UPC · Release
The Nonesuch Guide to Electronic Music
Beaver & Krause
617742064322
68 tracksReleased 2005-01-01Collectors' Choice Music
Last verified:
617742064322 is the Universal Product Code (UPC barcode) for the release “The Nonesuch Guide to Electronic Music” by Beaver & Krause, released 2005-01-01 on Collectors' Choice Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 68 tracks, each with its own ISRC.
Format
6Number system
17742Manufacturer
06432Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (68)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Peace Three | — | ||
| 2 | Signal Generators: Sine Waveform: Slow-Motion Audible Example | — | ||
| 3 | Signal Generators: Sine Waveform: Composition | — | ||
| 4 | Signal Generators: Sine Waveform: Harmonic Synthesis | — | ||
| 5 | Signal Generators: Sine Waveform: Non-Harmonic Synthesis | — | ||
| 6 | Signal Generators: Sawtooth Waveform: Slow-Motion (Neg and Pos-Going) | — | ||
| 7 | Signal Generators: Sawtooth Waveform: Composition | — | ||
| 8 | Signal Generators: Rectangular Waveform: Slow-Motion Audible Example (1/8-1/2) | — | ||
| 9 | Signal Generators: Rectangular Waveform: Compostion (Using 1/8, 1/7, 1/3, 1/2) | — | ||
| 10 | Signal Generators: Triangular Waveform: Slow-Motion Audible Example | — | ||
| 11 | Signal Generators: Triangular Waveform: Composition | — | ||
| 12 | Signal Generators: White Sound Composition | — | ||
| 13 | Signal Generators: Control Generators: Transient Generator, Amplitude, Frequency, and Timbre Modulating in Slow Motion | — | ||
| 14 | Signal Generators: Control Generators: Sequential Voltage Sources, Composition | — | ||
| 15 | Frequency Modulation: Keyboard Control: 12-Tone | — | ||
| 16 | Frequency Modulation: Keyboard Control: Quarter-Tone (One Real Octave = 2 Keyboard Octaves) | — | ||
| 17 | Frequency Modulation: Keyboard Control: Ditone (Four Real Octaves Played in Keyboard Range of One Octave) | — | ||
| 18 | Frequency Modulation: Keyboard Control: Portamento | — | ||
| 19 | Frequency Modulation: Ribbon Control | — | ||
| 20 | Frequency Modulation: Periodic: Vibrato (S) (Speed Increases as Pitch Rises) | — | ||
| 21 | Frequency Modulation: Periodic: Sine - Higher Frequency | — | ||
| 22 | Frequency Modulation: Periodic: Sawtooth - Swept | — | ||
| 23 | Frequency Modulation: Periodic: Rectangular 1/2 - Swept (L2) | — | ||
| 24 | Frequency Modulation: Periodic: Triangular - Swept | — | ||
| 25 | Frequency Modulation: Periodics Combined: 3 Square Waves at Different Frequencies | — | ||
| 26 | Frequency Modulation: Periodics Combined: 3 Triangular Waves at Different Frequencies | — | ||
| 27 | Frequency Modulation: Periodics Combined: 4 Different Waveforms (2L), (2N), (2V), (2S) at Different Frequencies | — | ||
| 28 | Frequency Modulation: White Sound | — | ||
| 29 | Frequency Modulation: Transient: Up an Octave, Back to Pitch | — | ||
| 30 | Frequency Modulation: Transient: Up a 3rd, Back to Pitch | — | ||
| 31 | Frequency Modulation: Transient: Down an Octave, Back to Pitch | — | ||
| 32 | Frequency Modulation: Transient: Down a 3rd, Back to Pitch | — | ||
| 33 | Amplitude Modulation: Keyboard | — | ||
| 34 | Amplitude Modulation: Ribbon Controller | — | ||
| 35 | Amplitude Modulation: Periodic: Tremolo | — | ||
| 36 | Amplitude Modulation: Periodic: Sine - Higher Frequencies (S Sweeping S) | — | ||
| 37 | Amplitude Modulation: Periodic: Sawtooth (Neg-Pos - Going Swept) | — | ||
| 38 | Amplitude Modulation: Periodic: Rectangular - (L2) Swept | — | ||
| 39 | Amplitude Modulation: Periodic: Triangular - Swept | — | ||
| 40 | Amplitude Modulation: Periodics Combined: 4 Square | — | ||
| 41 | Amplitude Modulation: Periodics Combined: 3 Triangular | — | ||
| 42 | Amplitude Modulation: Periodics Combined: 4 Different (S), (N), (L2), (V) | — | ||
| 43 | Amplitude Modulation: White Sound | — | ||
| 44 | Amplitude Modulation: Transient: Slow | — | ||
| 45 | Amplitude Modulation: Transient:with Rising Pitch | — | ||
| 46 | Amplitude Modulation: Transient: (Graphic Jagged Lines) | — | ||
| 47 | Amplitude Modulation: Ring Modulation: Sine Waves: Series of Sub-Audible Constants | — | ||
| 48 | Amplitude Modulation: Ring Modulation: Sine Waves: Tune in Parallel | — | ||
| 49 | Amplitude Modulation: Ring Modulation: Sine Waves: Tuned in Opposite Direction | — | ||
| 50 | Amplitude Modulation: Ring Modulation: Sine Waves: Sawtooth | — | ||
| 51 | Amplitude Modulation: Ring Modulation: Sine Waves: Rectangular (L2) | — | ||
| 52 | Filtering: White Sound - with Fixed Filters Selected 3rd Octave | — | ||
| 53 | Filtering: White Sound - Tuned Filters: Broad | — | ||
| 54 | Filtering: White Sound - Tuned Filters: Sharp | — | ||
| 55 | Filtering: Low Frequency Saw-Tooth Tuning Through Harmonics | — | ||
| 56 | Filtering: Composition-Tuning Through 2nd, 3rd, 7th, and 16th Harmonics | — | ||
| 57 | Filtering: Swept with Ribbon Controller | — | ||
| 58 | Filtering: Periodic: Sine-Timbre Vibrato Effect | — | ||
| 59 | Filtering: Periodic: Sine-Variable Rate and Depth | — | ||
| 60 | Filtering: Periodic: Sawtooth (Descending and Ascending | — | ||
| 61 | Filtering: Periodic: Rectangular (L2) | — | ||
| 62 | Filtering: Transient (Sawtooth with Transient Controlled Filter): 1 | — | ||
| 63 | Filtering: Transient (Sawtooth with Transient Controlled Filter): 2 | — | ||
| 64 | Filtering: Transient (Sawtooth with Transient Controlled Filter): 3 | — | ||
| 65 | Filtering: Transient (Sawtooth with Transient Controlled Filter): 4 | — | ||
| 66 | Tape Delay: Single Repeat | — | ||
| 67 | Tape Delay: Multiple Repeat | — | ||
| 68 | Peace Three (Recap) | — |
Peace Three
—
Signal Generators: Sine Waveform: Slow-Motion Audible Example
—
Signal Generators: Sine Waveform: Composition
—
Signal Generators: Sine Waveform: Harmonic Synthesis
—
Signal Generators: Sine Waveform: Non-Harmonic Synthesis
—
Signal Generators: Sawtooth Waveform: Slow-Motion (Neg and Pos-Going)
—
Signal Generators: Sawtooth Waveform: Composition
—
Signal Generators: Rectangular Waveform: Slow-Motion Audible Example (1/8-1/2)
—
Signal Generators: Rectangular Waveform: Compostion (Using 1/8, 1/7, 1/3, 1/2)
—
Signal Generators: Triangular Waveform: Slow-Motion Audible Example
—
Signal Generators: Triangular Waveform: Composition
—
Signal Generators: White Sound Composition
—
Signal Generators: Control Generators: Transient Generator, Amplitude, Frequency, and Timbre Modulating in Slow Motion
—
Signal Generators: Control Generators: Sequential Voltage Sources, Composition
—
Frequency Modulation: Keyboard Control: 12-Tone
—
Frequency Modulation: Keyboard Control: Quarter-Tone (One Real Octave = 2 Keyboard Octaves)
—
Frequency Modulation: Keyboard Control: Ditone (Four Real Octaves Played in Keyboard Range of One Octave)
—
Frequency Modulation: Keyboard Control: Portamento
—
Frequency Modulation: Ribbon Control
—
Frequency Modulation: Periodic: Vibrato (S) (Speed Increases as Pitch Rises)
—
Frequency Modulation: Periodic: Sine - Higher Frequency
—
Frequency Modulation: Periodic: Sawtooth - Swept
—
Frequency Modulation: Periodic: Rectangular 1/2 - Swept (L2)
—
Frequency Modulation: Periodic: Triangular - Swept
—
Frequency Modulation: Periodics Combined: 3 Square Waves at Different Frequencies
—
Frequency Modulation: Periodics Combined: 3 Triangular Waves at Different Frequencies
—
Frequency Modulation: Periodics Combined: 4 Different Waveforms (2L), (2N), (2V), (2S) at Different Frequencies
—
Frequency Modulation: White Sound
—
Frequency Modulation: Transient: Up an Octave, Back to Pitch
—
Frequency Modulation: Transient: Up a 3rd, Back to Pitch
—
Frequency Modulation: Transient: Down an Octave, Back to Pitch
—
Frequency Modulation: Transient: Down a 3rd, Back to Pitch
—
Amplitude Modulation: Keyboard
—
Amplitude Modulation: Ribbon Controller
—
Amplitude Modulation: Periodic: Tremolo
—
Amplitude Modulation: Periodic: Sine - Higher Frequencies (S Sweeping S)
—
Amplitude Modulation: Periodic: Sawtooth (Neg-Pos - Going Swept)
—
Amplitude Modulation: Periodic: Rectangular - (L2) Swept
—
Amplitude Modulation: Periodic: Triangular - Swept
—
Amplitude Modulation: Periodics Combined: 4 Square
—
Amplitude Modulation: Periodics Combined: 3 Triangular
—
Amplitude Modulation: Periodics Combined: 4 Different (S), (N), (L2), (V)
—
Amplitude Modulation: White Sound
—
Amplitude Modulation: Transient: Slow
—
Amplitude Modulation: Transient:with Rising Pitch
—
Amplitude Modulation: Transient: (Graphic Jagged Lines)
—
Amplitude Modulation: Ring Modulation: Sine Waves: Series of Sub-Audible Constants
—
Amplitude Modulation: Ring Modulation: Sine Waves: Tune in Parallel
—
Amplitude Modulation: Ring Modulation: Sine Waves: Tuned in Opposite Direction
—
Amplitude Modulation: Ring Modulation: Sine Waves: Sawtooth
—
Amplitude Modulation: Ring Modulation: Sine Waves: Rectangular (L2)
—
Filtering: White Sound - with Fixed Filters Selected 3rd Octave
—
Filtering: White Sound - Tuned Filters: Broad
—
Filtering: White Sound - Tuned Filters: Sharp
—
Filtering: Low Frequency Saw-Tooth Tuning Through Harmonics
—
Filtering: Composition-Tuning Through 2nd, 3rd, 7th, and 16th Harmonics
—
Filtering: Swept with Ribbon Controller
—
Filtering: Periodic: Sine-Timbre Vibrato Effect
—
Filtering: Periodic: Sine-Variable Rate and Depth
—
Filtering: Periodic: Sawtooth (Descending and Ascending
—
Filtering: Periodic: Rectangular (L2)
—
Filtering: Transient (Sawtooth with Transient Controlled Filter): 1
—
Filtering: Transient (Sawtooth with Transient Controlled Filter): 2
—
Filtering: Transient (Sawtooth with Transient Controlled Filter): 3
—
Filtering: Transient (Sawtooth with Transient Controlled Filter): 4
—
Tape Delay: Single Repeat
—
Tape Delay: Multiple Repeat
—
Peace Three (Recap)
—
Credits Graph
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What is UPC 617742064322?
617742064322 is a Universal Product Code (UPC) assigned to The Nonesuch Guide to Electronic Music by Beaver & Krause. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 68 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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