UPC · Album
Classic Country: Duets
Various Artists
Last verified:
610583353327 is the Universal Product Code (UPC barcode) for the release “Classic Country: Duets” by Various Artists, released 2010-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include US3M50997001, US3M51331103, USCN10200088.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (37)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| You’re the Reason God Made Oklahoma | David Frizzell, Shelly West | US3M50997001 |
| You’re the Reason God Made Oklahoma | David Frizzell, Shelly West | US3M51331103 |
| We’ve Got Tonight | Kenny Rogers, Sheena Easton | USCN10200088 |
| All I Have to Do Is Dream | Bobbie Gentry, Glen Campbell | USCN10200430 |
| We’ve Got Tonight | Kenny Rogers, Sheena Easton | USCN10500375 |
| We’ve Got Tonight | Kenny Rogers, Sheena Easton | USCN18300009 |
| Meet Me in Montana | Dan Seals, Marie Osmond | USCN18500017 |
| All I Have to Do Is Dream | Bobbie Gentry, Glen Campbell | USCN18600017 |
| You and I | Eddie Rabbitt, Crystal Gayle | USCN19000144 |
| We Must Have Been Out of Our Minds | George Jones, Melba Montgomery | USCN19100101 |
| Meet Me in Montana (W/Dan Seals) | Marie Osmond | USCRB9900426 |
| Louisiana Woman, Mississippi Man | Loretta Lynn, Conway Twitty | USMC17301384 |
| Feelins’ | Loretta Lynn, Conway Twitty | USMC17503995 |
| Islands in the Stream | Kenny Rogers, Dolly Parton | USRC18307961 |
| I Don’t Want to Have to Marry You | Jim Ed Brown & Helen Cornelius | USRN10100235 |
| Islands in the Stream | Dolly Parton, Kenny Rogers | USRN19400390 |
| Holding on to Nothin’ | Porter Wagoner, Dolly Parton | USRN19600069 |
| Please Don’t Stop Loving Me | Porter Wagoner, Dolly Parton | USRN19600084 |
| Suspicious Minds | Waylon Jennings, Jessi Colter | USRN19600140 |
| Islands in the Stream | Dolly Parton, Kenny Rogers | USRN19600175 |
| My Elusive Dreams | Tammy Wynette, David Houston | USSM10309478 |
| Jackson | Johnny Cash, June Carter | USSM11201904 |
| Jackson | Johnny Cash, June Carter | USSM16700035 |
| Jackson | Johnny Cash, June Carter | USSM16700320 |
| Jackson | Johnny Cash, June Carter | USSM16701326 |
| Jackson | Johnny Cash, June Carter | USSM16701409 |
| If I Were a Carpenter | Johnny Cash, The Tennessee Three | USSM16900789 |
| If I Were a Carpenter | Johnny Cash, The Tennessee Three | USSM17001097 |
| A Place to Fall Apart | Merle Haggard, Janie Fricke | USSM18300615 |
| I Will Always Love You | Dolly Parton, Vince Gill | USSM19501893 |
| If I Were a Carpenter | Johnny Cash, The Tennessee Three | USSM19902077 |
| Golden Ring | George Jones & Tammy Wynette | USSM19903471 |
| We’re Gonna Hold On | George Jones & Tammy Wynette | USSM19903472 |
| Golden Ring | George Jones & Tammy Wynette | USSM19903509 |
| We’re Gonna Hold On | George Jones & Tammy Wynette | USSM19903532 |
| We’re Gonna Hold On | George Jones & Tammy Wynette | USSM19903636 |
| A Place to Fall Apart | Merle Haggard, Janie Fricke | USSM19905501 |
What other identifiers does this connect to?
Musical Works (ISWC)
+31 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+26 more
People also ask
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What is UPC 610583353327?
610583353327 is a Universal Product Code (UPC) assigned to Classic Country: Duets by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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