UPC · Release
The Rough Guides: American Roots Box
Various Artists
Last verified:
605633900323 is the Universal Product Code (UPC barcode) for the release “The Rough Guides: American Roots Box” by Various Artists, released 2003-08-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include USRO29228501, USRO29633005, USA2P0714652.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Gospel Train | — | ||
| 2-2 | Every Time You Say Goodbye | Alison Krauss & Union Station | — | |
| 2-3 | Lonesome Moonlight Waltz | The Bluegrass Album Band | T-700.038.783-9 | |
| 2-4 | Matterhorn | Country Gentlemen | T-700.042.599-2 | |
| 2-5 | Hills of Home | Hazel Dickens | T-700.022.067-9 | |
| 2-6 | Chicken Reel | — | ||
| 2-7 | Lonesome Wind Blues | Rhonda Vincent | T-700.038.820-7 | |
| 2-8 | Hello City Limits | — | ||
| 2-9 | My Better Years | The Johnson Mountain Boys | T-700.046.123-6 | |
| 2-10 | Shiloh | — | ||
| 2-11 | Rank Stranger | — | ||
| 2-12 | Brighter Mansion | Longview | T-071.075.431-6 | |
| 2-13 | Nashville Blues | — | ||
| 2-14 | Sweetheart, Darling of Mine | Claire Lynch | T-914.012.143-3 | |
| 2-15 | I’ve Waited as Long as I Can | Tony Rice | T-700.028.172-3 | |
| 2-16 | Crossfire | Béla Fleck | — | |
| 2-17 | You’ll Get No More of Me | — | ||
| 2-18 | My Sweet Love Ain’t Around | — | ||
| 2-19 | Can’t Say Goodbye | — | ||
| 2-20 | Mama’s Hand | Lynn Morris | T-700.041.719-8 | |
| 2-21 | I’ve Lived a Lot in My Time | — |
Additional database matches (22)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Zydeco Boogaloo | Buckwheat Zydeco | — |
| Rolling Pin | BeauSoleil | — |
| Grande bosco | Eddie LeJeune | — |
| Preachin’ Blues (Up Jumped the Devil) | Robert Johnson | — |
| Sitting on Top of the World | Mississippi Sheiks | T-302.341.957-6 |
| Last Kind Words Blues | Geechie Wiley, Elvie Thomas | — |
| Cool Drink of Water Blues | Tommy Johnson | — |
| Future Blues | Willie Brown | — |
| Stack O’Lee Blues | Mississippi John Hurt | — |
| Meet Me in the City | Junior Kimbrough | T-700.043.064-0 |
| That’s No Way to Get Along | Robert Wilkins | T-072.385.932-2 |
| Baby, Please Don’t Go | Big Joe Williams | T-070.278.618-2 |
| I’m So Glad | Skip James | T-906.252.889-6 |
| Preachin’ Blues (Up Jumped the Devil) | Robert Johnson | T3057652543 |
| Stack O’Lee | Mississippi John Hurt | — |
| Sitting on Top of the World | Mississippi Sheiks | T-302.341.957-6 |
| Sitting on Top of the World | Mississippi Sheiks | T-302.341.957-6 |
| That’s No Way to Get Along | Robert Wilkins | T-072.385.932-2 |
| Baby, Please Don’t Go | Big Joe Williams | T-070.278.618-2 |
| Preachin’ Blues (Up Jumped the Devil) | Robert Johnson | T3057652543 |
| Preachin’ Blues (Up Jumped the Devil) | Robert Johnson | T3057652543 |
| Preachin’ Blues (Up Jumped the Devil) | Robert Johnson | T3057652543 |
What other identifiers does this connect to?
Musical Works (ISWC)
+22 more
Songwriters/Publishers (IPI)
+30 more
Creative Contributors (ISNI)
+40 more
Identifier Graph
People also ask
Verified on
What is UPC 605633900323?
605633900323 is a Universal Product Code (UPC) assigned to The Rough Guides: American Roots Box by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm