and His Orchestra | T-010.434.162-9 | |
| 2-10 | Silent Night, Holy Night | — | ||
| 2-11 | Moonburn | — | ||
| 2-12 | The Touch of Your Lips | — | ||
| 2-13 | Pennies From Heaven | Bing Crosby, Georgie Stoll and His Orchestra | T-070.165.305-5 | |
| 2-14 | Shoe Shine Boy | — | ||
| 2-15 | The Way You Look Tonight | — | ||
| 2-16 | Sweet Leilani | — | ||
| 2-17 | Too Marvelous for Words | Bing Crosby, Jimmy Dorsey and His Orchestra | T-070.180.810-7 | |
| 2-18 | The Moon Got in My Eyes | Bing Crosby, Orchestra Under the Direction of John Scott Trotter | T-070.109.918-4 | |
| 2-19 | Remember Me? | Bing Crosby, Orchestra Under the Direction of John Scott Trotter | T-070.126.378-6 | |
| 2-20 | Bob White (Whatcha Gonna Swing Tonight?) | Bing Crosby, Connie Boswell, John Scott Trotter and His Orchestra | T-070.012.000-8 | |
| 2-21 | Don’t Be That Way | — | ||
| 2-22 | I’ve Got a Pocketful of Dreams | Bing Crosby, John Scott Trotter and His Orchestra | — | |
| 2-23 | You Must Have Been a Beautiful Baby | Bing Crosby, Bob Crosby & His Orchestra | T-070.210.753-6 | |
| 2-24 | If I Had My Way | — | ||
| 2-25 | An Apple for the Teacher | — | ||
| 3-1 | Sierra Sue | Bing Crosby, John Scott Trotter and His Orchestra | — | |
| 3-2 | Mister Meadowlark | — | ||
| 3-3 | Trade Winds | — | ||
| 3-4 | Only Forever | Bing Crosby, John Scott Trotter and His Orchestra | T-070.159.398-7 | |
| 3-5 | Along the Santa Fe Trail | — | ||
| 3-6 | Tea for Two | — | ||
| 3-7 | Yes, Indeed! | — | ||
| 3-8 | New San Antonio Rose | Bing Crosby, Bob Crosby and His Orchestra | T-070.134.078-4 | |
| 3-9 | The Waiter & the Porter & the Upstairs Maid | — | ||
| 3-10 | The Birth of the Blues | — | ||
| 3-11 | You Are My Sunshine | — | ||
| 3-12 | Deep in the Heart of Texas | — | ||
| 3-13 | Wait Till the Sun Shines, Nellie | — | ||
| 3-14 | White Christmas | Bing Crosby | T-004.026.559-5 | |
| 3-15 | Moonlight Becomes You | Bing Crosby, John Scott Trotter and His Orchestra | T-070.110.008-4 | |
| 3-16 | Sunday, Monday or Always | — | ||
| 3-17 | People Will Say We’re in Love | — | ||
| 3-18 | San Fernando Valley | — | ||
| 3-19 | Swinging on a Star | Bing Crosby, John Scott Trotter and His Orchestra | T-070.138.987-8 | |
| 3-20 | I Love You | Bing Crosby, John Scott Trotter and His Orchestra | T-070.903.622-5 | |
| 3-21 | Night & Day | — | ||
| 3-22 | I’ll Be Seeing You | Bing Crosby, John Scott Trotter and His Orchestra | T-070.086.610-9 | |
| 3-23 | (There’ll Be a Hot Time) In the Town of Berlin | — | ||
| 3-24 | Too‐Ra‐Loo‐Ra‐Loo‐Ral | — | ||
| 3-25 | Don’t Fence Me In | Bing Crosby, The Andrews Sisters, Vic Schoen and His Orchestra | T-070.039.701-8 | |
| 4-1 | Mine | — | ||
| 4-2 | Ac‐Cent‐Tchu‐Ate the Positive | Bing Crosby | T-070.000.128-0 | |
| 4-3 | Put It There, Pal | — | ||
| 4-4 | Baia | — | ||
| 4-5 | You Belong to My Heart (or Solamente una vez) | — | ||
| 4-6 | If I Loved You | — | ||
| 4-7 | Close as Pages in a Book | — | ||
| 4-8 | Along the Navajo Trail | — | ||
| 4-9 | It’s Been a Long, Long Time | — | ||
| 4-10 | I Can’t Begin to Tell You | Bing Crosby, Carmen Cavallaro | T-070.902.501-3 | |
| 4-11 | Day by Day | — | ||
| 4-12 | Sioux City Sue | — | ||
| 4-13 | After You’ve Gone | — | ||
| 4-14 | South America, Take It Away! | Bing Crosby | — | |
| 4-15 | A Couple of Song and Dance Men | Fred Astaire, Bing Crosby | T-070.026.170-6 | |
| 4-16 | I Still Suits Me | — | ||
| 4-17 | Alexander’s Ragtime Band | — | ||
| 4-18 | Now Is the Hour (Maori Farewell Song) | Bing Crosby, Ken Darby Choir | T-902.479.774-8 | |
| 4-19 | Embraceable You | — | ||
| 4-20 | But Beautiful | — | ||
| 4-21 | Sam’s Song | — | ||
| 4-22 | Autumn Leaves | — | ||
| 4-23 | I’ve Never Been in Love Before | — | ||
| 4-24 | If I Were a Bell | — |
I’ve Got the Girl
—
Muddy Water
—
Side by Side
—
From Monday On
—
Mississippi Mud
—
If I Had You
—
Can’t We Be Friends?
—
You Brought a New Kind of Love to Me
—
Three Little Words
—
I Surrender, Dear
—
Wrap Your Troubles in Dreams (and Dream Your Troubles Away)
—
Just a Gigolo
—
Just One More Chance
—
I’m Through With Love
—
Dancing in the Dark
—
Where the Blue of the Night (Meets the Gold of the Day)
—
St. Louis Blues
—
Sweet Georgia Brown
—
(I Don’t Stand A) Ghost of a Chance (With You)
—
You’re Getting to Be a Habit With Me
—
I’ve Got the World on a String
—
The Last Round‐Up
—
Love in Bloom
—
June in January
—
Silent Night, Holy Night
—
Moonburn
—
The Touch of Your Lips
—
Shoe Shine Boy
—
The Way You Look Tonight
—
Sweet Leilani
—
Bing Crosby, Orchestra Under the Direction of John Scott Trotter
Bing Crosby, Connie Boswell, John Scott Trotter and His Orchestra
Don’t Be That Way
—
I’ve Got a Pocketful of Dreams
Bing Crosby, John Scott Trotter and His Orchestra
—
If I Had My Way
—
An Apple for the Teacher
—
Sierra Sue
Bing Crosby, John Scott Trotter and His Orchestra
—
Mister Meadowlark
—
Trade Winds
—
Along the Santa Fe Trail
—
Tea for Two
—
Yes, Indeed!
—
The Waiter & the Porter & the Upstairs Maid
—
The Birth of the Blues
—
You Are My Sunshine
—
Deep in the Heart of Texas
—
Wait Till the Sun Shines, Nellie
—
Sunday, Monday or Always
—
People Will Say We’re in Love
—
San Fernando Valley
—
Night & Day
—
(There’ll Be a Hot Time) In the Town of Berlin
—
Too‐Ra‐Loo‐Ra‐Loo‐Ral
—
Mine
—
Put It There, Pal
—
Baia
—
You Belong to My Heart (or Solamente una vez)
—
If I Loved You
—
Close as Pages in a Book
—
Along the Navajo Trail
—
It’s Been a Long, Long Time
—
Day by Day
—
Sioux City Sue
—
After You’ve Gone
—
South America, Take It Away!
Bing Crosby
—
I Still Suits Me
—
Alexander’s Ragtime Band
—
Embraceable You
—
But Beautiful
—
Sam’s Song
—
Autumn Leaves
—
I’ve Never Been in Love Before
—
If I Were a Bell
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-004.026.559-5T-004.026.559-5T-010.166.400-9T-010.434.162-9T-010.460.556-2T-010.166.400-9T-010.433.539-8T-010.433.969-6T-010.433.970-9T-010.434.162-9
+68 more
T-010.460.556-2T-010.962.778-2T-011.208.543-4T-011.243.999-2T-039.945.051-1T-070.000.128-0T-070.012.000-8T-070.012.596-7T-070.039.701-8T-070.086.610-9T-070.109.918-4T-070.110.008-4T-070.126.378-6T-070.138.987-8T-070.159.398-7T-070.165.305-5T-070.177.785-6T-070.180.810-7T-070.210.753-6T-070.902.501-3T-070.903.622-5T-070.907.619-6T-070.000.128-0T-070.001.637-0T-070.002.297-4T-070.007.927-1T-070.010.166-1T-070.012.000-8T-070.012.596-7T-070.012.870-6T-070.023.900-4T-070.025.231-8T-070.038.248-4T-070.038.492-4T-070.039.701-8T-070.049.355-5T-070.055.657-5T-070.086.610-9T-070.088.858-9T-070.090.865-1T-070.097.268-4T-070.109.406-5T-070.109.584-2T-070.109.629-8T-070.109.918-4T-070.109.919-5T-070.110.008-4T-070.110.436-0T-070.126.378-6T-070.134.021-7T-070.135.404-2T-070.138.390-5T-070.138.708-7T-070.138.733-8T-070.138.987-8T-070.152.461-9T-070.152.693-3T-070.153.337-0T-070.159.398-7T-070.159.399-8T-070.159.853-9T-071.059.730-0T-071.882.807-9T-902.479.774-8T-902.936.955-9T-070.026.170-6T-070.134.078-4T-070.137.026-4
Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 604988993424?
604988993424 is a Universal Product Code (UPC) assigned to It’s Easy to Remember by Bing Crosby. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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