UPC · Release
J.S. Bach, Amsterdam Baroque Orchestra, Choir, Ton Koopman
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The UPC for “Cantatas, Vol. 22” by J.S. Bach, Amsterdam Baroque Orchestra, Choir, Ton Koopman is 608917222227. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Antoine Marchand. This release contains 59 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cantata "Ein feste Burg ist unser Gott" BWV 80: I. Chorus: “Ein feste Burg ist unser Gott” | — | ||
| 2 | Cantata "Ein feste Burg ist unser Gott" BWV 80: II. Aria (Soprano, Bass): “Alles, was von Gott geboren/Mit unser Macht” | — | ||
| 3 | Cantata "Ein feste Burg ist unser Gott" BWV 80: III. Recitative (Bass): “Erwäge doch, Kind Gottes” | — | ||
| 4 | Cantata "Ein feste Burg ist unser Gott" BWV 80: IV. Aria (Soprano): “Komm in mein Herzenshaus” | — | ||
| 5 | Cantata "Ein feste Burg ist unser Gott" BWV 80: V. Chorale: “Und wenn die Welt voll Teufel wär” | — | ||
| 6 | Cantata "Ein feste Burg ist unser Gott" BWV 80: VI. Recitative (Tenor): “So stehe dann bei Christi blutgefärbten Fahne” | — | ||
| 7 | Cantata "Ein feste Burg ist unser Gott" BWV 80: VII. Aria (Duet: Alt, Tenor): “Wie selig sind doch die, die Gott im Munde tragen" | — | ||
| 8 | Cantata "Ein feste Burg ist unser Gott" BWV 80: VIII. Chorale: “Das Wort, sie sollen lassen stahn” | — | ||
| 9 | Missa in G, BWV 236: I. Kyrie | — | ||
| 10 | Missa in G, BWV 236: II. Gloria | — | ||
| 11 | Missa in G, BWV 236: III. Gratias | — | ||
| 12 | Missa in G, BWV 236: IV. Domine Deus | — | ||
| 13 | Missa in G, BWV 236: V. Quoniam | — | ||
| 14 | Missa in G, BWV 236: VI. Cum Sancto Spiritu | — | ||
| 15 | Cantata "Freue dich, erlöste Schar BWV 30": I. Chorus: “Freue dich, erlöste Schar” | — | ||
| 16 | Cantata "Freue dich, erlöste Schar BWV 30": II. Recitative (Bass): “Wir haben Rast, und des Gesetzes Last” | — | ||
| 17 | Cantata "Freue dich, erlöste Schar BWV 30": III. Aria (Bass): “Globet sei Gott, gelobet sein Namen” | — | ||
| 18 | Cantata "Freue dich, erlöste Schar BWV 30": IV. Recitative (Alto): “Der Herold kömmte und meldt den König an” | — | ||
| 19 | Cantata "Freue dich, erlöste Schar BWV 30": V. Aria (Alto): “Kommt, ihr angefochtnen Sünder” | — | ||
| 20 | Cantata "Freue dich, erlöste Schar BWV 30": I. Chorale: “Eine Stimme läßt sich hören” | — | ||
| 21 | Cantata "Freue dich, erlöste Schar BWV 30": VI. Recitative (Bass): “So bist du denn, mein Heil, bedacht” | — | ||
| 22 | Cantata "Freue dich, erlöste Schar BWV 30": VII. Aria (Bass): “Ich will nun hassen und alles lassen” | — | ||
| 23 | Cantata "Freue dich, erlöste Schar BWV 30": VIII. Recitative (Soprano): “Und ob wohl sonst der Unbestand” | — | ||
| 24 | Cantata "Freue dich, erlöste Schar BWV 30": IX. Aria (Soprano): “Eilt, ihr Stunden, kommt herbei” | — | ||
| 25 | Cantata "Freue dich, erlöste Schar BWV 30": X. Recitative (Tenor): “Geduld” | — | ||
| 26 | Cantata "Freue dich, erlöste Schar BWV 30": XI. Chorus: “Freue dich, geheilgte Schar” | — | ||
| 2-1 | Missa in F, BWV 233: I. Kyrie | — | ||
| 2-2 | Missa in F, BWV 233: II. Gloria | — | ||
| 2-3 | Missa in F, BWV 233: III. Domine Deus | — | ||
| 2-4 | Missa in F, BWV 233: IV. Qui tollis | — | ||
| 2-5 | Missa in F, BWV 233: V. Quoniam | — | ||
| 2-6 | Missa in F, BWV 233: VI. Cum Sancto Spiritu | — | ||
| 2-7 | Missa in A, BWV 234: I. Kyrie | — | ||
| 2-8 | Missa in A, BWV 234: II. Gloria | — | ||
| 2-9 | Missa in A, BWV 234: III. Domine Deus | — | ||
| 2-10 | Missa in A, BWV 234: IV. Qui tollis | — | ||
| 2-11 | Missa in A, BWV 234: V. Quoniam | — | ||
| 2-12 | Missa in A, BWV 234: VI. Cum Sancto Spiritu | — | ||
| 2-13 | Gaudete omnes populi, F103: Chorus: Gaudete omnes populi | — | ||
| 2-14 | Gaudete omnes populi, F103: Chorus: Manebit verbum Domini | — | ||
| 3-1 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: I. Chorus: “Angenehmes Wiederau, freue dich in deinen Auen” | — | ||
| 3-2 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: II. Recitative (Bass): “So ziehen wir in diesem Hause” | — | ||
| 3-3 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: III. Aria (Bass): “Willkommen im Heil, willkommen in Freuden” | — | ||
| 3-4 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: IV. Recitative (Alto): “Da heute dir, gepriesner Hennikke” | — | ||
| 3-5 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: V. Aria (Alto): “Was die Seele kann ergötzen” | — | ||
| 3-6 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: VI. Recitative (Bass): “Und wie ich jederzeit bedacht” | — | ||
| 3-7 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: VII. Aria (Bass): “Ich will dich halten und mit dir walten” | — | ||
| 3-8 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: VIII. Recitative (Soprano): “Und obwohl sonst der Unbestand” | — | ||
| 3-9 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: IX. Aria (Soprano): “Eilt, ihr Stunden, wie ihr wollt” | — | ||
| 3-10 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: X. Recitative (Tenor): “So recht! Ihr seid mir werte Gäste” | — | ||
| 3-11 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: XI. Aria (Tenor): “So wie ich die Tropfen zolle” | — | ||
| 3-12 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: XII. Recitative (S, A, T, B): “Drum, angenehmes Wiederau” | — | ||
| 3-13 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: XIII. Chorus: “Angenehmes Wiederau, prange nun in deinen Auen!” | — | ||
| 3-14 | Missa in g, BWV 235: I. Kyrie | — | ||
| 3-15 | Missa in g, BWV 235: II. Gloria | — | ||
| 3-16 | Missa in g, BWV 235: III. Gratias | — | ||
| 3-17 | Missa in g, BWV 235: IV. Domine Fili | — | ||
| 3-18 | Missa in g, BWV 235: V. Qui tollis | — | ||
| 3-19 | Missa in g, BWV 235: VI. Cum Sancto Spiritu | — |
Credits Graph
608917222227 is a Universal Product Code (UPC) assigned to Cantatas, Vol. 22 by J.S. Bach, Amsterdam Baroque Orchestra, Choir, Ton Koopman. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Cantatas, Vol. 22” by J.S. Bach, Amsterdam Baroque Orchestra, Choir, Ton Koopman is 608917222227. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Antoine Marchand. This release contains 59 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cantata "Ein feste Burg ist unser Gott" BWV 80: I. Chorus: “Ein feste Burg ist unser Gott” | — | ||
| 2 | Cantata "Ein feste Burg ist unser Gott" BWV 80: II. Aria (Soprano, Bass): “Alles, was von Gott geboren/Mit unser Macht” | — | ||
| 3 | Cantata "Ein feste Burg ist unser Gott" BWV 80: III. Recitative (Bass): “Erwäge doch, Kind Gottes” | — | ||
| 4 | Cantata "Ein feste Burg ist unser Gott" BWV 80: IV. Aria (Soprano): “Komm in mein Herzenshaus” | — | ||
| 5 | Cantata "Ein feste Burg ist unser Gott" BWV 80: V. Chorale: “Und wenn die Welt voll Teufel wär” | — | ||
| 6 | Cantata "Ein feste Burg ist unser Gott" BWV 80: VI. Recitative (Tenor): “So stehe dann bei Christi blutgefärbten Fahne” | — | ||
| 7 | Cantata "Ein feste Burg ist unser Gott" BWV 80: VII. Aria (Duet: Alt, Tenor): “Wie selig sind doch die, die Gott im Munde tragen" | — | ||
| 8 | Cantata "Ein feste Burg ist unser Gott" BWV 80: VIII. Chorale: “Das Wort, sie sollen lassen stahn” | — | ||
| 9 | Missa in G, BWV 236: I. Kyrie | — | ||
| 10 | Missa in G, BWV 236: II. Gloria | — | ||
| 11 | Missa in G, BWV 236: III. Gratias | — | ||
| 12 | Missa in G, BWV 236: IV. Domine Deus | — | ||
| 13 | Missa in G, BWV 236: V. Quoniam | — | ||
| 14 | Missa in G, BWV 236: VI. Cum Sancto Spiritu | — | ||
| 15 | Cantata "Freue dich, erlöste Schar BWV 30": I. Chorus: “Freue dich, erlöste Schar” | — | ||
| 16 | Cantata "Freue dich, erlöste Schar BWV 30": II. Recitative (Bass): “Wir haben Rast, und des Gesetzes Last” | — | ||
| 17 | Cantata "Freue dich, erlöste Schar BWV 30": III. Aria (Bass): “Globet sei Gott, gelobet sein Namen” | — | ||
| 18 | Cantata "Freue dich, erlöste Schar BWV 30": IV. Recitative (Alto): “Der Herold kömmte und meldt den König an” | — | ||
| 19 | Cantata "Freue dich, erlöste Schar BWV 30": V. Aria (Alto): “Kommt, ihr angefochtnen Sünder” | — | ||
| 20 | Cantata "Freue dich, erlöste Schar BWV 30": I. Chorale: “Eine Stimme läßt sich hören” | — | ||
| 21 | Cantata "Freue dich, erlöste Schar BWV 30": VI. Recitative (Bass): “So bist du denn, mein Heil, bedacht” | — | ||
| 22 | Cantata "Freue dich, erlöste Schar BWV 30": VII. Aria (Bass): “Ich will nun hassen und alles lassen” | — | ||
| 23 | Cantata "Freue dich, erlöste Schar BWV 30": VIII. Recitative (Soprano): “Und ob wohl sonst der Unbestand” | — | ||
| 24 | Cantata "Freue dich, erlöste Schar BWV 30": IX. Aria (Soprano): “Eilt, ihr Stunden, kommt herbei” | — | ||
| 25 | Cantata "Freue dich, erlöste Schar BWV 30": X. Recitative (Tenor): “Geduld” | — | ||
| 26 | Cantata "Freue dich, erlöste Schar BWV 30": XI. Chorus: “Freue dich, geheilgte Schar” | — | ||
| 2-1 | Missa in F, BWV 233: I. Kyrie | — | ||
| 2-2 | Missa in F, BWV 233: II. Gloria | — | ||
| 2-3 | Missa in F, BWV 233: III. Domine Deus | — | ||
| 2-4 | Missa in F, BWV 233: IV. Qui tollis | — | ||
| 2-5 | Missa in F, BWV 233: V. Quoniam | — | ||
| 2-6 | Missa in F, BWV 233: VI. Cum Sancto Spiritu | — | ||
| 2-7 | Missa in A, BWV 234: I. Kyrie | — | ||
| 2-8 | Missa in A, BWV 234: II. Gloria | — | ||
| 2-9 | Missa in A, BWV 234: III. Domine Deus | — | ||
| 2-10 | Missa in A, BWV 234: IV. Qui tollis | — | ||
| 2-11 | Missa in A, BWV 234: V. Quoniam | — | ||
| 2-12 | Missa in A, BWV 234: VI. Cum Sancto Spiritu | — | ||
| 2-13 | Gaudete omnes populi, F103: Chorus: Gaudete omnes populi | — | ||
| 2-14 | Gaudete omnes populi, F103: Chorus: Manebit verbum Domini | — | ||
| 3-1 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: I. Chorus: “Angenehmes Wiederau, freue dich in deinen Auen” | — | ||
| 3-2 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: II. Recitative (Bass): “So ziehen wir in diesem Hause” | — | ||
| 3-3 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: III. Aria (Bass): “Willkommen im Heil, willkommen in Freuden” | — | ||
| 3-4 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: IV. Recitative (Alto): “Da heute dir, gepriesner Hennikke” | — | ||
| 3-5 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: V. Aria (Alto): “Was die Seele kann ergötzen” | — | ||
| 3-6 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: VI. Recitative (Bass): “Und wie ich jederzeit bedacht” | — | ||
| 3-7 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: VII. Aria (Bass): “Ich will dich halten und mit dir walten” | — | ||
| 3-8 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: VIII. Recitative (Soprano): “Und obwohl sonst der Unbestand” | — | ||
| 3-9 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: IX. Aria (Soprano): “Eilt, ihr Stunden, wie ihr wollt” | — | ||
| 3-10 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: X. Recitative (Tenor): “So recht! Ihr seid mir werte Gäste” | — | ||
| 3-11 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: XI. Aria (Tenor): “So wie ich die Tropfen zolle” | — | ||
| 3-12 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: XII. Recitative (S, A, T, B): “Drum, angenehmes Wiederau” | — | ||
| 3-13 | Cantata "Angenehmes Wiederau, freue dich in deinen Auen" BWV 30a: XIII. Chorus: “Angenehmes Wiederau, prange nun in deinen Auen!” | — | ||
| 3-14 | Missa in g, BWV 235: I. Kyrie | — | ||
| 3-15 | Missa in g, BWV 235: II. Gloria | — | ||
| 3-16 | Missa in g, BWV 235: III. Gratias | — | ||
| 3-17 | Missa in g, BWV 235: IV. Domine Fili | — | ||
| 3-18 | Missa in g, BWV 235: V. Qui tollis | — | ||
| 3-19 | Missa in g, BWV 235: VI. Cum Sancto Spiritu | — |
