UPC · Release
C’est pas possible !
Normand L’Amour
Last verified:
619061111725 is the Universal Product Code (UPC barcode) for the release “C’est pas possible !” by Normand L’Amour, released 1998-01-01 on Boulevard Musique. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (14)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Je suis le plus | — | ||
| 2 | Le Petit Pinson | — | ||
| 3 | Dans la cuisine | — | ||
| 4 | Wow ! Wow ! | — | ||
| 5 | Les Faux Bourdons | — | ||
| 6 | La Balle de ping‐pong | — | ||
| 7 | Y’a lâchait pas | — | ||
| 8 | Dans les années | — | ||
| 9 | Toute noire | — | ||
| 10 | Elle le regardait, lui | — | ||
| 11 | La Petite Poule d’eau | — | ||
| 12 | DO DU DO DU DE LÉ | — | ||
| 13 | Baba Blues | — | ||
| 14 | Il était le plus | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
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What is UPC 619061111725?
619061111725 is a Universal Product Code (UPC) assigned to C’est pas possible ! by Normand L’Amour. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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