UPC · Release
The Mahler Broadcasts 1948-1982
Mahler, New York Philharmonic
619054184842
76 tracksReleased 1998-01-01Philharmonic-Symphony Society of New York
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619054184842 is the Universal Product Code (UPC barcode) for the release “The Mahler Broadcasts 1948-1982” by Mahler, New York Philharmonic, released 1998-01-01 on Philharmonic-Symphony Society of New York. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC.
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19054Manufacturer
18484Product
2Check digit
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Credit Chain
UPCThe Mahler Broadcasts 1948-1982
ISWC1 work
IPI1 songwriter
Track List (76)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut | — | ||
| 2 | Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 3 | Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony No. 1 in D major: IV. Stürmisch bewegt | — | ||
| 5 | Lieder eines fahrenden Gesellen No. 1 "Wenn mein Schatz Hochzeit macht" | — | ||
| 6 | Lieder eines fahrenden Gesellen No. 2 "Ging heut' morgen über's Feld" | — | ||
| 7 | Lieder eines fahrenden Gesellen No. 3 "Ich hab' ein glühend Messer" | — | ||
| 8 | Lieder eines fahrenden Gesellen No. 4 "Die zwei blauen Augen" | — | ||
| 2-1 | Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 2-2 | Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich | — | ||
| 2-3 | Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung | — | ||
| 2-4 | Symphony No. 2 in C minor "Resurrection": IV. "Urlicht." Sehr feier lich, aber schlicht; Choralmäßig | — | ||
| 2-5 | Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend | — | ||
| 3-1 | Symphony No. 3 in D minor, Part I: I. Kräftig. Entschieden | — | ||
| 3-2 | Symphony No. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig | — | ||
| 3-3 | Symphony No. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast | — | ||
| 3-4 | Symphony No. 3 in D minor, Part II: IV. "O mensch! Gib Acht!" Sehr langsam. Misterioso | — | ||
| 3-5 | Symphony No. 3 in D minor, Part II: V. "Es sungen drei Engel." Lustig im Tempo und keck im Ausdruck | — | ||
| 4-1 | Symphony No. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 4-2 | Symphony No. 4 in G major: I. Heiter bedächtig. Nicht eilen - recht gemächlich | — | ||
| 4-3 | Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 4-4 | Symphony No. 4 in G major: III. Ruhevoll (Poco Adagio) | — | ||
| 4-5 | Symphony No. 4 in G major: IV. "Wir genießen die himmlischen Freuden." Sehr behaglich | — | ||
| 5-1 | Symphony No. 5 in C-sharp minor, Part I: I. Trauermarsch: In gemeßenem Schritt | — | ||
| 5-2 | Symphony No. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz | — | ||
| 5-3 | Symphony No. 5 in C-sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell | — | ||
| 5-4 | Symphony No. 5 in C-sharp minor, Part III: IV. Adagietto: Sehr langsam | — | ||
| 5-5 | Symphony No. 5 in C-sharp minor, Part III: V. Rondo-Finale: Allegro giocoso. Frisch | — | ||
| 6-1 | Symphony No. 6 in A minor: I. Allegro energico, ma non troppo | — | ||
| 6-2 | Symphony No. 6 in A minor: II. Andante moderato | — | ||
| 6-3 | Symphony No. 6 in A minor: III. Scherzo | — | ||
| 6-4 | Symphony No. 6 in A minor: IV. Finale: Sostenuto - Allegro energico | — | ||
| 7-1 | Symphony No. 7 in B minor: I. Langsam - Allegro con fuoco | — | ||
| 7-2 | Symphony No. 7 in B minor: II. Nachtmusik I: Allegro moderato | — | ||
| 7-3 | Symphony No. 7 in B minor: III. Schattenhaft: Fließend, aber nicht schnell | — | ||
| 7-4 | Symphony No. 7 in B minor: IV. Nachtmusik II: Andante amoroso | — | ||
| 8-1 | Symphony No. 7 in B minor: V. Rondo-Finale: Allegro ordinario | — | ||
| 8-2 | Das Lied von der Erde No. 1 "Das Trinklied vom Jammer der Erde" | — | ||
| 8-3 | Das Lied von der Erde No. 2 "Der Einsame im Herbst" | — | ||
| 8-4 | Das Lied von der Erde No. 3 "Von der Jugend" | — | ||
| 8-5 | Das Lied von der Erde No. 4 "Von der Schönheit" | — | ||
| 8-6 | Das Lied von der Erde No. 5 "Der Trunkene im Frühling" | — | ||
| 8-7 | Das Lied von der Erde No. 6 "Der Abschied" | — | ||
| 9-1 | Symphony No. 8 in E-flat major, Part I: I. Veni, Creator Spiritus | — | ||
| 9-2 | Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIa.Poco adagio | — | ||
| 9-3 | Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIb. Chorus and Echo | — | ||
| 9-4 | Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIc. Pater ecstaticus | — | ||
| 9-5 | Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IId. Pater profundus | — | ||
| 9-6 | Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIe. Chorus of Angels | — | ||
| 9-7 | Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIf. Mater gloriosa | — | ||
| 9-8 | Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIg. Magna peccatrix | — | ||
| 9-9 | Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIh. Mater gloriosa | — | ||
| 9-10 | Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIi. Chorus mysticus | — | ||
| 10-1 | Symphony No. 9 in D major: I. Andante comodo | — | ||
| 10-2 | Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 10-3 | Symphony No. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig | — | ||
| 10-4 | Symphony No. 9 in D major: IV. Molto adagio | — | ||
| 11-1 | Symphony No. 10 in F-sharp minor: I. Andante - Adagio | — | ||
| 11-2 | Symphony No. 10 in F-sharp minor: II. Purgatorio | — | ||
| 11-3 | The Conductors Speak about Mahler: Bruno Walter | — | ||
| 11-4 | The Conductors Speak about Mahler: Leopold Stokowski | — | ||
| 11-5 | The Conductors Speak about Mahler: Sir John Barbirolli | — | ||
| 11-6 | William Malloch's "I Remember Mahler": Introductions | — | ||
| 11-7 | William Malloch's "I Remember Mahler": Mahler in Vienna | — | ||
| 11-8 | William Malloch's "I Remember Mahler": Mahler in the US | — | ||
| 11-9 | William Malloch's "I Remember Mahler": Mahler's relations with The New York Philharmonic | — | ||
| 12-1 | William Malloch's "I Remember Mahler": Mahler and Other Composers | — | ||
| 12-2 | William Malloch's "I Remember Mahler": Treatment of the Players | — | ||
| 12-3 | William Malloch's "I Remember Mahler": Fine Points of Mahler Interpretation | — | ||
| 12-4 | William Malloch's "I Remember Mahler": Mahler's Reorchestrations | — | ||
| 12-5 | William Malloch's "I Remember Mahler": Benjamin Kohon Reminisces | — | ||
| 12-6 | William Malloch's "I Remember Mahler": Weiss Incident; Mahler and Tchaikovsky | — | ||
| 12-7 | William Malloch's "I Remember Mahler": Mahler's Relations to the Public and Press | — | ||
| 12-8 | William Malloch's "I Remember Mahler": Random Recollections | — | ||
| 12-9 | William Malloch's "I Remember Mahler": Anna Mahler Remembers Her Father | — | ||
| 12-10 | William Malloch's "I Remember Mahler": Mahler and the Musicians | — |
Symphony No. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut
—
Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
—
Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
—
Symphony No. 1 in D major: IV. Stürmisch bewegt
—
Lieder eines fahrenden Gesellen No. 1 "Wenn mein Schatz Hochzeit macht"
—
Lieder eines fahrenden Gesellen No. 2 "Ging heut' morgen über's Feld"
—
Lieder eines fahrenden Gesellen No. 3 "Ich hab' ein glühend Messer"
—
Lieder eines fahrenden Gesellen No. 4 "Die zwei blauen Augen"
—
Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
—
Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich
—
Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
—
Symphony No. 2 in C minor "Resurrection": IV. "Urlicht." Sehr feier lich, aber schlicht; Choralmäßig
—
Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
—
Symphony No. 3 in D minor, Part I: I. Kräftig. Entschieden
—
Symphony No. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig
—
Symphony No. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast
—
Symphony No. 3 in D minor, Part II: IV. "O mensch! Gib Acht!" Sehr langsam. Misterioso
—
Symphony No. 3 in D minor, Part II: V. "Es sungen drei Engel." Lustig im Tempo und keck im Ausdruck
—
Symphony No. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden
—
Symphony No. 4 in G major: I. Heiter bedächtig. Nicht eilen - recht gemächlich
—
Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
—
Symphony No. 4 in G major: III. Ruhevoll (Poco Adagio)
—
Symphony No. 4 in G major: IV. "Wir genießen die himmlischen Freuden." Sehr behaglich
—
Symphony No. 5 in C-sharp minor, Part I: I. Trauermarsch: In gemeßenem Schritt
—
Symphony No. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz
—
Symphony No. 5 in C-sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell
—
Symphony No. 5 in C-sharp minor, Part III: IV. Adagietto: Sehr langsam
—
Symphony No. 5 in C-sharp minor, Part III: V. Rondo-Finale: Allegro giocoso. Frisch
—
Symphony No. 6 in A minor: I. Allegro energico, ma non troppo
—
Symphony No. 6 in A minor: II. Andante moderato
—
Symphony No. 6 in A minor: III. Scherzo
—
Symphony No. 6 in A minor: IV. Finale: Sostenuto - Allegro energico
—
Symphony No. 7 in B minor: I. Langsam - Allegro con fuoco
—
Symphony No. 7 in B minor: II. Nachtmusik I: Allegro moderato
—
Symphony No. 7 in B minor: III. Schattenhaft: Fließend, aber nicht schnell
—
Symphony No. 7 in B minor: IV. Nachtmusik II: Andante amoroso
—
Symphony No. 7 in B minor: V. Rondo-Finale: Allegro ordinario
—
Das Lied von der Erde No. 1 "Das Trinklied vom Jammer der Erde"
—
Das Lied von der Erde No. 2 "Der Einsame im Herbst"
—
Das Lied von der Erde No. 3 "Von der Jugend"
—
Das Lied von der Erde No. 4 "Von der Schönheit"
—
Das Lied von der Erde No. 5 "Der Trunkene im Frühling"
—
Das Lied von der Erde No. 6 "Der Abschied"
—
Symphony No. 8 in E-flat major, Part I: I. Veni, Creator Spiritus
—
Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIa.Poco adagio
—
Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIb. Chorus and Echo
—
Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIc. Pater ecstaticus
—
Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IId. Pater profundus
—
Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIe. Chorus of Angels
—
Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIf. Mater gloriosa
—
Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIg. Magna peccatrix
—
Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIh. Mater gloriosa
—
Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIi. Chorus mysticus
—
Symphony No. 9 in D major: I. Andante comodo
—
Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
—
Symphony No. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig
—
Symphony No. 9 in D major: IV. Molto adagio
—
Symphony No. 10 in F-sharp minor: I. Andante - Adagio
—
Symphony No. 10 in F-sharp minor: II. Purgatorio
—
The Conductors Speak about Mahler: Bruno Walter
—
The Conductors Speak about Mahler: Leopold Stokowski
—
The Conductors Speak about Mahler: Sir John Barbirolli
—
William Malloch's "I Remember Mahler": Introductions
—
William Malloch's "I Remember Mahler": Mahler in Vienna
—
William Malloch's "I Remember Mahler": Mahler in the US
—
William Malloch's "I Remember Mahler": Mahler's relations with The New York Philharmonic
—
William Malloch's "I Remember Mahler": Mahler and Other Composers
—
William Malloch's "I Remember Mahler": Treatment of the Players
—
William Malloch's "I Remember Mahler": Fine Points of Mahler Interpretation
—
William Malloch's "I Remember Mahler": Mahler's Reorchestrations
—
William Malloch's "I Remember Mahler": Benjamin Kohon Reminisces
—
William Malloch's "I Remember Mahler": Weiss Incident; Mahler and Tchaikovsky
—
William Malloch's "I Remember Mahler": Mahler's Relations to the Public and Press
—
William Malloch's "I Remember Mahler": Random Recollections
—
William Malloch's "I Remember Mahler": Anna Mahler Remembers Her Father
—
William Malloch's "I Remember Mahler": Mahler and the Musicians
—
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What is UPC 619054184842?
619054184842 is a Universal Product Code (UPC) assigned to The Mahler Broadcasts 1948-1982 by Mahler, New York Philharmonic. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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